The Blueprint

The Blueprint is the sixth studio album by American rapper Jay-Z, released on September 11, 2001, through Roc-A-Fella Records and Def Jam Recordings. Its release was set a week earlier than initially planned in order to combat bootlegging. Recording sessions for the album took place during 2001 at Manhattan Center Studios and Baseline Studios in New York City. Contrasting the sound of Jay-Z's previous work, The Blueprint features soul-based sampling and production handled primarily by Kanye West, Just Blaze, and Bink, as well as Timbaland, Trackmasters, and Eminem, who also contributes the album's sole guest feature.

At the time of the album's recording, Jay-Z was awaiting two criminal trials, one for gun possession and another for assault, and had become one of hip hop's most dissed artists, receiving insults from rappers such as Nas, Prodigy, and Jadakiss.<ref name="Strauss"/><ref name="Baker">Baker, Soren. Review: The Blueprint Template:Webarchive. Los Angeles Times. Retrieved on 2009-09-05.</ref> The album is also notable for both its producers Kanye West and Just Blaze's breakouts as major producers. West produced four of the thirteen tracks on the album, including the songs "Izzo (H.O.V.A.)" and the controversial "Takeover", which included diss lyrics aimed at rappers Nas and Prodigy, while Just Blaze produced three tracks, "Girls, Girls, Girls", "Song Cry", "U Don't Know", and hidden bonus track "Breathe Easy (Lyrical Exercise)".

The Blueprint was universally acclaimed by music critics, particularly for Jay-Z's performance and the album's soul-based soundscape. It is widely regarded as one of the greatest hip-hop albums of all time as well as one of the greatest albums ever made in general. Despite its release coinciding with the September 11 attacks, it sold over 427,000 copies in its opening week and debuted at number one in the US, holding the spot for three weeks. It was later certified 3× Multi-Platinum by the RIAA. In 2018, the album was selected by the Library of Congress for preservation in the United States National Recording Registry for being "culturally, historically, or aesthetically significant," becoming the first entry created in the 21st century.<ref>Template:Cite news</ref>

Background

The Blueprint was reportedly cut in two weeks, with Jay-Z recording nine songs in two days.<ref name="Collision Course">Template:Cite video</ref> At the time, he was awaiting two criminal trials for gun possession and assault. He was also engaged in feuds with various rappers such as Jadakiss, Fat Joe and in particular Nas and Mobb Deep member Prodigy. In the song "Takeover", Jay-Z attacks the two Queensbridge rappers, using a sample of the song "Five to One" by The Doors<ref name="XXL"/> and an interpolation of David Bowie's "Fame".<ref name="Leroy">Leroy, Dan. Review: The BlueprintTemplate:Dead link. Yahoo! Music. Retrieved on 2009-09-05.</ref> On The Blueprint, Jay-Z and his producers used vintage soul as inspiration, including a vocal sample on almost every track from such artists as Al Green, Bobby "Blue" Bland, David Ruffin and The Jackson 5. Exceptions include "Jigga That Nigga", "Hola Hovito", and "Renegade", a track produced by and featuring the rapper Eminem, and the only track on the album featuring another rapper on verses.

Blueprint Lounge Tour

In late August, Jay-Z announced a September–October tour in small venues.<ref>Template:Cite news</ref> Because of the September 11 attacks occurring on the same day the album was released, the first two performances were rescheduled. Chicago, San Francisco, and Los Angeles were subsequently added, and Jay-Z donated to relief organizations one dollar of the cost of each ticket sold for the tour.

Cover

The photograph on the album's cover, taken by Jonathan Mannion, was inspired by one from The Firm, a series by Jocelyn Bain Hogg depicting organized crime in Britain. Instead of the telephone and brass knuckles seen next to the ashtray in the original picture, a cigar, a pack of cigars and a microphone were placed.<ref>Template:Cite web</ref>

Reception and impact

Template:Music ratings The Blueprint received universal acclaim from critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 88, based on 12 reviews.<ref name="Reviews"/> Upon its release, The Blueprint was hailed by VibeTemplate:'s dream hampton as Jay-Z's best album, as well as the best album of the year,<ref name="Hampton">Template:Cite journal</ref> while The Source awarded The Blueprint a perfect "five-mic" rating,<ref name="source">Template:Cite magazine</ref> a distinction reserved for hip hop classics.<ref name="The Source">Template:Cite web</ref> In his review for The Source, Carlito Rodriguez described The Blueprint as "Template:Em defining moment of Jay-Z's career", commending his ability to convey emotions through his lyrics.<ref name="source" /> Nathan Rabin called it Jay-Z's "strongest, tightest, most consistent album since his legendary debut, 1996's Reasonable Doubt."<ref name="Rabin">Template:Cite web</ref>

The popularity and commercial success of The Blueprint established Kanye West and Just Blaze as two of hip hop's most celebrated producers. West in particular would later be signed by Roc-A-Fella Records in 2002. Both West and Just Blaze would go on to have successful music careers. Furthermore, The Blueprint signaled a major stylistic shift in hip hop production towards a more Soulcentric and sample-reliant sound, creating a number of imitators who attempted to emulate the album's atmospheric style. Prior to The Blueprint, mainstream hip-hop producers had largely eschewed music sampling in favor of the keyboard-driven Timbaland sound (characterized by a shifting, syncopated rhythm, similar to samba or jungle music), due to the financial and legal issues associated with copyright laws.

The Blueprint, however, revived musical sampling as a common practice in hip hop music and dislodged the digital keyboard-driven production style as the dominant sound in hip-hop music.<ref>Exclaim! Canada's Music Authority Template:Webarchive</ref> West would later incorporate some of the production and sampling techniques he used on this album into his own solo albums. Entertainment Weekly put it on its end-of-the-decade, "best-of" list, saying, "One of the greatest poets ever to pick up a mic released his magnum opus in 2001. One retirement and one un-retirement later, it's still his finest hour."<ref>Geier, Thom; Jensen, Jeff; Jordan, Tina; Lyons, Margaret; Markovitz, Adam; Nashawaty, Chris; Pastorek, Whitney; Rice, Lynette; Rottenberg, Josh; Schwartz, Missy; Slezak, Michael; Snierson, Dan; Stack, Tim; Stroup, Kate; Tucker, Ken; Vary, Adam B.; Vozick-Levinson, Simon; Ward, Kate (December 11, 2009), "THE 100 Greatest MOVIES, TV SHOWS, ALBUMS, BOOKS, CHARACTERS, SCENES, EPISODES, SONGS, DRESSES, MUSIC VIDEOS, AND TRENDS THAT ENTERTAINED US OVER THE PAST 10 YEARS AND DECADES TO COME". Entertainment Weekly. (1079/1080):74-84</ref>

In 2003, The Blueprint was ranked number 464 on Rolling Stone magazine's list of the 500 greatest albums of all time;<ref>RS500: 252 The Blueprint. Rolling Stone. Retrieved on 2009-09-15.</ref> in a revised list in 2012, it was ranked number 252;<ref>Template:Cite magazine. Rolling Stone. Retrieved on 2009-09-15.</ref> in the 2020 revised list, the album was ranked number 50.<ref>The 500 Greatest Albums of All Time: The Blueprint Template:Webarchive Rolling Stone. Retrieved on 2020-09-23.</ref> Pitchfork named The Blueprint the second best album of 2000–2004, and in 2010, it ranked fifth on their Top 200 Albums of the 2000s list.<ref>The Top 200 Albums of the 2000s: 20-1 Template:Webarchive Pitchfork Media</ref> It is ranked at number 4 on Rolling Stone magazine's list of the "100 Best Albums of the 2000s".<ref name="rollingstone.com">Template:Cite web</ref> The album received a perfect "XXL" rating from XXL magazine in a 2007 retrospective article.<ref name="XXL">Template:Cite journal</ref> The Blueprint was also included in the book 1001 Albums You Must Hear Before You Die.<ref>Template:Cite book</ref>

Accolades

Album of the Year

• Ranked No. 4 in NMETemplate:'s 50 "Albums of the Year 2001".
• Ranked No. 5 in Rolling StoneTemplate:'s "Top 10 of 2001".
• Ranked No. 7 in Spin magazineTemplate:'s "Albums of the Year 2001".
• Ranked No. 12 in Wire magazine's "50 Records of the Year 2001".<ref>Template:Cite magazineTemplate:Subscription required</ref>

Best Album of the 2000s

• Ranked No. 1 in Complex MagazineTemplate:'s "The 100 Best Albums of the 2000s".
• Ranked No. 7 in The Stylus Decade's "Top 100 Albums of the 2000s".
• Ranked No. 4 in Rolling Stone magazine's list of "100 Best Albums of the 2000s"<ref name="rollingstone.com"/>
• Ranked No. 5 in Pitchfork's "The Top 200 Albums of the 2000s".<ref>Template:Cite web</ref>

Top Album

• Ranked No. 6 in BillboardTemplate:'s Critics Pick of the decade 1999-2009<ref>Critics' 20 Best Albums of the 2000s Template:Webarchive, Billboard.com</ref>
• Ranked No. 2 in PitchforkTemplate:'s "The Top 100 Albums of 2000-04".
• Ranked No. 5 in Stylus MagazineTemplate:'s "Top 50 Albums of 2000-2005".

Best Album of the Decade

• Ranked No. 2 in Entertainment WeeklyTemplate:'s Best Albums of the Decade.
• Ranked No. 42 in PasteTemplate:'s 50 Best Albums of the Decade.<ref>Template:Cite web</ref>
• Ranked No. 4 in Rolling Stone magazine's list of the 100 Best Albums of the Decade in 2009.<ref>"#4 Jay-Z-The Blueprint" Template:Webarchive Rolling Stone's 100 Best Albums of the Decade. 9 December 2009. Retrieved 10 December 2009.</ref>
• Ranked No. 20 in Rhapsody's "100 Best Albums of the Decade" in 2009.<ref>"#20 Jay-Z-The Blueprint" Template:Webarchive Rhapsody's 100 Best Albums of the Decade. Retrieved 12 January 2010.</ref>
• Ranked No. 8 in Vibe's "The Greatest 50 Albums Since '93" in 2013.<ref>"#8 Jay-Z-The Blueprint" Template:Webarchive The Greatest 50 Albums Since '93. Retrieved 18 April 2013.</ref>

Greatest Album of All Time

• Ranked No. 456 in Rolling Stone magazine's list of the 500 greatest albums of all time in 2003.
• Ranked No. 252 in Rolling Stone magazine's revised list of the 500 greatest albums of all time in 2012.
• Ranked No. 50 in Rolling Stone magazine's revised list of the 500 greatest albums of all time in 2020.
• Ranked No. 13 in Apple Music's 100 Best Albums in 2024.
• Unranked in 1001 Albums You Must Hear Before You Die.

Commercial performance

In spite of its release coinciding with the 9/11 attacks, The Blueprint sold over 427,000 copies in its opening week,<ref>Template:Cite web</ref> becoming Jay-Z's fourth consecutive album to reach number one on the Billboard 200 chart. It was certified double platinum as sales stand at over two million units in the U.S.<ref>Basham, David (March 29, 2002). Got Charts? Jay-Z & R. Kelly, Cornell & Rage: Dynamic Duos — Well, Maybe Not. MTV. Retrieved May 24, 2008.</ref><ref>RIAA Searchable Database Template:Webarchive. Recording Industry Association of America. Retrieved May 24, 2008.</ref> Sales stand at 2.7 million as of February 2012.<ref>Template:Cite web</ref>

Track listing

Notes

• ^{Template:Note} signifies an additional producer
• "Takeover" features additional vocals by Josey Scott.
• "Izzo (H.O.V.A.)" features uncredited vocals by Demme Uloa.
• "Girls, Girls, Girls" features additional vocals by Q-Tip, Slick Rick and Biz Markie.
• "Jigga That Nigga" features additional vocals by Stephanie Miller and Michelle Mills.
• "Heart Of The City (Ain't No Love)" features uncredited vocals by Keon Bryce.
• "Never Change" features uncredited vocals by Kanye West.
• "Blueprint (Momma Loves Me)" features background vocals by Schevise Harrell and Luren Leek.
• "Girls, Girls, Girls (Part 2)" features uncredited vocals by Michael Jackson and Chanté Moore.

Samples

• "The Ruler's Back" contains a sample of "If" performed by Jackie Moore, and an interpolation of "The Ruler's Back" performed by Slick Rick.
• "Takeover" contains samples of "Five to One" performed by The Doors, "Sound of da Police" performed by KRS-One, and an interpolation of "Fame" performed by David Bowie.
• "Izzo (H.O.V.A.)" contains a sample of "I Want You Back" performed by Jackson 5.
• "Girls, Girls, Girls" contains a sample of "There's Nothing in This World That Can Stop Me from Loving You" performed by Tom Brock, and "High Power Rap" performed by Crash Crew.
• "U Don't Know" contains a sample of "I'm Not to Blame" performed by Bobby Byrd.
• "Heart of the City (Ain't No Love)" contains a sample of "Ain't No Love in the Heart of the City" performed by Bobby Blue Bland.
• "Never Change" contains a sample of "Common Man" performed by David Ruffin.
• "Song Cry" contains a sample of "Sounds Like a Love Song" performed by Bobby Glenn.
• "All I Need" contains a sample of "I Can't Break Away" performed by Natalie Cole.
• "Blueprint (Momma Loves Me)" contains a sample of "Free at Last" performed by Al Green.
• "Breathe Easy (Lyrical Exercise)" contains a sample of "Got to Find My Own Place" performed by Stanley Clarke.
• "Girls, Girls, Girls (Part 2)" contains a sample of "Trying Girls Out" performed by The Persuaders.

Bonus tracks

As with Vol. 3... Life and Times of S. Carter, Jay-Z put two hidden bonus tracks at the end of the final track. "Blueprint (Momma Loves Me)" is 3:41 by itself. Twenty-five seconds of silence follows after and the bonus track "Breathe Easy (Lyrical Exercise)" begins. That song fades and is immediately followed by "Girls, Girls, Girls (Part 2)". It is reportedTemplate:By whom that the latter song features uncredited vocals by Michael Jackson. The final track as a whole is 12:07. On the iTunes Store, however, these bonus tracks are released as separate tracks, thus making the album 15 tracks long. On the vinyl edition, there are no long gaps between the songs, but they are not printed on the back of the album jacket or record label.

Personnel

• Shawn "Jay-Z" Carter – performer, executive producer
• Eminem – performer, producer, mixing
• Slick Rick – vocals
• Q-Tip – vocals
• Biz Markie – vocals
• Demme Ulloa – vocals
• Schevise Harrell – vocals
• Lauren Leek – vocals
• Keon Bryce – vocals
• Stephanie Miller – vocals
• Michele Mills – vocals
• Josey Scott – vocals
• Victor Flowers – organ
• Kanye West – producer, vocals
• Just Blaze – producer
• Bink – producer
• Timbaland – producer
• Poke & Tone – producer
• DJ Head – drum programming

• Damon Dash – executive producer
• Kareem "Biggs" Burke – executive producer
• Gimel "Young Guru" Keaton – engineer, mixing
• Jimmy Douglas – engineer, mixing
• Rajon Wright – assistant engineer
• Shane Woodley – assistant engineer
• Jason Goldstein – mixing
• Richard Huredia – mixing
• Supa Engineer "Duro" – mixing
• Doug Wilson – mixing
• Tony Vanias – recording director
• Tony Dawsey – mastering
• Jason Noto – art direction
• Jonathan Mannion – photography
• Della Valle – images
• Dana "Sonni Black" Anderson – composer
• Sonet Lumiere Philadelphia – music publisher

Charts

Weekly charts

Template:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chart

Chart (2001)	Peak position
Canadian R&B Albums (Nielsen SoundScan)<ref>Template:Cite web</ref>	7

Year-end charts

Chart (2001)	Position
Canadian Albums (Nielsen SoundScan)<ref>Template:Cite web</ref>	92
Canadian R&B Albums (Nielsen SoundScan)<ref>Template:Cite web</ref>	21
Canadian Rap Albums (Nielsen SoundScan)<ref>Template:Cite web</ref>	10
US Billboard 200<ref>Template:Cite magazine</ref>	52
US Top R&B/Hip-Hop Albums (Billboard)<ref>Template:Cite magazine</ref>	12

Chart (2002)	Position
Canadian R&B Albums (Nielsen SoundScan)<ref>Template:Cite web</ref>	100
Canadian Rap Albums (Nielsen SoundScan)<ref>Template:Cite web</ref>	55
US Billboard 200<ref>Template:Cite magazine</ref>	123
US Top R&B/Hip-Hop Albums (Billboard)<ref>Template:Cite magazine</ref>	44

See also

• List of number-one albums of 2001 (U.S.)
• List of number-one R&B albums of 2001 (U.S.)

External links

• The Blueprint at Discogs
• The Blueprint Template:Webarchive at Metacritic
• Album ReviewTemplate:Dead link at Blender
• Album review at Stylus Magazine