Julie London

Template:Short description Template:For Template:Use American English Template:Use mdy dates Template:Infobox person Julie London (born Julie Peck; September 26, 1926 – October 18, 2000) was an American singer and actress whose career spanned more than 40 years. A torch singer noted for her contralto voice, London recorded over thirty albums of pop and jazz standards between 1955 and 1969. Her recording of "Cry Me a River", a song she introduced on her debut album Julie Is Her Name, was inducted into the Grammy Hall of Fame in 2001. In addition to her musical notoriety, London was nominated for a Golden Globe Award in 1974 for her portrayal of Nurse Dixie McCall in the television series Emergency!

Born in Santa Rosa, California, to vaudevillian parents,<ref>Template:Cite web</ref><ref>Template:Cite web</ref> London was discovered while working as an elevator operator in downtown Los Angeles, and she began her career as an actress. London's 35-year acting career began in film in 1944 and included roles as the female lead in numerous Westerns, co-starring with Rock Hudson in The Fat Man (1951), with Robert Taylor and John Cassavetes in Saddle the Wind (1958), with Gary Cooper in Man of the West (1958) and with Robert Mitchum in The Wonderful Country (1959).

In the mid-1950s, London signed a recording contract with Liberty Records, marking the beginning of her professional musical career. She released her final studio album in 1969 but achieved continuing success by playing the female starring role of nurse Dixie McCall in the television series Emergency! (1972–1979), in which she acted with her husband, Bobby Troup. The show was produced by her ex-husband, Jack Webb.

Early life

File:Julie London 1958.JPG

London appearance on The Garry Moore Show, 1958

London was born Julie PeckTemplate:Efn on September 26, 1926, in Santa Rosa, California, the only child of Josephine Rosalie Peck (née Taylor; 1905 – 1976) and Jack Peck (1901–1977), who were a vaudeville song-and-dance team.Template:Sfn In 1929, when she was three years old, the family moved to San Bernardino, California, where she made her professional singing debut on her parents' radio program.<ref>Template:Cite web</ref>

Throughout her early life, both London and her mother were admirers of Billie Holiday.<ref name=vamp/> London was described by friends and family as a shy child "without much self-confidence".Template:Sfn In 1941, when she was 14, her family moved to Hollywood, California. In her teenage years, she began to sing in local nightclubs in Los Angeles.<ref name=vamp/> She graduated from the Hollywood Professional School in 1945 and worked as an elevator operator in downtown Los Angeles throughout high school.Template:Sfn

Career

File:Julie London Richard Long The Big Valley 1968.JPG

London and Richard Long in The Big Valley 1968

Discovery and early film roles

In 1943, London met Sue Carol, a talent agent and then-wife of actor Alan Ladd, while operating the elevator at Roos Bros., (Roos/Atkins), an upscale clothing store on Hollywood Boulevard.Template:Sfn Struck by London's physical features, Carol facilitated a screen test for the inexperienced actress, and London signed a contract with her. London met Esquire photographer Henry Waxman while working her second job as a clerk at a menswear store, and he shot photographs of her that appeared in the magazine's November 1943 issue.Template:Sfn These photos helped establish her as a pin-up girl during World War II.Template:Sfn

She made her film debut while still in high school, appearing under the name Julie London in Nabonga in 1944. She later starred in the 1947 film The Red House with Edward G. Robinson.Template:Sfn After a series of uncredited roles, she signed a contract with Warner Bros. Pictures, appearing in the war film Task Force (1949)Template:Sfn and the Western Return of the Frontiersman (1950).Template:Sfn She was cast in the lead role of Pat Boyd in the William Castle-directed The Fat Man (1951).Template:Sfn London completed shooting the film in August 1950.Template:Sfn After Warner Bros. dropped her contract,Template:Sfn London was offered a contract with Universal Pictures based on the role, but turned it down, opting instead to focus on her marriage to actor Jack Webb.Template:Sfn

Mainstream films and music

After divorcing Webb in 1954, London resumed her career, appearing in The Fighting Chance, filmed in May 1955 and released by 20th Century Fox.Template:Sfn Earlier in 1955, London was spotted singing at a jazz club in Los Angeles by record producer Simon Waronker, who was recommended to her by her friend (and future husband) Bobby Troup.Template:Sfn Despite her notable stage fright, Waronker was impressed by London's vocals and delivery, and later recalled that "The lyrics poured out of her like a hurt bird."Template:Sfn Waronker convinced London to pursue a recording career and signed her with Liberty Records.Template:Sfn London recorded 32 albumsTemplate:Sfn in a career that began in 1955 with a live performance at the 881 Club in Los Angeles.Template:Sfn Her debut album Julie Is Her Name was released in December of that year, and Billboard named her the most popular female vocalist for 1955, 1956, and 1957. She was the subject of a 1957 Life cover article in which she was quoted as saying "It's only a thimbleful of a voice, and I have to use it close to the microphone. But it is a kind of oversmoked voice, and it automatically sounds intimate."<ref name="Inc1957">Template:Cite book</ref>

London's debut recordings (which appeared on her self-titled extended play) were completed under the New York-based Bethlehem Records label.Template:Sfn Four additional tracks recorded during these sessions were later included on the album Bethlehem's Girlfriends, a compilation album released in 1957.<ref>Template:Cite magazine</ref> Bobby Troup was one of the session musicians on the album. London recorded the standards "Don't Worry About Me", "Motherless Child", "A Foggy Day", and "You're Blasé". "Cry Me a River", London's most famous single, was written by her high-school classmate Arthur Hamilton and produced by Troup.Template:Sfn The recording became a million-seller after its release on her debut album in 1955.Template:Sfn

File:John Cassavetes and Julie London in Saddle the Wind.png

London with John Cassavetes in Saddle the Wind (1958)

While her music career earned her public notice, London also continued to appear in films, with lead roles in Crime Against Joe (1956) as well as appearing as herself in The Girl Can't Help It (1956), in which London performs three songs, including "Cry Me a River".Template:Sfn The film was a box-office success and became one of the top-30 highest grossing films of 1956.Template:Sfn London subsequently appeared in a television advertisement for Marlboro cigarettes, singing the "Marlboro Song".Template:Sfn She appeared in several Westerns: In 1957, she appeared in Drango playing a Southern belle harboring fugitives,Template:Sfn followed by a starring role opposite Gary Cooper in Man of the West, in which her character, the film's only woman, is abused and humiliated by an outlaw gang.Template:Sfn The same year, she appeared as a pending bride in the Western Saddle the Wind;Template:Sfn London's performance received critical acclaim in The New York Times.<ref>Template:Cite news</ref> She appeared in The Wonderful Country in 1959, in which she plays a downtrodden wife of an army major.Template:Sfn

In 1960, London released the album Julie...At Home, which was recorded at her residence in Los Angeles.<ref name=vamp/> The same year, she released Around Midnight, which incorporated a larger backing band in comparison to her previous releases.<ref>Template:Cite web</ref> She released numerous albums on Liberty Records throughout the 1960s, including Whatever Julie Wants (1961), Love Letters (1962), The End of the World (1963), and All Through the Night (1965), the latter a collection of songs by Cole Porter.Template:Sfn

Television work and final recordings

File:Emergency! cast 1973.jpg

Cast of TV's Emergency! (1973), L-R: Kevin Tighe, Robert Fuller, Julie London, Bobby Troup and Randolph Mantooth

London appeared on numerous television series in the 1960s, including guest appearances on Rawhide (1960),Template:Sfn Laramie (1960),Template:Sfn I Spy (1965),Template:Sfn Alfred Hitchcock Presents (1965) and The Big Valley (1968).Template:Sfn She and second husband Bobby Troup frequently appeared as panelists on the game shows Tattletales, Hollywood Squares, and Masquerade Party in the 1970s.Template:Sfn On May 28, 1964, she and Troup recorded a one-hour program for Japanese television in Japan.<ref name=TJLTS>Template:Cite web</ref> London sang 13 of her classic songs, including "Bye Bye Blackbird", "Lonesome Road", and "Cry Me a River".<ref name=TJLTS/> She released studio albums until the end of the decade, and her final studio album was Yummy, Yummy, Yummy (1969), a collection of contemporary songs.Template:Sfn After this, London stopped singing professionally. She had lost significant vocal control due to years of smoking and drinking.Template:Sfn

Emergency!

File:Julie London Bobby Troup Emergency 1971.JPG

London and second husband Bobby Troup in character in season one of Emergency!

London remained close with ex-husband Jack Webb, and in 1972, he cast her and Troup in his television series Emergency!, of which he was executive producer. London played Dixie McCall, Rampart's Chief Nurse of The Emergency Room, and Troup was cast as emergency room physician Dr. Joe Early, along with her best friend Robert Fuller as Dr. Kelly Brackett, Rampart's Chief of Emergency Medicine. They all appeared in the same roles in an episode of the Webb-produced series Adam-12.Template:Sfn

In 1977, after a six-year run of 128 episodes, Emergency! was cancelled despite good ratings. London, the only actress to appear in every episode of the series, was invited back for two of the four TV movie specials, and the show ended in 1979. During this time, London appeared in television advertisements for Rose Milk Skin Care Cream.<ref>Template:Cite book</ref> Later, Webb offered London a position as executive producer of future television projects, but she chose to retire from the television industry to spend more time with her family. She completed "My Funny Valentine", her last musical recording, for the soundtrack of the Burt Reynolds film Sharky's Machine in 1981.Template:Sfn

Artistry

Predominantly a torch singer,<ref name=vamp/> London was described by critics as both "sultry"<ref name=Inc1957/> and "low-keyed".<ref>Template:Cite news</ref> Her recordings were often noted by critics for being "intimate",<ref name=vamp/>Template:Sfn typically featuring sparse guitar and bass arrangements.Template:Sfn A BBC Legends episode noted: "Some singers sing as though they are addressing a crowd; some sing as though they are in a bar with a lot of people—[London] sings as though she's in one room, with you—and that's the difference."<ref name=vamp/>

Music journalist Lucy O'Brien stated: "[In] the mid-'50s...pop [was] in a period of transition from big band swing to small jazz combos; you've got rock'n'roll, you've got R&B—and she managed to incorporate all those influences and feed that into her music. She was very much of her time."<ref name=vamp/> As her career progressed into the 1960s, London's recordings incorporated more elaborate instrumentation, with her vocals backed by larger ensembles.Template:Sfn

Personal life

File:Jack Webb and Julie London with Stacey and Lisa, 1953.jpg

Julie and Jack Webb with Stacey and Lisa, 1953

In 1947, London married actor/producer Jack Webb.Template:Sfn Their relationship was based partly on their common love of jazz.Template:Sfn They had two daughters, Stacy and Lisa. London and Webb divorced in 1954. Julie married Bobby Troup in 1959. Jack Webb died December 23, 1982. Stacy Webb died in a traffic accident in 1996, one day after her mother's 70th birthday.Template:Sfn

Withdrawn and introverted despite her public persona,<ref>Template:Cite web</ref><ref>Template:Cite web</ref> London rarely granted media interviews and never discussed the breakup of her marriage to Webb.<ref name=vamp>Template:Cite episode</ref>

Death

London was a chain smoker from the age of 16 and at times smoked in excess of three packs of cigarettes per day.Template:Sfn She suffered a stroke in 1995 and remained in poor health for the following five years. In late 1999, she was diagnosed with lung cancer but decided to forego treatment due to her weakened physical state.Template:Sfn On October 17, 2000, London was rushed from her home to the Encino-Tarzana Regional Medical Center after choking and struggling to breathe.Template:Sfn She died in the hospital in the early morning hours of October 18 (her late husband's birthday) of what was later determined to be cardiac arrest; she was 74.<ref>Template:Cite web</ref><ref name=martin>Template:Cite web</ref><ref>Template:Cite magazine</ref><ref>Template:Cite news</ref>

London was cremated and buried next to Troup in the Courts of Remembrance Columbarium of Providence at Forest Lawn-Hollywood Hills Cemetery in Los Angeles.Template:Sfn Her star on the Hollywood Walk of Fame (for recording) is at 7000 Hollywood Boulevard in Los Angeles.

Legacy

London performed "Cry Me a River" in the film The Girl Can't Help It (1956), and her recording gained later attention for its use in the films Passion of Mind (2000) and V for Vendetta (2006).<ref name=vamp/> The track was ranked number 48 in NPR's list of the 50 Greatest Jazz Vocals<ref>Template:Cite web</ref> and was inducted into the Grammy Hall of Fame in 2001.<ref>Template:Cite web</ref>

Her albums Julie...At Home and Around Midnight (both released in 1960) were both included in the book 1,000 Recordings to Hear Before You Die.Template:Sfn She has been named as an influence by several contemporary artists, including Lana Del Rey and Billie Eilish.<ref>Template:Cite magazine</ref> Music journalist Will Friedwald referred to London as "one of the most influential stylists of the early 20th century."Template:Sfn London also inspired a tribute from Jools Holland and Jamiroquai as part of their music video version of "I'm in the Mood for Love" shortly after she died.

Her cover of the Ohio Express song "Yummy Yummy Yummy" was featured on the television series Six Feet Under and appears on its soundtrack album. London's "Must Be Catchin' " was featured in the 2011 premiere episode of the series Pan Am.Template:Sfn

Sources

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External links

• [https://www.imdb.com/{{#if: 0518728

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• Template:Find a Grave (cenotaph)
• Template:Find a Grave (reburied with husband Bobby Troup)
• Julie London – The Ultimate Fan Site Template:Webarchive
• Julie London at TriviaTribute.com