Until the End (Kittie album)

From Wikipedia, the free encyclopedia
Jump to navigation Jump to search

Template:Good article Template:Use mdy dates Template:Use Canadian English {{safesubst:#invoke:Unsubst-infobox||$params=italic_title,name,type,longtype,artist,cover,border,alt,caption,released,recorded,venue,studio,genre,length,language,label,director,producer,compiler,chronology,prev_title,prev_year,year,next_title,next_year,misc|$extra=italic_title,longtype,border,caption,language,director,compiler,chronology,year,misc|$aliases=italic title>italic_title,Italic title>italic_title,Name>name,Type>type,image>cover,Cover>cover,Border>border,Alt>alt,Caption>caption,Longtype>longtype,Artist>artist,Released>released,Recorded>recorded,Venue>venue,Studio>studio,Genre>genre,Length>length,Language>language,Label>label,Director>director,Producer>producer,Compiler>compiler,Chronology>chronology,Misc>misc|$flags=override|$B={{#ifeq:{{#invoke:Is infobox in lead|main|[Ii]nfobox [Aa]lbum}}|true|{{#if:Template:Has short description | |{{#if: Template:Start date | Template:Short description}}}}}}{{#invoke:Infobox|infobox}}Template:Template otherTemplate:Category handlerTemplate:Main other{{#invoke:Check for unknown parameters|check|unknown=Template:Main other|preview=Page using Template:Infobox album with unknown parameter "_VALUE_"|ignoreblank=y|italic_title |type |name |image |cover |border |alt |caption |longtype |artist |released |recorded |venue |studio |genre |length |language |label |director |producer |compiler |prev_title|prev_year|next_title|next_year|chronology|year|misc}}{{#if:{{#invoke:String|match|error_category=Music infoboxes with Module:String errors|A|1=Safe2002Never Again2006studioUntil the EndKittie Until the End.jpgAn angel, with their arms and legs bound by rope, drowning in water. The text "Kittie" stands in the top left, and the text "Until the End" in the bottom right hand corner.KittieTemplate:Start dateMarch 2004Long View Farm (North Brookfield, Massachusetts)Template:FlatlistTemplate:DurationArtemisSteve Thompsonx|2=</?t[drh][ >]|nomatch=}}|Template:Main other}}Template:Main other}} Until the End is the third studio album by Canadian heavy metal band Kittie, released on July 26, 2004, through Artemis Records. It was their only album with bassist Jennifer Arroyo, who joined the band in March 2002. The album was recorded in March 2004 with producer Steve Thompson at Long View Farm Studios in North Brookfield, Massachusetts. Musically, it continued Kittie's transition away from their early nu metal sound, whilst placing a heavier emphasis on melody than on their previous two albums. Kittie wrote the album while they were engaged in a lawsuit with Artemis, and its lyrics and artwork reflect the band's feelings of frustration and uncertainty during that period. After recording concluded, Kittie recruited guitarist Lisa Marx for a tour in support of the album.

Until the End received mixed reviews from critics, who were divided over its maturity and progression from Kittie's earlier output. The album sold 19,000 copies in its first week and peaked at number 105 on the US Billboard 200 chart and its only single, "Into the Darkness", reached number 116 on the UK Singles Chart. After two promotional tours in support of the album, financial difficulties caused by a lack of touring support from Artemis led to the departures of Arroyo and Marx from Kittie in February 2005; the following month, the band parted ways with the label and went on hiatus.

Background

In November 2001, Kittie released their second studio album, Oracle.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> On March 18, 2002, following a tour of Europe in support of the album, bassist Talena Atfield left the band.<ref name="Courant">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name="Prick02">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Jennifer Arroyo, formerly of the rap metal band Spine, joined Kittie two days later, making her live debut with the band in Manchester, New Hampshire, on March 29, 2002.<ref name="Courant" /><ref name="Prick02" /> Arroyo first met Kittie vocalist and guitarist Morgan Lander and drummer Mercedes Lander in 2000, when both of their bands performed on Farmclub.com.<ref name="Courant" /><ref name="Prick02" /> Morgan and Mercedes felt that Arroyo brought a "a new element" to Kittie with her technical and melodic playing style;<ref name="Courant" /> during the band's subsequent live performances, they would let her play improvised bass solos to show off her abilities.Template:Sfn The band continued to tour until February 2003.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

On April 1, 2003, Kittie filed a lawsuit against its record label, Artemis Records, and its parent company, Sheridan Square Entertainment, claiming that the label owed them unpaid royalties.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The lawsuit prevented Kittie from recording a new album, and the band members were unsure if they would stay together through the end of the lawsuit.Template:Sfn<ref name="TulsaWorld">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name="Decibel">Template:Cite magazine</ref> To cope with the uncertainty, they began working on new material.Template:SfnTemplate:Sfn Morgan wrote most of Until the EndTemplate:'s guitar riffs, lyrics and melodies, with Mercedes and Arroyo contributing some additional arrangements and their own drum tracks and basslines to the album, respectively.<ref name="DallasMusicGuide04">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>Template:Sfn<ref name="LinerNotes" /> Kittie performed several shows in June and July 2003,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> before embarking on their Kiss of Infamy Tour with Motograter and 40 Below Summer, from October 18 to December 1, 2003.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> On both tours, the band debuted six new songs; "Look So Pretty",Template:Sfn "Career Suicide", "Until the End", "Pussy Sugar", "Burning Bridges", and "Loveless".<ref name="Easton 2003">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>Template:Sfn Mercedes said that playing their new songs helped them mature and made the band more comfortable recording them.<ref name="ArtemisUTEPR">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Recording and production

On March 1, 2004, it was announced that Kittie and Artemis Records had settled the lawsuit.<ref name="BlabSetLaw">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> According to Morgan, the band decided to settle after realizing it would take too long to resolve and ultimately be of no benefit to them, even if they won.<ref name="BlastingZone" /> The band subsequently commenced recording their third album at Long View Farm Studios in North Brookfield, Massachusetts with producer Steve Thompson,<ref name="BlabSetLaw" /> marking the first time the band had recorded outside of their hometown of London, Ontario.Template:Sfn Recording lasted three weeks, with the band working for almost twelve hours a day in the studio.<ref name="RecordingApp">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Morgan said that Kittie chose to record at Long View Farm because of its isolated nature and facilities, allowing the band to focus solely on recording;<ref>Template:Harvnb; Template:Harvnb; Template:Harvnb</ref> according to Mercedes, they left the studio three or four times at most during the recording process.Template:Sfn The band spent little time doing pre-production, as they had finished writing and arranging all of their songs before they went in to record them.<ref>Template:Harvnb; Template:Harvnb</ref> The basic guitar, bass and drum tracks for Until the End were done in the first week of recording; Mercedes' drums were tracked in the span of three days.Template:SfnTemplate:Sfn The following week, Morgan finished recording her vocals.Template:Sfn

Until the End was recorded onto two-inch analogue tape, with minimal digital editing or overdubs.<ref name="Decibel" /><ref name="RecordingApp" /><ref group="N">Mercedes said that the only time digital editing was used on Until the End was to replace a missed drum hit on "Daughters Down".<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> </ref> No click tracks were used.Template:Sfn Morgan said that Thompson's approach to recording was "more to focus on the song itself" and develop its own individual sound and personality;<ref name="guitar.com">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> he and the band would spend time attempting to get specific guitar tones and sounds,Template:Sfn sometimes by experimenting with his array of instruments and pedals,<ref name="guitar.com" />Template:Sfn and others by recording in different rooms at the studio.<ref name="RecordingApp" /><ref name="guitar.com" /> Arroyo and Mercedes recorded their parts in Long View's control room, whilst Morgan was largely situated in an isolated room on the studio's second floor. She said that this reduced the amount of pressure she felt when recording, "[as] I could just sit up there with my amp and focus."<ref name="guitar.com" />

In between recording sessions, Kittie held auditions at Long View Farm for a new, permanent replacement for touring guitarist Jeff Phillips, who had left the band to work full-time with his other band, Thine Eyes Bleed.<ref>Template:Harvnb; Template:Harvnb</ref> "We were looking for someone really solid and with something to offer, someone who could hear something and play it right off the bat", Arroyo said.<ref>Template:Cite news</ref> The band tried out six or seven people, including Lisa Marx, formerly of the hardcore band To See You Broken.Template:Sfn Kittie first learned of Marx after meeting her bandmates at a Seattle show and Mercedes subsequently reached out to her online.Template:Sfn The band liked her personality and their shared sense of humour,Template:Sfn and although she was the second or third person to try out, "we really knew it was going to be [her] from the beginning", Morgan said.Template:Sfn Artemis Records announced the addition of Marx to Kittie's lineup, as well as Until the EndTemplate:'s release date, on April 26, 2004.<ref name="ArtemisUTEPR" /><ref name="BB0426">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Composition and lyrics

Template:Quote box Until the End has been described as death metal,<ref name="Westword">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name="CVLTNATION">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> heavy metal<ref name="StylusRev" /><ref name="Allmusic">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and thrash metal.<ref name="NMEREV" /> The album continued Kittie's transition away from their early nu metal sound;<ref name="CVLTNATION" /> journalists Dave Perri and Mark Fisher believed that it marked the point that Kittie became a proper heavy metal band.Template:Sfn<ref name="TimesWestV">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Placing a heavier emphasis on melody than on their previous albums,<ref name="StylusRev" /><ref name="BlabRev" /><ref name="BB">Template:Cite magazine</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> it contains heavy riffs, double bass drumming,<ref name="BB041304">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> fluctuating time signatures,<ref name="StylusRev" /> and no guitar solos,<ref name="StylusRev" /> as well as screamed,<ref name="StylusRev" /> growled,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> snarled<ref name="Blenderrev" /> and clean vocals.<ref name="BlabRev" /> As with Kittie's previous albums, its songs are written in drop C tuning.<ref name="guitar.com" /> On "Into the Darkness", Kittie experimented with the use of vocal harmony between screamed and melodic, clean vocals, and with a key change in its last chorus;<ref name="StylusRev" /> Morgan felt that it was "the most difficult song [she'd] ever written lyrically and vocally".Template:Sfn A "vocal remix" of the song, featured as the album's final track, removes the screamed vocals.<ref name="StylusRev" />

According to Morgan Lander, the lyrics of the songs on Until the End reflect Kittie's feelings of frustration and uncertainty amidst their legal struggles with Artemis Records.<ref name="TulsaWorld" />Template:Sfn They also cover personal experiences, relationships, and human nature.<ref name="BB041304" /> Morgan said that the album's opening track, "Look So Pretty", was an angry response to menacing acts directed towards unspecified others. She also said that "Pussy Sugar" is about "seeing someone you care about go through a dark, unfortunate time" and realizing one's inability to help them. Morgan stated that "In Dreams" is about perceiving herself as going crazy as a result of stress.Template:Sfn "Into the Darkness" reflects Kittie's fear of the unknown.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>Template:Sfn

The artwork for Until the End was illustrated by Geoff Mack, from a visual concept by Morgan Lander.<ref name="TulsaWorld" /><ref name="LinerNotes" /> Morgan said that the cover represented helplessness, "the end of innocence", and the feeling of "being suffocated and held down", the latter referring to Kittie's struggles with Artemis.<ref name="TulsaWorld" />Template:Sfn Its title refers to Kittie's feelings of perseverance.Template:Sfn

Reception

Commercial

Until the End was released in Europe on July 26, 2004, and in the United States the following day.<ref name="ArtemisUTEPR" />Template:Sfn It sold 19,000 copies in its first week of release, debuting at number 105 on the US Billboard 200 chart and number four on BillboardTemplate:'s Top Independent Albums chart.<ref name="KittieCharts" /><ref name="BillboardBits">Template:Cite magazine</ref> The album's only single, "Into the Darkness", was released to radio stations on June 29, 2004.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name="ArtemisUTEPR2">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> It was released as a single in the United Kingdom on August 9, 2004, where it reached number 116 on the UK Singles Chart.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name="UKSingles">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Kittie filmed a music video for the song, directed by Greg Kaplan and Rafaela Monfradini, in late May 2004.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The video first aired on MTV2's Headbangers Ball on June 19, 2004,<ref name="ArtemisUTEPR2" /> and also received rotation on Fuse and Kerrang! TV, with the latter channel selecting it as the "Video of the Week" for August 18 to 24, 2004.Template:Sfn<ref name="ArtemisUTEPR3">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Critical

Template:Music ratings

On review aggregator website Metacritic, Until the End holds a score of 56 out of 100, based on reviews from seven critics, which indicates "mixed or average reviews".<ref name="MC" /> AllMusic reviewer James Christopher Monger praised its heavy composition but noted an "adherence to formulaic modern metal clichés" on some of its later songs.<ref name="Allmusic" /> Blabbermouth.net criticised Kittie's "rudimentary songwriting skills" and "mediocre" talents on the album, which they described as a "murk of generic metal".<ref name="BlabRev" /> Ox-Fanzine described the album's compositions as "flat as they are superfluous", and stated that Kittie "haven't grown up".<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Despite finding some "faintly creative moments" on the record, Exclaim!Template:'s Jill Mikkelson commented that the album's main selling point was Kittie's "juvenile riot grrrl attitude".<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> George Smith of The Village Voice dismissed the album as "tenaciously mindless and effortlessly grim", comparing Kittie unfavourably with Slayer, Pungent Stench and Grave and commenting that "other than being a product of women, there's only one reason to recommend [Until the End]: It's marginally better than Auf der Maur".<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Rick Skidmore of Westword and Kerrang!Template:'s Nick Ruskell stated that Kittie had made significant improvements to their songwriting on Until the End; the latter said that the band "sounds more like their ownTemplate:Nbsp... than the Machine Head-ettes of old".<ref name="Westword" />Template:Sfn Rock HardTemplate:'s Jan Jaedike wrote that although the album's sound was not completely removed from Kittie's earlier nu metal output, its songs had "real hit character".<ref name="Rock Hard" /> Bjorn Randolph of Stylus Magazine argued that Mercedes' tight sense of groove and Morgan's "dual vocal personae" gave Kittie "the swing and the sing" necessary to differentiate themselves from other heavy metal bands.<ref name="StylusRev" /> In a mixed review for the Cleveland Scene, D.X. Ferris stated that Morgan's vocals were "dependent on the cheap duality of her demon growl/angel-swoon vocals".<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> NMETemplate:'s Pete Cashmore criticized Kittie's lack of originality and attempts to incorporate "subtlety and nuance" into the thrash metal genre, which he felt was "to the detriment of a style that should always be about brutality and aural punishment".<ref name="NMEREV" />

Retrospective reviews remain mixed. David Perri, writing in The Collector's Guide to Heavy Metal: Volume 4: The '00s (2011), criticized its oft-"clumsy" songwriting and "cheap" production but considered it "a giant leap in the right direction for Kittie".Template:Sfn In 2022, MetalSucks called the album Kittie's best, and a "perfect example of an awesome band proving their worth to the worthy after all of the fair-weather fans aimed their attention elsewhere".<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Conversely, Paul Travers of Metal Hammer ranked it as Kittie's worst in a 2024 ranking of the band's seven albums, stating: "Kittie have never made a terrible album, but Until The End was perhaps their least cohesive."<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Touring and aftermath

From July to August 2004, Kittie embarked on a headline tour with supporting acts Candiria, 36 Crazyfists and Twelve Tribes.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The band also performed at one of the stops of Roadrunner Records' RoadRage 2004 tour, at the Worcester Palladium in Massachusetts, on August 6, 2004.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> On August 11, 2004, Mercedes was hospitalized for internal bleeding, caused by a combination of stress and dehydration, prior to a show in Cleveland, Ohio.<ref name="BlabKittieDrumIll">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>Template:Sfn Consequently, the band cancelled their remaining tour dates.<ref name="BlabKittieDrumIll" /> On September 7, 2004, Kittie announced that they would join Otep and Crisis for the Metal Movement Tour from September 27 to November 10, 2004.<ref>Metal Movement Tour dates:

  • {{#invoke:citation/CS1|citation

|CitationClass=web }}

  • {{#invoke:citation/CS1|citation

|CitationClass=web }} </ref> Kittie formed the tour with the intention of raising awareness for women in heavy metal.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> On January 15, 2005, the band performed at the Circo Volador concert hall in Mexico City.<ref>Template:Harvnb; Template:Harvnb</ref>

Artemis Records offered Kittie limited touring and promotional support for Until the End,<ref name="JANorthJersey">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>Template:Sfn forcing Morgan and Mercedes to pay Arroyo, Marx and the band's touring costs with their personal funds.<ref name="RNRE06">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Due to their worsening financial situation, Morgan and Mercedes told Arroyo and Marx after Kittie finished touring that they would not be able to pay them a retainer. Marx was upset by this, and left the band following their tour of Mexico in February 2005.<ref name="RNRE06" /><ref name="LisaQuits">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>Template:Sfn Arroyo left Kittie shortly thereafter to pursue work with her other band, Suicide City, which she felt gave her more room to contribute creatively.<ref name="JANorthJersey" /><ref name="RNRE06" /> Morgan and Mercedes had anticipated Arroyo's departure, and the split was amicable.<ref name="JANorthJersey" /><ref name="KittieDept2">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Morgan announced Marx and Arroyo's departures through a statement on Kittie's official message board on March 23, 2005, where she blamed Artemis Records' lack of support for the band for their departures.<ref name="KittieDept2" /> At the time, the band were in contract negotiations with Artemis.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> A week later, on March 31, 2005, Kittie parted ways with Artemis after the band rejected a proposed amendment to the band's contract with the label, which would have reduced the recording budget of their fourth album.<ref name="BlastingZone">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Following this, Morgan and Mercedes put the band on hiatus for six months.<ref name="MTVKittie">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref group="N">In Kittie: Origins/Evolutions (2017), Mercedes stated that Kittie had quietly disbanded in early 2005.Template:Sfn However, Morgan denied that the band had broken up at the time.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref></ref>

Reflecting on the album in Kittie: Origins/Evolutions (2017), Morgan said:

<templatestyles src="Template:Blockquote/styles.css" />

"Honestly, I like a lot of the songs on Until the End. I don't know [anything] that I regret a lot. Listening back, I kinda maybe wish that we had done things a little bit differently in the studio. Maybe a different producer. Maybe even a different studio. Mind you,Template:Nbsp... it was a really fun, awesome recording process. We had a lot of fun, it was a really really great time."Template:Sfn{{#if:|

|}}{{#if:|

— {{#if:|, in }}Template:Comma separated entries

}}{{#invoke:Check for unknown parameters|check|unknown=Template:Main other|preview=Page using Template:Blockquote with unknown parameter "_VALUE_"|ignoreblank=y| 1 | 2 | 3 | 4 | 5 | author | by | char | character | cite | class | content | multiline | personquoted | publication | quote | quotesource | quotetext | sign | source | style | text | title | ts }}

Track listing

All songs written by Morgan Lander.<ref name="LinerNotes">Template:Cite AV media notes</ref>

Template:Track listing Template:Track listing

Notes

  • Additional arrangements on tracks 1 and 5 by Jennifer Arroyo
  • Additional arrangements on tracks 1, 2, 4 to 7 and 11 by Mercedes Lander

Personnel

Personnel per liner notes.<ref name="LinerNotes" />Template:Col-beginTemplate:Col-2Kittie

  • Morgan Lander – guitars, vocals
  • Jennifer Arroyo – bass
  • Mercedes Lander – drums
  • Lisa Marx – live guitar

Artwork

  • Geoff Mack – artwork
  • Morgan Lander – artwork concept
  • Reinhold Scherer – photography
  • Brett Weiss – layout designTemplate:Col-2

Production

  • Steve Thompson – producer, mixing
  • Ian Hatton – engineer
  • Devin O'Connell – engineer
  • Mike Lapierre – engineer
  • Ted Jensen – mastering Template:Small
  • John Arraya – guitar technician
  • John Magnum – drum technician

Template:Col-end

Charts

Chart performance for Until the End
Chart (2004) Peak
position
UK Independent Albums (OCC)<ref name="UKOCC">{{#invoke:citation/CS1|citation CitationClass=web

}}</ref>

34
US Billboard 200<ref name="KittieCharts" /> 105
US Top Independent Albums (Billboard)<ref name="KittieCharts">Template:Cite magazine</ref> 4

Release history

Release history for Until the End
Region Label Format Date Catalog # Ref.
Europe Template:Flatlist CD July 26, 2004 RCD17017 Template:Sfn
United States Artemis July 27, 2004 ATM-CD-51538 <ref name="Allmusic" />
Canada
Japan Columbia Music Entertainment August 25, 2004 COCB-53244 citation CitationClass=web

}}</ref>

Europe Metal Mind CD (digipak) November 24, 2008 MASS CD 1245 DG citation CitationClass=web

}}</ref>

Various MNRK Music Group LP April 22, 2023 MNK-LP-46873 <ref>Template:Citation</ref>

Notes

Template:Reflist

References

Citations<references />Print sources Template:Refbegin

Template:Refend

Audiovisual (AV) sources Template:Refbegin

Template:Refend

Further reading

|CitationClass=web }}

Template:Kittie Template:Authority control

Retrieved from "https://wiki.sarg.dev/index.php?title=Until_the_End_(Kittie_album)&oldid=788854"