Czechoslovak New Wave

The Czechoslovak New WaveTemplate:Efn (also Czech/Slovak New WaveTemplate:Efn) is a term used for the Czechoslovak filmmakers who started making films in the 1960s. The directors commonly included are Miloš Forman, Věra Chytilová, Jan Švankmajer, Ivan Passer, Pavel Juráček, Jiří Menzel, Jan Němec, Jaromil Jireš, Evald Schorm, Hynek Bočan, Juraj Herz, Juraj Jakubisko, Štefan Uher, František Vláčil and others. The movement was sometimes called the "Czechoslovak film miracle".

Overview

The films touched on themes which for earlier film makers in the communist countries had rarely managed to avoid the objections of the censor, such as the misguided youths of Czechoslovak society portrayed in Miloš Forman's Black Peter (1963) and Loves of a Blonde (1965), or those caught in a surrealistic whirlwind in Věra Chytilová's Daisies (1966) and Jaromil Jireš' Valerie and Her Week of Wonders (1970). The films often expressed dark and absurd humour in opposition to social realist films of the 1950s.

The Czechoslovak New Wave differed from the French New Wave in that it usually held stronger narratives, and as these directors were the children of a nationalized film industry, they had greater access to studios and state funding. They also made more adaptations, including Jaromil Jireš's adaptation of Milan Kundera's novel The Joke (1969). At the Fourth Congress of the Czechoslovak Writers Union Template:Ill in 1967, Milan Kundera described this wave of national cinema as an important part of the history of Czechoslovak literature.<ref>Template:Cite book</ref> Forman's The Firemen's Ball (1967), another major film of the era, remains a cult film more than four decades after its release.

Czech film

The majority of films shot during the New Wave were Czech-language as opposed to Slovak. Many directors came from the prestigious FAMU, located in Prague, while the state-run Barrandov Studios were located just on the outskirts of Prague. Some prominent Czech directors included Miloš Forman, who directed The Firemen's Ball, Black Peter, and Loves of a Blonde during this time, Věra Chytilová who is best known for her film Daisies,<ref>Template:Cite magazine</ref> and Jiří Menzel, whose film Closely Watched Trains (Ostře sledované vlaky 1966) won an Academy Award for Best Foreign Language Film.<ref>Template:Cite AV media</ref><ref>Template:Cite web</ref>

Slovak film

The Shop on Main Street (1965) won the Academy Award for Best Foreign Language Film in 1966,<ref>Template:Cite AV media</ref><ref>Template:Cite web</ref> although it is not considered part of the New Wave, because it was directed by Ján Kadár and Elmar Klos, who were a generation older, and the film is fairly traditional. Juraj Herz, Juraj Jakubisko, Štefan Uher and Dušan Hanák were Slovak filmmakers who were part of the New Wave.

Key works

• The Devil's Trap by František Vláčil (1962)<ref>Template:Cite AV media</ref>
• The Sun in a Net by Štefan Uher (1963)<ref>Template:Cite web</ref><ref>Template:Cite web</ref>
• Something Different by Věra Chytilová (1963)
• Black Peter by Miloš Forman (1963)
• The Cassandra Cat by Vojtěch Jasný (1963)<ref name="dec2023lineup">Template:Cite web</ref>
• The Cry by Jaromil Jireš (1964)
• Lemonade Joe, or The Horse Opera by Oldřich Lipský (1964)
• Diamonds of the Night by Jan Němec (1964)
• The Last Trick by Jan Švankmajer (1964)
• Loves of a Blonde by Miloš Forman (1965)
• Intimate Lighting by Ivan Passer (1965)
• The Shop On Main Street by Ján Kadár & Elmar Klos (1965)
• Pearls of the Deep by Jiří Menzel, Jan Němec, Evald Schorm, Věra Chytilová, Jaromil Jireš (1966)<ref>Template:Cite web</ref>
• Closely Watched Trains by Jiří Menzel (1966)
• Daisies by Věra Chytilová (1966)
• A Report on the Party and the Guests by Jan Němec (1966)
• Marketa Lazarová by František Vláčil (1967)<ref>Template:Cite web</ref>
• The Firemen's Ball by Miloš Forman (1967)
• The Return of the Prodigal Son by Evald Schorm (1967)
• The Valley Of The Bees by František Vláčil (1968)<ref>Template:Cite web</ref>
• The Joke by Jaromil Jireš (1968)
• Capricious Summer by Jiří Menzel (1968)
• The Flat by Jan Švankmajer (1968)
• The Cremator by Juraj Herz (1969)
• Larks on a String by Jiří Menzel (1969)
• Birds, Orphans and Fools by Juraj Jakubisko (1969)
• Case for a Rookie Hangman by Pavel Juráček (1970)
• Valerie and Her Week of Wonders by Jaromil Jireš (1970)<ref>Template:Cite web</ref>

See also

• Barrandov Studios
• Cinema of the Czech Republic
• List of Czech films
• Czechoslovakia 1968 - Oscar-winning 1968 American documentary short about Prague Spring
• The Unbearable Lightness of Being - 1988 Philip Kaufman film adaptation of the Milan Kundera novel about Prague Spring.

Notes

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Bibliography

• Template:Cite book
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External links

• Template:Usurped by Peter Hames, January 22, 2001
• Prague spring: Russian tanks in the streets and a new wave in the cinema The Guardian, 2 Dec 1999
• Czechoslovak New Wave Simon Hitchman, 2015
• Criterion Collection video on this particular cinematic New Wave
• Criterion Channel section featuring Czech New Wave films