Mirror Ball (Neil Young album)

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Mirror Ball is the 23rd studio album by Canadian-American musician Neil Young, and features members of American rock band Pearl Jam. It was released on June 27, 1995, through Reprise Records. The album has been certified gold by the RIAA in the United States.

In the same year, Pearl Jam released an accompanying EP titled Merkin Ball.

Background

As grunge peaked in popularity in the early 1990s, some of the bands expressed admiration for Young's career and influence. At least one music writer noted a similarity in ethos and style between the emerging genre and Young's work, dubbing him the "Godfather of Grunge".<ref>The Godfather of Grunge Rock. Steve Martin. Pulse!. December 1991</ref> Of the younger groups, Young had a particularly close relationship with Pearl Jam. He explains, "We're sympathetic. They're definitely old souls—they've been around. Musically there's youthful energy, but without the sound of inexperience. And our musical styles are compatible; it's like a big wall of sound with a lot of nuances in there."<ref name="Durchholz, Daniel 2012">Durchholz, Daniel, and Gary Graff. 2012. Neil Young: Long May You Run: The Illustrated History. Minneapolis, Mn: Voyageur Press.</ref> Pearl Jam incorporated "Rockin' in the Free World" into their setlists throughout their 1992 tour. In October, both artists performed, separately, at Bob Dylan's The 30th Anniversary Concert Celebration, and Young invited the band to play an acoustic set two weeks later at that year's Bridge School Benefit concert. Pearl Jam appeared as an opening act on Young's 1993 tour of North America with Booker T. & the M.G.'s. In September, Young joined the group to perform "Rockin' in the Free World" at the 1993 MTV Video Music Awards.

In January 1995, Young asked Eddie Vedder to induct him into the Rock and Roll Hall of Fame. Later that week, Young agreed to appear alongside Pearl Jam at a benefit supporting Voters for Choice, where he performed new songs "Song X" and "Act of Love" with his longtime collaborators Crazy Horse. At the benefit, Pearl Jam joined Young on stage for an encore performance of "Act of Love", which the band had learned by recording Young's set at the Hall of Fame ceremony. Young was inspired by the performance and became eager to record the song with the band in a studio. "I said, 'Maybe we ought to record it. It sounds good.' They were thinking the same thing. So we set a date to go in and record. I wanted to have more than one song, so I came in with three songs in hand."<ref name="Durchholz, Daniel 2012"/> Young elaborates to Dave Marsh in a contemporary radio interview:

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Recording

The album's recording sessions took place in January 1995 and February 1995 at Ann and Nancy Wilson's Bad Animals Studio in Seattle. The album was produced by Brendan O'Brien, who had previously worked on Pearl Jam's 1993 album, Vs., and 1994 album, Vitalogy.

Young joined Pearl Jam in the studio in January 1995, eleven days after performing with the band at an abortion-rights benefit in Washington, D.C.<ref name="strauss">Template:Cite news</ref> The album was recorded in four days' studio time (January 26, January 27, February 7, and February 10).<ref>(1995) Album notes for Mirror Ball by Neil Young, [CD booklet]. New York: Reprise Records.</ref><ref name="mojo">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Young recorded the songs live in the studio, songs he had written the day before each session. "The beauty of the thing is that hardly any talking had to happen at all. I'd bring the song in and run it down, then everybody would play it. I don't think we did more than five takes on anything. We all knew what we had to do. Everybody was together."<ref name="Durchholz, Daniel 2012"/>

Young brought "Song X", "Act of Love", and five other songs into the studio to record for the first session in January, including "Downtown", "Big Green Country" and "Peace and Love".<ref name="strauss"/><ref name="mojo"/> For the second session in February, he brought in two more songs.<ref name="mojo"/> Young also wrote two new songs during the February recording sessions, and one song from the January sessions was re-recorded.<ref name="mojo"/> On February 7, the group captured "I'm the Ocean" and "Truth Be Known" and Young recorded "What Happened Yesterday" solo on pump organ. "Throw Your Hatred Down" and "Scenery" would be recorded February 10. Young recorded "Fallen Angel" at one final solo session on February 26, again on pump organ. Young said that all of the songs, with the exception of "Song X" and "Act of Love", were written during the album's sessions.<ref name="mojo"/>

Young said he traveled to Seattle to make the record for a "challenge."<ref name="mojo"/> He said, "Recording Mirror Ball was like audio vérité, just a snapshot of what's happening. Sometimes I didn't know who was playing. I was just conscious of this big smouldering mass of sound."<ref name="mojo"/> Playing in a group with two other lead guitarists reminded him of his days in Buffalo Springfield.<ref name="mojo"/> Mike McCready told Guitar World, "We'd be jamming, and I'd look over and say to myself, 'That's Neil Young, and he's playing leads. That's the shit!' I could only wish to be that good. I was completely honored to be playing with him. We're enamored of him...and I'm honored he says he's into us. I think he just likes where we're coming from. He sees a lot of honesty in our music."<ref>Lifton, Dave. 2015. When Neil Young Teamed up with Pearl Jam for 'Mirror Ball.' Ultimate Classic Rock. June 27, 2015. https://ultimateclassicrock.com/neil-young-pearl-jam-mirror-ball/.</ref><ref name="Durchholz, Daniel 2012"/> Young called Pearl Jam drummer Jack Irons "unbelievable."<ref name="mojo"/> He said that Irons "played his ass off on every take at every session," and added, "I can't say enough good things about him."<ref name="mojo"/>

Pearl Jam vocalist Eddie Vedder was not around much for the recording sessions.<ref name="tenpast">Weisbard, Eric, et al. "Ten Past Ten". Spin. August 2001.</ref> Vedder explained that he was "in the midst of a pretty intense stalker problem," adding that "leaving the house wasn't the easiest thing to do."<ref name="tenpast"/> Vedder referred to the issue in the song "Lukin" from Pearl Jam's 1996 album No Code.<ref>Template:Cite magazine</ref> Pearl Jam guitarist Stone Gossard said that Mirror Ball "came at a time when we needed it, that Neil thought we were a band that would be good to make a record with. He probably felt sorry for us. He made it all right for us to be who we were. He's not taking his career so seriously that he can't take chances. Suddenly, our band seemed too serious."<ref name="tenpast"/>

Writing

Mirror Ball captures a loose rock sound. The album has a very raw sound to it, with songs ending in feedback and band members talking at the start and at the end of many songs, including Young remarking at the end of "Downtown": "Well, we know that one. That's funky." Young wrote all of the tracks for the album except for "Peace and Love", which was co-written by Young and Vedder. William Ruhlmann of AllMusic said that, "Pearl Jam boasts spirited rhythms and dense guitar interplay that Young makes excellent use of in a series of songs built out of simple, melodic riffs."<ref name="allmusic">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

On the lyrical content of Mirror Ball, Young said, "There's idealism and reality, the two have got to come together yet there are always major problems when they do. Maybe that's the crux of what I'm trying to say in this new album. It's also a commentary of the differences between my peace and love '60s generation and the more cynical '90s generation."<ref name="mojo"/> "Song X" and "Act of Love" were written about abortion.<ref name="strauss"/> "This isn't an easy subject to confront head-on. People who say that human beings shouldn't have the right to dismiss a human life - they have a point. You can't dismiss that point."<ref name="mojo"/>

"I'm the Ocean" acknowledges the difficulty of living in the moment and how easy it is for life to become a series of quick flashes of different experiences. Young explains in a 2018 post to his Archives website: "Too many times in this life, we miss what is going on right in front of us......I try but sometimes i don't see. Lots of love to the searchers..."<ref>November 19, 2018. Neil Young Archives</ref> He elaborates in a contemporary radio interview: "It's kind of like a bunch of flashes of things going on all at the same time or something. So you get kind of the feeling that your life is flashing before you. So that makes you think you're floating up on the ceiling somewhere watching. I just got caught up in this thing where everything just kept happening and all I could do was write it down."<ref name="Dave Marsh 1995">Dave Marsh. Mirror Ball radio broadcast interview. June 1995.</ref>

"Downtown" includes references to Jimi Hendrix and Led Zeppelin. The reference to Led Zeppelin was partly inspired by Young's performance with the band at the 1995 Rock and Roll Hall of Fame induction ceremony, where they played "When the Levee Breaks" together.<ref name="strauss"/>

"Peace and Love" features vocals by both Young and Vedder, who also share writing credits. Young told Kurt Loder for MTV News: "Ultimately what happened was that I never finished it. Eddie finished it. Because I had this melody in this place. It was a great way to save it."<ref>Neil Young Interview. MTV News with Kurt Loder. 1995.</ref>

"Throw Your Hatred Down" explores the nature of conflict and shares a message of non-violence. "I was thinking about the kids in the schoolyard who are fighting - like just the different ways to go and they're started right there. Just how...where does it start...where do we start the conflict? You know, where does it begin? It must begin at birth or something, because conflict is always there. It seems part of our nature, as sad as it sounds. I mean it must just be there...and I just, you know...was drifting around in my head trying...I just had all these images of this...conflict and people planning ways to overcome evil and evil planning ways to encroach on good."<ref name="Dave Marsh 1995">Dave Marsh. Mirror Ball radio broadcast interview. June 1995.</ref>

The album closes with the extended "Scenery" featuring the group with Brendan O'Brien on piano and "Fallen Angel" which reprises the melody of "I'm the Ocean" with Young alone on pump organ.

Packaging

A mirror ball graces the album's cover. Because of legal complications between their respective record companies, only Young's name appears on the album sleeve, although the members of Pearl Jam are credited individually in the album's liner notes.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Pearl Jam's Merkin Ball complements the layout and content of the album packaging for Mirror Ball.

Tour

Following the completion of Mirror Ball, the members of Pearl Jam (minus Vedder) and producer O'Brien (on keyboards) joined Young in August 1995 for an eleven-date tour in Europe to promote the album. When the band toured, fans referred to them as "Neil Jam".<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Pearl Jam guitarist Mike McCready said, "It was a dream come true. We got to play a bunch of Neil Young songs with Neil Young himself and got to go to Berlin, to Jerusalem, to the Red Sea."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> This tour proved very successful with Young's manager Elliot Roberts calling it "one of the greatest tours we ever had in our whole lives."<ref>Template:Cite book</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The performance in Dublin was professionally filmed and recorded for potential commercial release.<ref>Mcdonough, Jimmy. 2003. Shakey: Neil Young's Biography. New York: Anchor Books.</ref>

Reception

Mirror Ball reached number five on the Billboard 200 album chart. Mirror Ball has been certified gold by the RIAA.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

NME gave Mirror Ball a nine out of ten. In the review, Mirror Ball is called "another fine Neil Young album....the record's sound is...big, woolly, live and booming."<ref name="nme"/> Rolling Stone staff writer J.D. Considine gave Mirror Ball four out of five stars, saying, "Though Young is clearly the dominant partner—it's his concept, after all, his songs and his album—it's Pearl Jam who ultimately end up determining the music's shape and feel, providing a level of input and energy that goes well beyond the normal purview of a backing band."<ref name="rollingstone"/> Spin gave the album eight out of ten stars. The review said, "Sometimes it's easier to string together some power chords and a few forlorn references to religion, fame and suicide than to actually write songs. And sometimes that's just fine."<ref name="spin"/> David Browne of Entertainment Weekly gave the album an A−. Browne said that "the album has a spontaneous, bang-it-out casualness that is, to say the least, extremely rare for a rock veteran." However, Browne criticized the album's lyrics, calling them "mostly jumbled rehashes of standard Young imagery."<ref name="entertainmentweekly"/> Time reviewer Christopher John Farley said that "Pearl Jam serves as an extraordinary backup band on the new album." Farley added that the album is "one of the most consistently rewarding works of Young's long rewarding career."<ref name="time"/>

AllMusic staff writer William Ruhlmann gave the album three out of five stars, saying that "Mirror Ball is typically uneven."<ref name="allmusic"/> Critic Robert Christgau said that Young "was born to lumber, and Pearl Jam wasn't."<ref name="Christgau"/> Blender gave the album two out of five stars. The review said that "it could have been better. The fault is less with Pearl Jam, who thrash so awkwardly they make Crazy Horse sound like Steely Dan, than with Young's unmemorable songs."<ref name="blender"/>

"Downtown" and "Peace and Love" had accompanying music videos. "Downtown" was the most successful song from Mirror Ball on the rock charts, reaching number six on the Mainstream Rock charts. "Peace and Love" also charted on the Mainstream Rock charts. At the 1996 Grammy Awards, "Downtown" received a nomination for Best Rock Song and "Peace and Love" received a nomination for Best Male Rock Vocal Performance.<ref name="grammy">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Mirror Ball received a nomination for Best Rock Album.<ref name="grammy"/> Album cover artist Gary Burden was nominated for a Grammy Award for Best Recording Package.<ref name="GrammyGaryBurden">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Outtakes

The songs "I Got Id" and "Long Road", both written and sung by Vedder, were cut from the album.<ref name="strauss"/> Both songs were recorded at the tail end of the Mirror Ball sessions.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The tracks were later released on Pearl Jam's 1995 Merkin Ball EP.

Personnel

• Neil Young – vocals, electric guitar, acoustic guitar, pump organ

Pearl Jam

• Jeff Ament – bass guitar
• Stone Gossard – electric guitar
• Jack Irons – drums
• Mike McCready – electric guitar
• Eddie Vedder – vocals on "Peace and Love", background vocals

Production

• Brendan O'Brien – production, mixing, electric guitar, piano, background vocals
• John Aguto, Sam Hofstedt, Chad Munsey – assistant engineering
• Nicky Alexander, Girsh – drum technicians
• Joel Bernstein – production assistance, typography, and mosaic portrait of Neil Young
• Gary Burden – art direction and design
• Rhonda Burns – CD label computer graphics
• Nick DiDia – additional engineering
• Henry Diltz – back cover and inside photo
• Brett Eliason – engineering
• Emek – logo lettering
• Joe Gastwirt – Analog to HDCD transfers, digital editing, digital mastering
• John Hausman – production assistance
• KPOB – art direction and design assistance
• Tim Mulligan – digital editing, digital mastering
• John Nowland – Analog to HDCD transfers
• Jeff Ousley, Tim "Scully" Quinlan – guitar technicians
• "Pflash" Pflaumer – assistance
• Sal Trentino – amplifier technician
• Ian Geiger – guitar technician
• George Webb – bass technician
• Keith Wissmar – ambience

Chart positions

Album

Chart (1995)	Peak Position
Norwegian Albums Chart<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	2
Swedish Albums Chart<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	3
Australian Albums Chart<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	4
UK Albums Chart<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	4
US Billboard 200<ref>Template:Cite magazine</ref>	5
Canadian Albums Chart<ref>Template:Cite magazine</ref>	4
German Albums Chart<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	8
New Zealand Albums Chart<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	10
Finnish Albums (Suomen virallinen lista)<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	11
Austrian Albums Chart<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	15
Dutch Albums Chart<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	18
Swiss Albums Chart<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	24

Year-end charts

Chart (1995)	Position
German Albums Chart<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	48

Singles

Year	Single	Peak chart positions
		US Main <ref>Template:Cite magazine</ref>	CAN <ref>Template:Cite magazine</ref>
1995	"Downtown"	6	13
	"Peace and Love"	34	—
"—" denotes songs that did not chart.

External links

• Mirror Ball information at neilyoung.com