Masako Nozawa

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Template:Short description Template:Use American English Template:Use mdy dates Template:Infobox person Template:Nihongo is a Japanese actress. Beginning work as a child actress at the age of three, by the time she became an adult, voice acting had inadvertently become her main occupation. Throughout her career, Nozawa has been affiliated with Production Baobab, 81 Produce, the self-owned Office Nozawa and Aoni Production. She is best known as the voice of Son Goku in the Dragon Ball franchise, beginning with its first animated adaptation in 1986. She also voices most of the character's male relatives, namely Son Gohan, Son Goten, and Bardock. Nozawa's other roles include Kitarō in GeGeGe no Kitarō (1968, 1971 and 2008), Doraemon in the 1973 anime, and Tetsurō Hoshino in Galaxy Express 999 (1978).

A pioneer of voice acting in Japan,<ref name="academyaward"/> Nozawa is the first voice actor to be honored as a Person of Cultural Merit by the Japanese government and the first to win the Kikuchi Kan Prize. Her other accolades include a Animation Kobe Award, Tokyo Anime Award, Seiyu Award, Japanese Movie Critics Award and Japan Academy Film Prize. Her work voicing Goku in Dragon Ball video games has earned her two Guinness World Records, including for the longest video game voice acting career. Nozawa is a vice president of the Japan Actors Union.<ref>Template:Cite web</ref> Her husband was fellow voice actor Masaaki Tsukada.<ref name="OriconProfile">Template:Cite web</ref>

Early life

Masako Nozawa was born on October 25, 1936, in the Nippori area of Arakawa, Tokyo, as the only child of painter Ryoshu Nozawa (the top disciple of Kawai Gyokudō) and housewife Tsuru (an orphaned daughter of a daimyo).<ref name="tokyofound">Template:Cite web</ref><ref name="arakawacity">Template:Cite web</ref><ref name="bunshun2024">Template:Cite web</ref><ref name="discipledaimyo">Template:Cite web</ref> Due to the influence of her aunt, Shochiku actress Kiyono Sasaki, Masako became a child actress at the age of three.<ref name="academyaward"/><ref name="arakawacity"/><ref name="rockmanint">Template:Cite web</ref> Although she does not remember the titles of her earliest films, she said many depicted the love between a mother and her child.<ref name="arakawacity"/> In 1944, the family moved to Numata, Gunma, to avoid the air raids of World War II. Nozawa lived in the city from the third grade of elementary school until she graduated high school.<ref>Template:Cite web</ref>

Her first play was a school production of Umihiko Yamahiko in fifth grade, where she played the male role.<ref name="discipledaimyo"/> Both of her parents loved kabuki and she studied Nihon-buyō, thus, Nozawa said she was never shy about being on stage.<ref name="rockmanint"/> Despite her aunt's wishes, Nozawa pursued theater instead of film.<ref name="rockmanint"/> When she obtained a copy of her family register to apply for high school, she learned that Tsuru was not her biological mother.<ref name="bunshun2024"/> Because Tsuru had had a miscarriage and could not give birth, her parents agreed to Ryoshu fathering a child with a woman he knew in order to continue the Nozawa family lineage.<ref name="bunshun2024"/> Upon this admission, Tsuru told Masako she had raised her as her own and would continue to do so, and likewise, Masako later said "There is no other mother for me than her."<ref name="bunshun2024"/>

Career

In junior high school, Nozawa joined the Tougei Theater Company and worked as an actress in Tokyo during school holidays.<ref name="arakawacity"/><ref name="bunshun2024"/> She got in thanks to her aunt knowing a producer at NHK who gave a recommendation.<ref name="discipledaimyo"/> Her first role was an elderly nurse in The Abortion Doctor, which the company gave her an award for.<ref name="discipledaimyo"/> After graduating high school, she moved to Tokyo. She began voice acting in her late teens, in order to help support the struggling theater company.<ref name="academyaward"/><ref name="arakawacity"/> She said her first voice role was dubbing an Indian boy in a foreign film at 19.<ref name="bunshun2024"/> She explained, "It was the early days of television, and many foreign dramas were broadcast. At the time, voice dubbing was also done live, so using children to play boy roles was a concern. But adult men's voices have already changed, so women were chosen for child roles."<ref name="arakawacity"/> Although she did not plan on it and had already done a lot of acting in television dramas, voice acting saw a boom and became Nozawa's main occupation.<ref name="tokyofound"/><ref name="arakawacity"/><ref name="bunshun2024"/> Her TV drama credits of the time include Akado Suzunosuke (1957) and Anmitsu Hime (1958).<ref name="otocotocredits">Template:Cite web</ref>

Nozawa made her anime debut in Wolf Boy Ken (1963), and had a guest role on Astro Boy (1963).<ref name="animedebut">Template:Cite web</ref> Her first regular role was in Uchuu Patrol Hopper (1965),<ref name="animedebut"/> and she went on to voice brothers Tonkichi and Kanta Hanamura in Sally, the Witch (1966).<ref name="OriconProfile"/> Nozawa's first lead role was Kitarō in GeGeGe no Kitarō (1968), which she was selected for by series creator Shigeru Mizuki.<ref name="academyaward"/><ref name="otocotocredits"/> It also marked the first time she did magazine interviews and her first fan event.<ref name="animedebut"/><ref name="otocoto2016">Template:Cite web</ref> For the 1973 adaptation of Doraemon, Nozawa took over the role of the title character from Kōsei Tomita, who had voiced the character for the first 13 episodes.<ref name="OriconProfile"/> She went on to voice Tetsurō Hoshino in Galaxy Express 999 (1978), again being selected by the work's original creator Leiji Matsumoto.<ref name="OriconProfile"/><ref name="otocotocredits"/> Although she had reprised the role of Kitarō for the 1971 adaptation of GeGeGe no Kitarō, Nozawa did not do the same for its 1985 adaptation. This was due to Fuji TV having an unwritten rule that voice actors could not play more than one lead character at a time.<ref name="otocotocredits"/> However, she noted that this eventually resulted in her landing the role of Son Goku in Dragon Ball (1986), as otherwise she would not have even been allowed to audition.<ref name="otocotocredits"/><ref>Nikkan Sports, 2013, "Sunday Heroes and Heroines 845", p.30, The Asahi Shimbun</ref> She was chosen to play Goku by Dragon Ball creator Akira Toriyama, who later stated that he would hear Nozawa's voice in his head when writing the original manga.<ref name="tokyofound"/><ref>Template:Cite web</ref><ref>Template:Cite book</ref>

Nozawa led a lawsuit by 361 voice actors against Nippon Animation and its recording studio subsidiary Onkyo Eizo System in demand of unpaid royalties from DVD releases of anime series.<ref name="ledlawsuit">Template:Cite web</ref> After four years, a judge ruled in 2003 that Onkyo Eizo owed 87 million yen (US$796,000) to the actors, but dismissed the case against Nippon Animation as they deemed actor compensation to be the responsibility of the recording studio.<ref>Template:Cite web</ref> Both parties appealed the decision.<ref name="ledlawsuit"/> On August 25, 2004, the Tokyo High Court upheld the ruling against Onkyo Eizo and also found Nippon Animation liable, ordering both companies to pay the 87 million yen.<ref name="ledlawsuit"/><ref>Template:Cite web</ref> The Supreme Court of Japan upheld the ruling in 2005.<ref>Template:Cite web</ref> On April 1, 2006, Nozawa left 81 Produce to establish Office Nozawa. In 2012, she closed the self-owned talent agency. A number of voice actors who were affiliated with her agency went on to affiliate with Media Force.

File:Masako Nozawa and Yohei Matsumoto 2025-11-04.jpg
Nozawa receiving the Person of Cultural Merit certificate, 2025

In 2017, Guinness World Records presented Nozawa with two world records related to her voicing Son Goku in Dragon Ball video games for 23 years and 218 days; "longest video game voice acting career" and "voice actor who voiced the same character in a video game for the longest period".<ref name="world records">Template:Cite web</ref><ref>Template:Cite web</ref><ref>Template:Cite web</ref> Two years later, Nozawa was included on Newsweek JapanTemplate:'s list of "100 Globally Respected Japanese People".<ref>Template:Cite web</ref> In December 2023, Nozawa became the first voice actor to receive the Kikuchi Kan Prize in its 71 year history.<ref>Template:Cite web</ref>

In October 2024, Aoni Production and artificial intelligence platform CoeFont announced that Nozawa was one of the voice actors that they would use vocal data from to create AI-replicated voices for use in virtual assistants, medical devices and robots. Planning to make it available in multiple languages, beginning with English and Chinese, the companies acknowledged the potential threat to actors' rights and livelihoods posed by AI, and promised not to use the data for performances in animation or similar works.<ref>Template:Cite web</ref>

On October 17, 2025, she was selected as a Person of Cultural Merit by the Japanese government, becoming the first person in the voice acting profession to receive the distinction.<ref name="Asahi20251018">Template:Cite web</ref>

Philosophy and technique

Nozawa said she initially preferred acting on stage because she could see the audience's reaction, but came to prefer voice acting in her 30s for "breathing life into things with only your voice."<ref name="academyaward"/><ref name="bunshun2024"/> However, she noted she views the two jobs as essentially the same, only differing in name.<ref name="arakawacity"/> Nozawa is extremely dedicated to her craft and is known for never being late.<ref name="rockmanint"/> The only exception saw her show up to a morning recording session for Tiger Mask ten minutes late wearing ill-fitting clothing, and only afterwards explaining that her house had burned down that morning so she had to borrow clothes from a friend.<ref name="rockmanint"/><ref>Template:Cite web</ref> Although she has sung some songs related to her acting roles, such as the theme to The Monster Kid, Nozawa said she is not a good singer and always tries to get out of it.<ref name="rockmanint"/> In 2005, Nozawa said she had never turned an acting role down and had never regretted taking one either.<ref name="tokyofound"/> Nozawa mainly plays young male characters. This originated in the early days of voice acting when the dubbing of foreign films was done live and actual boys could not be used; staff members would recommend and automatically cast her because they knew she had done it before.<ref name="tokyofound"/> Nozawa also speculated this might be due to her childhood as a tomboy; she was the only girl having sword fights with the boys, and preferred that over playing with dolls.<ref name="arakawacity"/>

When she goes to an audition, Nozawa does not create the character's voice beforehand, she improvises once she is in front of the microphone.<ref name="tokyofound"/> However, after getting the role, she does think about the character's history and background and incorporates that into her acting.<ref name="tokyofound"/> If it is an adaptation, she does not read the original work beforehand because she does not want to know what is going to happen so that the reactions in her performances are authenthic.<ref name="animedebut"/> She watches the works she is in when they air on television. For Dragon Ball specifically, she said she watches it twice; the first is simply as a fan for personal enjoyment, but the second is to critique her performance and see if there are adjustments that need to be made.<ref name="tokyofound"/> During recording sessions, she avoids speaking with the actors who are playing enemy characters; "Of course, if someone talks to me, I respond, but I try not to initiate conversations myself."<ref>Template:Cite web</ref>

In Dragon Ball, Nozawa is responsible for portraying Goku as well as his sons Gohan and Goten. When they have scenes together, she records the lines for all three in the same take, switching on the spot, rather than performing singular takes for each character.<ref name="FujiDown"/> Her colleague Toshio Furukawa stated there is no one else who can do this, and Nozawa revealed that younger actors once asked her to stop because it gives the impression that anyone can.<ref name="gokuiadlib"/><ref>Template:Cite web</ref> Nozawa helped create the unique way Goku speaks, which is known as Template:Nihongo.<ref name="gokuiadlib">Template:Cite web</ref><ref name="telemag">Template:Cite web</ref> His famous phrase from anime adaptations, Template:Nihongo, was ad-libbed by her during a recording session as a joke for the staff.<ref name="gokuiadlib"/><ref name="FujiDown">Template:Cite web</ref> However, she noted Toei Animation has somehow gone on to receive credit for creating it.<ref name="gokuiadlib"/><ref name="telemag"/>

When asked about the voice acting industry in 2016, Nozawa said it had become formulaic and young actors lacked individuality, with everyone using the same "cute girl" voice for example.<ref name="otocoto2016"/> She speculated one of the reasons for this was due to voice acting schools. Although she had taught a few lessons before herself, Nozawa said those were largely reluctant on her part and she tries not to do it anymore because acting is not something that can be taught; "If you tell a rookie who doesn't know what to do, 'In this scene, you should act like this', everyone will act that way."<ref name="otocoto2016"/>

Filmography

Anime television series

1960s
1970s
1980s
1990s
2000s
2010s
2020s

Original video animation (OVA)

Original net animation (ONA)

Theatrical animation

Computer and video games

Puppet shows

  • Nobi Nobi Non-chan (1990–1996) (Tame-kun, Ana-chan's mother, Kitsune's granny)
  • Zawa Zawa Mori no Ganko-chan (1996–) (Kero-chan)

Dubbing roles

Live-action

Animation

Live-action

Audio

Others

  • Law of Ueki commercial for Shōnen Sunday (Kousuke Ueki)
  • Naruhodo! The World (narration)
  • NHK Kyōiku: Kagaku Daisukishi you Jaku (narration)
  • Dream 9 Toriko & One Piece & Dragon Ball Z Super Collaboration Special!! (Goku, Gohan and Goten)
  • Wakasa Seikatsu commercial (narration)
  • The Wide Friday Ranking (narration)

Awards

Year Award Category Result Ref
1997 2nd Animation Kobe Awards Special Award Template:Won
2012 8th Tokyo Anime Awards Merit Award Template:Won <ref>Template:Cite web</ref>
2013 7th Seiyu Awards Achievement Award Template:Won <ref>Template:Cite web</ref>
2016 Guinness World Records World Record (Longest video game voice acting career) Template:Won <ref name="world records"/>
World Record (Longest period voicing the same character in video games) Template:Won
2017 26th Japanese Movie Critics Awards Best Voice Actor Template:Won <ref>Template:Cite web</ref>
2018 Minister of Health, Labour and Welfare Special Awards Child Welfare Culture Award Template:Won <ref>Template:Cite web</ref>
2021 24th Japan Media Arts Festival Distinguished Service Award Template:Won <ref>Template:Cite web</ref>
2022 45th Japan Academy Film Prize Distinguished Service Award Template:Won <ref>Template:Cite web</ref>
2023 71st Kikuchi Kan Prize Template:Won <ref>Template:Cite web</ref>
2025 Person of Cultural Merit Honored <ref name="Asahi20251018"/>

References

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