Misty (song)

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"Misty" is a jazz standard written and originally recorded in 1954 by pianist Erroll Garner. He composed it as an instrumental in the traditional 32-bar format, and recorded it on July 27, 1954 <ref>Facebook</ref> for the album Contrasts. Lyrics were added later by Johnny Burke. It appeared on Johnny Mathis' 1959 album Heavenly, and this recording reached number 12 on the U.S. Pop Singles chart later that year. It has since become Mathis’ signature song.

The song has been recorded by many other artists, including versions by Ella Fitzgerald, Sarah Vaughan, and Ray Stevens who released a hit country version in 1975. Recordings by both Johnny Mathis and Erroll Garner have been inducted into the Grammy Hall of Fame.<ref name =gioia /> It was ranked number 174 in the list of the Songs of the Century compiled by Recording Industry Association of America and National Endowment for the Arts.<ref name="songs century">Template:Cite web</ref>

Composition

Erroll Garner was inspired to write "Misty" on a flight from San Francisco to Chicago which passed through a thunderstorm: as the plane descended into O'Hare, Garner looked through the window to see a rainbow glowing through a haze and was moved to begin composing "Misty" on the spot, striking imaginary piano keys on his knees as he hummed the notes he imagined (causing his neighboring passenger to summon a flight attendant to assist the apparently ill Garner).<ref name=":0">Template:Cite book</ref>

The lyrics were added later by Johnny Burke. Burke was initially reluctant to create lyrics for the tune but was persuaded to do so at the insistence of his pianist, Herb Mesick.<ref name =gioia>Template:Cite book</ref> It was said that Mesick played the tune every time Burke came into the room, until Burke said: "Alright, give me the damn music, and I'll do it." Burke wrote the lyrics in two to three hours.<ref name="making misty"/>

Early recordings

Erroll Garner first recorded his rendition of "Misty" on piano on July 27, 1954, accompanied by Wyatt Ruther on bass and Fats Heard on drums.<ref>Template:Cite book</ref> The recording was first released in October 1954 and credited to the Erroll Garner Trio,<ref>Template:Cite magazine</ref> and it was included in Garner's album Contrasts released in December 1954.<ref>Template:Cite magazine</ref> Garner later re-recorded the song with an orchestral arrangement by Mitch Miller for his album Other Voices in 1957.<ref name="billboard sept1959">Template:Cite magazine</ref> Instrumental versions were also recorded by Georgie Auld and Johnny Costa in 1955.<ref name="billboard sept1959"/> Garner's original recording was ranked No. 174 in the list of the Songs of the Century compiled by RIAA and NEA.<ref name="songs century"/>

After lyrics were written for "Misty", Dakota Staton was the first to record the song in 1957.<ref name="making misty"/> A number of artists also recorded the song,<ref name="billboard sept1959"/> but it was the recording by Sarah Vaughan that drew greater attention to it. Sarah Vaughan recorded the song in a July 1958 Paris session, with an arrangement by Quincy Jones for her album Vaughan and Violins.<ref name =gioia /><ref name="making misty"/> It was released backed with "Broken Hearted Melody", and it reached No. 6 on the Bubbling Under chart in July 1959.<ref>Template:Cite magazine</ref> Those who recorded the song after Sarah Vaughan included Count Basie, Ella Fitzgerald, and most notably Johnny Mathis, who created the best-known version of it.<ref name =gioia />

Johnny Mathis version

Background

Johnny Mathis first heard Erroll Garner play the tune when he was a teenager and told Garner that he would love to sing it if Garner had lyrics for it.<ref name=pc23 /> A few years later, having heard Sarah Vaughan's version of the song, he chose "Misty" as one of the possible songs for his 1959 album Heavenly and informed Erroll Garner that he would record the song. However, at the recording session for the album, it was scheduled that Johnny Mathis should record a show tune rather than "Misty". Accounts differ as to whether it was Erroll Garner or his business manager, Martha Glaser, who turned up unexpectedly at the recording session,<ref name=pc23>Template:Cite web</ref><ref name="making misty">Template:Cite web</ref> and Johnny Mathis then insisted on recording "Misty" to fulfil his promise to record the song with the unexpected guest in attendance.<ref name="making misty"/>

Glenn Osser arranged the song at short notice, with Andy Ackers playing the piano. Johnny Mathis revealed that, on the high-pitched note when he first started singing "On my own" after the instrumental break, he used a technique of standing a distance from the microphone and then walked slowly toward it to create a fade in effect. Johnny Mathis said that "Misty" was the song of which he was the most proud, because he recorded the song the way he wanted to, rather than relying on the producer, Mitch Miller.<ref name="making misty"/>

The song was initially released as a back-to-back single together with Garner's version intended only for those in the broadcasting industry, but due to heavy demand Columbia released Mathis' recording as a commercial single in September 1959.<ref name="billboard sept1959"/> It reached No. 12 on Billboard Hot 100. Although the song is not Mathis' highest charting song, it became his signature song. Mathis received his first Grammy nomination for the song at the 3rd Annual Grammy Awards in the Best Male Pop Vocal Performance category.<ref>Template:Cite web</ref> Both Mathis' and Garner's recordings were inducted into the Grammy Hall of Fame, Garner in 1991 and Mathis in 2002.<ref>Template:Cite book</ref>

Chart performance

Weekly singles

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Chart (1959–60) Peak
position

Play Misty for Me

Clint Eastwood used the instrumental version in his 1971 directorial debut film Play Misty for Me, a low-budget film that proved to be a box-office success. Eastwood was said to have paid Garner a $25,000 fee for the right to use the tune in his film.<ref name =gioia />

Ray Stevens version

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Background and release

In 1975, singer Ray Stevens released an up-tempo country rendition of this song. It is the title track of his twelfth studio album. Stevens recounted that the song was recorded on the second take when experimenting in the studio. His version won a Grammy in the category of Music Arrangement of the Year.<ref>Template:YouTube</ref> This version peaked at No. 14 on the Billboard Hot 100 and reached No. 2 in the United Kingdom.

Chart performance

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Weekly singles

Template:SinglechartTemplate:SinglechartTemplate:SinglechartTemplate:SinglechartTemplate:SinglechartTemplate:SinglechartTemplate:Singlechart
Chart (1975) Peak
position
Australia (Kent Music Report)<ref name="aus75">Template:Cite web</ref> 5
Euro Hit 50 9
South African Singles Chart 5
U.S. Billboard Hot Country Singles 3
U.S. Billboard Hot 100 14
U.S. Billboard Easy Listening<ref>Template:Cite book</ref> 8

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Year-end charts

Chart (1975) Rank
Australia (Kent Music Report)<ref name="aus75"/><ref>Template:Cite web</ref> 39
Canada RPM Top Singles <ref>Template:Cite web</ref> 135
New Zealand <ref>Template:Cite web</ref> 28
UK <ref>Template:Cite magazine</ref> 23
U.S. Billboard Hot 100 <ref>"Pop Singles" Billboard December 27, 1975: Talent in Action-8</ref> 91

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Other versions

References

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