Juliette Récamier

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Jeanne Françoise Julie Adélaïde Récamier ({{#invoke:IPA|main}}; 3 December 1777 – 11 May 1849), known as Juliette ({{#invoke:IPA|main}}), was a French socialite whose salon drew people from the leading literary and political circles of early 19th-century Paris.Template:Sfn An icon of neoclassicism, Récamier cultivated a public persona as a great beauty, and her fame quickly spread across Europe. She befriended many intellectuals, sat for the finest artists of the age, and spurned an offer of marriage from Prince Augustus of Prussia.<ref name="The Guardian 2009"/>

Family and education

A native of Lyon, she was the only child of notary and King's counsellor Jean Bernard and his wife, the former Julie Matton. In 1784, her father was named receiver of finance under Calonne. She was briefly educated at the Couvent de la Déserte in Lyon, until her family moved to Paris. The name "Juliette" came about as a diminutive of "Julie".<ref name="Edouard Herriot 1906">Edouard Herriot, Madame Récamier, pp. 1–2</ref> Beautiful, accomplished, and possessing a love of literature, Récamier was described as shy and modest by nature.Template:Sfn

Early marriage

At the age of fifteen, she was married on 24 April 1793 to Jacques-Rose Récamier (1751–1830), a banker nearly thirty years her senior and a relative of the gourmet Brillat-Savarin. In relaying the news to a friend of his impending marriage to Juliette, Jacques wrote:

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I am not in love with her, but I feel for her a genuine and tender attachment which convinces me that this interesting creature will be a partner who will ensure the happiness of my whole life and, judging by my own desire to ensure her happiness, of which I can see she is absolutely convinced, I have no doubt that the benefit will be reciprocal .... She possesses germs of virtue and principle such as are seldom seen so highly developed at so early an age; she is tender-hearted, affectionate, charitable and kind, beloved in her home-circle and by all who know her.<ref>Edouard Herriot, Madame Récamier, p. 12</ref>{{#if:|

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File:Jacques-Louis David 016.jpg
Portrait of Madame Récamier by Jacques-Louis David (1800, Louvre)

A rumour arose that her husband was, in fact, her natural father who married her to make her his heir.<ref name="The Guardian 2009">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Their marriage occurred at the height of the revolutionary terror and, if he were guillotined, she would inherit his money. Although many biographers have given credence to this theory, it is unproven<ref name="Lajer-Burcharth344" /> and discounted by several historians.<ref name="Herold287-288">Herold, J. Christopher. Mistress to an Age: A Life of Madame de Staël. Grove Press, 2002. pp. 287–288 Template:ISBN</ref> Curiously, however, Jacques once wrote to a friend that his relations with Madame Bernard may have been more than platonic:

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It may be said that my feelings for the daughter arise out of those I have had for her mother; but all those who frequent the house are well aware that what took me there was pure friendship, a friendship which had grown out of the possibly somewhat warmer feeling I may have had in the earlier days of our acquaintance. At present, having reached an age when all other pretensions are past, she only wishes to educate her child, and make her a virtuous and good woman.<ref>Edouard Herriot, Madame Récamier, p. 13</ref>{{#if:|

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The marriage was never consummated, and Récamier remained a virgin until at least the age of forty.<ref>Herold, J. Christopher. Mistress to an Age: A Life of Madame de Staël. Grove Press, 2002. p. 287. Template:ISBN</ref> A rumour was initiated by writer Prosper Mérimée<ref name="Lajer-Burcharth344">Lajer-Burcharth, Ewa. Necklines: The Art of Jacques-Louis David After the Terror. Yale University Press, 1999. p. 344. Template:ISBN</ref> that she suffered from a physical condition which made the act of sexual intercourse painful.<ref name="Herold287-288" /> This, however, did not inhibit her charm, as many individuals including François-René de Chateaubriand were said to have had intense emotional relationships with her. Chateaubriand was a constant visitor of her salon and, in a manner, master of the house.<ref name="The Guardian 2009"/>

European celebrity

File:François Pascal Simon Gérard 003.jpg
Portrait by François Pascal Simon, Baron Gérard, 1802

From the earliest days of the French Consulate to almost the end of the July Monarchy, Récamier's salon in Paris was one of the chief resorts of literary and political society that followed what was fashionable. The habitués of her house included many former royalists, with others, such as General Jean Bernadotte and General Jean Victor Moreau, more or less disaffected to the government. This circumstance, together with her refusal to act as lady-in-waiting to Empress consort Joséphine de Beauharnais and her friendship for Germaine de Staël, brought her under suspicion.Template:Sfn In 1800 Jacques-Louis David began his portrait of her, but left it unfinished on learning François Gérard had been commissioned to paint a portrait before he had.

It was through Germaine de Staël that Récamier became acquainted with Benjamin Constant, a Swiss-French political activist and writer, whose political equivocations during the last days of the First French Empire and the first of the Bourbon Restoration have been attributed to her persuasions. She was eventually exiled from Paris by the orders of Napoleon.<ref name="The Guardian 2009"/> After a short stay at her native Lyon, she proceeded to Rome, and finally to Naples. There she was on exceedingly good terms with Joachim Murat and his wife Caroline Bonaparte, who were then intriguing with the Bourbons. She persuaded Constant to plead the claims of Murat in a memorandum addressed to the Congress of Vienna, and also induced him to take up a decided attitude in opposition to Napoleon's return during the Hundred Days.Template:Sfn

Later years

File:Bust of Juliette Récamier.jpg
Bust by Joseph Chinard, 1803

Récamier's husband had sustained heavy financial losses in 1805, and she visited Germaine de Staël at Coppet in Switzerland.<ref>Herold, J. Christopher. Mistress to an Age: A Life of Madame de Staël. Grove Press, 2002. p. 290. Template:ISBN</ref> There was a project for her divorce, in order that she might marry Prince Augustus of Prussia, but, though her husband was willing, it was not arranged.<ref name="The Guardian 2009"/> In her later days she lost most of what was left of her fortune; but she continued to receive visitors in her apartment at Abbaye-aux-Bois,<ref name="The Guardian 2009"/><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> a 17th-century convent (demolished in 1907) situated at 16 rue de Sèvres in Paris, to which she retired in 1819.

Despite old age, ill-health, partial blindness, and reduced circumstances, Récamier never lost her attractiveness, though at least one man who met her, artist Guillaume Gavarni, opined that she "stank of the lower middle class."<ref>Edmond and Jules de Goncourt, ed. and trans. Lewis Galantière. The Goncourt Journals (Doubleday, 1937), p. 23.</ref> And although she numbered among her admirers Mathieu de Montmorency, Lucien Bonaparte, Prince Augustus of Prussia (whose marriage proposal she rejected), Pierre-Simon Ballanche, Jean-Jacques Ampère, and Benjamin Constant, none of them obtained over her so great an influence as did Chateaubriand, though she suffered much from his imperious temper. If she had any genuine affection, it seems to have been for the baron de Barante, whom she met at Coppet.Template:Sfn<ref>Template:Cite journal</ref>

In 1849, Récamier died in Paris of cholera at the age of 71 and was buried in the Cimetière de Montmartre in Montmartre, at the time a village north of Paris.<ref>Template:Cite encyclopedia</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Cultural legacy

File:Madame Récamier (1920 film).jpg
Madame Récamier (1920)

A type of sofa or chaise longue on which she liked to recline, the récamier, was named after her.<ref name="The Guardian 2009"/>

She was the subject of two silent films. A 1920 German film Madame Récamier starring Fern Andra and a 1928 French film Madame Récamier.

See also

References

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Bibliography

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