Sepia (color)

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Sepia ink used for writing, drawing and as a colored wash by Leonardo da Vinci

Sepia is a reddish-brown color, named after the rich brown pigment derived from the ink sac of the common cuttlefish Sepia.<ref name="StClair">Template:Cite book</ref> The word sepia is the Latinized form of the Ancient Greek words Template:Lang, Template:Lang, cuttlefish.<ref>Maerz and Paul A Dictionary of Colour New York:1930 McGraw Hill. Discussion of the colour Sepia, Page 179</ref>

In the visual arts

Sepia ink was commonly used for writing in Greco-Roman civilization. It remained in common use as an artist's drawing material until the 19th century.<ref name="StClair" /> In the last quarter of the 18th century, Professor Jakob Seydelmann of Dresden developed a process to extract and produce a concentrated form of sepia for use in watercolors and oil paints.<ref>Template:Cite book</ref>

Sepia toning is a chemical process used in photography which changes the appearance of black-and-white prints to brown.<ref name="StClair" /><ref>Template:Cite book</ref> The color is now often associated with antique photographs. Most photo graphics software programs and many digital cameras include a sepia tone filter to mimic the appearance of sepia-toned prints.<ref name="StClair" /><ref>Template:Cite book</ref>

Other uses

In the 1940s in the United States, music intended for African American audiences was generally called race music or sepia music until the development of the expression rhythm and blues (R&B).<ref>Template:Cite book</ref><ref>Template:Cite book</ref><ref>Template:Cite book</ref> There was a magazine for African-Americans called Sepia, which existed from 1947 to 1983 (although the name Sepia was only applied after a change of ownership in 1953).<ref>Mia Chandra Long, Seeking a Place in the Sun: Sepia Magazine's Endeavor for Quality Journalism and Place in the Negro Market, 1951–1982, PhD dissertation, Tuscaloosa: University of Alabama, 2011, p. 5, footnote 16</ref>

Acclaimed Russian director Andrei Tarkovsky used a sepia tone in his 1979 science-fiction film Stalker to visually distinguish scenes set in the ordinary world from the world of the forbidden Zone, which is portrayed in color.<ref>Template:Cite book</ref>

See also

References

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