Masakazu Katsura

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Template:Short description Template:Expand Japanese Template:Infobox comics creator Template:Nihongo is a Japanese manga artist, known for hero and romance series. His works include Wing-Man (1983–1985), Video Girl Ai (1989–1992), I"s (1997–1999), and Zetman (2002–2014). He has also worked as a character designer for Iria: Zeiram the Animation, Tiger & Bunny and Garo: Crimson Moon, as well as the video game Astral Chain.

Career

Masakazu Katsura was born in Fukui Prefecture in 1962, but spent his childhood in the Gifu and Chiba Prefectures.<ref name="fukui">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> He has loved drawing since the age of three, specializing in landscapes, and won medals for his oil paintings in middle school.<ref name="mashirito">Template:Cite book</ref> In elementary school, he was obsessed with hero television shows like Ultraman and Kamen Rider.<ref name="Ichihara">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Katsura had no interest in manga until his second year of middle school, when he learned of Weekly Shōnen JumpTemplate:'s Tezuka Award contest. Wanting the prize money so he could buy a National stereo, he bought Osamu Tezuka's How to Draw Manga and gradually all the expensive drawing equipment.<ref name="mashirito"/> By his second year of high school, he had been rejected from about three contests and was submitting 100-page manga to Weekly Shōnen Magazine.<ref name="mashirito"/>

At the end of his second year of high school, Weekly Shōnen Jump editor Kazuhiko Torishima saw one of Katsura's rejected works in a scrap box and called him.<ref name="mashirito"/> Torishima latter said he was particularly moved by the expressiveness in the faces of the artist's characters, remarking that it was as if "they were looking at us, the readers".<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> At the same time, Katsura's story "Tsubasa" won an honorable mention at the Tezuka Award in 1980.<ref name="mashirito"/> After an in-person meeting, Torishima told him to draw a love comedy; the resulting work, "Tenkosei wa Hensosei?!", was runner-up at the Tezuka Award.<ref name="mashirito"/> After this, Torishima visited Katsura's parents, as his father was strongly against a career in art, to ask them to allow their son to attend a vocational school so he could become a professional manga artist.<ref name="mashirito"/> Katsura attended the Asagaya College of Art and Design, but dropped out when he began his first serial.<ref name="asagaya">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Katsura's first serialized manga was Wing-Man, which ran in Weekly Shōnen Jump from 1983 to 1985. Torishima later said that he could not relax until the first collected volume was released, because it meant he had fulfilled his promise to Katsura's parents.<ref name="mashirito"/> It was adapted into a television anime series, and received a live-action television adaptation 40 years later.

Katsura's next hit was Video Girl Ai, a science fiction romance series published in Weekly Shōnen Jump from 1989 to 1992.<ref name="fukui">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> He said that his assistant at the time drew detailed backgrounds, and this led to him adapting a realistic art style. He also stated his belief that sci-fi needs to be realistic; "If the scenery isn't rendered convincingly, then strange things won't be perceived as strange."<ref name="mashirito"/> The manga has been adapted into an original video animation and a live-action film and has been published in North America. Katsura performed as a vocalist on the songs "Tomorrow Will Be Tomorrow" and "Unseen Dream" from the two soundtracks for the OVA. He had a small acting role in the live-action adaptation.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Toshimasa Takahashi, then editor-in-chief of Weekly Shōnen Jump, told Katsura to draw a "contemporary drama".<ref name="mashirito"/> This led to DNA², which was serialized in the magazine from 1993 to 1994.<ref name="Ichihara"/> It was adapted into an anime television series that was concluded with a short OVA, both of which were released in North America.

The romance series I"s ran in Weekly Shōnen Jump from 1997 to 2000.<ref name="fukui"/> With the work, Katsura said he was asked to transpose how shōjo manga is often told from the first-person perspective of a girl into a shōnen manga.<ref name="mashirito"/> The series was adapted into two OVAs and a live-action television drama. Both the manga and anime were released in North America.

In 2008, Katsura collaborated with his friend Akira Toriyama for the Jump Square one-shot Sachie-chan Good!!.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> They worked together again in 2009, for the three-chapter one-shot Jiya in Weekly Young Jump.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Also in 2008, Katsura did a design illustration of the Batman costume for Bandai's "Movie Realization" action figure line, basing it on the costume used in the film The Dark Knight.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

In 2020, Katsura worked with author Erika Yoshida for the one-shot love story "Okaeri", to conclude Weekly Young JumpTemplate:'s 40th anniversary celebrations.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Style

Katsura's manga series typically last about two or three years. He said he never worried about creating a flagship title that would continue for decades, "After finishing [one], I'd play around for about a year."<ref name="fukui"/> The artist used a baseball analogy to describe his level of success, stating that, while he has hit a bunch of solo home runs, he has never hit a grand slam. "Everyone's favorite series is going to be different depending on what generation they come from."<ref name="mashirito"/> Throughout his career, Katsura has drawn hero and romance series.<ref name="fukui"/> He a big fan of tokusatsu hero works, and said that even in his romance titles, the hero element naturally comes out as the protagonist puts his life on the line to protect the heroine.<ref name="fukui"/> Katsura cited Yoshikazu Yasuhiko as an influence on his character art style through anime such as Combattler V, and suggested Hiroshi Asuna is the reason his art has a "bit of a gloomy vibe" to it.<ref name="mashirito"/> He also said that reading shōjo manga helped him when he was not keen on drawing a romance series.<ref name="mashirito"/> In 2007, Katsura said his style had become darker, with Asuna's work probably being the core of who he is now.<ref name="asagaya"/>

Katsura said he drew instinctively in the beginning of his career, but gradually came to "calculate" his manga creation and think about what would make people happy.<ref name="Ichihara"/> His works and characters are never based on his own experiences, as he wants to show as little of himself as possible.<ref name="Ichihara"/> Katsura is known for drawing beautiful girl characters (bishōjo). This began with his first editor, Torishima, who told him to always draw girls as cute as possible.<ref name="fukui"/> He meticulously researches hairstyles, fashion and mannerisms to see what kind of girls will be popular in order to attract both male and female readers.<ref name="Ichihara"/> Katsura includes erotic elements in his work,<ref name="mashirito"/> for example, he is particularly known for drawing female buttocks.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Personal life

Katsura famously commissioned a costume resembling the one worn by the protagonist of his manga series Wing-Man for 1 million yen.<ref name="mashirito"/> He notably modeled it, and other versions, himself in magazines, such as Weekly Shōnen Jump issue 27 of 1985.<ref name="mashirito"/><ref name="cosplay">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In February 2025, Katsura posted to X that a Wing-Man costume, which had been stolen from a locker in his home a decade ago, had recently been sold at a festival. He asked that the buyer return it.<ref name="cosplay"/><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Katsura was good friends with fellow manga artist Akira Toriyama. The two met in the early 1980s, after having been introduced by their mutual editor Kazuhiko Torishima, and even parodied each other in their own manga.<ref name="interview">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Toriyama advised Katsura to make DNA² a battle manga while he could, and to turn the protagonist's hair white and make it stand up; similar to Toriyama's own Dragon Ball.<ref name="mashirito"/> Toriyama credited Katsura with coming up with the idea to have two characters "fuse" together in Dragon Ball, leading to the Fusion technique.<ref>Template:Cite book</ref> However, Katsura said this is only a rumor; while he did in fact suggest it to him, he knows that Toriyama was not listening and claims Toriyama later thought it up on his own.<ref name="interview"/>

Works

Manga
Includes Video Girl Len
Other works

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References

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