Christoph von Dohnányi

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Christoph von Dohnányi ({{#invoke:IPA|main}};Template:Efn 8 September 1929 – 6 September 2025) was a German conductor. He was both music director and later artistic director at the Oper Frankfurt until 1977, establishing innovative opera. He was music director of The Cleveland Orchestra from 1984 to 2002, leading the orchestra in recordings with various labels and on international tours to Europe and Asia. He was principal conductor of London's Philharmonia Orchestra from 1997 to 2008, touring Europe including a series of opera performances at the Théâtre du Châtelet in Paris. He was chief conductor of the NDR Symphony Orchestra from 2004 to 2010.

Life and career

Youth, World War II and education

Dohnányi was born on 8 September 1929 in Berlin to Hans von Dohnanyi, a German jurist of Hungarian ancestry,<ref name="Sandner" /><ref name="d049">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and Christine Bonhoeffer.<ref name="n576">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name="p739">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> His uncle on his mother's side, and also his godfather, was Dietrich Bonhoeffer, a Lutheran pastor and theologian/ethicist.<ref name="n576" /> His grandfather was the pianist and composer Ernst von Dohnányi.<ref name="Spiegel">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> His father, uncle and other family members participated in the German Resistance movement against Nazism, and were arrested and detained in several Nazi concentration camps before being executed in 1945, when Christoph was 15 years old.<ref name=Rhein>Template:Cite news</ref> Dohnányi's older brother is Klaus von Dohnanyi, a German politician and former mayor of Hamburg.<ref>Template:Cite news</ref>

After World War II, Dohnányi studied law in Munich, but in 1948, he transferred to the Hochschule für Musik und Theater München to study composition, piano and conducting.<ref name="h995">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> At the Bavarian State Opera in Munich, he was a stage extra, a house pianist, and coached singers. He received the Richard Strauss Prize from the city of Munich, and then went to Florida State University to study with his grandfather.<ref name="p233">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Germany, opera in Lübeck, Kassel, Frankfurt and Hamburg

File:Der junge Lord (Henze) playbill.jpg
Playbill for the premiere of Henze's Der junge Lord on 7 April 1965 at the Deutsche Oper Berlin

Dohnányi's first position as assistant was at the Oper Frankfurt, appointed by Georg Solti, where he also served as a ballet and opera coach.<ref name="u620">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> He was general musical director (GMD) of the Lübeck Opera from 1957 to 1963, then Germany's youngest GMD.<ref name="p388">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In 1965, Dohnányi conducted the world premiere of Henze's Der junge Lord at the Deutsche Oper Berlin.<ref name="p796">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> He was GMD of the Staatstheater Kassel,<ref name="c324">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> where he revived Schreker's Der ferne Klang, which had been suppressed by the Nazis.<ref name="Sandner" /> He was at the same time chief conductor of the WDR Symphony Orchestra Cologne.<ref name="w031">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In 1968, he became GMD at the Oper Frankfurt, succeeded Lovro von Matačić, and later also artistic director, serving in both capacities until 1977.<ref name="l945">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> His team included dramaturges Gerard Mortier,<ref name="e492">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Peter Mario Katona (Director of Casting at ROH Covent Garden)<ref name="q773">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and Klaus Schultz.<ref name="r325">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> They programmed a balance of traditional opera performance and innovative Musiktheater and Regietheater.<ref name="l412" /> He was convinced that the dramatic aspect of opera had been neglected, and engage directors from theatre and film including András Fricsay, Klaus Michael Grüber, Hans Neuenfels and Volker Schlöndorff. He won Henze to direct a production of Der junge Lord in Frankfurt.<ref name="Sandner" /> Oper Frankfurt was established as a leading opera house,<ref name="l412">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and the city prepared for the Gielen era that followed.<ref name="Sandner" /> Dohnányi worked as GMD and intendant at the Hamburg State Opera from 1977 to 1984.<ref name="p388" /> He tried a similar concept as in Frankfurt, but faced structural problems. His time of posts at opera houses ended, but he kept conducting opera as a guest at the Metropolitan Opera, the Vienna State Opera, the Royal Opera House in London, the Opernhaus Zürich and the Salzburg Festival.<ref name="Sandner" />

Cleveland Orchestra

Dohnányi made his conducting debut with the Cleveland Orchestra in December 1981 and was named "Music Director Designate" the following year.<ref name="Rosenberg">Template:Cite book</ref>Template:Rp However, he would not begin his tenure as music director until 1984.<ref name="Rosenberg"/>Template:Rp During the intervening two years, the orchestra invited a number of guest conductors to lead the ensemble, including former music director Erich Leinsdorf for six weeks of subscription concerts. Leinsdorf would remark that he was the "bridge between the regimes."<ref name="Rosenberg"/>Template:Rp Before taking the podium as the orchestra’s sixth music director, Dohnányi made guest appearances with other American orchestras, including those in Detroit, Pittsburgh, and New York City, as well as leading the Cleveland Orchestra in its annual gala concert and recordings at Severance Hall.<ref name="Rosenberg"/>Template:Rp As Dohnányi began his first season as music director, he brought with him contacts that would push the orchestra forward with a variety of recording projects.<ref name="Rosenberg"/>Template:Rp Near the end of the 1984–85 season, Dohnányi announced that the Cleveland Orchestra would use its summer home, Blossom Music Center, to perform a staged opera: Mozart's The Magic Flute. The production, which was attended by 15,000 people, was labeled "the Ohio musical event of the summer" by The Columbus Dispatch.<ref name="Rosenberg"/>Template:Rp The following summer, he conducted there Lehar's The Merry Widow in a co-production with La Monnaie with Anja Silja, his wife, in the title role.<ref name="Rosenberg obit"/> Dohnányi also oversaw the hiring of Indonesian-born conductor Jahja Ling, who would lead the newly-established Cleveland Orchestra Youth Orchestra, which had its first concert in February 1987.<ref name="Rosenberg"/>Template:Rp

He made recordings a hallmark of his tenure, associated with several labels (Teldec, Decca, and Telarc).<ref name="Rosenberg"/>Template:Rp Live recordings began with Schoenberg's Die Jakobsleiter in 1984 and ended with Lutoslawski's Musique funèbre in 2001.<ref name="Sandner"/> They recorded more than 100 works, programming music from the late 18th century to new commissions. They performed concert performances of operas including Beethoven’s Fidelio and Berg’s Wozzeck.<ref name="Rosenberg obit" />

Dohnányi also focused on international touring. In 1986, the orchestra embarked on its sixth tour of Europe and its first international tour under Dohnányi, performing twenty-one concerts in seventeen cities across Western Europe.<ref name="Rosenberg"/>Template:Rp They toured to Europe or East Asia nearly every season, including to the Salzburg Festival, regularly from 1990,<ref name="Rosenberg"/>Template:Rp The Edinburgh Festival, the Lucerne Festival, and the BBC Proms.<ref name="Rosenberg obit" /> He hired new orchestra members, and had to find a replacement for Robert Page, who had been the longtime director of the Cleveland Orchestra Chorus.<ref name="Rosenberg"/>Template:Rp Leonard Slatkin, the former music director of the St. Louis Symphony, was appointed Blossom Festival Director beginning in the summer of 1991.<ref name="Rosenberg"/>Template:Rp

To celebrate the Cleveland Orchestra’s 75th anniversary, Dohnányi led performances of Wagner's Ring cycle at Severance Hall during the 1992–93 and 1993–94 seasons.<ref name="Rosenberg"/>Template:Rp Although the ensemble's intention was to become the first symphony orchestra in the United States to record the four-part, fifteen-hour musical monument, financial restrictions limited to recording only the first two, Das Rheingold and Die Walküre.<ref name="Rosenberg"/>Template:Rp

In 1992, Dohnányi signed a contract that extended his tenure as music director through the 1999–2000 season.<ref name="Rosenberg"/>Template:Rp A few years later, the orchestra began a fundraising campaign for the renovation of Severance Hall, which included the replacement of the "Szell Shell" and the return of the E.M. Skinner organ to the stage.<ref name="Rosenberg"/>Template:Rp Dohnányi signed his final contract in 1997, extending his tenure until 2002.<ref name="Rosenberg"/>Template:Rp The orchestra toured China for the first time in 1998.<ref name="Rosenberg"/>Template:Rp During the spring of 1999, the orchestra moved to Cleveland's Playhouse Square for a residency at the Allen Theatre while Severance Hall was renovated.<ref name="Rosenberg"/>Template:Rp On 8 January 2000, Dohnányi led a gala concert to celebrate the re-opening of Severance Hall, which was broadcast live on local television by Cleveland's WVIZ.<ref name="Rosenberg"/>Template:Rp When his contract expired, Dohnányi was named Music Director Laureate of the Cleveland Orchestra.<ref name="Rosenberg obit" />

Philharmonia Orchestra

In 1994, Dohnányi became the principal guest conductor of London's Philharmonia Orchestra, and in 1997 their principal conductor.<ref name=Pittsburgh/> In April 2007, Dohnányi was one of eight conductors of British orchestras to endorse the 10-year classical music outreach manifesto, "Building on Excellence: Orchestras for the 21st Century", to increase the presence of classical music in the UK, including giving free entry to all British schoolchildren to a classical music concert.<ref>Template:Cite news</ref><ref>Template:Cite news</ref> In 2008, he stepped down from the post and held the title of the orchestra's "Honorary Conductor for Life".<ref name="k620">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> With the Philharmonia Orchestra, Dohnányi performed throughout Europe at such venues as the Musikverein in Vienna, the Salzburg Festival, Amsterdam's Concertgebouw, the Lucerne Festival, and the Théâtre des Champs Elysées in Paris. For several seasons, Dohnányi and the Philharmonia Orchestra were in residence at the Théâtre du Châtelet in Paris, performing new productions of Richard Strauss's operas Arabella, Die Frau ohne Schatten and Die schweigsame Frau, Schoenberg's Moses und Aron, Stravinsky's Oedipus rex and Humperdinck's Hänsel und Gretel.<ref name=Pittsburgh/> At the Opernhaus Zürich, Dohnányi led new productions of Moses and Aron, Oedipus Rex (with Bartók's Bluebeard's Castle, Die schweigsame Frau, Ariadne auf Naxos, Salome, Elektra, and Die Frau ohne Schatten, Mozart's Idomeneo, Verdi's Un ballo in maschera, and Wagner's Der fliegende Holländer.<ref name=Pittsburgh/>

Later engagements

Following his retirement from the Cleveland Orchestra, Dohnányi was a guest conductor with the Boston Symphony, frequently at the Tanglewood Music Festival, New York Philharmonic, Philadelphia Orchestra, Pittsburgh Symphony, Chicago Symphony, and Los Angeles Philharmonic, as well as the Cleveland Orchestra.<ref name=Pittsburgh>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> A regular collaboration between Dohnányi and the Israel Philharmonic Orchestra developed in the 1990s. He was a frequent guest conductor with the Vienna Philharmonic both in concert and at the Vienna State Opera.<ref name=Pittsburgh/>

In 2004, Dohnányi returned to Hamburg where he had maintained a residence, to become chief conductor of the NDR Symphony Orchestra. He concluded his tenure after the 2009–10 season.<ref>Template:Cite press release</ref> He promoted the building of the Elbphilharmonie and was the designated conductor of the opening, but it was not completed during his tenure.<ref name="Spiegel" />

Personal life and death

Dohnányi was married to the German actress Template:Ill; they had two children, Katja and Justus. His second wife was the German soprano Anja Silja; they had three children: Julia, Benedikt, and Olga. From 2004 until his death, Dohnányi was married to Barbara Koller, a violist and his former assistant.<ref name=Rhein /><ref name="a798">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Dohnányi died in Munich on 6 September 2025, two days before his 96th birthday.<ref name="p739" /><ref name="Rosenberg obit">Template:Cite news</ref>

Awards

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Honorary doctorates

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Assistants to Christoph von Dohnányi

Michael Stern, music director and lead conductor of the Kansas City Symphony, was assistant conductor to Dohnányi from 1986 to 1991 at the Cleveland Orchestra. Alan Gilbert, former music director of the New York Philharmonic, was assistant conductor to Dohnányi from 1995 to 1997 at the Cleveland Orchestra. Alejo Pérez was assistant conductor at the NDR Symphony Orchestra from 2005 to 2007 and Jens Georg Bachmann, Artistic Director and Chief Conductor of the Cyprus Symphony Orchestra<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> was in the same position at the NDR Symphony Orchestra from 2007 to 2009.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Notes

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References

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Sources

  • Template:Cite book
  • Klaus Schultz (ed.), Offen sein zu – hören. Der Dirigent Christoph von Dohnányi. Hamburg: Murmann 2010, 281 p. Template:ISBN [The book contains a discography.]

Further reading

Obituaries

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