Short-form content
Template:Short description Template:Redirect Template:Multiple issues Template:Use mdy dates Short-form content (also known as short-form videos) are short videos or short sections of a video (often from various sources such as movies (from both professional and amateur sources), television shows or entertainment videos) that is uploaded onto the Internet via video sharing platforms such as YouTube Shorts, TikTok, Instagram Reels, Vine, and Facebook Reels. They are popular among young people, especially those of Generation Z and Alpha, building up a part of internet culture.<ref>Template:Cite web</ref><ref>Template:Cite web</ref>
Short-form content gained some popularity in the 2010s before becoming even more popular in the 2020s, especially with the creation of several short-form media platforms. Most short-form content (and short-form videos) today are commonly found as video clips uploaded in the vertical format with up to a few minutes long (e.g. three minutes max for YouTube Shorts content Template:Asof). Such content can contain snippets of videos taken out of context and made as memes, and can also be used to attract the public to the user's other accounts or their other long-form contents.
On the Internet
File:TikTok and YouTube Shorts example.webm Short videos became popular in the 2010s. Snapchat started allowing users to share 10-second videos in 2012.<ref>Template:Cite web</ref> Vine, which was launched in 2013 and restricted videos to a maximum length of six seconds, helped short-form videos achieve mainstream popularity and gave rise to a new generation of public figures such as Kurtis Conner, David Dobrik, Danny Gonzalez, Drew Gooden, Liza Koshy, Shawn Mendes, Jake Paul, Logan Paul, and Lele Pons.<ref>Template:Cite web</ref><ref>Template:Cite news</ref> Instagram responded to Vine's popularity by adding the ability to share 15-second videos in 2013, and has since expanded its video functionality with numerous additional features, including Reels.<ref>Template:Cite web</ref>
Following Vine's closure in 2017,<ref>Template:Cite web</ref> most of its notable users began making longer videos on YouTube.<ref>Template:Cite web</ref> After TikTok merged with Musical.ly in 2018, TikTok became the most widely used short-form video app and has since become one of the world's most popular apps.<ref>Template:Cite web</ref> In 2020, Vine co-founder Dom Hofmann launched Vine's intended successor Byte (later renamed Clash and then Huddles).<ref>Template:Cite web</ref> In 2021, as a response to the ever-increasing competition presented by TikTok, YouTube launched YouTube Shorts to host videos up to a maximum length of 60 seconds,<ref>Template:Cite web</ref> later extending it to 3 minutes in 2024.<ref>Template:Cite web</ref> YouTube Shorts collectively earned over 5 trillion views within 6 months.<ref>Template:Cite web</ref>
Business models of short video platforms
Advertising revenue
Advertising is still the most basic profit model of short video platforms. Platforms achieve precision marketing through information flow advertising, short video interstitial advertising and brand cooperation promotion. For example, TikTok Ads allows brands to deliver targeted ads based on user interests, viewing behavior and social interactions to increase advertising conversion rates. However, as users' tolerance for advertising decreases, platforms are exploring more interactive and immersive advertising formats, such as AR filter ads and brand challenges.Template:Citation needed
Live broadcast rewards
The live broadcast function of short video platforms has become an important source of income for content creators. Users can reward anchors through virtual gifts while watching live broadcasts, and the platform will extract a certain percentage of the share. Douyin and Kuaishou in China, as well as Twitch and YouTube Live in the West, have adopted similar models. However, the live broadcast reward model is greatly affected by regional culture and regulatory policies, and may face policy restrictions in some countries.Template:Citation needed
Membership subscription
Some short video platforms have launched membership subscription services, such as YouTube Premium and TikTok's Live Subscription. Users pay a certain fee to enjoy ad-free, exclusive content and higher interactive rights. This model provides a stable source of income for the platform, but it still plays a supporting role in the short video ecosystem.Template:Citation needed
E-commerce live streaming
E-commerce live streaming is one of the key models for the commercialization of short video platforms. It combines the entertainment of short videos with the convenience of e-commerce, forming a business logic of "content is marketing, interaction is transaction". The process is first content creation and product display. The anchor or brand will introduce the product through live streaming, including trial, evaluation and promotion information. The second is real-time interaction. Users can interact with the anchor through comments, likes and questions to enhance the sense of trust in purchase and allow consumers to gain an immersive purchasing experience and emotional value in interpersonal relationships. The anchor can display the product in a variety of ways, such as product close-ups, trials, promotions, etc., and eliminate consumers' concerns and reservations through words, enhance their social presence and provide a positive emotional experience.<ref>Template:Cite journal</ref> Finally, one-click purchase and instant transaction. Users can directly click on the product link in the live broadcast to jump to the purchase page, shorten the decision path and improve the conversion rate.Template:Citation needed
Development trends
The Chinese market is in a leading position in the field of e-commerce live streaming. Platforms such as Douyin have formed a complete live e-commerce ecosystem. The sales revenue of various types of live broadcast e-commerce will reach one trillion yuan, and cultural and tourism enterprises are paying more and more attention to live broadcasting, demonstrating the huge potential of live e-commerce.<ref>Template:Cite journal</ref> Moreover, Douyin e-commerce relies on precise recommendation algorithms to provide brands and individual merchants with a stable source of traffic, enabling small and medium-sized merchants to achieve efficient sales. Although e-commerce live streaming has achieved great success in China, it still faces challenges in promoting it in the international market. However, some platforms are actively trying, such as TikTok Shop: TikTok took the lead in promoting the live streaming sales model in the Southeast Asian market, and piloted "TikTok Shop" in the UK market, allowing brands and influencers to sell goods through live streaming. There is also Amazon Live: Amazon launched the live streaming shopping function, combined with the platform's strong supply chain capabilities, trying to introduce live streaming shopping into the European and American markets.Template:Citation needed
Challenges and future development
Although the prospects for live streaming e-commerce in China are very broad and Chinese people already consider it a part of their daily lives, there are many difficulties in promoting it globally. Western consumers have a low acceptance and adaptability to "live streaming shopping" and are more accustomed to the traditional e-commerce model. And payment methods, logistics services and after-sales systems need to be improved to match the instant transaction needs of e-commerce live streaming.<ref>Template:Cite journal</ref> In the future, e-commerce live streaming is expected to become more popular in the global market and become one of the core profit models of short video platforms due to the advancement of AI recommendation algorithms, the development of cross-border e-commerce and the improvement of the social media ecosystem.Template:Citation needed
Video clip
Template:Main Template:Redirect Video clips are a form of short-form content that involves a small portion of a longer recording of a video (often from various sources such as movies (from both professional and amateur sources), television shows or entertainment videos) that is uploaded onto the Internet.
Video clips can be of any format, whether as standard video (using any available video resolution) or vertical video (the latter being commonly used for short-form content), and can be up to several minutes long depending on the content being used. Such content may include internet memes, out-of-context snippets, and many others. They can also be used to attract the public to the user's other accounts or other long-form contents. The term is also used more loosely to mean any video program, including a full program, uploaded onto a website or other medium.
Video clips emerged during the early days of the World Wide Web in the 1990s before growing in popularity in the 2000s with the creation of video sharing sites such as YouTube. They are popular among certain groups of people, especially young ones (specifically those of Millennials (aka Generation Y), Generation Z and Alpha), shaping modern Internet culture.
On the Internet
Video clips gained popularity online in the 2000s. Template:As of there were millions of video clips available online, with new websites springing up focusing entirely on offering free video clips to users. Many established corporate sites added the ability to clip existing video content on their websites.
While most of this content is non-exclusive and available on competing sites, some companies produce their own videos and do not need to rely on the work of outside companies or amateurs.
While some video clips are taken from established media sources, community and individually produced clips are more common. Some individuals host their created works on vlogs (video blogs) and the use of Internet video clips as they became bigger grew swiftly. Between March and July 2006, YouTube grew from 30 to 100 million views of videos per day.<ref>Template:Cite web</ref> One of the developments during that period were the BBC's iPlayer, which was released for open beta testing in July 2007.<ref>Template:Cite web</ref>
Impact of video clips
Advertising
Video clips are a common form of advertising. With online entertainment sites delivering television programming content, free of charge, online video entertainment rose substantially in popularity.Template:Citation neededVideo clips are also used in advertising by vloggers to promote products. The average ad goes for 15–30 seconds.Template:Citation needed
Rise of amateurs
Unlike traditional movies largely dominated by studios, video clips are supplied by non-professionals.
In 2005, Chinese students Huang Yixin and Wei Wei, later known as "Back Dorm Boys", lip-synced to a song by the Backstreet Boys in a video uploaded to some clip websites and quickly became renowned. They appeared on television shows and concerts, and they were also granted a contract by a media company in Beijing, China for lip-syncing.<ref>Template:Cite news</ref>
In May 2006, The Economist reported that 90% of video clips on YouTube came from amateurs, a few of whom were young comedians.Template:Citation needed It, in effect, also brought up amateur talents.
An earlier celebrity was David Elsewhere, who was a talent at popping and liquiding. His performance to Kraftwerk's song Expo 2000 at the Kollaboration talent show in 2001 was widely viewed on the Internet, and this subsequently led to him being hired for TV commercials and music videos. Not only did video clips submerge into the world of TV commercials and music videos, but it also became a popular form of entertainment and a hobby for people called "Vloggers" (video blog creators).
Citizen journalism
Citizen journalism video reporting dates back as early as the development of camcorders, but all videos were screened by the local media outlets of the time. This was until its spread was aided by free upload websites in which censorship was limited to make a vast number of videos available to anyone who wanted to view them. Scenes were rarely broadcast on television, and many first-witnessed scenes have since become publicly available.
In December 2003, videos in Hong Kong showing the bullying in De La Salle School outraged the public and raised a wide concern on school violence that led to the arrest of 11 students, 7 of which were later dismissed in 2020.<ref>Template:Cite web</ref>
Notably, in December 2004, tourist videos of the Indian Ocean earthquake and tsunami offered worldwide audiences the first scenes of the disaster.
Vlog
From late 2005 to early 2006, a new form of blogging emerged called a vlog.<ref>Blip.tv Brings Vlogs to Masses Red Herring. Template:Webarchive.</ref><ref>Prime Time for Vlogs? CNNMoney.com</ref><ref>Will video kill the blogging star? [1]. San Diego Union Tribune.</ref> It is a blog that takes video as the primary content, which is often accompanied by supporting text, image, and additional metadata to provide context. Su Li Walker, an analyst with the Yankee Group, said that "like blogs, which have become an extension of traditional media, video blogs will be a supplement to traditional broadcasting".<ref>Template:Cite news</ref><ref>Media Revolution: Podcasting New England Film Template:Webarchive</ref> Regular entries are typically presented in reverse chronological order.
Convergence with traditional media
The evolving market for video clips garnered interest from traditional movie studios. In 2006, the producers of Lucky Number Slevin, a film with Morgan Freeman, Lucy Liu and Bruce Willis, made an 8-minute clip for YouTube. Celebrities in traditional media have proven to confer more popularity in clip culture than most amateur video makers.
See also
- Timeline of online video
- List of Internet phenomena
- Internet meme
- Media clip
- Screencast
- Video evidence
- Video sharing
- Quoting out of context
- GIF
References
Further reading
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- Jay Dedman, Joshua Paul. Videoblogging, John Wiley & Sons, June 26, 2006. Template:ISBN.
- Michael Verdi, Ryanne Hodson, Diana Weynand, Shirley Craig. Secrets of Videoblogging, Peachpit Press, April 25, 2006. Template:ISBN.
- Stephanie Cottrell Bryant. Videoblogging For Dummies, For Dummies, July 12, 2006. Template:ISBN.
- Lionel Felix, Damien Stolarz. Hands-On Guide to Video Blogging and Podcasting: Emerging Media Tools for Business Communication, Focal Press, April 24, 2006. Template:ISBN.
- Jennie Boure, "Web Video: Making It Great, Getting Noticed", Peachpit Press, 2009, Template:ISBN