List of quarter tone pieces
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Template:Short description A selection of compositions using quarter tones: Template:Inc-musong Template:Compact TOC
A
- Thomas Adès
- Asyla calls for an upright piano tuned a quarter-tone flat.
B
- Jan Bach
- Concert Variations for solo euphonium;Template:Sfn "each variation is based on different performance techniques of the instrument, including quarter-tones"<ref>Bach, "Concert Variations Template:Webarchive", JanBach.com.</ref>
- János Bali
- Aiolos ajándéka (Gift of Aiolos) for violin, viola da gamba (tuned 1/4 tone lower), harpsichord (upper manual tuned 1/4 tone lower)
- Clarence Barlow
- Çoǧluotobüsişletmesi for four pianos.<ref>Template:Harvnb, "Uses quarter tones."</ref> "in which four of the 12 pitches of the chromatic scale are tuned a quarter tone flat"Template:Sfn
- ...until' version 7 for guitar (1980).Template:Sfn
- Template:Ill
- Concerto for Quarter Tone Piano and Quarter Tone Strings (1930)Template:Sfn
- Béla Bartók
- String Quartet No. 6; the third movement Burletta contains quarter-tone tuning used for parodistic effect.Template:Sfn Quarter tones are also used in Bartók's ballet The Miraculous Mandarin.<ref>Template:Harvnb; Template:Harvnb</ref>
- Sonata for Solo Violin; the fourth movement Presto contains quarter-tones, but they are not "structural features."<ref>Template:Harvnb; Template:Harvnb</ref> This movement also calls for third-tones.
- Violin Concerto No. 2; the cadenza in the first movement requires the use of quarter-tones, but only as an effect.<ref>Template:Harvnb; Template:Harvnb</ref>
- John Beckwith
- Blurred Lines for violin and harpsichord (1997)<ref>Template:Harvnb; Template:Harvnb</ref>
- Jack Behrens
- Quarter-Tone Quartet, Op. 20.Template:Sfn
- Alban Berg
- Chamber Concerto, for violin, piano, and 13 winds.Template:Sfn
- Luciano Berio
- E vó (1972).Template:Sfn
- Easley Blackwood Jr.
- Twelve Microtonal Etudes for Electronic Music Media: "24 Notes: Moderato" (1980).Template:Sfn
- Ernest Bloch
- Piano Quintet No. 1 (1923); the first movement features use of quarter-tones in the string parts.<ref>Template:Harvnb; Template:Harvnb</ref>
- Pierre Boulez
- Polyphonie X (1951).Template:Sfn
- Le Visage nuptial (1946).Template:Sfn
C
- Julián Carrillo
- Capricho for piano in quarter-tones (1959)Template:Sfn
- Capricho for solo viola in quarter-tones (1926)Template:Sfn
- Casi-sonatas 1–6 for solo violin, viola or cello in quarter-tones (c.1960s)Template:Sfn
- Concertino in quarter-, eighth- and sixteenth-tones for violin, cello and harp with orchestra (1926)Template:Sfn
- Concerto for 1/4-tone and 1/8-tone cello and orchestra (1958)Template:Sfn
- Concerto No. 1 for quarter-tone violin and orchestra (1963)Template:Sfn
- Concerto No. 2 for quarter-tone violin and orchestra (1964)Template:Sfn
- Mass for Pope John XXIII for male chorus in quarter-tones (1920s)Template:Sfn
- Preludio a Colón for vocalizing soprano, octavina (modified bass guitar, in 8th tones), flute, 16th-tone harp, violin, and guitar (1922)Template:Sfn
- Serenata for cello in quarter-tones with English horn, harp, and string quartet (1927)Template:Sfn
- 70 estudios for solo violin in quarter-tones (c. 1927?) {also for solo viola, cello, or double-bass}Template:Sfn
- Sonata for solo guitar in quarter-tones (c.1924)Template:Sfn
- Sonata (Amanecer en Berlin 13) for solo harp in quarter-tones (1931)Template:Sfn
- Sonata casi fantasia for violin, violoncello and guitar in quarter-, eighth- and sixteenth-tones (1925)Template:Sfn
- String Quartet in quarter-tones (c.1924) {There are also 7 others with some using smaller intervals.}Template:Sfn
- Suite for solo guitar in quarter-tones (1960)Template:Sfn
- 3 estudios en forma de sonatina for solo violin in quarter-tones (1927)Template:Sfn
- Symphony No. 1 (Colombia) for orchestra in quarter-tones (c.1924)Template:Sfn
- Symphony No. 2 (Colombia) for orchestra in quarter-tones (1926)Template:Sfn
- Dragutin Čolić
- Concertino for quarter-tone piano and string sextet (1932)
- String Quartet No. 1 (1932)
- Jacob Collier
- In the Bleak Midwinter for 10 Vocalists (2016)<ref>Template:Cite web</ref>
- Aaron Copland
- Vitebsk (1928).Template:Sfn
- John Corigliano
- Chiaroscuro for two pianos tuned a quarter tone apart (1997)<ref>Template:Harvnb; Template:Harvnb</ref>
- Mildred Couper
- Xanadu for two pianos tuned a quarter tone apart (ca. 1930)Template:Sfn
- Dirge for two pianos tuned a quarter tone apart,Template:Sfn published in New Music quarterly (January 1937)Template:Sfn
- Rumba for two pianos tuned a quarter tone apart (ca. 1937)Template:Sfn
D
- Jean-Jacques Débillemont
- Vercingétorix, cantata (1863, lost)<ref name=":0">Template:Cite journal</ref>
- John Diercks
- Reminiscences, 1971 for two pianos, one tuned a quarter-tone lower.Template:Sfn
E
- John Eaton
- Sonority Movement, for flute and nine harps.<ref>Template:Harvnb, "The nine harps are divided into three groups of three and tuned in sixth-tones, and the flute plays in quarter-steps"</ref>
- Danny Elfman
- Soundtrack score for A Simple Plan features "very specific quarter tone detunings coming off the Emulator".Template:Sfn
- Don Ellis
- Electric Bath<ref>Template:Harvnb, "At some point, he outfitted his entire trumpet section with four-valved trumpets whose additional valve allowed them to play quarter-tones"</ref>
- George Enescu
F
- Bjørn Fongaard
- Galaxe [Galaxy] (for three quarter-tone guitars), Opus 46.Template:Sfn
- John Foulds
- Cello Sonata (1905, rev. 1927), passages in the second movement
G
- Sofia Gubaidulina
- Quaternion for cello quartet, two of the cellos are tuned down a quarter tone<ref>Template:Harvnb; Template:Harvnb</ref>
- Music for Flute, Strings, and Percussion, the strings are divided into two sections, one of which is tuned a quarter-tone lower than the other.Template:Sfn
H
- Sampo Haapamäki
- Velinikka, concerto for quarter-tone accordion (2008)Template:Sfn
- Conception, double concerto for quarter-tone guitar, quarter-tone accordion and orchestra (2012)
- Quarter-Tone Piano Concerto (2017)Template:Sfn
- Georg Friedrich Haas
- 3 Hommages, for piano player on two pianos tuned a quarter tone apart<ref>"Georg Friedrich Haas: 3 Hommages Template:Webarchive", UniversalEdition.com.</ref>
- "Hommage à Steve Reich" (1982)
- "Hommage à György Ligeti" (1984)
- "Hommage à Josef Matthias Hauer" (1982)
- 3 Hommages, for piano player on two pianos tuned a quarter tone apart<ref>"Georg Friedrich Haas: 3 Hommages Template:Webarchive", UniversalEdition.com.</ref>
- Alois Hába
- Children's Play for unaccompanied youth chorus, Op.43 (1932)
- Chor-Suite for unaccompanied chorus, Op. 13 (1922)
- 5 Choruses for unaccompanied youth chorus, Op. 42 (1932)
- 5 Mixed Choruses, Op. 44 (1932)
- Detské nálady (Children's Moods), 8-song cycle for mid-ranged voice and quartertone guitar, Op.51 (1943)
- Fantasy No. 1 for quartertone piano, Op. 17 (1923)
- Fantasy No. 2 for quartertone piano, Op. 19 (1924)
- Fantasy No. 3 for quartertone piano, Op. 20 (1924)
- Fantasy No. 4 for quartertone piano, Op. 25 (1925)
- Fantasy No. 5 for quartertone piano, Op. 26 (1925)
- Fantasy No. 6 for quartertone piano, Op. 27 (1926)
- Fantasy No. 7 for quartertone piano, Op. 28 (1926)
- Fantasy No. 8 for quartertone piano, Op. 29 (1926)
- Fantasy No. 9 for quartertone piano, Op. 30 (1926)
- Fantasy No. 10 for quartertone piano, Op. 31 (1926)
- Fantasy No. 11 for quartertone piano, Op. 89 (1959)
- Fantasy for unaccompanied violin, Op. 9a (1921)Template:Sfn
- Fantasy for unaccompanied violoncello, Op. 18 (1924)
- Fantasy for violin and quartertone piano, Op. 21 (1925)Template:Sfn
- Fantasy for viola and quartertone piano, Op. 32 (1926)
- Fantasy for violoncello and quartertone piano, Op. 33 (1927)
- Já (I) for unaccompanied men's chorus, Op. 36 (1928)
- Matka (The Mother), quartertone opera in 10 scenes, Op. 35 (1927–29)Template:Sfn
- Poesie zivota (Poetry of Life), 12-song cycle for soprano and quartertone guitar, Op. 53 (1943)
- Pracující den (The working day) for unaccompanied male voices, Op. 45 (1932)
- Solo for violin Op. 93 (1961–62)Template:Sfn
- Sonata for quartertone piano, Op. 62 (1946–47)Template:Sfn
- String Quartet No. 2 ("In quarter-tone system"), Op. 7 (1920)Template:Sfn
- String Quartet 3 ("In quarter-tone system"), Op. 12 (1922)
- String Quartet 4 ("In quarter-tone system"), Op. 14 (1922)
- String Quartet 6 ("In quarter-tone system"), Op. 70 (1950)
- String Quartet No. 12 ("In quarter-tone system"), Op. 90 (1959–60)Template:Sfn
- String Quartet 14 ("In quarter-tone system"), Op. 94 (1963)
- Suite No. 1 for quartertone piano, Op. 10 (1922, revised in 1932 as Op. 11a)
- Suite No. 2 for quartertone piano, Op. 11 (1922, revised in 1932 as Op. 11b)
- Suite No. 3 for quartertone piano, Op. 16 (1923)
- Suite No. 4 for quartertone piano, Op. 22 (1924)
- Suite No. 5 for quartertone piano, Op. 23 (1925)
- Suite No. 6 for quartertone piano, Op. 88 (1957–59)Template:Sfn
- Suite for clarinet and quartertone piano, Op. 24 (1925)Template:Sfn
- 1st Suite for quartertone guitar, Op. 54 (1943)
- 2nd Suite for quartertone guitar, Op. 63 (1947)
- Suite for clarinet (unaccompanied), Op. 55 (1943)
- Suite for quartertone trumpet and trombone, Op. 56 (1944)
- Suite in quartertones for 4 trombones, Op. 72 (1950)Template:Sfn
- Fromental Halévy
- Prométhée enchaîné (1849)Template:Sfn<ref name=":0" />
- Jonathan Harvey
- Valley of Aosta for chamber ensemble of 13 players and electronics (1988)Template:Citation needed
- Lejaren Hiller
- String Quartet No. 5 (1962).Template:Sfn
- Alan Hovhaness
- O Lord, Bless Thy Mountains, Op. 276, for two pianos tuned a quarter tone apart (1974)<ref>Template:Harvnb; Template:Harvnb</ref>
I
- Charles Ives
- Three Quarter-Tone Pieces, for two pianos, one tuned a quarter-tone sharp, S. 128 (K. 3C3) (1923–24)<ref>Template:Harvnb; Template:Harvnb</ref>
- Symphony No. 4 (1910–1924)Template:Sfn
K
- Jeronimas Kačinskas
- String Quartet No. 2 (1931) (lost? withdrawn?)
- Trio for trumpet, viola, and harmonium (1933) <ref>Template:Cite web</ref>
- Gideon Klein
- Duo for violin and viola in the Quartertone System (1940)Template:Citation needed
- György Kurtág
- Lebenslauf, Op. 32 (1992)
L
- Dongryul Lee
- Goethe’s Garden (2016-2017) for two pianos tuned a quarter-tone apart
- Michael A. Levine
- Divination by Mirrors for Saw and Strings. Strings are divided into two groups of 13 tuned 1/4 step apart. Each group plays only in its own pitch "universe". The featured bowed saw freely moves from standard tuning to pitches a 1/4 step away. Premiered at Merkin Concert Hall, New York City, 1998 by the New York Virtuosi and Dale Stuckenbruck saw soloist.<ref>Template:Cite magazine</ref>
- György Ligeti
- Clocks and Clouds for 12-voiced women's choir and orchestra.<ref>Template:Harvnb. However, Template:Harvtxt states that Ramifications is Ligeti's "only work in quarter tones".</ref>
- Quartet No. 2 for strings.<ref>Template:Harvnb. However, Template:Harvtxt states that Ramifications is Ligeti's "only work in quarter tones".</ref>
- Ramifications for 12 solo strings (1968–69), divided into two groups tuned a quarter-tone apart.<ref>Template:Harvnb; Template:Harvnb; Template:Harvnb; Template:Harvnb; Template:Harvnb; Template:Harvnb.</ref>
- Arthur Lourié
- Prelude for piano "with higher chromatism", Op.12 No.2 (1912).
- Alain Louvier
- Anneaux de Lumière (1983) for two pianos, one tuned a quarter-tone apart (1 player)
M
- Template:Ill
- Street Cries (11.10.83) for solo B♭ clarinet features extensive use of quarter tones in all three movements.Template:Sfn
- Henry Mancini
- Soundtrack score for Wait Until Dark (1967) features extensive use of quarter-tones including two pianos tuned a quarter-tone apartTemplate:Sfn
- The Night VisitorTemplate:Sfn
- Steve Mackey
- Indigenous InstrumentsTemplate:Sfn
- On All FoursTemplate:Sfn
- Andrew March
- Aeolian Rustling (2001) for alto flute (Boehm system) and harp, with Kingma System alto flute ossia.Template:Sfn
- XXIX—in Perpetuum (2001) for solo Kingma System quarter-tone alto flute.Template:Sfn
- Water Lilies (2001) for solo alto flute and harp, with Kingma System quarter-tone alto flute ossia.Template:Sfn
- Memoriam (2002) for Kingma System quarter-tone alto flute, vibraphone, marimba, harp and strings.Template:Sfn
- Rytis Mažulis
- Quartertone Canon for two piano tuned a quarter-tone apart (2010)Template:Citation needed
- Sans Pause for string quartet (2001)Template:Citation needed
- Olivier Messiaen
- Deux monodies en quarts de ton (1938).Template:Sfn
N
- Per Nørgård
- String Quartet No. 5 'Inscape' (1969)Template:Citation needed
O
- Frank J. Oteri
- circles mostly in wood, a quarter-tone wind quintet in five movements (2002)Template:Sfn
- Fair and Balanced?, a quarter-tone saxophone quartetTemplate:Sfn in four short movements (2004)
P
- Krzysztof Penderecki
- Threnody to the Victims of Hiroshima, for string orchestra, frequently makes use of quarter tones.Template:Sfn
R
- Karel Reiner
- Fantasy for quarter-tone piano (1935-36)
- Five songs for voice with violin accompaniment in quarter-tones to texts by Karel Hynek Mácha (1936, performed at the 1938 ISCM Festival in Paris)
- 3 Duos for 2 quarter-tone clarinets (1972)
- Suite for quarter-tone piano (1935-36)
- Milan Ristić
- Duo for violin and violoncello, Op. 11 (1938)Template:Citation needed
- Septet for clarinet, 2 trombones, string trio, and doublebass, Op. 9 (1938)Template:Citation needed
- Suite for unaccompanied violin, Op. 6 (1938)Template:Citation needed
- Suite for ten strings, Op. 10 (1938)Template:Citation needed
- Suite for four trombones, Op. 8 (1938, scheduled for performance during the 1939 ISCM Festival in Warsaw but the performance could not take place)Template:Citation needed
S
- Ezra Sims
- String Quartet No. 3 (1962)Template:Citation needed
- Richard Heinrich Stein
- Zwei Konzertstücke, Op. 26, 1906.Template:Sfn
- Karlheinz Stockhausen
- Pietà, for soprano, quarter-tone flugelhorn, and electronic music, from the opera Dienstag aus LichtTemplate:Sfn
- Schlagquartett, for piano and 3 x 2 timpani (1952)<ref>Template:Harvnb, "Konträr-Klangräume: 6 Pauken, deren Stimmung ganztönig, und zur Klavierstimmung vierteltönig verschoben [Contrasting sound spaces: 6 timpani, the whole tone of which is tuned and quarter-tone shifted to the piano tuning]".</ref>
- Billy Strange
- These Boots Are Made for Walkin', 1966 popular song, sung by Nancy Sinatra, with a prominent quarter tone double bass riff.<ref>Template:Cite book</ref>
T
- Tōru Takemitsu
- Bryce (1976).Template:Sfn
- James Tenney
- Bridge for two pianos tuned a quarter-tone apart (1984)
- Jukka Tiensuu
- Kymmari for Decacorde (2016)
- Anomal Dances Concerto for quarter-tone accordion and orchestra (2015)
- Kuuhiomo a proludi in quarter tones for any ensemble of melody instruments (2015)
- Arsenic and Old Lace for micro-tonally tuned harpsichord, string quartet (1990)
- Narcissus for oboe and tape (1979)
- Tui St. George Tucker
- Amoroso for solo clarinetTemplate:Citation needed
- Indian Summer for 2 baritones with 2 flutes, clarinet, bassoon, trombone, viola, and percussionTemplate:Citation needed
- Little Pieces for quarter-tone pianoTemplate:Sfn
- My Melancholy Baby Fantasy for one player performing on two pianos at a right angle tuned a quarter-tone apart
- Quartertone Carol for recorder trio
- Quartertone Recorder DuetsTemplate:Sfn
- Quartertone Lullubies 1–3 for recorder trio
- Romanza for solo recorder.<ref>Template:Harvnb, "An arrow head pointing down over a note lowers it approximately a quarter step".
Template:Harvnb, "Both pieces require performing techniques not encountered in traditional music for recorder. The most striking is the production of quarter-tones, notated as pitches in the chromatic scale to be lowered slightly. Charts provided by the composer give fingering for all half- and quarter-tones from the low f' up to a precarious c''''."</ref> - Sarabande: Dance for Miriam Cooper, for microtonal harpsichord (1986)<ref>Template:Harvnb, "'V' over a tone lowers it a quartertone … 'V' below a group of tones lowers that group a quartertone".</ref>
- Sonata No. 1 for Solo Recorder ("The Bullfinch").<ref>Template:Harvnb.
Template:Harvnb, "An arrow head pointing down over a note lowers it approximately a quarter step".</ref>
W
- Craig Walsh
- String Quartet No. 1 "Ganga" (2010)
- Ivan Wyschnegradsky
- Ainsi Parlait Zarathoustra, for four pianos two of which are tuned a quarter-tone sharp, Op. 17 (1929–1930, revised 1936)
- 2 Chants sur Nietzsche, for baritone & 2 pianos in quarter tones, Op. 9 (1923)
- Chant douloureux et étude, for violin and piano, Op. 6 (1918)Template:Sfn
- Composition, for string quartet, Op. 43 (1960)
- Cosmos, for 4 pianos in quarter tones, Op. 28 (1939–1940)Template:Sfn
- Dialogue, for two pianos tuned a quarter-tone apart, eight hands, W.o.O. (1959)
- Dithyrambe, for two pianos tuned a quarter-tone apart, Op. 12 (1923–1924)
- Études sur les mouvements rotatoires, for two pianos tuned a quarter-tone apart, eight hands, Op. 45a.; for chamber orchestra, Op. 45c (1961)
- Études sur les densités et les volumes, for two pianos tuned a quarter-tone apart, Op. 39b (1956)
- Fragment symphonique No. 1, for four pianos two of which are tuned a quarter-tone sharp, Op. 23a; for orchestra, Op. 23c (1934, orch. vers. 1967)
- Fragment symphonique No. 2, for four pianos two of which are tuned a quarter-tone sharp, timpani & percussions, Op. 24 (1937)
- Fragment symphonique No. 3, for four pianos two of which are tuned a quarter-tone sharp & ad. lib. percussions, Op. 31 (1946)
- Prélude et Fugue, Op. 21, for two pianos tuned a quarter-tone apart (1932)
- Préludes dans tous les tons de l'échelle chromatique diatonisée à 13 sons, Op. 22, for two pianos tuned a quarter-tone apart (1934, revised 1960)
- String Quartet No. 1, Op. 13 (1923–1924)
- String Quartet No. 2, Op. 18 (1930–1931)
- String Trio, Op. 53 (1979, unfinished, completed by Claude Ballif)
- Variations sans thème et conclusion (five), for orchestra, Op. 33 (1951–52)Template:Sfn
Y
- Eugène Ysaÿe
- Six Sonatas for Solo Violin, Op. 27 (1924), Nos. 3 and 5Template:Sfn
See also
Notes
References
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Further reading
- Gann, Kyle. 6 July 1999. "Sound Bytes of Truth", The Village Voice.
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