Origin of Symmetry
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Origin of Symmetry is the second studio album by the English rock band Muse, released on 18 June 2001 through Taste Media. It was produced by John Leckie, who produced Muse's debut album, Showbiz (1999), and David Bottrill.
Origin of Symmetry is considered Muse’s breakthrough album. It reached number three on the UK Albums Chart<ref name="UK">Template:Cite web</ref> and was certified platinum.<ref name="BPIOrigin">Template:Cite web</ref> Four singles were released: "Plug In Baby", "New Born", "Bliss", and "Hyper Music" / "Feeling Good". It was their first album to chart in the U.S. As of 2018, Origin of Symmetry had sold more than two million copies worldwide. It received mostly positive reviews, with critics praising its blend of rock and classical music. It has since been named one of the greatest rock albums of the 2000s by several publications.
For the album's 20th anniversary in 2021, Muse released a remixed and remastered version, Origin of Symmetry: XX Anniversary RemiXX.
Writing
Origin of Symmetry has been described as alternative rock,<ref name="puluche">Template:Cite web</ref> progressive rock,<ref>Template:Cite web</ref> space rock<ref>Template:Cite web</ref> and hard rock.<ref>Template:Cite web</ref> Muse developed it during their tour for their debut album, Showbiz. "Feeling Good", a cover, was written for Broadway by Anthony Newley and Leslie Bricusse in 1964, and first recorded by Nina Simone for her 1965 album I Put a Spell on You.<ref>Template:Cite web</ref>
The album title derives from the 1994 book Hyperspace by the theoretical physicist Michio Kaku, which suggests the title The Origin of Symmetry for a future book about the discovery of supersymmetry, a reference to On the Origin of Species. According to the Muse songwriter, Matt Bellamy: "Everyone's been writing about the origin of life so now they'll start looking at the origin of symmetry; there's a certain amount of stability in the universe and to find out where it originates from would be to find out if God exists."<ref>Template:Cite web</ref> Whereas the Showbiz lyrics had "wallowed in heartbroken angst", Bellamy's lyrics moved to "sci-fi surrealism".<ref name=":0" />
Recording
After completing the Showbiz tour, Muse recorded "Plug In Baby", "Bliss", "New Born" and "Darkshines" with the producer David Bottrill, forming the "backbone" of Origin of Symmetry. To capture their live energy, Muse recorded together as a band, with some overdubs.<ref name=":0">Template:Cite web</ref>
After Bottrill departed to work on the Tool album Lateralus, Muse enlisted John Leckie, who had produced Showbiz.<ref name=":0" /> They recorded in Sawmills in Fowey, Cornwall; Ridge Farm Studio in Surrey; Real World Studios in Box, Wiltshire; and David Gilmour's Astoria houseboat studio on the Thames.<ref name=":0" /> While they were working in Real World Studios, they went to a church in Bath to record a church organ for "Megalomania".<ref name=":0" />
Having mainly recorded Showbiz with a Gibson Les Paul guitar, Bellamy recorded Origin of Symmetry using a custom Manson guitar equipped with a built-in Fuzz Factory, a fuzz distortion effect.<ref name=":0" /> It was the first of many collaborations between Bellamy and Manson.<ref name=":0" />
Release
Origin of Symmetry was released on 18 June 2001.<ref name="Ultratop"/> It was originally scheduled for release in the United States through Maverick Records, which had also released Showbiz. However, Muse left Maverick when they demanded Bellamy rerecord the album with less falsetto, and it was not released in the US until 2005.<ref>Template:Cite book</ref>
Critical reception
Origin of Symmetry received mainly positive reviews. Roy Wilkinson of Q praised it as an "astonishing record... where extra-terrestrial fascinations meet the classical world's more unhinged impulses", adding that "comparisons with Radiohead that dogged Muse's early career now seem all but obsolete".<ref name="Q Mag"/> Roger Morton of NME called the album a "reinvention of grunge as a neo-classical, high gothic future rock, full of flambéed pianolas and white-knuckle electric camp ... It's apparent that Muse can handle their brutal arias."<ref name="NME"/> Q named Origin of Symmetry one of the 50 best albums of 2001,<ref>Template:Cite journal</ref> while Kerrang! named it the ninth-best.<ref>Template:Cite web</ref>
The GuardianTemplate:'s Betty Clarke panned Origin of Symmetry as "unbelievably overblown, self-important and horrible".<ref name="Guardian">Template:Cite news</ref> The Stylus critic Tyler Martin felt that Muse were "very good at their craft", but that "the constant overplaying of everything waters it all down immensely".<ref name="Stylus">Template:Cite web</ref>
Legacy
In 2006, Q named Origin of Symmetry the 74th-greatest album of all time.<ref name="Q Magazine">Template:Cite web</ref> In 2008, Q readers voted it the 28th-best British album. Kerrang! named it the 20th-best British rock album and the 13th-best album of the 21st century.<ref>Template:Cite web</ref> For its 10th anniversary, Muse performed Origin of Symmetry in its entirety at the Reading and Leeds Festivals on 26 August and 28 August 2011.<ref>Template:Cite web</ref>
In a retrospective review, Natalie Shaw of BBC Music wrote that Origin of Symmetry "shows a band with the drive and unfettered ambition to create a standalone marvel which not only awakens the ghosts and clichés from prog's pompous past, but entirely adds its own voice". He said that many elements of the band's later albums, such as Black Holes and Revelations (2006), could be traced back to the album.<ref>Template:Cite web</ref> The author Amy Britton argued that on Origin of Symmetry Bellamy "progressed [his band]'s sound so much that he earned a new title – this generation's guitar hero," highlighting "Plug In Baby" and "New Born".<ref>Template:Cite book</ref> In a retrospective review in 2021, the Pitchfork critic Jazz Monroe wrote: "Muse were playing melodrama as teenage realism, an extremely, ridiculously honest noise ... By combining goth vulnerability with sci-fi scale and hard-rock drama, [Origin of Symmetry] captures a paradox of young romance: on one hand, Bellamy sounds wracked with despair, but he proclaims his heartbreak with the glee of an ecstatic preacher."<ref name="Pitchfork"/>
Reissues
On 6 December, 2019, Origin of Symmetry was remastered and reissued as part of the Origin of Muse boxset, alongside Showbiz, demos, live performances and other material.<ref>Template:Cite magazine</ref> On 18 June 2021, the album's 20th anniversary, Muse released a remixed and remastered version, Origin of Symmetry: XX Anniversary RemiXX.<ref name="muse.mu">"ORIGIN OF SYMMETRY: XX ANNIVERSARY REMIXX". Accessed in 5 June 2021.</ref> A collaboration with the producer Rich Costey, who worked on several later Muse albums, it features a "more open, dynamic and less crushed sound".<ref>Template:Cite web</ref> The new mixes also restore elements that were originally muted or obscured, such as string sections on "Space Dementia", "Citizen Erased" and "Megalomania", and a harpsichord on "Micro Cuts". The album features new cover artwork by Sujin Kim.<ref name="muse.mu" /> The Pitchfork critic Jazz Monroe described the reissue as "definitive ... even more colossal and timeless".<ref name="Pitchfork" />
Track listing
Personnel
Personnel adapted from Origin of Symmetry. liner notes<ref name=linernotes /> Template:Col-begin Template:Col-2 Muse
- Matthew Bellamy – lead vocals, guitars, keyboards; string arrangement, production, mixing
- Chris Wolstenholme – bass guitar, backing vocals, vibraphone; double bass (track 10); production, mixing
- Dominic Howard – drums, percussion; production, mixing
Guest musicians
- Jacqueline Norrie – violin
- Sara Herbert – violin
- Clare Finnimore – viola
- Caroline Lavelle – cello
Additional personnel
- David Bottrill – production and engineering (tracks 1, 2, 5 and 9)
- John Leckie – production and engineering (tracks 3, 4, 6–8, 10 and 11)
- Ric Peet – engineering (tracks 3, 4, 6–8, 10 and 11)
- Steve Cooper – additional engineering (tracks 1, 2, 5 and 9)
- Chris Brown – additional engineering and programming (tracks 3, 4, 6–8, 10 and 11)
- Mark Thomas – assistant engineering (tracks 2, 4, 5 and 7)
- Claire Lewis – assistant engineering (tracks 3, 4, 6–8, 10 and 11)
- Damon Iddins – assistant engineering
- Mirek Styles – assistant engineering
- John Cornfield – mixing
- Ray Staff – mastering
- William Eagar – artwork
Charts
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Weekly charts
| Chart (2001–2021) | Peak position |
|---|---|
| Europe (European Top 100 Albums)<ref>Template:Cite magazine</ref> | 8 |
| Japanese Albums (Oricon)<ref>Template:Cite web</ref> | 20 |
Year-end charts
| Chart (2001) | Position |
|---|---|
| Belgian Albums (Ultratop Flanders)<ref>Template:Cite web</ref> | 50 |
| Belgian Albums (Ultratop Wallonia)<ref>Template:Cite web</ref> | 46 |
| Dutch Albums (Album Top 100)<ref>Template:Cite web</ref> | 67 |
| European Albums (Music & Media)<ref>Template:Cite magazine</ref> | 91 |
| French Albums (SNEP)<ref>Template:Cite web</ref> | 57 |
| UK Albums (OCC)<ref>Template:Cite web</ref> | 74 |
Certifications
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Notes and references
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