Peter Carl Fabergé

Peter Carl Gustavovich FabergéTemplate:Efn (Template:Langx; Template:OldStyleDate – 24 September 1920; also known as Charles Fabergé) was a Russian goldsmith and jeweller.<ref name="Grove">Template:Cite book</ref> He is best known for creating Fabergé eggs made in the style of genuine Easter eggs, but using precious metals and gemstones rather than more mundane materials. He was one of the sons of Gustav Fabergé, the founder of the House of Fabergé.

Early life and education

Peter Carl Fabergé was born on Template:OldStyleDate in Saint Petersburg, Russia, into the family of the Baltic German jeweller of Huguenot descent, Gustav Fabergé,<ref name="Grove"/> and his wife Marie Fabergé, the daughter of Danish painter Karl Jungstedt.<ref>Template:Cite book</ref> Gustav Fabergé's paternal ancestors were Huguenots, originally from La Bouteille, Picardy, who fled from France after the revocation of the Edict of Nantes, first to Germany near Berlin, then in 1800 to the Pernau county (today Pärnu),<ref>Fabergé Museum: Fabergé, sa famille et le développement de son entreprise Template:Webarchive, faberge-museum.de</ref> Livonia Governorate, then part of Russia, now in Estonia.

His father retired from his jewelry business in 1860 and moved with his family to Dresden, the capital of Saxony; he left the House of Fabergé in Saint Petersburg in the hands of his business partner, Hiskias Pendin. Carl enrolled at the Dresden Handelsschule (trade school), a place where the sons of Saxon merchants studied the basics of business administration.Template:Sfn In 1862, Agathon Fabergé was born in Dresden, where he went to school as well.<ref>Template:Cite web</ref>

Carl was sent to England to learn English and he continued with his Grand Tour of Europe. He received tuition from respected goldsmiths in Germany, France and England, attended a course at Schloss's Commercial College in Paris, and viewed the objects in the galleries of Europe's leading museums. He was also apprenticed by the jeweler Josef Friedman of Frankfurt-am-Main, whose jewels were highly regarded in the German principalities.<ref name="Keefe">Template:Cite book</ref> Fabergé returned to Saint Petersburg in 1864 and entered his father's firm.Template:Sfn Although he was only 18 years of age, he continued his education and was tutored by Hiskias Pendin. He also developed friendships with members of the directorate of the Hermitage Museum and began unpaid work there in 1867.Template:Sfn

Career

Head of the family business

Peter Carl Fabergé at work Template:Circa

On Template:OldStyleDate, he married Augusta Julia Jacobs, daughter of the furniture craftsman Gotlieb Jacobs.Template:Sfn He also took over his father's firm the same year.Template:EfnTemplate:Sfn His first child, Eugène Fabergé, was born in 1874, and two years later, Agathon Fabergé was born; Alexander and Nicholas Fabergé followed in 1877 and 1884 respectively. The company was also involved with cataloguing, repairing, and restoring objects in the Hermitage during the 1870s. In 1881, the business moved to larger street-level premises at Bolshaya Morskaya. Fabergé also began making changes to transform the firm from what his son Eugène called "a dealer in petty jewelry and spectacles".Template:Sfn His time in Europe had inspired him to make pieces that were more than a sum of their parts. As he later described in his own words: "Expensive things interest me little if the value is merely in so many diamonds or pearls".Template:Sfn

By 1881, Carl earned enough recognition among his peers to be appointed "master of the Second Guild", which marked him as a merchant or retailer rather than a craftsman. This also meant he did not have to submit his pieces for official testing when using his own hallmark to that of the firm. Upon the death of Hiskias Pendin, Carl Fabergé took sole responsibility for running the company and was formally acknowledged as the head of the firm. At this time, the firm employed about 20 people.Template:Sfn

The firm's first major breakthrough was in 1882, when Carl and Agathon Fabergé were a sensation at the Pan-Russian Exhibition of Industry and the Arts held in Moscow.Template:SfnTemplate:Sfn Carl was awarded a gold medal.Template:Sfn Due to his work at the Hermitage, which included Greek and Scythian jewelry from the 4th-century that he helped to restore, Fabergé had been invited to the exhibition; Fabergé had also received permission to copy and incorporate the designs of those articles, and this became the focus of his display.Template:Sfn The magazine Niva wrote in an article: "Mr Fabergé opens a new era in the art of jewellery... Her Majesty honoured Fabergé by buying a pair of cufflinks with images of cicadas which, according to Ancient Greek belief, bring luck".Template:Sfn Although he achieved recognition of the imperial family, Fabergé was only one of many jewellers supplying the Russian court; at least five firms are mentioned in the Imperial accounts for 1883, with only 6,400 rubles paid to Fabergé, which was by far the smallest.Template:Sfn

Fabergé's production of the very first so-called Fabergé egg, the Hen Egg, given as a gift from Emperor Alexander III to his wife, Maria Feodorovna, on Orthodox Easter on 24 March 1885, so delighted her that on 1 May, the emperor patronized the firm and awarded it with the title of Supplier to the Imperial Court.<ref name="Grove"/> This meant that Fabergé now had full personal access to the important Hermitage Collection, where he was able to study and find inspiration for developing his unique personal style. Influenced by the jewelled bouquets created by the eighteenth century goldsmiths Jean-Jacques Duval and Jérémie Pauzié, Fabergé re-worked their ideas combining them with his accurate observations and his fascination for Japanese art.Template:Citation needed This resulted in a revival of the lost art of enameling and a focus on the setting of every single gemstone in a piece to its best visual advantage. Indeed, it was not unusual for Agathon to make ten or more wax models so that all possibilities could be exhausted before deciding on a final design. Shortly after Agathon joined the firm, the House introduced objects deluxe: gold bejewelled items embellished with enamel ranging from electric bell pushes to cigarette cases and including objects de fantaisie.

Easter eggs

House of Fabergé in Moscow in Kuznetsky Most, 1893

In light of the empress' response to receiving one of Fabergé's eggs on Easter, the emperor soon commissioned the company to make an Easter egg as a gift for her every year thereafter. The emperor placed an order for another egg the following year. Beginning in 1887, the emperor apparently gave Carl Fabergé complete freedom with regard to egg designs, which then became more and more elaborate. According to Fabergé Family tradition, not even the emperor knew what form they would take— the only stipulation was that each one should be unique and each should contain a surprise. Alexander III collaborated with Fabergé on some of the designs to some extent.<ref name="Grove"/>

Upon the 1894 death of Alexander III, his son, the next emperor, Nicholas II, followed this tradition and expanded it by requesting that there be two eggs each year, one for his mother (who was eventually given a total of 30 such eggs) and one for his wife, Alexandra (who received another 20). These series of Easter gift eggs are today distinguished from the other jeweled eggs Fabergé ended up producing by their designation as Imperial Easter Eggs.<ref name="Grove"/> The tradition continued until the October Revolution when the entire Romanov dynasty was executed and the eggs and many other treasures were confiscated by the interim government. The two final eggs were never delivered nor paid for.

Bouquet of Lilies Clock, made in 1899 for Alexandra Feodorovna as a gift from Nicholas II.Template:Sfn

Although today the House of Fabergé is famed for the Imperial Easter Eggs, it made many more objects ranging from silver tableware to fine jewelry which were also of exceptional quality and beauty, and until its departure from Russia during the revolution, Fabergé's company became the largest jewelry business in the country. The Saint Petersburg branch was made up of several workshops with the responsibility of overseeing each item from its design through all the manufacturing stages. The Moscow branch was run as a commercial center. Other branches were also established in Odessa (1890), London (1903) and Kiev (1905). A total of about 500 people worked for the firm.<ref name="Grove"/> It produced at least 150,000 items of jewelry, silver and other items of fantasy,<ref name="Habsburg">Template:Cite book</ref> or up to an estimated 200,000 items from 1882 to 1917.<ref>Template:Cite web</ref>

Fabergé's work represented Russia at the 1900 World's Fair in Paris. As Carl Fabergé was a member of the jury, the House of Fabergé exhibited hors concours (without competing). Nevertheless, the House was awarded a gold medal and the city's jewelers recognized Carl Fabergé as a maître. Additionally, France recognized Carl Fabergé with one of the most prestigious of French awards, appointing him a knight of the Legion of Honour. Two of Carl's sons and his head workmaster were also honored. Commercially, the exposition was a great success and the firm acquired a great many orders and clients.

End of the House of Fabergé

The main Fabergé store in Saint Petersburg was officially renamed Yakhont (Ruby) and still is known as the Fabergé store.

Following the outbreak of war in 1914, the firm submitted proposals for wartime production and received a response the following year, following which production began on military orders, which continued until the October Revolution in 1917.Template:Sfn In 1916, the House of Fabergé became a joint-stock company under the name C. Fabergé, with a fixed capital of three million rubles.Template:Sfn

As a result of the revolution, the business was run by a Committee of Employees, which managed the firm until 1918, when the workshops were closed by Fabergé,<ref name="Grove"/> who then left the country after officials of the new government asked him to close the business. Fabergé reportedly asked for ten minutes to collect his belongings before leaving.Template:Sfn The great majority of jewels were destroyed following the revolution.<ref name="Habsburg"/>

Fabergé died at the Hotel Bellevue in Lausanne, Switzerland, on 24 September 1920. He had escaped Russia in September 1918 under disguise as a courier with the British legation.Template:Sfn His family believed he died of a broken heart.<ref>The Genius of Carl Faberge, Episode Two, 25 August 2018 BBC World News</ref> His wife, Augusta, died in 1925. The two were reunited in 1929 when Eugène Fabergé took his father's remains from Lausanne and buried them in his mother's grave at the Cimetière du Grand Jas in Cannes, France.Template:Sfn<ref>Template:Cite book</ref>

Personal life

Augusta Julia Jacobs Template:Circa

Henry Bainbridge, a manager of the London branch of the House of Fabergé, recorded recollections of his meetings with his employer in his autobiography,<ref>Twice Seven: The Autobiography of H C Bainbridge (Routledge, London, 1933)</ref> as well as the book he wrote about Fabergé.<ref>Fabergé: Goldsmith and Jeweller to the Imperial Court – His Life and Work (Batsford, London, 1949)</ref> The autobiography also records the memories of François Birbaum, Fabergé's senior master craftsman from 1893 until the House's demise.<ref>The History of the House of Fabergé according to the recollections of the senior master craftsman of the firm Franz P. Birbaum This was handwritten in 1919 at the request (or order) of the Soviet authorities. It added considerably to the knowledge of how the House of Fabergé operated. The English translation was published by Tatiana F Fabergé (great-granddaughter of Peter Carl Fabergé) and Valentin V. Skurlov in St. Petersburg in 1992.</ref>

Family

Fabergé had five sons with Augusta Julia Jacobs, whom he married in 1872. Four of his sons lived to adulthood: Eugène (Evgeny) (1874–1960), Agathon (1876–1951), Alexander (1877–1952), and Nicholas (Nikolai) Leopold (1884–1939). Another son, Nikolai (1881–1883), died during infancy.Template:Sfn

Cultural reassessment

New genealogical and archival findings in Berlin, Estonia and Saxony have reframed the Fabergé story. Where earlier narratives emphasised a solely Franco-Russian identity, evidence now situates the family within a mainly German-speaking Lutheran jewelry craft tradition that extended from Berlin through Pärnu and Dresden to St Petersburg. This Protestant-German heritage—marked by literacy, discipline and artisanal rigour—formed the ethical and aesthetic backbone of the Fabergé workshop’s celebrated achievements.<ref>https://www.igorcarlfaberge.com/storage/2021/04/210419_English-version-Fabergé-German-Ties-and-British-Betrayals_by_MK.pdf</ref><ref name="Parnu1796">Estonia National Archives, Lutheran Parish and Guild Registers, Pärnu (1796 and 1808), entries for Peter Fabrier / Faberg.</ref><ref name="Berlin1789">Germany, Lutheran Baptisms, Marriages and Burials 1567–1945 – Französisch-Reformierte Kirche Friedrichstadt (Berlin); Ancestry.com digital image A5715 p. 188 (1789 marriage Favry–Leclerc) and 1828 death entry Jean Favry.</ref><ref name="Skurlov">Valentin Skurlov (2018). Gustav Fabergé and His Dresden Years. Moscow: Fabergé Museum Press.</ref>

Legacy

Bainbridge says that when Fabergé took over the firm in 1872, there was "no special significance attached it", although it was a sound business, but over time, he raised its art to a much higher level, with the foundation of the firm consisting of lightness and elegance in design as Fabergé began creating objects of fantasy in addition to jewelry.Template:Sfn

Bibliography

• Template:Cite book
• Fabergé, Tatiana; Proler, Lynekmkmtte G.; Skurlov, Valentin V. (1997). The Fabergé Imperial Easter Eggs. London. Christie's. Template:ISBN.
• Fabergé; Skurlov (1992). The History of the House of Fabergé according to the recollections of the senior master craftsman of the firm, Franz P. Birbaum. St Petersburg
• Bainbridge, Henry Charles (1979). Peter Carl Fabergé – Goldsmith and Jeweller to the Russian Imperial Court – His Life and Work. London. Batsfords – later reprints available such as New York, Crescent Books.
• Snowman, Kenneth (1964). The Art of Carl Fabergé. London. Faber & Faber. Template:ISBN.
• Template:Cite book
• von Habsburg, Geza (1987). Fabergé. Geneva. Habsburg. Feldman Editions. Template:ISBN.
• von Solodkoff, Alexander (1984). Masterpieces from the House of Fabergé. New York. Harry N Abrams. Template:ISBN.
• von Habsburg, Géza (2004). Fabergé Treasures of Imperial Russia. Link of Times Foundation. Template:ISBN.
• Faber, Toby (2008). Faberge's Eggs: The Extraordinary Story of the Masterpieces That Outlived an Empire. New York. Random House. Template:ISBN.
• Hill, Gerald (2007). Faberge and the Russian Master Goldsmiths. New York. Universe. Template:ISBN.
• Snowman, Kenneth (1988). Carl Fabergé: Goldsmith to the Imperial Court of Russia. Random House. Template:ISBN.
• Template:Cite book

External links

• Fabergé Research Site. One of the most comprehensive websites about the firm
• More facts from Faberge biography
• Empire of Eggs, Svetlana Graudt, Moscow Times, November 18, 2005