Results May Vary

Template:Good article Template:Use mdy dates {{safesubst:#invoke:Unsubst-infobox||$params=italic_title,name,type,longtype,artist,cover,border,alt,caption,released,recorded,venue,studio,genre,length,language,label,director,producer,compiler,chronology,prev_title,prev_year,year,next_title,next_year,misc|$extra=italic_title,longtype,border,caption,language,director,compiler,chronology,year,misc|$aliases=italic title>italic_title,Italic title>italic_title,Name>name,Type>type,image>cover,Cover>cover,Border>border,Alt>alt,Caption>caption,Longtype>longtype,Artist>artist,Released>released,Recorded>recorded,Venue>venue,Studio>studio,Genre>genre,Length>length,Language>language,Label>label,Director>director,Producer>producer,Compiler>compiler,Chronology>chronology,Misc>misc|$flags=override|$B={{#ifeq:{{#invoke:Is infobox in lead|main|[Ii]nfobox [Aa]lbum}}|true|{{#if:Template:Has short description | |{{#if: Template:Start date | Template:Short description}}}}}}{{#invoke:Infobox|infobox}}Template:Template otherTemplate:Category handlerTemplate:Main other{{#invoke:Check for unknown parameters|check|unknown=Template:Main other|preview=Page using Template:Infobox album with unknown parameter "_VALUE_"|ignoreblank=y|italic_title |type |name |image |cover |border |alt |caption |longtype |artist |released |recorded |venue |studio |genre |length |language |label |director |producer |compiler |prev_title|prev_year|next_title|next_year|chronology|year|misc}}{{#if:{{#invoke:String|match|error_category=Music infoboxes with Module:String errors|A|1=New Old Songs2001The Unquestionable Truth (Part 1)2005studioResults May Varylimp_bizkit_results_may_vary.jpgA green-tinted photo of Fred Durst screamingLimp BizkitTemplate:Start dateMay–June 2003Template:FlatlistTemplate:Flatlist68:33* Flip

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• Fred Durst
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Results May Vary is the fourth studio album by American nu metal band Limp Bizkit, released on September 23, 2003, through Flip and Interscope Records. It is the band's only release under the sole-leadership of vocalist Fred Durst after the temporary departure of guitarist Wes Borland, who left in 2001. Guitarist Mike Smith of Snot was brought in to replace Borland, although his time with the band was brief, and Durst along with a number of guests ended up handling the majority of the album's guitar work.

The album differed from Limp Bizkit's established sound up until that point; although the album still featured elements of hip hop and nu metal, it also branched out into other musical styles, including alternative rock, acoustic, funk and jazz. It also featured less rapping and more introspective lyrics related to heartbreak, bullying, and self-pity. An alleged affair with Britney Spears by Durst (denied by Spears) during collaborating sessions for her 2003 album In the Zone and resulting rejection by Spears was also cited as an inspiration for some of the album's material. To promote the album, music videos featuring high-profile actors were created for "Eat You Alive" and a cover of the Who's "Behind Blue Eyes"; the former featuring Thora Birch and Bill Paxton and the latter featuring Halle Berry.

Upon its release, Results May Vary peaked at number 3 on the US Billboard 200, selling at least 325,000 copies in its first week of sales. While the album still eventually went platinum, both the debut and lifetime sales were still well below prior albums Significant Other (1999) and Chocolate Starfish and the Hot Dog Flavored Water (2000). Results May Vary sold at least 1.3 million copies in the United States, and received mainly negative critical reception as well. Results May Vary was Limp Bizkit's last studio album released before they went on hiatus for the three years between 2006 and 2009.

Background and recording

In October 2001, Fred Durst posted on the band's website: "Limp Bizkit and Wes Borland have amicably decided to part ways. Both Limp Bizkit and Borland will continue to pursue their respective musical careers. Both wish each other the best of luck in all future endeavors."<ref name=CMJ>Template:Cite journal</ref> Borland explained why he left Limp Bizkit; he said: "I could have probably gone on and still played the part of the guitar player of Limp Bizkit, but musically I was kind of bored. If I was to continue, it would have been about the money and not about the true music, and I don't want to lie to myself, or to them or to fans of Limp Bizkit."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

According to Durst, Limp Bizkit would "comb the world for the illest guitar player known to man" to replace Borland.<ref name=CMJ/> After holding a nationwide audition for a new guitarist, "Put Your Guitar Where Your Mouth Is",<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> the band recorded with Snot guitarist Mike Smith.<ref name=Erlewine /> "Mike brought in a breath of fresh air," Durst said. "Creatively, it fit like a glove. It made life easier and more positive. It made us look forward to getting together as a band so much more. The positive effect he had on me just made the whole experience of Limp Bizkit feel like a brand-new entity."<ref name=Anger /> Before Smith replaced Borland, Durst originally attempted to write and play a great deal of the guitar tracks before resorting to hire session musician Elvis Baskette to help with writing and recording the majority of the album.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}Template:Dead link</ref> Jon Wiederhorn of MTV wrote, "Limp Bizkit jammed with four finalists after their much-publicized guitarist audition tour, but now it looks like Fred Durst might be taking a cue from his Puddle of Mudd pal Wes Scantlin and handling both vocal and guitar duties himself."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

After a later falling-out with Smith, Durst told a fansite: "We are the type of people that stay true to our family and our instincts and at any moment will act on intuition as a whole. Mike wasn't the guy. We had fun playing with him but always knew, in the back of our minds, that he wasn't where we needed him to be mentally."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Limp Bizkit scrapped many of Smith's sessions, recording another album that was also scrapped.<ref name=Erlewine/>

Before the introduction of Results May VaryTemplate:'s track listing, Page Hamilton of Helmet and Rivers Cuomo of Weezer recorded songs with Limp Bizkit for the album;<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Al Jourgensen of Ministry also joined the band in the studio.<ref name=Addict>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The contributions of all three were omitted from the finished album for unknown reasons.<ref name=Credits /> Rappers Jay Z and Bubba Sparxxx both joined Durst in a Los Angeles studio to record various songs respectively,<ref name=Sparxxx>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> but contributions from either also did not appear on the album.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name=Credits /> Durst wrote over 30 songs with Limp Bizkit drummer John Otto and the band's bassist, Sam Rivers.<ref name=LessIsMore>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> During production of Results May Vary, Durst claimed he listened to such artists as the Cure, Patsy Cline, Mazzy Star and classical music for inspiration.<ref name=LessIsMore />

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During production, the album's title changed from Bipolar to Panty Sniffer, and then to Results May Vary.<ref name=Erlewine /> Other working titles were Less Is More, Fetus More, Surrender and The Search for Teddy Swoes.<ref name=Epstein /><ref name=September>Template:Cite news</ref> The finished product assembled songs from a number of sessions.<ref name=Erlewine/> On August 20, 2003, Fred Durst posted on the Limp Bizkit website: "The album title is Results May Vary. Like a prescription drug, each persons reaction to the ingredients will be different."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Music and lyrics

Results May Vary was recorded under the leadership of Durst, who influenced a direction differing from Limp Bizkit's established sound.<ref name=Erlewine/><ref name="Sun" /> Although the album features elements of Template:Nowrap rap metal<ref name=Sun /><ref name=Observer>Template:Cite news</ref> and rap rock,<ref name=MusicOMH>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> it is noted for music experimenting with other genres: psychedelia,<ref name=IGN>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> alternative rock,<ref name=Ew /> hard rock,<ref name=Journal>Template:Cite newsTemplate:Dead link</ref> jazz,<ref name=NME>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> acoustic<ref name=MusicOMH/><ref name=Observer /> and funk.<ref name=Sullivan/> The album is more melodic than Limp Bizkit's previous works,<ref name=Ew /> has been compared to John Mayer,<ref name=Joe>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Bon Jovi,<ref name=Sullivan /> Primus,<ref name=Mervis /> Linkin Park,<ref name=MusicOMH/><ref name=RS /> Staind<ref name=Erlewine /><ref name=Sun /> and Jane's Addiction<ref name=Journal /> (including the Jane's Addiction's album Nothing's Shocking).<ref name=BizkitShowOffResults /> With a change in the band's sound,<ref name=Observer /> Results May Vary has less rapping, more singing and more melody (including power ballads) than previous Limp Bizkit albums.<ref name=Erlewine /><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The Observer called the album Limp Bizkit's "safest, most pedestrian-sounding record yet",<ref name=Observer /> and Joe D'Angelo of MTV described the album as the band's "most personal album by far", adding it shows Durst "having actual feelings other than rage, angst and conceit under his omnipresent ball cap."<ref name=Joe /> Durst described the album as "more sad, more deep, drone-y",<ref name=BizkitShowOffResults /> and the album demonstrates his "milder, more sensitive streak".<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Although the songs on Results May Vary are emotional and expressive, screaming is largely absent from most of the songs.<ref name=Erlewine /><ref name="Stylus" /><ref name=Moss>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

A female performer in a black-and-white ensemble, holding a microphone near her mouth

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Durst's controversy with Britney Spears provided lyrical inspiration for the album.<ref name=Erlewine/><ref name=BizkitShowOffResults>Template:Cite magazine</ref><ref name=Moss /><ref name=Dot>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> There was rumors him and Spears were in a relationship, with him writing three songs for her 2003 album In the Zone, working on those songs in a studio. After she denied the relationship, he refused to allow those three songs to appear on the album.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Results May Vary features a cover of The Who's "Behind Blue Eyes"<ref name=Erlewine /> with a Speak & Spell during the song's bridge.<ref name=Erlewine/> "Gimme the Mic" includes lyrics from the Beastie Boys' "Pass the Mic"<ref name=Erlewine/> and Eric B. & Rakim's "Microphone Fiend", and "Let Me Down" samples Steve Miller's "Take the Money and Run".<ref name=Erlewine/> "Head for the Barricade" borrows from the song "Stick 'Em" by the Fat Boys.<ref name=Anger>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> "Phenomenon" borrows the line, "Once again back it's the incredible", from "Bring the Noise" by Public Enemy.<ref name=Anger /> The album demonstrates Limp Bizkit's gloomy side,<ref name=NME/><ref name=Sullivan /> with more-serious, less-confident lyrics than previous songs.<ref name=Ew /> Lyrical topics include bullying,<ref name=Erlewine /> Durst's past,<ref name=BizkitBrace>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> self-pity,<ref name=Ew/> betrayal,<ref name=Ew/> childhood pain,<ref name=Ew/> heartbreak,<ref name=Erlewine /> feeling misunderstood,<ref name=Erlewine /> love<ref name=Erlewine /> and his views on MTV and radio.<ref name=Erlewine /> About "Down Another Day", Joe D'Angelo of MTV found it difficult to believe that lyrics that were similar to Mayer's could come from Durst, whom, according to him, had recently "likened himself to a chainsaw and threatened to skin your ass raw".<ref name=Joe /> "Eat You Alive" was reportedly about Britney Spears (rumored to be involved in an affair with Durst) or Angelina Jolie (whom he admired). According to Durst, "the scream in 'Eat You Alive' is like an animalistic, sexual, crazy, primitive roar", and the desire which came with this behavior.<ref name=Joe /> He claimed that "Just Drop Dead" was not (as had been speculated) about Britney Spears,<ref name=WrestlemaniaKornSnot /> but was inspired by his experience with her and other women,<ref>Template:Cite news</ref> also saying the song is "about a girl who acts like a whore".<ref name=WrestlemaniaKornSnot>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> "Underneath the Gun" is about suicide and the struggle you can have when ending your life becomes an option, according to Durst.<ref>Template:Cite news</ref>

Critical reception

Critical reception of Results May Vary was mainly negative. The album holds a score of 33 out of 100 on Metacritic, indicating "generally unfavorable reviews".<ref name=Metacritic/> This is the third lowest score on Metacritic, above The Bloodhound Gang's Hefty Fine and Kevin Federline's album Playing with Fire.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}Template:Dead link</ref> According to AllMusic reviewer Stephen Thomas Erlewine, "the music has no melody, hooks, or energy, [and] all attention is focused on the clown jumping up and down and screaming in front, and long before the record is over, you're left wondering, how the hell did he ever get to put this mess out?".<ref name=Erlewine /> In a review of Limp Bizkit's Greatest Hitz compilation, Erlewine called "Behind Blue Eyes" the worst in the band's "never-ending series of embarrassing covers".<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Caroline Sullivan of The Guardian wrote, "Durst's problems are ever-present—and does anybody still care?".<ref name=Sullivan /> Stylus criticized Results May Vary, calling it "an album that can only be described as abysmal".<ref name=Stylus /> Rob O'Connor of Yahoo! Launch also criticized Results May Vary: "No, Fred, the results don't vary. The results are consistent throughout your new album—consistently crappy."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Kitty Empire of The Guardian wrote, "Limp Bizkit have decided to expose their tender side. They really shouldn't have bothered [...] having seen Limp Bizkit's 'other side', you want the old, unapologetic, meathead version back".<ref name=Kitty>Template:Cite news</ref> Scott Mervis of the Pittsburgh Post-Gazette also criticized Results May Vary: "Results May Vary has a few highlights—'Almost Over' (very Everlast) and 'Phenomenon' (very Primus)—but way too few to justify all the time and energy spent".<ref name=Mervis>Template:Cite news</ref>

Although Results May Vary received primarily negative reviews, according to Spin, the album "isn't all that horrible".<ref name=SPIN>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Some others were not so negative towards Results May Vary. Tom Day of MusicOMH wrote, "Ultimately, this album is neither crap nor blindingly good, and results do indeed vary".<ref name=MusicOMH /> The Sun-Sentinel gave Results May Vary a positive review, calling Lethal's work "phenomenal", and praising "Behind Blue Eyes" and the soft-to-heavy progression of "Build a Bridge".<ref name=Sun>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Steve Appleford of the Chicago Tribune gave Results May Vary a mixed review, writing: "The music achieves some surprising sophistication with new textures both acoustic and electronic. Durst also is not so obnoxious nearly so often; at the same time, his songs too often lack the harsh melodic spark that once turned his ravings into pop hits".<ref name=Chicago>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Commercial performance

Promotion

Durst filmed music videos for "Eat You Alive" and "Behind Blue Eyes" featuring Thora Birch and Halle Berry, respectively.<ref name=Erlewine/> The video for "Eat You Alive" appeared on MTV before Results May Vary was released,<ref name=Epstein>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and the album was featured on Total Request Live.<ref name=Joe /> Limp Bizkit were going to record a music video for Results May VaryTemplate:'s song "Build a Bridge".<ref>Template:Cite news</ref> However, no music video for "Build a Bridge" was recorded. Limp Bizkit performed "Crack Addict" and "Rollin'" during WrestleMania XIX with guitarists Mike Smith and Brian Welch,<ref name=Snot>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and "Crack Addict" was played on television commercials for the event.<ref name=Sparxxx /> Although "Crack Addict" was the planned first single from Results May Vary,<ref name=Addict /> the song was omitted from the album.<ref name=Erlewine />

Released on September 23, 2003,<ref name=Erlewine /> Results May Vary peaked at number three on the Billboard 200<ref name=Awards>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> with sales of at least 325,000 copies in its first week of being released,<ref name=SPIN /> ending Limp Bizkit's number-one streak on the chart.<ref name=Awards /> This would also be Limp Bizkit's 3rd and final album to enter the Top 10 of the Billboard 200. In three weeks of being released, the album had sold at least 500,000 copies.<ref name=SPIN /> After thirteen weeks, Results May Vary sold at least 1,000,000 copies.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Results May Vary was certified platinum by the Recording Industry Association of America (RIAA) on June 3, 2008Template:Certification Cite Ref and was certified gold by the British Phonographic Industry (BPI) on October 10, 2003.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Results May Vary had sales of 1,337,356 copies in the United States.<ref name=LondonBlabbermouth>Template:Cite news</ref> The album's cover of "Behind Blue Eyes" peaked at number 71 on the Billboard Hot 100,<ref name=Awards /> peaked at number 25 on the Mainstream Top 40 chart,<ref>Template:Cite magazine</ref> and was certified gold by the RIAA on January 26, 2005.Template:Certification Cite Ref "Eat You Alive" peaked at number 16 on the Mainstream Rock chart and number 20 on the Modern Rock Tracks chart,<ref name=Awards /> and "Almost Over" peaked at number 33 on the Mainstream Rock chart, despite not receiving a single release.<ref name=Awards /> Results May Vary had far less mainstream success than previous Limp Bizkit albums such as Significant Other and Chocolate Starfish and the Hot Dog Flavored Water.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>Template:Cite news</ref> Numerous media outlets described the reception of the album as a possible "career killer" for Durst and the band.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>Template:Cite magazine</ref>

Touring

After the release of Results May Vary, Limp Bizkit joined the band Korn on a tour called the Back 2 Basics Tour. The Back 2 Basics Tour, which was sponsored by Xbox, was scheduled for November 2003.<ref name=B2B>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> However, during a concert at New York's Hammerstein Ballroom, Durst was hit by an object thrown from the crowd. Durst finished the remaining two songs of Limp Bizkit's set and after the concert, Durst had seven stitches administered by a private physician.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> During the end of 2003, Limp Bizkit cancelled their tour dates in Southeast Asia after there was a United States Department of State warning of increased security threats abroad. Limp Bizkit planned to play shows in Bali, Bangkok and Manila. However, after a terrorist bombing in Istanbul, Turkey occurred, the United States Department of State issued a travel advisory, and Limp Bizkit cancelled the shows in Southeast Asia. Although they did not perform in Southeast Asia, Limp Bizkit did perform in South Korea and Japan.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In January 2004, there were rumors that Limp Bizkit were going to tour with the rock band Kiss,<ref>Template:Cite news</ref> although the band was unable to, citing scheduling conflicts.<ref>Template:Cite news</ref> Wes Borland later rejoined the band in the Spring of 2004,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> but rumors of tensions arising within the band were still present as American tour dates proved to be unprofitable; leading the band to take an extended European tour through most of 2004.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Track listing

Template:Track listing Notes

• "Red Light-Green Light" ends at 3:54, while "Behind Blue Eyes" ends at 4:26.

Personnel

Limp Bizkit<ref name=Credits>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name="linerimages">Template:Cite AV media notes</ref>

• Fred Durst – vocals, concept, art direction, cover design, guitar, photography, producer, composer, lyrics
• DJ Lethal – turntables, keyboards, samples, programming, sound development
• Sam Rivers – bass, guitar
• John Otto – drums, percussion, beats
• Mike Smith – guitar

Template:Div col Artwork<ref name="Credits" /><ref name="linerimages" />

• Cory Durst – photography
• Jim Marshall – photography

Additional musicians<ref name=Credits /><ref name="linerimages" />

• Michael "Elvis" Baskette – engineer, guitar
• Snoop Dogg – vocals on "Red Light–Green Light", lyrics
• Randy Pereira – guitar on "Behind Blue Eyes"

Production and assistance<ref name="Credits" /><ref name="linerimages" />

• J.D. Andrew – assistant
• Billy Bowers – engineer
• Jason Carson – engineer
• Sergio Chavez – assistant
• Jason Dale – engineer
• Terry Date – engineer, producer
• Cory Durst – photography
• Neal Ferrazzani – assistant
• Dave Holdredge – digital editing, engineer
• Brian Humphrey – assistant
• Jun Ishizeki – assistant
• Aaron Lepley – assistant
• Stephen Marcussen – mastering
• John Morrical – assistant
• Brendan O'Brien – mixing
• Zack Odom – assistant
• Michael Patterson – mixing
• Steve Robillard – assistant
• Rick Rubin – producer
• Andrew Scheps – engineer
• Jordan Schur – executive producer
• Jason Spears – assistant
• Mark Valentine – assistant
• Stewart Whitmore – digital editing
• Ulrich Wild – engineer

Charts

Weekly charts

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Weekly chart performance for Results May Vary

Chart (2003)	Peak position
Spanish Albums (AFYVE)<ref>Template:Cite book</ref>	13

Year-end charts

2003 year-end chart performance for Results May Vary

Chart (2003)	Position
Australian Albums (ARIA)<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	75
Austrian Albums (Ö3 Austria)<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	39
Dutch Albums (Album Top 100)<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	99
German Albums (Offizielle Top 100)<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	50
Swiss Albums (Schweizer Hitparade)<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	55
US Billboard 200<ref>Template:Cite magazine</ref>	82
Worldwide Albums (IFPI)<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	40

2004 year-end chart performance for Results May Vary

Chart (2004)	Position
Austrian Albums (Ö3 Austria)<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	53
German Albums (Offizielle Top 100)<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	54
Swiss Albums (Schweizer Hitparade)<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	40
US Billboard 200<ref>Template:Cite magazine</ref>	135

References

Template:Note labelCredited as simply "Limp Bizkit". Template:Reflist

External links

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