Theatre of Canada

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Theatre Royal, Montréal 1825

Template:Use Canadian English Canada's contemporary theatre reflects a rich diversity of regional and cultural identities.<ref>Template:Cite encyclopedia </ref>Template:Dead link Since the late 1960s, there has been a concerted effort to develop the voice of the 'Canadian playwright', which is reflected in the nationally focused programming of many of the country's theatres.<ref>tarragontheatre.com</ref><ref name="factorytheatre.ca">Template:Cite web</ref> Within this 'Canadian voice' are a plurality of perspectives - that of the First Nations, new immigrants, French Canadians, sexual minorities, etc. - and a multitude of theatre companies have been created to specifically service and support these voices.<ref name="buddiesinbadtimes.com">Template:Cite web</ref>

Early Canadian theatre

The play, Théâtre de Neptune, held in Port Royal basin, 1606.

The Annapolis Basin in Nova Scotia served as the cradle for both French and English language theatre in Canada.<ref>David Gardner's thesis, "An Analytic History of the Theatre in Canada: the European Beginnings to 1760," and his article "British Garrison Theatre in Canada during the French Regime"</ref> Théâtre de Neptune, performed in 1606, was the first European theatre production in North America.

The tradition of English theatre in Canada also started at Annapolis Royal. In Fort Anne, Nova Scotia, plays were produced for Prince of Wales' birthday.<ref name=":0">Template:Cite journal</ref> George Farquhar's The Recruiting Officer was produced on Saturday, 20 January 1733 to celebrate the birthday of Frederick, Prince of Wales.<ref name=":0" /> When he was a Lieutenant-Governor of Nova Scotia, Paul Mascarene translated Molière's French play The Misanthrope in to English and produced several plays in 1743 and 1744.<ref name=":0" /> An unknown play was also staged on 20 January 1748 for the Prince's birthday, and it was restaged on 2 February 1748.<ref name=":0" />

Plays

  • Lescarbot's Neptune Theatre 1606
  • Molière's Tartuffe Scandal 1693
  • Halifax Prologue 1776
  • Sullen Indian Prologue 1826
  • Eight Men Speak 1933 (at Toronto's Standard Theatre)

Events

Theatre was banned in French Canada by the Catholic clergy in 1694,<ref>Template:Cite web</ref> but after Canada became British in 1763, theatrical activity begun to flourish, foremost among the British garrisons and within amateur theatre.

Antoine Foucher (1717-1801), of Terrebonne (father of Louis-Charles Foucher), was the owner of the first Francophone theatre in Canada. In 1774, with various British officers, he staged the first production of Molière at his home in Montreal.<ref>Template:Cite web</ref><ref>Template:Cite web</ref><ref>Template:Cite book</ref> Other Garrison performances were private shows put on for troops, publicly performed by officers, which helped bridge theatre and war during its initial stages of development. It was welcomed by the populaces and distracted soldiers from war and routine military protocol.<ref name="auto">Wilson, Edwin, ed. Living Theatre: History of the Theatre. 5th ed. New York, NY: McGraw Hill, 2008. Print.</ref>

The first professional theatre company was Allen's Company of Comedians, which made its first performance in Montreal in 1786, and was followed by the all male French language amateur society Les Jeunes Messieurs Canadiens in Quebec City in 1789.<ref>Template:Cite web</ref> From 1790 to 1840, amateur theatre was regularly performed at the Haymarket Theatre in Quebec City.<ref>Elaine Frances Nardocchio: Theatre and Politics in Modern Québec</ref>

Officially opened on the 24th of June 1893 in Montreal, the Monument National is located at the historical interface between the Francophone neighbourhoods (to the east) and the Anglophone areas (to the west), it also found itself in the heart of the Jewish and Chinese sections on the most multiethnic street in the city.<ref>Template:Cite web</ref>

Before 1825, the Hayes House Hotel on Dalhousie Square, Montreal, had a theatre that staged German Orchestras and held Viennese dances.<ref>Template:Cite web</ref> After it burned it down, John Molson built the Theatre Royal in 1825, presenting Shakespeare and Restoration authors. It sat 1,000 guests and was also used for circuses and concerts.<ref name="auto"/> Edmund Kean and Charles Dickens both performed there before it was demolished in 1844 to make way for the Bonsecours Market.<ref>Template:Cite web</ref>

In the West, the Grand Theatre was built in 1912 in Calgary by the visionary Sir James Lougheed.<ref name=":1">Template:Cite book</ref> The Grand was the initial home of many arts organizations in Calgary; the first theatre, opera, ballet, symphony concerts, and movies were seen here. This theatre was the centre of social, cultural, and political life in Calgary until the early 1960s. The Grand Theatre has been saved from demolition in 2004 by the company Theatre Junction and its director Mark Lawes.<ref name=":1" />

From 1929, Martha Allan founded the Montreal Repertory Theatre and later co-founded the Dominion Drama Festival.<ref>Template:Cite book</ref> She loathed amateur theatre, but her energies spearheaded the Canadian Little Theatre Movement at a time when live theatre in Montreal and across Canada was being threatened by the rapid expansion of the American-influenced movie theatre. She almost single-handedly laid the groundwork for the development of the professional modern Canadian theatre scene.

Theatre of the 1950s

Plays

  • Teach Me How To Cry 1955 Patricia Joudry

Theatre companies and groups

Theatre of the 1960s

Plays

  • Ecstasy of Rita Joe 1967 George Ryga
  • Fortune and Men's Eyes 1967 John Herbert
  • Les Belles-Sœurs 1968 Michel Tremblay

Theatre companies and groups

Theatre of the 1970s

Plays

Theatre companies and groups

Events

With Canada's centennial in 1967 came a growing awareness of the need to cultivate a national cultural identity. Thus, the 1970s were marked by the establishment of multiple theatre institutions dedicated to the development and presentation of Canadian playwrights, such as Factory Theatre,<ref name="factorytheatre.ca"/> Tarragon Theatre,<ref>Template:Cite web</ref> and the Great Canadian Theatre Company.<ref>Template:Cite web</ref> Theatre Passe Muraille, under Paul Thompson's directorship in the 1970s, gained a national reputation for its distinctive style of collective creation with plays such as The Farm Show, 1837: The Farmer's Revolt and I Love You, Baby Blue.<ref>Template:Cite web</ref>

In 1971 a group of Canadian playwrights issued the Gaspé Manifesto as a call for at least one-half of the programing at publicly subsidized theatres to be Canadian content. The numerical goal was not achieved, but the following years saw an increase in Canadian content stage productions.<ref>Ryan Edwardson, Canadian Content: Culture and the Quest for Nationhood (University of Toronto Press, 2008), Template:ISBN. Excerpts available at Google Books.</ref><ref>Louise Ladouceur, Dramatic Licence: Translating Theatre from One Official Language to the Other in Canada (University of Alberta, 2012), Template:ISBN. Excerpts available at Google Books.</ref>

Theatre of the 1980s and 1990s

Plays

Theatre companies and groups

  • Cirque du Soleil (Quebec) (early 1980s)
  • The Augusta Company (Toronto, 1980)
  • Windsor Feminist Theatre (Windsor, 1980)
  • Native Earth Performing Arts (Toronto, 1982)
  • Half the Sky Feminist Theatre (Hamilton, 1982)
  • DNA Theatre (Toronto, 1982)
  • Crow's Theatre (Toronto, 1982)
  • One Yellow Rabbit (Calgary, 1982)
  • Theatre Junction (1991)
  • 4th Line Theatre (Millbrook, Ontario, 1992)
  • De-ba-jeh-mu-jig Theatre 1984 (Manitoulin Island)
  • Cahoots Theatre 1986 (Toronto)
  • da da kamera 1986 (Toronto)
  • Puente Theatre 1988 (Victoria)
  • Radix Theatre 1988 (Vancouver)
  • Primus Theatre 1988 (Winnipeg)
  • Repercussion Theatre (Montreal, 1988)
  • Théâtre Ex Machina 1990 (Quebec City)
  • Rumble Productions 1990 (Vancouver)
  • Theatre Projects Manitoba 1990 (Winnipeg) founded by Harry Rintoul
  • Mammalian Diving Reflex 1993 (Toronto)
  • Die in Debt Theatre 1993 (Toronto)
  • STO Union 1992 (Wakefield)
  • Artistic Fraud of Newfoundland 1995 (St. John's)
  • Soulpepper Theatre Company 1997 (Toronto)
  • The Electric Company Theatre 1996 (Vancouver)
  • Nightswimming 1995 (Toronto)
  • Sarasvati Productions 1998 (Toronto, later relocated to Winnipeg)
  • Imago Theatre 1987 (Montreal)
  • Common Boots Theatre 1984 (Toronto)

Events

The 1980s and 1990s saw a flourish of experimental theatre companies cropping up across Canada, many of whom were exploring site-specific and immersive staging techniques, such as Toronto's DNA Theatre<ref>Template:Cite web</ref> and Vancouver's Radix Theatre.<ref>Template:Cite web</ref>

Theatre of the 2000s

Plays

Theatre companies and groups

  • Bluemouth Inc. 1998 (Toronto)
  • Project Porte Parole 1998 (Montreal)
  • 2b theatre company 1999 (Halifax)
  • Old Trout Puppet Workshop 1999 (Calgary)
  • Leaky Heaven 1999 (Vancouver)
  • Zuppa Theatre 1999 (Halifax)
  • Obsidian Theatre 2000 (Toronto)
  • Aluna Theatre 2001 (Toronto)
  • Small Wooden Shoe 2001 (Halifax/Toronto)
  • fu-GEN 2002 (Toronto)
  • Theatre Replacement 2003 (Vancouver)
  • Kelowna Actors Studio (Kelowna)
  • Realwheels Theatre 2003 (Vancouver)
  • Downstage 2004 (Calgary)
  • DaPoPo Theatre 2004 (Halifax)
  • B2C Theatre 2004 (Toronto)
  • Ecce Homo Theatre 2005 (Toronto)
  • Convergence Theatre 2006 (Toronto)
  • Segal Centre for Performing Arts (Montreal)
  • Why Not Theatre 2007 (Toronto)
  • Suburban Beast 2008 (Toronto)
  • Outside The March 2009 (Toronto)
  • Crane Creations Theatre Company 2015 (Mississauga)

Events

The 2000s saw the creation of several theatre companies with specific cultural mandates including Obsidian Theatre, a company supporting 'the Black voice',<ref>Template:Cite web</ref> fu-GEN, a company dedicated to work by Asian Canadians,<ref>Template:Cite web</ref> and Aluna Theatre, a company with a focus on Latin Canadian artists.<ref>Template:Cite web</ref>

This decade also was a particularly significant for the rise of devised performance practices across the country, particularly in Vancouver through artists graduating from Simon Fraser University and the creation of the PuSh International Performing Arts Festival in 2006, as well as in Halifax with the founding of Zuppa Theatre. Devised and creation-based models of theatre-making continued to be underrepresented in the larger regional theatre system of the country.Template:Citation needed

Western Canadian theatre

British Columbia

Alberta

Saskatchewan

Manitoba

Northwest Territories

  • Yellowknife is home to the Northern Arts and Cultural Centre, a small theatre with just over 300 seats.

Central Canadian theatre

Ontario

Quebec

Atlantic Canada

New Brunswick

Prince Edward Island

Nova Scotia

Newfoundland and Labrador

  • St. John's has the RCA (Resource Centre for the Arts), an artist-run company that is based at the LSPU Hall. It also has the St. John's Arts and Culture Centre, with a 1,000 seat main theatre.
  • Clarenville, Newfoundland is the home to The New Curtain Theatre Company, which operates as a year-round professional theatre based out of The Loft Theatre at the White Hills Ski Resort in Clarenville (2 hours west of St. John's).
  • Cupids, Newfoundland is home to The New World Theatre Project, which aims to do work from and inspired by the year 1610, when Cupids was settled as Canada's first English colony.
  • Stephenville, Newfoundland and Labrador, on the west coast of the island of Newfoundland, features the annual Stephenville Theatre Festival, a summer festival that began in the mid-1970s.
  • In Corner Brook, the Grenfell Campus of Memorial University offers a Bachelor of Fine Arts degree in Theatre, with productions staged every semester.

Summer Festivals

Major summer theatre festivals include:

As of 2014, Canada had more fringe theatre festivals than any other country,<ref>Template:Cite news</ref> forming a summer fringe circuit running from the St-Ambroise Montréal Fringe in June and heading westward to the Vancouver Fringe Festival in September. The circuit includes the two largest fringe festivals in North America, the Winnipeg Fringe Theatre Festival and the Edmonton International Fringe Festival. Other fringe theatre festivals include the Saskatoon Fringe Theatre Festival, the Calgary Fringe Festival, the London Fringe Theatre Festival (Ontario), the Toronto Fringe Festival and the Atlantic Fringe Festival.

See also

References

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Further reading

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