String Quartet No. 8 (Shostakovich)

From Vero - Wikipedia
Jump to navigation Jump to search

Template:Short description Template:One source Dmitri Shostakovich's String Quartet No. 8 in C minor, Op. 110, was written in three days (12–14 July 1960).<ref name=":0">Template:Cite web</ref><ref>Template:Cite web</ref>

Composition and performances

The piece was written shortly after Shostakovich reluctantly joined the Communist Party. According to the score, it is dedicated "to the victims of fascism and the war"; his son Maxim interprets this as a reference to the victims of all totalitarianism, while his daughter Galina says that he dedicated it to himself, and that the published dedication was imposed by Soviet authorities. Shostakovich's friend, Lev Lebedinsky, said that Shostakovich thought of the work as his epitaph and that he planned to commit suicide around this time.<ref name="auto">Shostakovich, ed. Glikman; pp. 90–91.</ref> Peter J. Rabinowitz has also pointed to covert references to Richard Strauss's Metamorphosen in the Eighth Quartet.<ref>Template:Cite journal</ref>

The work was written in Dresden, where Shostakovich was to write music for the film Five Days, Five Nights, a joint project by Soviet and East German filmmakers about the bombing of Dresden in World War II.<ref name=":0" />

The quartet was premiered in 1960 in Leningrad by the Beethoven Quartet. In the liner notes of the Borodin Quartet's 1962 recording, music critic Erik Smith writes, "The Borodin Quartet played this work to the composer at his Moscow home, hoping for his criticisms. But Shostakovich, overwhelmed by this beautiful realisation of his most personal feelings, buried his head in his hands and wept. When they had finished playing, the four musicians quietly packed up their instruments and stole out of the room."<ref name="chung steinhardt">Template:Cite web</ref>

Music

The quartet is in five interconnected movements and lasts about 20 minutes:

Template:Ordered list

The first movement opens with the DSCH motif, Shostakovich's musical signature. This theme can also be heard in his Cello Concerto No. 1, Symphony No. 10, Violin Concerto No. 1, Symphony No. 15, and Piano Sonata No. 2. The motif is used in every movement of this quartet, and is the basis of the faster theme of the third movement.

The work is filled with quotations of other pieces by Shostakovich: the first movement quotes his Symphony No. 1 and Symphony No. 5; the second movement uses a Jewish theme first used by Shostakovich in his Piano Trio No. 2; the third movement quotes the Cello Concerto No. 1; and the fourth movement quotes the 19th century revolutionary song "Tormented by Grievous Bondage" (Template:Lang Template:Transliteration, by Grigori Machtet)<ref name="auto"/> and the aria "Seryozha, my love" from Shostakovich's opera Lady Macbeth of the Mtsensk District. The fifth contains a play upon another motif from Lady Macbeth.<ref name=":0" />

Rudolf Barshai transcribed the quartet for string orchestra, in which version it is known as Chamber Symphony in C minor, Op. 110a.<ref>Template:Cite book</ref> Boris Giltburg arranged the quartet for piano solo.<ref>Template:Cite web</ref> Other arrangements include Lucas Drew's Sinfonia for string orchestra<ref>Template:Cite book</ref> and Abram Stasevich's Sinfonietta for string orchestra and timpani.<ref>Template:Cite book</ref>

Notes

Template:Reflist

References

  • Ardov, Michael (2004); Memories of Shostakovich; Short Books. Template:ISBN
  • Fay, Laurel (1999); Shostakovich: A Life; Oxford University Press. Template:ISBN
  • Shostakovich, Dmitry, ed. Glikman, Isaak (2001). Story of a Friendship: The Letters of Dmitry Shostakovich to Isaak Glikman. Cornell Univ Press. Template:ISBN.
  • Yves Senden (2002); String Quartet No. 8 in c; Brilliant Classics 6898 [Rubio Quartet: "Shostakovich: Complete String Quartets"]

Template:Dmitri Shostakovich Template:Portal bar Template:Authority control