Richard Teitelbaum

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File:Richard Teitelbaum in music is (Speaking Portraits) (Vol. I).jpg
Teitelbaum (circa 2003)

Richard Lowe Teitelbaum (May 19, 1939 – April 9, 2020) was an American composer, keyboardist, and improvisor. A student of Allen Forte, Mel Powell, and Luigi Nono, he was known for his live electronic music and synthesizer performances. He was a pioneer of brain-wave music. He was also involved with world music and used Japanese, Indian, and western classical instruments and notation in both composition and improvisational settings.

Biography

Born in New York City, Teitelbaum remembered listening to his father (a successful lawyer) play piano while he was a child.<ref name="auto">Template:Cite web</ref> A 1960 graduate of Haverford College, Teitelbaum continued keyboard studies at Mannes School of Music, then pursued his Masters in Music at Yale.<ref>"Richard Teitelbaum", AllMusic.</ref> He won a Fulbright grant to study in Italy in 1964 with Goffredo Petrassi, then in 1965 with Luigi Nono.<ref name="auto" /> While at Haverford, Teitelbaum met the composer Henry Cowell, and, following Cowell's death, became an executor of the Cowell estate.<ref name="npr2020">Template:Cite web</ref>

While in Italy, he became a founding member of Musica Elettronica Viva with Alvin Curran and Frederic Rzewski. In the mid-1960s he began researching the use of brain-waves to control musical events<ref name="auto" /> and, as a result, he brought the first Moog synthesizer to Europe in 1967.<ref>Template:Cite web</ref> His piece In Tune was first performed with Barbara Mayfield in late 1967.<ref>Template:Cite web</ref>

In 1970, he returned to the US to study Ethnomusicology at Wesleyan University; while there he founded the World Band (one of the first inter-cultural improvisatory ensembles) with the master musicians teaching in that program.<ref>Template:Cite web</ref>

In 1976 and 1977, another Fulbright fellowship allowed Teitelbaum to travel to Japan, where he studied gagaku (learning hichiriki from Masataro Togi, the chief court musician of Japan's Imperial Household music department), as well as shakuhachi with Katsuya Yokoyama.<ref name="npr2020" />

Teitelbaum provided the score for the 1979 animated short film Asparagus, written and directed by Suzan Pitt.<ref>Template:Cite web</ref>

Teitelbaum also collaborated with Anthony Braxton, Nam June Paik, Joan Jonas, Andrew Cyrille, Leroy Jenkins, Steve Lacy, Alvin Lucier, and David Behrman, among many others.

Teitelbaum lived in upstate New York and taught at Bard College beginning in 1988, and was the director of their Electronic Music Studio. He died of a stroke on April 9, 2020, and is survived by his wife, the classical pianist Hiroko Sakurazawa. He was 80 years old.<ref name="npr2020" />

Awards

Teitelbaum was awarded a Guggenheim, the two Fulbrights mentioned above, and grants from the National Endowment for the Arts, the New York State Council on the Arts, the New York Foundation for the Arts, the Venice Biennale, The Rockefeller Foundation, and the Asian Cultural Council.

Discography

  • Time Zones (Freedom, 1976) with Anthony Braxton
  • Hiuchi-Ishi (Denon Jazz, 1978)
  • Blends & The Digital Pianos (Lumina, 1984)
  • Concerto Grosso (hat ART, 1985 [1988])
  • The Sea Between (Victo, 1988) with Carlos Zíngaro
  • Cyberband (Moers Music, 1993)
  • Golem (Tzadik, 1994)
  • Duet: Live At Merkin Hall, NYC (Music & Arts, 1994) with Anthony Braxton
  • Double Clutch (Silkheart, 1997) with Andrew Cyrille
  • Shift (For 4 Ears, 1997) with Hans Burgener and Martin Schütz
  • >11>Ways>to>Proceed (For 4 Ears, 1999) with Hans Burgener, Günter Müller and Carlos Zíngaro as BTMZ
  • Blends (New Albion, 2002) with Katsuya Yokoyama
  • Evocation (Infrequent Seams, 2022) with Andrew Cyrille and Elliott Sharp, recorded in 2011

With Anthony Braxton

With Company

  • Once (Incus, 1989)

With Marilyn Crispell

With Andrew Cyrille

With Leroy Jenkins

With Steve Lacy

  • Sideways (Roaratorio, 1968 [2000])

With Joëlle Léandre

With George E. Lewis

With Musica Elettronica Viva

  • Friday (Polydor, 1969)
  • The Sound Pool (BYG Actuel, 1969)
  • Live Electronic Music Improvised (Mainstream, 1970) - split album with AMM
  • United Patchwork (Horo, 1978)

Sources

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