The Wraith: Shangri-La

Template:Use mdy dates Template:Infobox album The Wraith: Shangri-La is the eighth studio album by American hip hop group Insane Clown Posse, released on November 5, 2002, by Psychopathic Records. Recording sessions for the album took place in 2002 at multiple recording studios throughout the United States. The album is the first of two albums representing the sixth Joker's Card in the group's Dark Carnival mythology. The album's lyrics describe the titular Wraith's exhibition of heaven.

The album was the first Insane Clown Posse album that producer Mike E. Clark did not contribute to. It features guest appearances by Jumpsteady, Anybody Killa, Zug Izland, Blaze Ya Dead Homie, Twiztid and Esham. The Wraith: Shangri-La was released in two different versions as well as in DVD-Audio format. It debuted at number 15 on the Billboard charts. It is the 6th Joker Card in the first deck, and the group's 18th overall release.

Conception

Background

Following a dream by group member Joseph Bruce in which "spirits in a traveling carnival appeared to him," Insane Clown Posse created the mythology of the Dark Carnival in 1992.<ref name="BehindthePaint174">Template:Cite book</ref> The Carnival, a metaphoric limbo in which the lives of the dead await to be judged, was planned to be elaborated through a series of stories called Joker's Cards, each of which offers a specific lesson designed to change the "evil ways" of listeners before "the end consumes us all."<ref name="BehindthePaint174"/> The group originally planned six Joker's Cards to be released, with the final, "The Wraith", being two separate albums.

At the time of the release of the fifth Joker’s Card, Insane Clown Posse was signed to Island Records. The group did not want to release the sixth Joker’s Card on the label, but were contractually obligated for two more albums.<ref name="BehindthePaint470">Template:Cite book</ref> As a result, they released the double album Bizaar and Bizzar (which were not designated Joker's Cards), then left the label.<ref name="BehindthePaint470"/> Upon returning to their own label, Psychopathic Records, the duo embarked on the Hatchet Rising Tour in 2001.<ref name="BehindthePaint470"/><ref name="HathetRising">Template:Cite web</ref> They returned that November and attempted to begin work on the sixth Joker’s Card.<ref name="BehindthePaint500">Template:Cite book</ref> Unable to create the character, members Joseph Bruce and Joseph Utsler went into seclusion to free their minds.<ref name="BehindthePaint500"/> The two agreed that their next appearance would be in the following July at the 2002 Gathering of the Juggalos, where they would reveal the Card.<ref name="BehindthePaint500"/>

With his free time, Bruce began jogging daily. The exercise helped clear his mind and allow him to focus on the sixth Joker’s Card.<ref name="BehindthePaint500"/> He and Utsler brainstormed on the telephone regularly, and the two created the character of the Wraith.<ref name="BehindthePaint500"/> In the end, Bruce says, the group knew what the sixth Joker’s Card would be because they've "said it all along. DEATH, and what's after that? Heaven and Hell. One for the true, Shangri-La, and one for the rest, Hell's Pit."<ref name="BehindthePaint500"/> The name of the Card, The Wraith, was another name for death itself.<ref name="BehindthePaint500"/>

Recording

In 2001, Insane Clown Posse built its own studio called "The Lotus Pod" in Detroit, Michigan.<ref name="BehindthePaint500"/> After brainstorming in seclusion about the album, the group traveled to recording studios across the United States to produce The Wraith: Shangri-La.<ref name="BehindthePaint500"/> They began writing and recording in Dallas, Texas along with Zug Izland and producer Mike Puwal,<ref name="BehindthePaint500"/> who offered Insane Clown Posse a sound Bruce described as being more pop-oriented.<ref>Template:Cite web</ref> One night in Dallas, Joseph Bruce was approached by a fan. The fan informed him that a woman that Bruce had slept with had died, but that she had always cherished the night the two spent together.<ref name="BehindthePaint500"/> Bruce wrote the song "Welcome to the Show" shortly afterward and made reference to the woman in the lyrics.<ref name="BehindthePaint500"/>

After recording several songs in Dallas, Insane Clown Posse and Puwal left and headed to a studio in Las Vegas, Nevada.<ref name="BehindthePaint500"/> The song "Hell’s Forecast" was written and inspired by Las Vegas’ hot desert sun.<ref name="BehindthePaint500"/> Next, the group traveled to a studio located outside of Nashville, Tennessee.<ref name="BehindthePaint500"/> They recorded alongside Anybody Killa and studio band member Rich "Legz Diamond" Murrell.<ref name="BehindthePaint500"/> Finally, the group headed home to Detroit. They finished recording at The Lotus Pod, and Puwal finalized the album shortly after.<ref name="BehindthePaint500"/> A surround sound mix of the album was prepared by Nathaniel Kunkel and Mike Puwal.<ref name="SurroundPro">Template:Cite web</ref>

Joker's Cards

The sixth Joker's Card is "The Wraith", a personification of Death. The card features two "exhibits", Shangri-La (2002) and Hell's Pit (2004), which were each given their own album.<ref name="BehindthePaint504">Template:Cite book</ref> The album's final track, "Thy Unveiling", revealed that the hidden message of their music was always to follow God and make it to Heaven.<ref name="BehindthePaint500"/> Ben Sisario criticizes the series' ending in the Rolling Stone Album Guide, writing "the whole thing was some bland divine plan [...] Is this man's final dis of God, or His of us?"<ref name="RSAlbumGuide">Template:Cite book</ref> Some critics perceived the spiritual element of the storyline as a joke or a stunt. Allmusic writer Bradley Torreano wrote that "Even if it is a joke, it isn't a funny one, or even a clever one."<ref>Template:Cite web</ref>

According to Bruce:

"We went on an in-store tour right when the sixth Joker Card came out. It was the most moving thing we ever went through in our lives. All across the country, it had such an effect. People would come to the in-stores crying, thanking us. A very, very emotional time. [...] Some people might've been upset by that, but through our eyes all we did was touch a lot of people. We definitely wanted it to be something everlasting. Maybe a 19-year-old might not understand or like that ending now. But later, when he has four kids, he might think, 'That was the shit.'"<ref name="Dominic">Template:Cite news</ref>

Release and promotion

The image of The Wraith: Shangri-La was first shown at the 2002 musical festival Gathering of the Juggalos.<ref name="BehindthePaint500"/> Insane Clown Posse later released The Wraith: Shangri-La Sampler. The four track sampler concentrated on the group's history and contained a seminar that they held at the 2002 event.<ref name="BehindthePaint588">Template:Cite book</ref> On November 4, 2002, the day before the release of The Wraith: Shangri-La, 10 release parties were held by Psychopathic Records nationwide.<ref name="BehindthePaint500"/> The next day, eight more release parties were held nationwide. Hosts of the parties included Twiztid, Anybody Killa, Juggalo Championship Wrestling wrestlers Rude Boy and Sabu, and Insane Clown Posse.<ref name="BehindthePaint500"/>

The Wraith: Shangri-La was released in two compact disc editions, one with a bonus DVD featuring a seminar from the 2002 Gathering of the Juggalos, and the other featuring a live concert performance.<ref>Template:Cite news</ref> The album was also released on DVD-Audio format with the surround sound mix.<ref name="SurroundPro"/> In 2003, Insane Clown Posse went on the 75-date Shangri-La World Tour, where the group performed across the United States, Australia and Europe.<ref name="BehindthePaint500"/><ref name="Tour">Template:Cite web</ref>

Reception

Template:Music ratings The Wraith: Shangri-La debuted at number 15 on the Billboard 200 and number one on the Top Independent Albums chart.<ref>Template:Cite magazine</ref> In 2003, the surround sound mix was named "Most Adventurous Mix" at the second annual Surround Music Awards.<ref name="SurroundPro"/> In The Great Rock Discography, Martin Charles Strong gave the album four out of ten stars.<ref name="Strong"/> The album received two stars out of five in The New Rolling Stone Album Guide.<ref name="RSAlbumGuide"/>

In September 2003, Insane Clown Posse was voted the worst band of any musical genre in Blender, with The Wraith: Shangri-La named as the group's worst album.<ref>Template:Cite magazine</ref> Despite describing Insane Clown Posse as "imbecilic white rappers", the magazine complimented the album for its "charming, good-natured idiocy."<ref>Template:Cite magazine</ref>

By 2010, the album had become eligible for gold certification by the Recording Industry Association of America.<ref name="PRNewswire">Template:Cite press release</ref>

Legacy

The image of the Wraith from the Shangri-La album cover was used on a flight test patch for the Lockheed Martin Skunk Works' Black Ops Desert Prowler program. The patch features the Wraith, with added red eyes, surrounded by six stars with the words "Desert Prowler, Alone and on the Prowl."<ref>Template:Cite web</ref>

On May 26, 2017 it was announced that Insane Clown Posse would be performing the album in its entirety at the 2017 Gathering of the Juggalos. Some of the album's featured artists, namely Twiztid, Blaze Ya Dead Homie and Esham, did not perform.<ref>Template:Cite web</ref>

Track listing

Notes

• Every song with "the" in the title has been written out as "thy", for example, "Walk into the Light" is written as "Walk into thy Light".

Samples

• "Murder Rap" samples "Straight Outta Compton" by N.W.A
• "It Rains Diamonds" samples "Compton's N The House (Remix)" by N.W.A
• "Cotton Candy & Popsicles" samples "Bring the Noise" by Public Enemy and "Bathtub" by Snoop Dogg

Personnel

Vocals

• Violent J – Liner Notes, Vocals
• Shaggy 2 Dope – Vocals
• Anybody Killa – Vocals
• Blaze Ya Dead Homie – Vocals
• Esham – Arranger, Producer, Vocals
• Jumpsteady – Vocals
• Rich “Legz Diamond” Murrell – Vocals
• Lil Pig – Drums, Vocals
• Twiztid – Vocals
• Zug Izland – Vocals

Other personnel

• Gary Arnett – Graphic Design, Image Editing
• Tom Baker – Mastering
• William Charley – Image Editing
• Mike Puwal – Engineer

Chart positions

Weekly charts

Chart (2002)	Peak position
Australian Albums (ARIA Charts)<ref name="ARIA">Template:Cite Ryan</ref>	71
Billboard 200<ref name="Billboard">Template:Cite magazine</ref>	15
Top Independent Albums<ref name="Billboard"/>	1
Canadian Albums Chart<ref>Template:Cite web</ref>	36

Chart (2003)	Peak Position
Top Independent Albums	1<ref name="Billboard"/>

Year-end charts

Chart (2002)	Position
Canadian Rap Albums (Nielsen SoundScan)<ref>Template:Cite web</ref>	78