Noël Coypel

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Noël Coypel (Template:IPA; 25 December 1628 – 24 December 1707) was a French painter, and was also called Coypel le Poussin, because he was heavily influenced by Poussin.<ref name="EB1911">{{#if: |

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Biography

His father, Guyon Coypel, was an unsuccessful artist, originally from Cherbourg. He began his studies in Orléans with an artist named Pierre Poncet, who had been a student of Simon Vouet. At the age of fourteen, he went to Paris. There, he found work in the studios of Noël Quillerier.<ref>Biographical data @ AGORHA: Bases de données de l'Institut national d'histoire de l'art (INHA)</ref> His progress was rapid. In 1646, aged only eighteen, he was employed in preparing the decorations for the opera Orfeo by Luigi Rossi.Template:Citation needed

This attracted the attention of Charles Errard, who was responsible for the artwork at the Oratoire and the King's Bedroom at the Louvre, who engaged him to do some paintings. He would work exclusively on the orders of Louis XIV for almost twenty years, creating several paintings for the King's apartments and, following the King's marriage, the ceilings of the Queen's apartment. He also painted at the Tuileries and Fontainebleau.Template:Citation needed

In 1659, he married Madeleine Hérault (1641–1682), an art student. That same year, he presented himself at the Académie Royale de Peinture et de Sculpture but, due to the amount of work he was doing for the King, his official reception was postponed until early in 1663. Later that year, he displayed his reception piece, The Reprobation of Cain After the Death of Abel. He was named an assistant professor the following year, and became a full Professor a few months later.Template:Citation needed

He was appointed Director of the French Academy in Rome in 1672, succeeding his former mentor, Errard, who had served for the first six years of the Academy's existence. His son, Antoine, and his brother-in-law, the landscape painter Charles-Antoine Hérault, accompanied him. He held that office until 1675. During his administration, the Academy was finally established at the Palazzo Capranica. While there, he continued to produce paintings for the Royal Family and developed an enthusiasm for mythological themes.<ref name="T">Jacques Thuillier, "Noël Coypel", from the Commemorations Collection (2007) @ FranceArchives. Online</ref> In 1673, he was admitted to the Académie de Saint-Luc. Template:Citation needed

Upon returning to Paris, he resumed his work for the King. In 1685, three years after his wife's death, he married Anne-Françoise Perrin (1665–1728), another young art student. They had fourteen children, most of whom died in infancy. A notable exception was their son, Noël-Nicolas Coypel, who also became a well-known painter.<ref>Anne-Françoise Perrin @ Geneanet</ref>

The Marquis de Louvois and the Marquis de Villacerf engaged him to create some designs for the Gobelins Manufactory. In 1689, he was elected Deputy Rector for the Académie Royale. He was promoted to Rector in 1690, and to the Directorship in 1695, replacing the late Pierre Mignard. In 1702, he reassumed the position of Rector. Three years later, at the age of seventy-seven, he undertook a project to paint frescoes above the high altar at the Église des Invalides. This difficult work resulted in a long, serious illness that led to his death on Christmas Eve in 1707.Template:Citation needed