Whistler's Mother

Arrangement in Grey and Black No. 1, best known under its colloquial name Whistler's Mother or Portrait of Artist's Mother,<ref>Template:Cite book</ref><ref name=LAT>Template:Cite news</ref> is a painting in oils on canvas created by the American-born painter James McNeill Whistler in 1871. The subject of the painting is Whistler's mother, Anna McNeill Whistler. The painting is Template:Convert,<ref name=indianexpress>Template:Cite news</ref> displayed in a frame of Whistler's own design. It is held by the Musée d'Orsay in Paris,<ref name=LAT/> having been bought by the French state in 1891. It is one of the most famous works by an American artist outside the United States. It has been variously described as an American icon<ref name=indianexpress/><ref>Template:Cite book</ref><ref>Template:Cite book</ref><ref>Template:Cite web</ref> and a Victorian Mona Lisa.<ref name=indianexpress/><ref>Template:Cite journal</ref><ref>Template:Cite web</ref>

History

Anna Whistler circa 1850s

Anna McNeill Whistler posed for the painting while living in London with her son at 96 Cheyne Walk, Chelsea.<ref>95-96 Cheyne Walk Template:Webarchive by Patrick Baty</ref><ref>Chelsea News and General Advertiser, Friday 24 July 1925 - https://www.britishnewspaperarchive.co.uk/viewer/bl/0000973/19250724/064/0005</ref>

Several unverifiable stories relate to the painting of the work; one is that Anna Whistler acted as a replacement for another model who could not make the appointment. Whistler originally envisioned painting the model standing up. However, his mother was too uncomfortable to pose standing for an extended period.<ref>Template:Cite web</ref>

The work was shown at the 104th Exhibition of the Royal Academy of Art in London (1872), after coming within a hair's breadth of rejection by the academy. This episode worsened the rift between Whistler and the British art world; Arrangement was the last painting he submitted for the academy's approval (although his etching of Old Putney Bridge was exhibited there in 1879). Vol. VIII of The Royal Academy of Arts: A Complete Dictionary of Contributors and their work from its foundation in 1769 to 1904 (by Algernon Graves, F.S.A., London 1906) lists the 1872 exhibit as no. 941, "Arrangement in Grey and Black: Portrait of the Painter's mother", and gives Whistler's address as The White House, Chelsea Embankment.Template:Citation needed

The sensibilities of a Victorian era viewing audience would not accept what was a portrait exhibited as an "arrangement", hence the addition of the explanatory title Portrait of the Painter's mother. From this, the work acquired its enduring nickname of simply Whistler's Mother. After Thomas Carlyle viewed the painting, he agreed to sit for a similar composition, this one titled Arrangement in Grey and Black, No. 2. Thus the previous painting became, by default,Template:Citation needed Arrangement in Grey and Black, No. 1.

Arrangement in Grey and Black No. 2 (Thomas Carlyle), 1872–1873

1934 U.S. postage stamp

Mothers' Memorial, Ashland, Pennsylvania

Whistler eventually pawned the painting, acquired in 1891 by Paris's Musée du Luxembourg. Whistler's works, including this one, had attracted several imitators. Numerous similarly posed and restricted-colour palette paintings soon appeared, particularly by American expatriate painters. For Whistler, having one of his paintings displayed in a major museum helped attract wealthy patrons. In December 1884, Whistler wrote:Template:Citation needed

As a proponent of "art for art's sake", Whistler professed to be perplexed and annoyed by the insistence of others upon viewing his work as a "portrait". In his 1890 book The Gentle Art of Making Enemies, he wrote:<ref>Template:Cite book</ref>

Both Whistler's Mother and Thomas Carlyle were engraved by the English engraver Richard Josey.<ref>University of Glasgow, James McNeill Whistler: The Etchings</ref> The image has been used since the Victorian era as an icon for motherhood, affection for parents, and "family values" in general, especially in the United States. For example, in 1934, the U.S. Post Office Department issued a stamp engraved with the portrait detail from Whistler's Mother, bearing the slogan "In memory and in honor of the mothers of America." In the Borough of Ashland, Pennsylvania, an eight-foot-high statue based on the painting was erected as a tribute to mothers by the Ashland Boys' Association in 1938, during the Great Depression.<ref>Whistler's Mother statue, Roadside America</ref>

In summing up the painting's influence, art historian Martha Tedeschi has stated:

Exhibitions in America

Whistler's Mother has been exhibited several times in the United States, notably at the Century of Progress world's fair in Chicago in 1933–34. It was shown at the Atlanta Art Association in the fall of 1962,<ref>Airplane crash at Orly Field by Randy Golden in About North Georgia Template:Webarchive. In the fall of 1962, the Louvre, as a gesture of goodwill to the people of Atlanta, sent Whistler's Mother to Atlanta to be exhibited at the Atlanta Art Association museum on Peachtree Street. It was Frank Zollner, John F. Kennedy and Leonardo's Mona Lisa: Art as the Continuation of Politics</ref> the National Gallery of Art in 1994, and the Detroit Institute of Arts in 2004.<ref>Symphony in Grey and Black, No. 1: Portrait of the Artist's Mother ("Whistler’s Mother") Template:Webarchive, Detroit Institute of Arts</ref> It was exhibited at the Boston Museum of Fine Arts in 1983 in an exhibition called A New World: Masterpieces of American Painting 1760–1910.

From May 22 to September 6, 2010, it was shown at the M. H. de Young Memorial Museum in San Francisco.<ref>'Whistler's Mother' on display at de Young Museum. ABC. KGO-TV. May 5, 2010. Retrieved February 22, 2022; Birth of Impressionism: Masterpieces from the Musée d'Orsay. de Young museum. 2010. Retrieved February 21, 2022.</ref> The painting was exhibited at the Norton Simon Museum in Pasadena, California, from March 27 to June 22, 2015,<ref>Norton Simon Museum and Musée d’Orsay Announce an Exchange of Masterpieces</ref> at the Colby College Museum of Art in Maine, and then the Freer Gallery of Art in Washington, D.C. in 2016 . It was shown at the Art Institute of Chicago from March 4 to May 21, 2017.<ref>Whistler’s Mother: An American Icon Returns to Chicago, Art Institute of Chicago</ref> From 10 June to 29 October 2023, it was on display at the Philadelphia Museum of Art.<ref>Template:Cite web</ref>

In popular culture

Fight for Her, World War I recruitment poster from Canada, urging men to enlist with the Irish Canadian Rangers and to fight for the women in their lives. It appeals to notions of motherhood and "family values" that were popular at the time, and often attributed to this painting.Template:Citation needed

The painting has been featured or mentioned in numerous works of fiction and within pop culture. These include films such as Sing and Like It (1934), The Secret Life of Walter Mitty (1947), the Donald Duck shorts Early to Bed (1941) & Donald's Diary (1954), The Fortune Cookie (1966), The Rocky Horror Picture Show (1975), Babette's Feast (1986),<ref>Template:Cite journal</ref> The Naked Gun 2½: The Smell of Fear (1991), Bean (1997), The Tigger Movie (2000), Looney Tunes: Back in Action (2003), I Am Legend (2007), and Cloudy with a Chance of Meatballs 2 (2013).

It has been mentioned in television episodes of The Simpsons ("Rosebud",<ref>Template:Cite web</ref><ref>Template:Cite web</ref> "The Trouble with Trillions",<ref>Template:Cite web</ref><ref>Template:Cite web</ref> and "The Burns and the Bees"Template:Citation needed).

"Whistler's Mother" is the twentieth episode of the first season of the American television satirical sitcom Arrested Development.

The painting is mentioned in Vladimir Nabokov's novel Lolita.<ref>Template:Cite book</ref>

The painting is central to the plot of the 1997 comedy film Bean, in which Mr. Bean accidentally defaces it during its repatriation to the United States and secretly replaces it with a poster.

Actor Hurd Hatfield toured internationally several times with the play Son of Whistler's Mother by playwright Maggie Williams.<ref>Hurt Hatfild (1918-98)</ref>

Between 1959 and 2021, the Douglas A-26 Invader serial number 41-39401 was either flown or displayed with the name of Whistler's Mother. It featured a reproduction of the painting on the nose.

An imitation of the painting with a unique character can be seen in the credits of Wallace & Gromit: Vengeance Most Fowl.

In music

Whistler, and particularly this painting, had a profound effect on Claude Debussy, a contemporary French composer. In 1894, Debussy wrote to violinist Eugène Ysaÿe describing his Nocturnes as "an experiment in the different combinations that can be obtained from one color – what a study in grey would be in painting." Whether Debussy used the term color to refer to orchestration or harmony, critics have observed "shades" of a particular sound quality in his music.<ref>Weintraub, Stanley. 2001. Whistler: A Biography (New York: Da Capo Press). Template:ISBN, p. 351</ref>

in the popular standard You're the Top by Cole Porter the painting is listed as "You're Whistler's mama".

The subject of the painting is referenced as "Mama Whistler" in the lyrics of the Neil Diamond song Done Too Soon.

See also

• Zephaniah Kingsley, uncle

Further reading

• Sutherland, Daniel E. and Toutziari, Georgia (2018). Whistler's Mother: Portrait of an Extraordinary Life. Yale University Press. Template:ISBN.
• Walden, Sarah (2003). Whistler and His Mother: An Unexpected Relationship: Secrets of an American Masterpiece. London: Gibson Square; Lincoln, Nebraska: University of Nebraska Press. Template:ISBN.

External links

• Whistler's Mother at the Musée d'Orsay