Special Bulletin
Template:Short description Template:About Template:Use mdy dates Template:Use American English Template:Infobox television Special Bulletin is a 1983 American drama television film directed by Edward Zwick and written by Marshall Herskovitz, based on a story by both. It was an early collaboration between the two, who would later produce such series as thirtysomething and My So-Called Life. The film was first broadcast March 20, 1983 on NBC as part of NBC Sunday Night at the Movies.<ref name=":0">Template:Cite web</ref><ref name=":1">Template:Cite news</ref>
In the film, a terrorist group brings a homemade atomic bomb aboard a tugboat in the harbor of Charleston, South Carolina in order to blackmail the U.S. government into disabling its nuclear weapons, and the incident is caught live on television. Primarily produced on videotape, it simulates a series of live news broadcasts on the fictional RBS Network.<ref name=":0" /><ref name=":1" />
Synopsis
The entirety of the film is portrayed through the perspective of a news broadcast from RBS News on the fictional RBS television network. It begins with promotional scenes from other RBS network shows. One is cut off by the announcement "We interrupt our regular programming to bring you this Special Bulletin from RBS News."
In Charleston, South Carolina, a skirmish is fought between Coast Guard personnel and a group of terrorists aboard a docked tugboat called Liberty May in Charleston Harbor. Caught in the battle while reporting an unrelated story, RBS reporter Steve Levitt and his cameraman George Takashima are taken hostage aboard the boat. As part of a deal to release the surrendered Coast Guardsmen, the terrorists - Doctors Bruce Lyman and David McKeeson, political activist Frieda Barton, social worker Diane Silverman, and mentally unstable ex-convict Jim Seaver - ask to broadcast their demands to the U.S. Government over the RBS network. Dr. Lyman demands the triggers for all 968 nuclear devices in the area (Charleston Naval Shipyard and the Polaris Missile Facility, Atlantic (POMFLANT) at the nearby Naval Weapons Station being an important staging ground for U.S. nuclear submarines) delivered to them, intending to destroy them by dropping them in the Atlantic Ocean. Dr. Lyman states that failure to oblige to the demand or any deviation from the plan will result in the group detonating their own improvised nuclear device stowed aboard the ship.
Subsequent investigations into Lyman and McKeeson reveal their backgrounds in nuclear weaponry and technology. Dr. Lyman himself was noted as being instrumental in the construction of the neutron bomb before he became a radical anti-nuclear demonstrator. Dr. McKeeson shows the terrorists' bomb to the reporters covering the story, explaining that not only is he the man who built it, but he has fitted several fail-safes and anti-tamper devices to the bomb, revealing that he is the only person who can disarm it. Tensions rise when a Coast Guardsmen injured in the initial firefight and not taken hostage dies and Lyman refuses to release Levitt and Takashima in order to maintain communication with RBS. Eventually, the Department of Defense agrees to the terrorists' demands and a van arrives outside the tugboat, supposedly carrying the nuclear triggers.
Moments before the handover, a power failure occurs in Charleston – all televisions including one on the tugboat go off the air. This proves to be a deliberate distraction as a Delta Force commando team storms the boat from offshore, killing all the terrorists except for Frieda Barton. Dr. McKeeson is cornered, but commits suicide to escape capture. While Steve and George are safely taken off the ship, they continue to broadcast on the dock. Frieda Barton is also taken off the ship by the Charleston Police Department, while the Nuclear Emergency Support Team boards the boat to disarm the device. A camera aboard the boat records the team working, when they accidentally trigger one of McKeeson's safeguards.
As the team frantically try to stabilize the device, the feed is suddenly interrupted by static, at which point the broadcast returns to the RBS Studio, the hosts clearly shaken by what they have just witnessed. The broadcast shifts to another reporter, Meg Barclay, who is aboard Template:USS two miles away. Footage reveals that the device exploded, resulting in a 23-kiloton nuclear blast that has caused a firestorm, destroying the core of the city of Charleston. Both Steve and George, last seen standing a few feet from ground zero, have been killed.
Three days later, RBS broadcasts the aftermath of the detonation. Thanks to an earlier ordered evacuation, only 2,000 citizens perished in the detonation. However, tens of thousands more have been left injured, traumatized or homeless, and the surrounding area will be uninhabitable for decades to come. The film ends as the news bulletin reports on other stories across the world.
Cast
- Ed Flanders as John Woodley, RBS Anchor
- Kathryn Walker as Susan Myles, RBS Anchor
- Christopher Allport as Steven Levitt, WPIV Reporter
- David Clennon as Dr. Bruce Lyman, Terrorist
- Rosalind Cash as Frieda Barton, Terrorist
- Roxanne Hart as Megan "Meg" Barclay, RBS Reporter
- David Rasche as Dr. David McKeeson, Terrorist
- Lane Smith as Morton Sanders, RBS Reporter
- Ebbe Roe Smith as Jim Seaver, Terrorist
- Roberta Maxwell as Diane Silverman, Terrorist
- J. Wesley Huston as Bernard Frost, WPIV
- George Morfogen as Dr. Morse Mansfield
- William A. Gamble Sr. as Special Forces Commander
- Michael Madsen as Jimmy Lenox
Reception and legacy
Leonard Maltin's Movie and Video Guide rated Special Bulletin "way above average."<ref>Template:Cite news</ref>
The Washington Post described it as "A shrewd, keen, wise, hip, occasionally lacerating and sometimes gravely funny dark parody of network TV news coverage." Also, "At times, the unfolding story in Special Bulletin comes across as ludicrous, but then one has to think, how much more ludicrous is it than some of the actual news events of the past 15 years or so, and the way television has honed its way of covering them? It's a process that deserves scrutiny not just in poker-faced journals and ivory tower think tanks but on television. Praiseworthy trailblazers like the ABC News late night Viewpoint broadcasts have done this one way. Special Bulletin does it in another way-not a better one, perhaps, but in one more accessible to greater numbers of viewers."<ref name=":1" />
The New York Times stated that NBC's owned-and-operated stations in New York, Chicago, Los Angeles, Washington and Cleveland had received 2,200 calls from alarmed viewers. NBC's flagship station, WNBC-TV in New York, received 731 calls, 44 of them critical, and 43 asking if the program was real. The station manager of WCIV, Celia Shaw, said, "In retrospect, maybe it would have been better with a theoretical city, rather than Charleston, with its large number of military installations."<ref>Template:Cite news</ref>
Impact
Several factors enhanced Special BulletinTemplate:'s resemblance to an actual live news broadcast. It was shot on videotape rather than film, which gave the presentation the visual appearance of being "live". Other small touches, such as actors hesitating or stumbling over dialogue (as if being spoken extemporaneously) and small technical glitches (as would often be experienced in a live broadcast), contributed to the realism. With the exception of RBS network and news jingles, there is also no musical score used. The end credits are accompanied by the sound of a teletype.<ref name=":0" /><ref name=":1" />
In addition, some specific references made the movie especially realistic to residents of Charleston. The call letters of the fictional Charleston RBS affiliate, WPIV, were close to those of NBC's then-affiliate in Charleston, WCIV. Also, a key plot element mentions "a power failure at a transmitter in North Charleston"; the TV transmitter sites are actually in Awendaw.<ref name=":0" /><ref name=":1" />
The filmmakers were required to include on-screen disclaimers at the beginning and end of every commercial break in order to assure viewers that the events were a dramatization. The word "dramatization" also appeared on the screen during key moments of the original broadcast. Additionally, WCIV placed the word "Fiction" on screen at all times during its showing of the movie. The film also made use of "accelerated time"—events said to take place hours apart instead are shown only minutes apart. In addition, NBC sent releases to the various military commands in the Charleston area of the movie's airing, so they could inform their attached servicemembers to be prepared for the possibility of nervous phone calls from home, and could reassure their relatives and friends back home that what was airing was in fact a fictional dramatization, and not a real news story. Nonetheless, there were still news reports of isolated panic in Charleston. Much as claimed with the famous 1938 radio broadcast of The War of the Worlds, it was entirely possible for viewers to tune in between disclaimers and make a snap judgment about what they were seeing, although in both cases a quick flip of the dial would reveal that no other stations were covering this supposedly major news event. When the program was rebroadcast in 1984, the only disclaimers were made at the commercial breaks; there were none on the screen while the action was taking place.<ref>Template:Cite news</ref><ref>Template:Cite journal</ref>
WTMJ-TV in Milwaukee, Wisconsin was the only NBC affiliate which refused to air the film out of concern that, as station president Mike McCormick stated, "people will be deceived into believing it's an actual telecast."<ref>Jory, Tom. "NBC's 'Special Bulletin' might be too realistic", Associated Press, via Park City Daily News, March 18, 1983, page 4-B. Retrieved from Newspapers.com on November 15, 2023.</ref> However, some other NBC affiliates preempted the broadcast because they had previously scheduled local programming for the evening, before the film was placed by the network into that timeslot at the last minute.<ref>"Suncoast missed out on an explosive 'Special Bulletin'", Tampa Bay Times Sunday Floridian, March 21, 1983, page 1-D. Retrieved from Newspapers.com on November 15, 2023.</ref>
Accolades
Special Bulletin was nominated for six Emmy awards and won four, including Outstanding Drama Special.<ref>SPECIAL BULLETIN Wins Outstanding Miniseries or Movie|Emmys Archive (1983) - Television Academy on YouTube</ref> It also won Directors Guild of America and Writers Guild of America prizes for Zwick and Herskovitz, as well as the Humanitas Prize, the latter award which irked former NBC president Reuven Frank. In his book on TV news, Out of Thin Air, Frank called Special Bulletin "junk" and claimed he wanted to return his own Humanitas Prize in protest, "but I couldn't find it."<ref>Template:Cite web</ref><ref>Template:Cite book</ref>
Home video
Lorimar Home Video issued Special Bulletin on VHS and Betamax, and Warner Home Video would later reissue it; these releases omit the on-screen "dramatization" overlay. Starting in January 2010, Warner Bros. made the film available on DVD for one year as part of its Warner Archive Collection.<ref>DVD Talk</ref> Warner's rights have since reverted to the production company and the DVD is currently out of print.
See also
- Countdown to Looking Glass, a 1984 Canadian TV film that used simulated news broadcasts to chronicle a Cold War showdown between the United States and the Soviet Union.
- The Day After, a 1983 TV film about a nuclear war and its effects on the Midwest U.S.
- Threads, a 1984 BBC film inspired by Academy Award-winning docudrama The War Game.
- The War Game, a 1965 pseudo-documentary in the form of a newsmagazine depicting a nuclear attack on Britain. Filmed for broadcast on the BBC it was not aired due to concerns that it would panic the population.
- Analog horror
- Without Warning, an apocalyptic 1994 TV film also presented as a faux news broadcast.
- Shot-on-video film
References
External links
- [https://www.imdb.com/{{#if: 0086350
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Template:Edward Zwick Template:EmmyAward TelevisionMovie 1980–2000
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- 1983 television films
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