Ken MacLeod

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Ken and Carol MacLeod at Boskone 43, 2006

Kenneth Macrae MacLeod (born 2 August 1954) is a Scottish science fiction writer. His novels The Sky Road and The Night Sessions won the BSFA Award. MacLeod's novels have been nominated for the Arthur C. Clarke, Hugo, Nebula, Locus, and Campbell Memorial awards for best novel on multiple occasions. In 2024 MacLeod was one of the Guests of Honour at the 82nd World Science Fiction Convention in Glasgow.<ref>[1]</ref>

A techno-utopianist, MacLeod makes frequent use of libertarian socialist themes in his work; he is a three-time winner of the libertarian Prometheus Award. He sits on the advisory board of the Edinburgh Science Festival.

Biography

MacLeod was born in Stornoway, Scotland, in 1954.<ref name="sfsite">Template:Cite web</ref> He graduated from University of Glasgow with a degree in zoology in 1976, and he worked as a computer programmer and wrote a master's thesis on biomechanics.<ref name="KenBiog">Template:Cite web</ref> He was a Trotskyist activist during the 1970s and early 1980s.<ref name="Walker">Template:Cite magazine</ref> MacLeod is opposed to Scottish independence.<ref>Template:Cite web</ref>

Personal life

Married with two children,<ref name="sfsite" /> MacLeod lived in South Queensferry near Edinburgh, before moving to Gourock (on the Firth of Clyde) in June 2017.<ref>Template:Cite web</ref> His wife died in August 2024.<ref>Template:Cite web</ref>

Writing

MacLeod belongs to a group of British science fiction writers who specialise in hard science fiction and space opera. His contemporaries include Neal Asher, Stephen Baxter, Iain M. Banks, Peter F. Hamilton, Paul J. McAuley, Alastair Reynolds, Adam Roberts, Charles Stross, Richard K. Morgan, and Liz Williams.

MacLeod's science fiction novels often explore socialist, communist, and anarchist political ideas, especially Trotskyism and anarcho-capitalism (or extreme economic libertarianism).<ref>Template:Cite web</ref> Technical themes encompass singularities, divergent human cultural evolution, and post-human cyborg-resurrection. MacLeod's general outlook can be best described as techno-utopian socialist, though unlike a majority of techno-utopians, he has expressed great scepticism over the possibility and especially the desirability of strong AI.<ref name="ZoneInterview">Template:Cite web</ref><ref name="TrueKnowledge">Template:Cite book</ref>

MacLeod is known for frequent in-jokes and puns on the intersection between socialist ideologies and computer programming, as well as other fields. For example, his chapter titles such as "Trusted Third Parties" or "Revolutionary Platform" usually have double (or multiple) meanings. A fictional future programmers union is called "Information Workers of the World Wide Web", or the Webblies, a reference to the real Industrial Workers of the World union, who are nicknamed the Wobblies. The Webblies concept formed a central part of the novel For the Win by Cory Doctorow, and MacLeod is acknowledged as coining the term.<ref>Template:Cite book MacLeod is thanked in the Acknowledgements section: "Many thanks to Ken MacLeod for letting me use IWWWW and 'Webbly.'"</ref> Doctorow and Charles Stross also used one of MacLeod's references to the singularity—as "the rapture for nerds"—as the title for their collaborative novel Rapture of the Nerds (although MacLeod denies coining the phrase<ref>Template:Cite news</ref>). There are also many references to or puns on zoology and palaeontology. For example, in the novel The Stone Canal, the title of the book and many of its described places are named after anatomical features of marine invertebrates such as starfish.

Books about MacLeod

The Science Fiction Foundation have published an analysis of MacLeod's work titled The True Knowledge Of Ken MacLeod, edited by Andrew M. Butler and Farah Mendlesohn.<ref>Template:Cite web</ref><ref>Template:Cite book</ref> In addition to critical essays, it contains material by MacLeod himself, including his introduction to the German edition of Iain M. Banks' novel Consider Phlebas.

Bibliography

Series

Other work

  • Newton's Wake: A Space Opera (2004; US paperback edition Template:ISBN) – BSFA nominee, 2004;<ref>Template:Cite web</ref> Campbell Award nominee, 2005<ref name="worldswithoutend2005">Template:Cite web</ref>
  • Learning the World: A Novel of First Contact (2005; UK hardback edition Template:ISBN) Prometheus Award winner 2006; Hugo, Locus SF, Campbell and Clarke Awards nominee, 2006;<ref>Template:Cite web</ref> BSFA nominee, 2005<ref name="worldswithoutend2005"/>
  • "The Highway Men" (2006; UK edition, Template:ISBN)
  • The Execution Channel (2007; UK hardback edition Template:ISBN) – BSFA Award nominee, 2007;<ref>Template:Cite web</ref> Campbell, and Clarke Awards nominee, 2008<ref name="worldswithoutend3">Template:Cite web</ref>
  • The Night Sessions (2008; UK hardback edition Template:ISBN) – Winner Best Novel 2008 BSFA<ref name="worldswithoutend3"/>
  • The Restoration Game (2010). According to the author, "In The Restoration Game I revisited the fall of the Soviet Union, with a narrator who is at first a piece in a game played by others, and works her way up to becoming to some extent a player, but – as we see when we pull back at the end – is still part of a larger game."<ref name=LARB>Template:Cite web</ref>
  • Intrusion (2012): "an Orwellian surveillance society installs sensors on pregnant women to prevent smoking or drinking; and these women also have to take a eugenic 'fix' to eliminate genetic anomalies."<ref name=LARB/>
  • Descent (2014):<ref name="descent">Template:Cite web</ref> "My genre model for Descent was bloke-lit – that's basically first-person, self-serving, rueful confessional by a youngish man looking back on youthful stupidities... ... Descent is about flying saucers, hidden races, and Antonio Gramsci's concept of passive revolution, all set in a tale of Scottish middle class family life in and after the Great Depression of the 21st Century. Almost mainstream fiction, really."<ref name=LARB/>

Short fiction

Collections

References

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Interviews

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