Kansas (Kansas album)

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Kansas is the debut studio album by American progressive rock band Kansas, released in 1974 by Kirshner in the United States and Epic Records in other countries.

Kansas's debut album followed the merging of two Topeka musical camps: Kerry Livgren, from a previous Kansas line-up, and White Clover, which played mainstream rock and blues. The newly formed group signed with Kirshner Records in 1973 and traveled to New York to record their first release.

The material on Kansas, written mostly by guitarist/keyboardist Livgren and vocalist/keyboardist Steve Walsh, had been culled from the repertoire of both groups. Livgren's songs were generally longer and more elaborate than Walsh's and featured mystical lyrics which reflected his intense interest in Eastern religions. "Journey from Mariabronn" was inspired by Hermann Hesse's Narcissus and Goldmund, while "Belexes" and "Apercu" were influenced by the pseudo-Asian sound of Giacomo Puccini's Turandot.

Kansas was promoted by print advertisements which included the tagline "Kansas is Koming." A promotional 7-inch single titled "Man the Stormcellars: Kansas is Koming!" was sent to radio stations and featured Don Kirshner hyping the album. Two 7-inch singles were released: "Can I Tell You" and "Lonely Wind". Both failed to chart, though a live version of "Lonely Wind" (from the double-live album Two for the Show) did reach the Top 100 in early 1979. Playlist: Bringing It Back featured five songs from this album and five from Masque. The album was reissued in remastered format on CD in 2004.<ref>Discogs - 21 released versions of the Kansas album</ref> A remastered version of the album appeared on vinyl in 2014.

Artwork

The album cover depicts abolitionist John Brown in a scene from Tragic Prelude, a mural by Kansas native John Steuart Curry.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The original mural is painted on a wall at the Kansas State Capitol in Topeka. The album cover image is severely discolored and cropped to show only a small part of the original painting.

Reception

In a contemporary review for New Musical Express, Max Bell wrote that, despite Kansas having all the elements for subtlety, "bristling with hard rock commonplace, speed and beat, they rapidly cancel any hints of originality", showing a lack of personality which transforms the listening of the album in a boring enterprise.<ref>Template:Cite magazineTemplate:Registration required</ref>

AllMusic's retrospective review gave the nod to the band's mix of progressive rock and boogie rock as being unique, but contended that it also makes them less interesting than other progressive rock bands. They also criticized their ambitiousness as being overdone: "there're a lot of scales and arpeggios, galloping triplets, dramatic organ, and stately ballads that signify nothing and go nowhere."<ref name="AllmusicReview"/>

Tom Karr at ProgressiveWorld.net described the album as "an outstanding debut, a brilliant display of song writing and musicianship, and a great statement of Kansas's musical ethos." He felt that the song "Apercu" has "Kansas at their best, with frequent use of time and tempo changes, and well developed musical themes, showing a group of outstanding players and arrangers. The level of instrumental virtuosity displayed here is jaw dropping, and on either side of the Atlantic, there were few that could even hope to approach Kansas's mastery of their craft." He defined "Journey From Mariabronn" as "Kansas's first full-on symphonic rock masterpiece, and the song has so many strong elements and themes, it goes beyond any simple analysis. This song provides the paradigm for the great works of the future, and introduces the writing style that would produce the wonderful songs of Kansas's early discography."<ref name="ProgressiveWorld.net"/>

Ranking on the Billboard album chart as high as #174, the Kansas album in the months subsequent to its release in the spring of 1974 sold over 135,000 units.<ref>The Fremont Argus 28 March 1975 "Kirshner Plans Big Anniversary Show" by Kathie Staska & George Mangrum p.22</ref> The platinum success of Kansas' fourth and fifth album releases: Leftoverture (1976) and Point of Know Return (1977), revived commercial interest in the band's early output, it being reported in January 1978 that both the albums Kansas and Song for America had at that point each sold between 300,000 and 400,000 units, with the third Kansas album, Masque (1976), having been certified Gold for sales of 500,000 units the previous month.<ref>Cashbox 14 January 1978 "Success of Kansas Traced to Constant Touring, FM Airplay" by Mark Mehler p.12</ref> Both Kansas and Song for America would eventually be certified Gold for selling 500,000 units, Song for America as early as 1980 but Kansas not until 1995.

Personnel

Kansas

• Steve Walsh – piano, organ, Fender Rhodes, congas, lead and backing vocals
• Kerry Livgren – guitars, piano, organ, Moog synthesizer, backing vocals
• Robby Steinhardt – violin, lead and backing vocals
• Rich Williams – electric and acoustic guitars
• Dave Hope – bass, backing vocals
• Phil Ehart – drums

Additional musicians

• Jay Siegel (from The Tokens) – vocals on "Lonely Wind"

Production

• Wally Gold – producer
• Dan Turbeville – engineer
• Kevin "Whip" Herron & Jimmy "Shoes" Iovine – assistant engineers
• Tom Rabstenek, Greg Calbi – mastering
• Ed Lee – cover design
• John Steuart Curry – cover painting
• Don Hunstein – back cover photo
• Jeff Glixman, Jeff Magid – remastered edition producers

Charts

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Chart (1974)	Peak position