Tai chi

Template:Infobox Chinese Template:Chinese martial arts {Chinese Buddhism}} Template:Confucianism Template:Taoism

Template:Tlit is a Chinese martial art. Initially developed for combat and self-defense,<ref>Template:Cite book</ref> for most practitioners it has evolved into a sport and form of exercise. As an exercise, tai chi is performed as gentle, low-impact movement in which practitioners perform a series of deliberate, flowing motions while focusing on deep, slow breaths. Often described as "meditation in motion," tai chi aims to cultivate and balance the body’s Template:Tlit (vital energy), thereby promoting both mental and physical well-being.<ref>Template:Citation</ref>

Many forms of tai chi are practiced, both traditional and modern. While the precise origins are not known, the earliest documented practice is from Chen Village and Zhabao Village in Henan on the North China Plain, a region where centuries of rebellions, invasions, and adverse economic and social conditions nurtured the development of a wide range of martial arts, including those of the Shaolin Monastery on Mount Song at the western edge of the plain.Template:Sfn<ref>Template:Cite book</ref>

Most modern styles trace their development to five traditional schools: Chen, Yang, Wu (Hao), Wu, and Sun. In the early 20th century Yang Chengfu, Wu Jianquan, Sun Lutang, and others promoted and standardized the art for its health benefits in programs supported by the Nationalist government,Template:Sfn an approach that was further expanded and institutionalized by the PRC government after 1949.<ref name="Luo2023">Template:Cite magazine</ref> In 2020, tai chi was included in the UNESCO List of Intangible Cultural Heritage of Humanity.<ref>Template:Cite web</ref>

Etymology

The name "tai chi", the most common English spelling, is not a standard romanization of the Chinese name for the art (Template:Lang-zh). The Chinese name was first commonly written in English using the Wade–Giles system as "Template:Tlit". But English speakers abbreviated it to "Template:Tlit" and dropped the mark of aspiration. Since the late twentieth century, pinyin has been officially adopted in China and replaced Wade–Giles as the most popular system for romanizing Chinese. In pinyin, tai chi is spelled Template:Tlit.<ref>Template:Cite web</ref><ref name="fox">Template:Cite news</ref> In English, tai chi is sometimes referred to as "shadowboxing".<ref>Template:Cite journalTemplate:PbTemplate:Cite newsTemplate:PbTemplate:Cite book</ref>

Characters	Wade–Giles	Pinyin	Meaning
Template:Linktext	tTemplate:Wg-aposai chi	tàijí	Template:Tlit, the cosmological relationship of Yin and Yang
Template:Linktext	chTemplate:Wg-aposüan	quán	fist, or boxing

The etymology of tai chi's Chinese name is somewhat uncertain because of the lack of a record of spoken usage. Before the mid-nineteenth century, it appears that outsiders generically described the art as Template:Zhp, "Long Boxing"(Template:Lang),Template:Refn Template:Tlit Template:Citation needed span or Template:Zhp.<ref name="egreenway">Template:Cite web</ref> In the mid-nineteenth century, the art began to be associated with the philosophy of Template:Tlit (see Conceptual background).<ref name=":0" /> This association may have originated in the writings of the founders of Wu (Hao)-style tai chi, perhaps inspired by a tai chi classic attributed to the semi-mythical Wang Zongyue that begins with the words "Template:Tlit is born from Template:Tlit; it is the mother of Yin and Yang".Template:Refn However, as the Wu (Hao) founders had no financial need to promote their art, their contributions to the "tai chi classics" were not distributed widely for many years. The first public association between Template:Tlit and the art was a poem by Imperial Court scholar Weng Tonghe describing a tai chi performance by Yang Luchan.<ref name="Davis2004-3840">Davis 2004, p. 38-40</ref><ref>Wile 1996, p. 20</ref><ref name="LJQ37">Li Jianqing, p. 37-38</ref><ref>Template:Cite book</ref> It is not clear whether Weng was making a new connection or whether the new name was already in use. Written evidence for the Yang family's adoption of the name Template:Tlit first appeared in a later text, possibly completed in 1875 by Yang Luchan's son, Yang Banhou, or no later than the first decade of the twentieth century by one or more of Yang Banhou's disciples.Template:Sfn<ref name="YBH1875">Yang Banhou 1875</ref>Template:Sfn<ref name="LJQ37" /> By the second decade of the twentieth century, Yang Chengfu's disciples and Sun Lutang were using the term Template:Tlit in their publications, including in the titles of some of the tai chi classics. It then appeared in a book by a Chen family member, Chen Xin, published after he died in 1929.<ref name="Davis2004-3840" /><ref name="SLT1921">Sun Lutang 1921</ref>

Philosophical background

Zhou Dunyi's Template:Tlit diagram which illustrates the Template:Tlit cosmology.

Chinese philosophy, particularly Taoist and Confucian thought, forms the conceptual background to tai chi.<ref name=":1">Template:Cite magazine</ref> Early tai chi texts include embedded quotations from early Chinese classics like the Template:Tlit, Great Learning, Book of Documents, Records of the Grand Historian, and Template:Tlit, as well as from famous Chinese thinkers like Zhu Xi, Zhou Dunyi, and Mencius.<ref name=":1" />

Early tai chi sources are grounded in Template:Tlit cosmology. Template:Tlit cosmology appears in both Taoist and Confucian philosophy, where it represents the single source or mother of yin and yang (represented by the Template:Tlit symbol ).<ref>Template:Cite book</ref><ref name=":1" /> Tai chi also draws on Chinese theories of the body, particularly Taoist Template:Tlit (internal alchemy) teachings on Template:Tlit (vital energy) and on the three Template:Tlit. Cheng Man-ch'ing emphasizes the Taoist background of tai chi and states that it "enables us to reach the stage of undifferentiated pure yang, which is exactly the same as Laozi's 'concentrating the qi and developing softness'".<ref name=":1" />

As such, tai chi considers itself an "internal" (Template:Tlit) martial art focused on developing Template:Tlit.<ref name=":1" /> In China, tai chi is categorized under the Template:Tlit group of Chinese martial arts<ref>Template:Cite book</ref>—that is, arts applied with internal power.<ref>Template:Cite web</ref> Although the term Template:Tlit suggests these arts originated in the Wudang Mountains, it is used only to distinguish the skills, theories, and applications of Template:Tlit from those of the Shaolin grouping, or Template:Tlit (hard/external styles).<ref name=":1" />

Tai chi also adopts the Taoist ideals of softness overcoming hardness, of Template:Tlit (effortless action), and of yielding into its martial art technique while also retaining Taoist ideas of spiritual self-cultivation.<ref name=":1" />

Tai chi's path is one of developing naturalness by relaxing, attending inward, and slowing mind, body, and breath.<ref name=":1" /> This allows the practitioner to become less tense, to drop conditioned habits, to let go of thoughts, to allow Template:Tlit to flow smoothly, and thus to flow with the Template:Tlit. It is thus a kind of moving meditation that allows us to let go of the self and experience no-mind (Template:Tlit) and spontaneity (Template:Tlit).<ref name=":1" />

A key aspect of tai chi philosophy is to work with the flow of yin (softness) and yang (hardness) elements. When two forces push each other with equal force, neither side moves. Motion cannot occur until one side yields. Therefore, a key principle in tai chi is to avoid using force directly against force (hardness against hardness). Laozi provided the archetype for this in the Template:Tlit when he wrote, "The soft and the pliable will defeat the hard and strong."<ref>Template:Cite book</ref> Conversely, when in possession of leverage, one may want to use hardness to force the opponent to become soft. Traditionally, tai chi uses both soft and hard. Yin is said to be the mother of Yang, using soft power to create hard power.

Traditional schools also emphasize that one is expected to show Template:Tlit ("martial virtue/heroism"), to protect the defenseless, and to show mercy to one's opponents.Template:Sfn

In December 2020, the 15th regular session of the UNESCO Intergovernmental Committee for the Safeguarding of the Intangible Cultural Heritage included tai chi in the UNESCO Representative List of the Intangible Cultural Heritage of Humanity.<ref>Template:Citation</ref>

Practice

Traditionally, the foundational tai chi practice consists of learning and practicing a specific solo forms or routines (Template:Tlit).<ref name=":1" /> This entails learning a routine sequence of movements that emphasize a straight spine, abdominal breathing and a natural range of motion. Tai chi relies on knowing the appropriate change in response to outside forces, as well as on yielding to and redirecting an attack, rather than meeting it with opposing force.<ref>Template:Cite book</ref> Physical fitness is also seen as an important step towards effective self-defense.

Tai chi movements were inspired by animals, especially birds and leopards.<ref>Template:Cite book</ref>

There are also numerous other supporting solo practices such as:<ref name=":1" />

• Sitting meditation: The empty, focus and calm the mind and aid in opening the microcosmic orbit.
• Standing meditation (Template:Tlit) to raise the Template:Tlit
• Template:Tlit to mobilize the Template:Tlit
• Acupressure massage to develop awareness of Template:Tlit channels
• Traditional Chinese medicine is taught to advanced students in some traditional schools.<ref name="Wu2006">Template:Cite bookTemplate:Page needed</ref>

There is no scientific evidence for the existence of qi,<ref name="Dunning">Template:Skeptoid</ref> nor any demonstrating the effectiveness of acupressure<ref name=Dent>Template:Cite journal</ref><ref>Template:Cite journal</ref><ref>Template:Cite book</ref> or traditional Chinese medicine<ref name="Eigenschink Dearing Dablander et al 2020">Template:Cite journal</ref><ref name="swallow">Template:Cite journal</ref> beyond that of placebo treatment.

Further training entails learning Template:Tlit (push hands drills), Template:Tlit (striking techniques), free sparring, grappling training, and weapons training.<ref name=":1" />

The fundamental training concepts of the art are detailed in a few dozen classical texts originally written in classical Chinese by tai chi masters, the "tai chi classics". In these texts, it is noted that the physiological and kinesiological aspects of the body's movements are characterized by the circular motion and rotation of the pelvis, based on the metaphors of the pelvis as the hub and the arms and feet as the spokes of a wheel. Furthermore, the respiration of breath is coordinated with the physical movements in a state of deep relaxation, rather than muscular tension.<ref>Template:Cite book</ref>

Tai chi is a complete martial art system with a full range of bare-hand movement sets and weapon forms, such as the Template:Tlit (straight sword), Template:Tlit (curved sword), and Template:Tlit (spear), which are based on the dynamic relationship between Template:Tlit and Template:Tlit. While tai chi is typified by its slow movements, many styles (including the three most popular: Yang, Wu, and Chen) have secondary, faster-paced forms. Some traditional schools teach martial applications of the postures of different forms (taolu).

Solo practices

Painting in Template:Tlit, illustrating Template:Tlit according to the Chen style of tai chi

Template:Tlit (solo "forms") are choreographed sets of movements practiced alone or in unison as a group. Tai chi is often characterized by slow movements in Taolu practice, and one of the reasons is to develop body awareness. Accurate, repeated practice of the solo routine is said to retrain posture, encourage circulation throughout students' bodies, maintain flexibility, and familiarize students with the martial sequences implied by the forms. Usually performed standing, solo forms have also been adapted for seated practice.<ref>Template:Cite book</ref>

Weapon practice

Tai chi practices involving weapons also exist. Weapons training and fencing applications often employ:

• the Template:Tlit, a straight double-edged sword, practiced as Template:Tlit;
• the Template:Tlit, a heavier curved saber, sometimes called a broadsword;
• the Template:Tlit, a folding fan, also called Template:Tlit and practiced as Template:Tlit;
• the Template:Tlit, a Template:Convert long wooden staff and practiced as Template:Tlit;
• the Template:Tlit, a Template:Convert spear or a Template:Convert lance.

More exotic weapons include:

• the large Template:Tlit and Template:Tlit sabres;
• the Template:Tlit, or halberd;
• the cane;
• the Template:Tlit, or rope dart;
• the Template:Tlit, or three sectional staff;
• the Template:Tlit, or wind-and-fire wheels;
• the lasso;
• the whip, chain whip and steel whip.

History

A statue of Chen Wangting, an early pioneer of tai chi

Early development

Tai chi's formative influences came from practices undertaken in Taoist and Buddhist monasteries, such as Wudang, Shaolin, and The Thousand Year Temple in Henan.<ref name=":2">Wile, Douglas. 2016. 'Fighting Words: Four New Document Finds Reignite Old Debates in Taijiquan Historiography', Martial Arts Studies 4, 17–35.</ref> The early development of tai chi proper is connected with Henan's Thousand Year Temple and a nexus of nearby villages: Chen Village, Tang Village, Wangbao Village, and Zhaobao Town. These villages were closely connected, shared an interest in the martial arts and many went to study at Thousand Year Temple (which was a syncretic temple with elements from the three teachings).<ref name=":2" /> Template:Clarify-span documents from these villages, mostly dating to the 17th century, are some of the earliest sources for the practice of tai chi.<ref name=":2" />

Some traditionalists claim that tai chi is a purely Chinese art that comes from ancient Taoism and Confucianism.<ref name=":1" /> These schools believe that tai chi theory and practice were formulated by Taoist monk Zhang Sanfeng in the 12th century. A research project conducted by the China Sports Commission determined as much, and Wu Tunan also examined Zhang Sanfeng's contribution to Tai Chi in his book "A Study of Tai Chi".Template:Cn These stories are often filled with legendary and hagiographical content and lack historical support.<ref name=":1" /><ref name=":2" />

In March 2007, the China Federation of Literary and Art Circles recognized Chenjiagou in Wen County, Jiaozuo City, Henan Province as the birthplace of Chinese Tai Chi. In August 2007, after further detailed investigation and verification of various opinions in society, the national martial arts department recognized Chenjiagou in Wen County as the "birthplace of Chinese martial arts Tai Chi."Template:Cn

Modern historians point out that the earliest reference indicating a connection between Zhang Sanfeng and martial arts is actually a 17th-century piece called Epitaph for Wang Zhengnan (1669), composed by Huang Zongxi (1610–1695).<ref name=":0" /><ref name=":1" /> Aside from this single source, the other claims of connections between tai chi and Zhang Sanfeng appeared no earlier than the 19th century.<ref name=":0">Template:Cite journal</ref><ref name=":1" /> According to Douglas Wile, "there is no record of a Zhang Sanfeng in the Song Dynasty (960–1279), and there is no mention in the Ming (1368–1644) histories or hagiographies of Zhang Sanfeng of any connection between the immortal and the martial arts."<ref name=":1" />

Another common theory for the origin of tai chi is that it was created by Chen Wangting (1580–1660) while living in Chen Village (Template:Lang), Henan.<ref name="MarkChen2004">Template:Cite book</ref> The other four contemporary traditional tai chi styles (Yang, Sun, Wu and Wu/Hao) trace their teachings back to Chen village in the early 1800s.Template:Sfn<ref>Template:Cite book</ref>

Yang Luchan (1799–1872), the founder of the popular Yang style, trained with the Chen family for 18 years before he started to teach in Beijing, which strongly suggests that his work was heavily influenced by the Chen family art. Martial arts historian Xu Zhen claimed that the tai chi of Chen Village was influenced by the Template:Tlit style practiced at nearby Shaolin Monastery, while Tang Hao thought it was derived from a treatise by Ming dynasty general Qi Jiguang, Template:Tlit ("New Treatise on Military Efficiency"), which discussed several martial arts styles including Template:Tlit.<ref>Template:Cite web</ref><ref>Template:Cite web</ref>

Standardization

Taoist practitioners practising

Under the Nationalist government, the Central Guo Shu Institute (Template:Lang) in Chongqing under the direction of Chen Panling (Template:Zhi) in 1936 created a unified form combining elements of Chen, Yang, Sun and Wu forms. This was called Guo Shu Taiji (Template:Lang). After the retreat of the Nationalists to Taiwan in 1949, Chen Pan-ling continued to propagate the form where it is now called 99 Taiji. This frame formed the structure of Wang Shu-jin's taiji form.<ref>Template:Cite book</ref>

In 1956, the government-sponsored Chinese Sports Committee (CSC) brought together a group of tai chi masters to create a shortened tai chi form that could help improve the health of the general public, because the long traditional forms were considered too difficult for most people to learn. The result was the 24-posture simplified form, developed from the traditional Yang-style long form.<ref name="Luo2023" />

Another 1950s form is the "97 movements combined tai chi form", which blends Yang, Wu, Sun, Chen, and Fu styles.

In 1976, they developed a slightly longer demonstration form that would not require the traditional forms' memory, balance, and coordination. This became the "Combined 48 Forms" that were created by three 'Template:Tlit coaches, headed by Men Hui Feng. The combined forms simplified and combined classical forms from the original Chen, Yang, Wu, and Sun styles. Other competitive forms were designed to be completed within a six-minute time limit.

In the late 1980s, CSC standardized more competition forms for the four major styles as well as combined forms. These five sets of forms were created by different teams, and later approved by a committee of Template:Tlit coaches in China. These forms were named after their style: the "Chen-style national competition form" is the "56 Form". Also standardized was the "42 Form", also known as the "Competition Form", which combined movements from multiple styles.

In the 11th Asian Games of 1990, Template:Tlit was included as an item for competition for the first time with the 42 Form representing tai chi. The International Wushu Federation (IWUF) applied for Template:Tlit to be part of the Olympic Games.<ref>Template:Cite web</ref> Tai chi was added to the UNESCO Intangible Cultural Heritage Lists in December of 2020, nominated by China.<ref>Template:Cite web</ref>

Styles

Chinese origin

Wu-style master Eddie Wu demonstrating the form "Grasp the bird's tail" at a tournament in Toronto, Ontario, Canada

The five major styles of tai chi are named for the Chinese families who originated them:

• Chen style (Template:Lang) of Chen Wangting (1580–1660)
• Yang style (Template:Lang) of Yang Luchan (1799–1872)
• Wu/Hao style (Template:Lang) of Wu Yuxiang (1812–1880) and Hao Weizhen (1842–1920)
• Wu style (Template:Lang) of Wu Quanyou (1834–1902) and his son Wu Jianquan (1870–1942)
• Sun style (Template:Lang) of Sun Lutang (1861–1932)

The most popular is Yang, followed by Wu, Chen, Sun, and Wu/Hao.<ref name=":1" /> The styles share underlying theory, but their training differs.

Dozens of new styles, hybrid styles, and offshoots followed, although the family schools are accepted as standard by the international community. Other important styles are Zhaobao tai chi, a close cousin of Chen style, which is recognized by Western practitioners; Fu style, created by Fu Zhensong, which evolved from Chen, Sun and Yang styles, and incorporates movements from Template:Tlit;Template:Citation needed and Cheng Man-ch'ing style, which simplifies Yang style.

Around the world in the 20th and 21st centuries, some Chinese emigrants who had learned tai chi in China continued to practice it together in their new communities.<ref>Template:Cite web</ref>

North America

United States

Template:Ill, a disciple of Yang Chengfu, was the first known proponent of tai chi to openly teach in the United States, beginning in 1939. His son and student Template:Ill emigrated to San Francisco from Hong Kong in 1949 to teach tai chi in Chinatown. Choy Kam Man taught until he died in 1994.<ref>Template:Cite book</ref><ref>Template:Cite book</ref>

Sophia Delza, a professional dancer and student of Ma Yueliang, performed the first known public demonstration of tai chi in the United States at the New York City Museum of Modern Art in 1954. She wrote the first English language book on tai chi, T'ai-chi Ch'üan: Body and Mind in Harmony, in 1961. She taught regular classes at Carnegie Hall, the Actors Studio, and the United Nations.<ref>Template:Cite news</ref><ref>Template:Cite web</ref>

Huang Wenshan, a Chinese-American scholar and pioneer of cultural studies, has been called "the father of Tai Chi in the America."<ref name="ohara">Template:Cite book</ref> A student of Dong Yingjie and a lifelong advocate of tai chi, in 1962 with the help of Marshall Ho'o, a former student of Choy Hok Pang, he founded the National Tai Chi Chuan Institute in Los Angeles, and the first nationwide organization of tai chi schools in the USA, the National Tai Chi Chuan Association.<ref name="blackbeltnov76">Template:Cite magazine</ref> In 1973 Huang wrote one of the earliest comprehensive and popular books on the topic in English, Fundamentals of Tai Chi Chuan.<ref name="ftcc">Template:Cite book, revised editions Template:OCLC</ref> From 1973 to 1974 Marshall Ho'o hosted a television show on tai chi broadcasting from Los Angeles, which began weekly, grew to four times per week,<ref>Template:Cite news</ref> and was picked up by other stations across the country as its popularity grew.<ref>Template:Cite news</ref> Ho'o also promoted the art in Black Belt magazine, authored a book on tai chi, and co-founded the Aspen Academy of Martial Arts.<ref name="cook">Template:Cite magazine</ref>

Tung Hu Ling, son of Dong Yingjie and a pioneer in the spread of tai chi outside of China, was invited for a teaching tour of Los Angeles, San Francisco, New York, Toronto, and Hawaii organized by Huang and Ho'o from 1966 to 1967<ref name="blackbeltnov76" /><ref>Template:Cite magazine</ref> During that tour Tung taught for a term at Huang's Los Angeles school assisted by Ho'o, who said that was "the first time a tai chi master came to us."<ref name="blackbeltnov76" /> Within a year Tung returned to found a school in Hawaii later led by his son Dong Zengchen and now by his grandson Alex Dong who is based in New York, while in 1971 his son Tung Kai Ying founded a school in Los Angeles now run by Kai Ying's son Tung Chen-wei, and from those centers the family has grown a global network of schools and workshops.<ref>Template:Cite book</ref><ref>Template:Cite book</ref>

Cheng Man-ch'ing opened his Shr Jung Tai Chi School after he moved to New York from Taiwan in 1964. Unlike the older generation of practitioners, Cheng was cultured and educated in American ways,Template:Clarify and thus was able to transcribe Yang's dictation into a written manuscript that became the de facto manual for Yang style. Cheng felt Yang's traditional 108-movement form was unnecessarily long and repetitive, which makes it difficult to learn.Template:Citation needed He thus created a shortened 37-movement version that he taught in his schools. Cheng's form became the dominant form in the eastern United States until other teachers immigrated in larger numbers in the 1990s. He taught until his death in 1975.<ref name="Lowenthal1991">Template:Cite book</ref>

Canada

Moy Lin-shin arrived in Toronto, Canada, from China in 1970, where he started teaching tai chi and related internal arts.<ref name="Scrivener">Template:Cite news</ref>

Europe

Italy

M°Chang Dsu Yao (1918–1992) was the first Chinese Master to introduce Traditional Chinese martial arts to Italy. After a military career and teaching martial arts in Taiwan, he moved to Italy in 1975. There, he began teaching Tai Chi Chuan, that he had learned from Yang Chengfu, and Shaolin Kung Fu. His teachings attracted numerous students, among them Template:Ill, with whom he co-authored several martial arts publications.<ref>Template:Cite book</ref><ref>Template:Cite book</ref>

United Kingdom

Norwegian Pytt Geddes was the first European to teach tai chi in Britain, holding classes at The Place in London in the early 1960s. She had first encountered tai chi in Shanghai in 1948, and studied with Choy Hok Pang and his son Choy Kam Man (who both also taught in the United States) while living in Hong Kong in the late 1950s.<ref name="geddes-telegraph">Template:Cite news</ref>

Yin and yang

More traditional practitioners hold that the two aspects of health and martial arts make up the art's Template:Tlit and Template:Tlit. The "family" schools present their teachings in a martial art context, whatever the intention of their students.<ref>Template:Cite journal</ref>

Health

Outdoor practice in Beijing's Temple of Heaven

Tai chi's health training concentrates on relieving stress on the body and mind. In the 21st century, tai chi classes that purely emphasize health are popular in hospitals, clinics, community centers and senior centers. Tai chi's low-stress training method for seniors has become better known.<ref>Template:Cite journal</ref>

A Chinese woman performs Yang-style tai chi.

Clinical studies exploring tai chi's effect on specific diseases and health conditions exist, though there are insufficient studies with consistent approaches to generate a comprehensive conclusion.<ref>Template:Cite journal</ref>

Tai chi has been promoted for treating various ailments, and is supported by the Parkinson's Foundation and Diabetes Australia, among others. However, medical evidence of effectiveness is lacking.<ref name="Lee2011">Template:Cite journal</ref><ref name="aus17">Template:Cite web

• Template:Lay source</ref> A 2017 systematic review found that it decreased falls in older people.<ref>Template:Cite journal</ref>

A 2011 comprehensive overview of systematic reviews of tai chi recommended tai chi to older people for its physical and psychological benefits. It found positive results for fall prevention and overall mental health. No conclusive evidence showed benefit for most of the conditions researched, including Parkinson's disease, diabetes, cancer and arthritis.<ref name="Lee2011" />

A 2015 systematic review found that tai chi could be performed by those with chronic medical conditions such as chronic obstructive pulmonary disease, heart failure, and osteoarthritis without negative effects, and found favorable effects on functional exercise capacity.<ref>Template:Cite journal</ref>

In 2015 the Australian Government's Department of Health published the results of a review of alternative therapies that sought to identify any that were suitable for coverage by health insurance. Tai chi was one of 17 therapies evaluated. The study concluded that low-quality evidence suggests that tai chi may have some beneficial health effects when compared to control in a limited number of populations for a limited number of outcomes.<ref name="aus17" />

A 2020 review of 13 studies found that tai chi had positive effect on the quality of life and depressive symptoms of older adults with chronic conditions who lived in community settings.<ref>Template:Cite journal</ref>

In 2022, the U.S.A agency the National Institutes of Health published an analysis of various health claims, studies and findings. They concluded the evidence was of low quality, but that it appears to have a small positive effect on quality of life.<ref>Template:Cite web</ref>

Sport and competition

In addition to its health and meditative aspects, Tai Chi is practiced as a competitive sport in several formats. The most common is Template:Tlit (推手; pushing hands), in which two participants attempt to unbalance, move, or throw one another while maintaining sensitivity and control. Competitions may use fixed-step or moving-step rulesets, depending on whether foot movement is restricted. Scoring typically rewards the ability to displace the opponent through weight shifting, yielding, and redirection.

Tai Chi form routines (tàijíquán tàolù, 太極拳套路) are also performed competitively<ref>https://www.iwuf.org/sport-wushu/competitive-wushu/taolu/</ref>. These performances are evaluated using criteria such as balance, smoothness, and technical difficulty, sometimes incorporating movements from multiple family styles.

Some organizations promote Template:Tlit (散手; free-hand) or light- to full-contact sparring events intended to show Tai Chi's combative efficacy, though these are less common and often overlap with broader wushu competition formats.

Tournaments are held annually in Europe, Asia and the Americas<ref>https://taichiheroes.org/</ref>, with some drawing over 1000 competitors.

Self-defense and martial application

In its martial aspect, tai chi emphasizes defense over attack, and replies to hard forces with soft forces and vice versa.

See also

• Qigong
• Self-healing
• Wushu
• Yangsheng (Daoism)

Other names

• Tai Ji Quan
• Taijiquan
• Taichi
• Tʻai chi
• Tʻai chi chʻüan

Sources

• Template:Cite book
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Further reading

Books

• Template:Cite book
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• Template:Cite bookTemplate:ISBN?
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• Yang, Banhou (Template:Lang, 1875*), Template:Lang (Explaining Taiji Principles), available online in Chinese and English translation at Scribd and also included in Chinese and English translation in Wile, Douglas (1996) (*Scholars estimate the publication date to be between 1875 and 1910, and believe the author(s) to be Yang Banhou and/or his disciples)
• Template:Cite book

Magazines

• Taijiquan Journal Template:ISSN
• T'ai Chi Magazine Template:ISSN Wayfarer Publications. Bimonthly.