Point Counter Point

File:PointCounterPoint.JPG

First US edition
(publ. Doubleday, Doran)

Point Counter Point is a novel by Aldous Huxley, first published in 1928.<ref name=":0">Template:Cite web</ref> It is Huxley's longest novel, and was notably more complex and serious than his earlier fiction.<ref name=":0" />

In 1998,<ref>Template:Cite web</ref> the Modern Library ranked Point Counter Point 44th on its list of the 100 best English-language novels of the 20th century.<ref name=":1">Template:Cite web</ref>

The novel entered the public domain in the United States in 2024.<ref name="Copyright Lately-Dec4,23">Template:Cite news</ref>

Title and construction

The novel's title is a reference to the flow of arguments in a debate,<ref name=":1" /> and a series of these exchanges tell the story.<ref>Template:Cite web</ref> Instead of a single central plot, there are a number of interlinked story lines and recurring themes (as in musical "counterpoint").<ref>Template:Cite journal</ref> As a roman à clef,<ref>Template:Cite web</ref> many of the characters are based on real people, most of whom Huxley knew personally, such as D. H. Lawrence, Katherine Mansfield, Nancy Cunard, and John Middleton Murry, and Huxley is depicted as the novel's novelist, Philip Quarles.<ref>Template:Cite web</ref> Huxley described the structure of Point Counter Point within the novel itself, in a stream of consciousness musing of Quarles:

Main characters and storylines

Some of the main characters are:

• Walter Bidlake, a young journalist. A weak and ineffectual man, Walter is living with Marjorie Carling, a married woman whose husband refuses to grant her a divorce. Marjorie is pregnant with Walter's child, but their relationship is disintegrating, largely because Walter has fallen desperately in love with the sexually aggressive and independent Lucy Tantamount (based on Nancy Cunard, with whom Huxley had a similarly unsatisfactory affair).
• John Bidlake, Walter's father, a painter (based on Augustus John). He is famous for his work and for his scandalous love life. However, his recent paintings show a creative decline, which he himself recognises but refuses to admit. He has an illness which is eventually diagnosed as terminal cancer. His wife Mrs. Bidlake is inspired by Lady Ottoline Morrell.
• Philip Quarles, a writer (a self-portrait of Huxley) and his wife Elinor, John Bidlake's daughter. They return from India to England. Quarles is a withdrawn, cerebral man, ill at ease with the everyday world and its emotions; Elinor loves him, but is tempted to enter into an affair with the bold and attractive Everard Webley, a political demagogue and leader of his own quasi-military group, the Brotherhood of British Freemen. (Webley is often assumed to be based on Oswald Mosley, but there are reasons for doubting this: see below.) Quarles' father, Sidney, is unlike his son: outwardly impressive, he is in reality pretentious, feeble and self-indulgent. An undistinguished MP and failed businessman, he has retired from public life, supposedly to concentrate on writing a vast and definitive study of democracy. In fact he has written nothing, but he employs a secretary; the girl becomes pregnant by him and threatens to make a scandal. Philip and Elinor have a young son, little Phil, who becomes ill and dies of meningitis.
• Mark Rampion, a writer and painter. Based on D. H. Lawrence, whom Huxley admired greatly, Rampion is a fierce critic of modern society. A full chapter in flashback shows Rampion's courtship and marriage to his wife, Mary (based on Lawrence's wife Frieda).<ref>Aldington, Richard (1950). Portrait of a Genius, But ...: The Life of D.H. Lawrence, 1885-1930. William Heinemann Ltd, p. 35.</ref>

• Maurice Spandrell, an intellectual desperately and unsuccessfully searching for proof of the divine in his life (based on Charles Baudelaire, who of course did not live in Huxley's time).<ref>Template:Cite web</ref> For years Spandrell has devoted himself to vice and deliberate wickedness in order to prompt a reaction from God. He has found some pleasure in the corruption of an innocent young girl, both in the act itself and in his own feelings of remorse, but when he is not divinely punished, he looks for an even larger sin to force God's hand. He believes that if there is no real evidence of God's existence, everything in life is pointless. He meets Illidge, a young scientist of working-class origin, and taunts him for his angry left-wing rhetoric and actual political impotence in order to persuade him into helping him murder Everard Webley. Tragically, there is still no obvious heavenly negative and personal consequences for this ultimate sin, except to strengthen Webley's Brotherhood of British Freemen. Spandrell sends an anonymous note to the Brotherhood, informing them that the murderer is at his address. He tries one last time to find God's presence in the world when he asks Rampion whether Beethoven's String Quartet No 15, played on the newly invented gramophone, (to symbolize the collision of science and technology with art) is an indication or proof of God. Rampion answers that even the sublimest of music, such as Beethoven's composition that they are listening to, is not a proof of God, this motivates Spandrell to call the police, essentially committing suicide, since when they arrive he allows himself to be shot and killed, while the third movement from Beethoven's String Quartet No. 15 plays in the background.<ref>Template:Cite web</ref>
• Denis Burlap, Walter Bidlake's editor. Based on John Middleton Murry, Burlap is in his writings and public image a Christian and an anguished, self-accusing moralist; in his inner thoughts and private behaviour, however, he is calculating, avaricious and libidinous. He lives with Beatrice Gilray (based on Dorothy Brett, painter), who at thirty-five remains a virgin, having been molested as a young girl; for some time their relationship is platonic, but Burlap succeeds in seducing her. The novel ends with his having secured several thousand dollars for a book, St Francis and the Modern Psyche, and enjoying an evening of sensual pleasure with Beatrice.

Real-world British fascists

Comparisons have been made between the character Everard Webley with his Brotherhood of British Freemen and Oswald Mosley with the British Union of Fascists. However, when Huxley wrote Point Counter Point, Mosley was still a prominent member of the Labour Party and would remain so until 1931. The BUF was not founded until 1932. A number of other fascist groups preceded Mosley, the most prominent being the British Fascists, and possibly one of those may have been Huxley's inspiration. In the 1996 reprint of Point Counter Point, Mosley's son Nicholas discusses the connection in a new introduction to the novel.<ref>Template:Cite book</ref> David Bradshaw has argued that the most likely source for Webley is John Hargrave, the founder of The Kindred of the Kibbo Kift.<ref>Template:Cite journal</ref>

Adaptations

• Point Counter Point (1968), miniseries directed by Rex Tucker

  A BBC mini-series by Simon Raven,<ref>Template:Cite news</ref> starring Tristram Jellinek. It was later broadcast on PBS television in 1972.<ref name=":1"/>

External links

• Template:StandardEbooks
• Template:FadedPage
• Somaweb.org – a collection of links relating to Huxley's works in general
• Template:IMDb title