Sigil
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A sigil (Template:IPAc-en)<ref>Template:Cite book</ref> is a type of symbol used in magic. The term usually refers to a pictorial signature of a spirit (such as an angel, demon, or deity). In modern usage, especially in the context of chaos magic, a sigil refers to a symbolic representation of the practitioner's desired outcome.
History
The term sigil derives from the Latin Template:Lang (pl. Template:Lang), meaning "seal".Template:Sfnp In medieval magic, the term sigil was commonly used to refer to occult signs which represented various angels and demons which the practitioner might summon.Template:Sfnp
The Lesser Key of Solomon
Magical training books called grimoires often listed pages of such sigils. A particularly well-known list is in The Lesser Key of Solomon, in which the sigils of the 72 princes of the hierarchy of hell are given for the magician's use. Such sigils are considered by some to be the equivalent of the true name of the spirit and thus granted the magician a measure of control over the beings.Template:Sfnp
Methods of construction
A common method of creating the sigils of certain spirits was to use kameas, a special use case of magic squares—the names of the spirits were converted to numbers, which were then located on the magic square. The locations were then connected by lines, forming an abstract figure.Template:Sfnp
Austin Osman Spare
English artist and occultist Austin Osman Spare (1886–1956) developed his own unique method of creating and using sigils, which has had a lasting effect on modern occultism. Spare did not agree with medieval practice of using these, arguing that such supernatural beings were simply complexes in the unconscious, and could be actively created through the process of sigilization.Template:SfnpTemplate:Sfnp
Spare's technique became a cornerstone of chaos magic.Template:Sfnp It also influenced artist Brion Gysin, who experimented with combining Spare's sigil method with the traditional form of magic squares:
Chaos magic
In chaos magic, following Spare, sigils are commonly created in a well-ordered fashion by writing an intention, then condensing the letters of the statement down to form a monogram. The chaos magician then uses the gnostic state to "launch" or "charge" the sigil—essentially bypassing the conscious mind to implant the desire in the unconscious.Template:SfnpTemplate:Sfnp To quote Ray Sherwin:
After charging the sigil, it is considered necessary to repress all memory of it. In the words of Spare, there should be "a deliberate striving to forget it".Template:Sfnp
In modern chaos magic, when a complex of thoughts, desires, and intentions gains such a level of sophistication that it appears to operate autonomously from the magician's consciousness, as if it were an independent being, then such a complex is referred to as a servitor.Template:Sfnp When such a being becomes large enough that it exists independently of any one individual, as a form of "group mind", then it is referred to as an egregore.Template:SfnpTemplate:Sfnp
Later chaos magicians have expanded on the basic sigilization technique. Grant Morrison coined the term hypersigil to refer to an extended work of art with magical meaning and willpower, created using adapted processes of sigilization. Their comic book series The Invisibles was intended as such a hypersigil.Template:Sfnp Morrison has also argued that modern corporate logos like "the McDonald's Golden Arches, the Nike swoosh and the Virgin autograph" are a form of viral sigil:
See also
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References
Citations
Works cited
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