La vestale (Spontini)

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Template:Short description Template:About Template:Infobox opera La vestale (The Vestal Virgin) is an opera composed by Gaspare Spontini to a French libretto by Étienne de Jouy. It takes the form of a tragédie lyrique in three acts. It was first performed on 15 December 1807 by the Académie Impériale de Musique (Paris Opera) at the Salle Montansier and is regarded as Spontini's masterpiece.<ref>Holden, p. 1002</ref> The musical style shows the influence of Gluck and anticipates the works of Berlioz, Wagner, and French Grand opera.<ref>Holden, pp. 1003–1004; Wagner conducted La vestale in Dresden in 1844 (source: Del Teatro).</ref>

Composition history

Spontini had finished La vestale by the summer of 1805 but had faced opposition from leading members of the Opéra and rivalry from fellow composers.<ref name="Del Teatro">Del Teatro</ref> The premiere was made possible with the help of Spontini's patron, the Empress Joséphine, but only after being rearranged by Jean-Baptiste Rey and Louis-Luc Loiseau de Persuis.<ref>Castil-Blaze 1855, p. 115</ref> La vestale was an enormous success, enjoying over two hundred performances by 1830.<ref>Barbier, p. 72</ref>

Performance history

Its fame soon spread abroad; it appeared in Naples and in Vienna<ref>Template:Cite news</ref> in 1811. The full piano score with lyrics in French and German was sold in Germany in 1812, as well as the score for an aria and a duet.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In 1814 the opera was performed in Budapest.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> followed by Stockholm in 1823. It was premiered in the United States in French at Théâtre d'Orléans in New Orleans on 17 February 1828.<ref>Warrack & West 1992, p. 741.</ref> Wagner conducted the work in Dresden in 1844 with Wilhelmine Schröder-Devrient.<ref name="Kaminski">Kaminski 2003: Spontini: La Vestale, p. 1434</ref>

Important 20th-century revivals include those for Rosa Ponselle at the Met in 1925-26 and the Maggio Musicale Fiorentino in 1933, for Maria Caniglia in Rome, 1942,<ref name="Kaminski"/> and the 1954 production at La Scala with Maria Callas in the title role, which was the first opera staging by the film director Luchino Visconti.<ref name=Siff /> There followed other revivals for leading sopranos; Leyla Gencer in Palermo, 1969 and Rome, 1973; Renata Scotto in Florence, 1970; Montserrat Caballé in Barcelona in 1982; and Raina Kabaivanska in Genoa in 1984. Muti reproduced the original version at La Scala in 1993, and English National Opera mounted the opera in London in 2002.<ref name="Kaminski"/>

A very memorable performance, on a slippery stage, on the last night of the Wexford Opera Festival in 1979 is described by Bernard Levin.<ref>Levin, 1981, pp. 208-213</ref>

La vestale is famous in historical terms but is only very infrequently performed. Two of its arias (translated to Italian and recorded by Maria Callas and Rosa Ponselle), "Tu che invoco" and "O nume tutelar",<ref>"nume tutelar" = tutelary deity</ref> are better known than the work as a whole. In recognition of its role in the development of Richard Wagner's third opera, Rienzi, it was performed in concert form in Dresden's Semperoper in the Summer of 2013, conducted by Gabriele Ferro and starring Francisco Araiza as Cinna, Maria Agresta as Julia, and baritone Christopher Magiera as Licinius.

A parody was staged in Paris in 1808,<ref>Template:Cite magazine</ref> set in a hatmaker's shop.

Roles

Template:Sronly
Role Voice type<ref>According to Gerhard, p. 978.</ref> Premiere cast,<ref>According to the original score, p. 1.</ref> 15 December 1807
Conductor: Jean-Baptiste Rey
Licinius, Roman general tenor Étienne Lainez
Cinna, head of a legion tenor François Lays or Lay
Chief Priest bass Henri-Étienne Dérivis
Julia, young vestal soprano Alexandrine-Caroline Branchu
The Great Vestal mezzo-soprano Marie-Thérèse Maillard
Chief of the Aruspices bass Duparc
A consul bass Martin

Synopsis

File:Tempio di Vesta, bozzetto di Antonio Basoli per La Vestale (s.d.) - Archivio Storico Ricordi ICON011807.jpg
Set design by Antonio Basoli
Place: Rome
About 269 BC

Act 1

Returning to Rome after a victorious campaign, Licinius finds his beloved Julia has become a priestess of Vesta. Although Julia attempts to avoid going to Licinius's triumph, she is delegated to present him with a wreath. He tells her that he intends to kidnap and reclaim her.

Act 2

In the temple of Vesta, Julia guards the eternal flame and prays to be freed of temptation. Licinius arrives; during their rapturous reconciliation, the flame expires. Licinius is advised by Cinna to flee. Julia is interrogated by the high priest but refuses to name Licinius. She is sentenced to death for licentiousness.

Act 3

File:Disegno per copertina di libretto, disegno di Peter Hoffer per La vestale (1954) - Archivio Storico Ricordi ICON012400.jpg
Drawing for a libretto cover (1954)

Despite the pleas of Licinius, Julia is to be buried alive; even when he admits his intrusion to the Temple, Julia claims not to recognise him. A thunderstorm ensues, during which lightning reignites the sacred flame. Recognising this as a sign from the Gods, the High Priest and Vestal Priestess release Julia who is then married to Licinius.

Recordings

|CitationClass=web }}</ref> Julien Behr,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Jean Teitgen,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Florent Mbia,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Chorus and Orchestra of the Paris Opera, conducted by Bertrand de Billy (OperaVision, 2024)


See also

References

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Sources

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