One Man Dog

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One Man Dog is the fourth studio album by singer-songwriter James Taylor. Released on November 1, 1972, it climbed to number 4 on the US Billboard Top LPs & Tape chart. The album features the hit single "Don't Let Me Be Lonely Tonight", which peaked at number 14 on the Billboard Hot 100 chart on January 13, 1973. The follow-up single, "One Man Parade", also charted, but less successfully, peaking at number 67 in the US, and reaching number 55 on the Canadian Adult Contemporary chart.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

The basic tracks for the album's 18 tracks, many of which are relatively short, were primarily recorded in Taylor's home studio. A Quadraphonic mix of the album was produced, which included alternate vocal takes and elongated versions of some songs, compared to the standard stereo release.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}Template:Dead link</ref>

Critical reception

Upon the release of the album, Berwyn Life critic Steve Sparacio said that it "is certainly James Taylor's best album."<ref name=berwyn>Template:Cite news</ref> He noted that, "Upon first listening, no song on One Man Dog stands out. But as an entity the album holds together extremely well. It may be paradoxical but only after you're able to view One Man Dog as a whole entity do you realize that some of the songs individually are very good."<ref name=berwyn/> Sparacio identified the themes of the album to be an "affirmation" of Taylor's life at the time, being newly married to Carly Simon and off drugs, and a realization that, if he was going to cope with his life, he needed to turn inward.<ref name=berwyn/>

Forest Park Review critic John Griffin praised the album's short songs for avoiding the monotony of similar slow melodies that he felt marred Taylor's previous album, Mud Slide Slim (1971).<ref>Template:Cite news</ref> Record World said One Man Dog "contains some interesting departures from [Taylor's] earlier work."<ref name=rw>Template:Cite magazine</ref> Calgary Herald critic Jim Rennie felt the best song on the album was the traditional folk song "One Morning in May", writing that "Taylor joins forces vocally with luscious Linda Ronstadt, and the result is so good I think the combination is worth an album of its own."<ref>Template:Cite news</ref>

On the other hand, Allmusic critic William Ruhlmann considered the album to be a "letdown", saying that "a lot of it was sketchy and seemingly unfinished, and none of it had the impact of the best songs on the last two albums."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Track listing

All songs written by James Taylor, except where noted.

Side one

1. "One Man Parade" – 3:10
2. "Nobody But You" – 2:57
3. "Chili Dog" – 1:35
4. "Fool for You" – 1:42
5. "Instrumental I" – 0:55
6. "New Tune" – 1:35
7. "Back on the Street Again" (Danny Kortchmar) – 3:00
8. "Don't Let Me Be Lonely Tonight" – 2:34

Side two

1. "Woh, Don't You Know" (Taylor, Kortchmar, Leland Sklar) – 2:10
2. "One Morning in May" (traditional) – 2:54
3. "Instrumental II" – 1:41
4. "Someone" (John McLaughlin) – 3:36
5. "Hymn" – 2:24
6. "Fanfare" – 2:33
7. "Little David" – 1:00
8. "Mescalito" – 0:29
9. "Dance" – 2:07
10. "Jig" – 1:13

Personnel

• James Taylor – lead vocals, backing vocals (1, 9, 16), acoustic guitar (1, 3, 5–12, 15–18), harmonica (1), electric guitar (2, 4, 14, 18), autoharp (5), bells (11), chainsaw (15), hammer and 4 x 8 (15)
• Danny Kortchmar – electric guitar (1–4, 8, 9, 11, 13–18), timbales (1, 9), acoustic guitar (5, 7, 10, 12)
• John McLaughlin – acoustic guitar (12)
• John Hartford – banjo (17), fiddle (17)
• Dash Crofts – mandolin (17)
• Red Rhodes – steel guitar (17, 18)
• Craig Doerge – acoustic piano (2, 6–10, 12–14, 16, 18), electric piano (2–4, 11, 15)
• Leland Sklar – bass guitar (3–9, 11, 13–18), guitarron mexicano (7, 12, 17)
• Russ Kunkel – congas (1, 2, 6–8, 11), drums (2–5, 8–10, 13–18), tambourine (3, 9), cabasa (6)
• Peter Asher – guiro (1)
• Bobbye Hall – congas (4), tambourine (4), bongos (11), bells (11), shaker (11), percussion (18)
• Mark Paletier – crosscut saw (15)
• George Bohanon – trombone (4)
• Art Baron – bass trombone (13, 14, 18)
• Barry Rogers – trombone (13, 14, 18)
• Michael Brecker – tenor sax solo (8), tenor saxophone (13, 14), soprano saxophone (13), flute (18)
• Randy Brecker – trumpet (13, 14, 18), flugelhorn (13), piccolo trumpet (13)
• Abigale Haness – backing vocals (1, 14, 16)
• Carole King – backing vocals (1, 14, 16)
• Carly Simon – backing vocals (1)
• Alex Taylor – backing vocals (1, 9)
• Hugh Taylor – backing vocals (1, 9)
• Kate Taylor – backing vocals (1)
• Linda Ronstadt – backing vocals (10)

Production

• Producer – Peter Asher
• Engineers – Peter Asher (Tracks 1, 3, 6, 8, 9, 11, 15 & 16); Robert Appère (Tracks 2, 4, 5, 10 & 12); Phil Ramone (Tracks 7, 13, 14, 17 & 18).
• Tenor sax solo on Track 8 recorded by Phil Ramone.
• Mixed by Robert Appère
• Mastered by Bernie Grundman at A&M Studios (Hollywood, CA).
• Art Direction – Ed Thrasher
• Photography – Peter Simon

Charts

Weekly charts

Chart (1973)	Peak position
Australia (Kent Music Report)<ref name=aus>Template:Cite book</ref>	13
Canadian RPM Albums Chart<ref>Template:Cite magazine</ref>	7
UK Albums Chart<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	27
US Billboard 200<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	4

Year-end charts

Chart (1973)	Position
US Billboard Pop Albums<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	72