The Shop on Main Street
Template:Short description Template:Infobox film The Shop on Main Street (Czech/Slovak: Obchod na korze; in the UK The Shop on the High Street) is a 1965 Czechoslovak film<ref>Template:Cite web</ref> about the Aryanization program during World War II in the Slovak Republic.<ref>Steven Banovac, "Ján Kadár and Elmar Klos: The Shop on Main Street (Obchod na korze) 1965"</ref>
The film was written by Ladislav Grosman and directed by Ján Kadár and Elmar Klos. It was funded by the Czechoslovak central authorities, produced at the Barrandov Film Studio in Prague, and filmed with a Slovak cast on location in the town of Sabinov in north-eastern Slovakia and on the Barrandov sound stage. It stars Jozef Kroner as the Slovak carpenter Tóno Brtko and Polish actress Ida Kamińska as the Jewish widow Rozália Lautmannová.<ref>Martin Votruba, "Historical and Cultural Background of Slovak Filmmaking"</ref>
The film won the 1965 Academy Award for Best Foreign Language Film,<ref name="Oscars1966">Template:Cite web</ref> and Kamińska was nominated one year later for Best Actress in a Leading Role.<ref>Elizabeth Taylor Wins Best Actress: 1967 Oscars</ref> It was entered into the 1965 Cannes Film Festival.<ref name="festival-cannes.com">Template:Cite web</ref>
Plot
Template:Main During World War II in a small town in the First Slovak Republic (a client state of Nazi Germany), mild-mannered Slovak carpenter Antonín "Tóno" Brtko is chosen by his brother-in-law, who holds an influential position in the local fascist government, to take over the sewing notions (i.e. haberdasher) shop owned by the elderly Jewish widow Rozália Lautmannová as part of the Aryanization efforts in the country. While Brtko is struggling to explain to Lautmannová, who is nearly deaf, oblivious to the outside world, and generally confused, that he is now her supervisor, Imrich Kuchár, Brtko's friend and a Slovak who opposes Aryanization, enters and informs Brtko that the business is unprofitable and Lautmannová relies on donations to make ends meet. Kuchár tells Lautmannová that Brtko has come to help her and connects Brtko with the leadership of the Jewish community of the town, who agree to pay him a regular salary to remain the official Aryan controller of the shop, since, if he quits, he might be replaced by someone more militantly fascist or anti-Semitic.
Brtko lets Lautmannová continue to run things in her shop, spending most of his time fixing her furniture or ineptly trying to assist her with customers, and the pair begin to develop a close relationship. When he hears that the authorities are going to gather the Jewish citizenry of the town and transport them elsewhere en masse, he does not tell Lautmannová and at first considers hiding her, but he starts to question this course of action when the roundup actually begins. Drinking steadily, he eventually loses his nerve and attempts to cajole and then force Lautmannová to join her friends in the street. She finally recognizes that a pogrom is happening and panics. Brtko chases her around inside the shop, but he stops and feels ashamed of himself after he witnesses his other Jewish neighbors actually being carted away. Seeing some soldiers heading toward the shop, he throws Lautmannová, who is in a frenzy, into a closet to hide her. The soldiers just glance in the window and keep walking. When Brtko opens the closet door, he discovers Lautmannová's dead body,Template:Efn and, devastated, hangs himself. The movie ends with a fantasy sequence in which the now deceased Lautmannová and Brtko run and dance through the town square together.
Cast
| Actor | Role |
|---|---|
| Jozef Kroner (1924–1998) | Antonín "Tóno" Brtko, a carpenter |
| Ida Kamińska (1899–1980) | Rozália Lautmannová, a button-store owner |
| Hana Slivková (1923–1984) | Evelína Brtková, Tóno's wife |
| Martin Hollý Sr. (1904–1965) | Imrich Kuchár, a friend of Tóno & Rozália and a member of the resistance |
| František Zvarík (1921–2008) | Markuš Kolkotský, Tóno's brother-in-law and the town commander |
| Elena Pappová-Zvaríková (1935–1974) | Ružena "Róžika" Kolkotská, Markuš' wife and Evelína's sister |
| Adam Matejka (1905–1988) | Piti-báči (Uncle Piti), the town crier |
| Martin Gregor (1906–1982) | Mr. Katz, a barber |
| František Papp (1930–1983) | Mr. Andorič, Rozália's neighbor and a railroad employee |
| Gita Mišurová (b. 1929) | Mrs. Andoričová, Mr. Andorič's wife |
| Eugen Senaj (1901–1981) | Mr. Blau, a publisher and the Jewish community treasurer |
| Lujza Grossová (1917–1981) | Mrs. Eliášová, Rozália's neighbor |
| J. Mittelmann | Daniel "Danko" Eliáš, Mrs. Eliášová's son |
| Mikuláš Ladžinský (1923–1987) | Marian Peter, a paramilitary guard officer |
| Alojz Kramár (1916–1985) | Balko-báči (Uncle Balko), a brass-band conductor |
| Tibor Vadaš (1908–1987) | Tobacconist |
The Shop on Main Street was filmed on location at the town of Sabinov in north-eastern Slovakia with numerous local extras, whose voices bring in hints of the eastern regional variety of Slovak. Ida Kamińska's Polish accent is employed to the same effect.
Screenplay
The screenplay had a bilingual Czech/Slovak history. The screenwriter Ladislav Grosman (1921–1981) was born and grew up in Slovakia, but he was writing in Czech at that point in his career. He published the short story "The Trap" ("Past"), a precursor to the screenplay that contained three themes that made it into the final film, in Czech in 1962.<ref>Ladislav Grosman, "Past". Plamen, 1962.</ref> He reworked and expanded this story, still in Czech, as a literary-narrative screenplay that was published in 1964 under the title "The Shop on Main Street" (Obchod na korze).<ref>Ladislav Grosman, "Obchod na korze". Divadlo, 1964.</ref> This version contained what would become the film's storyline, but it was not in a typical (American) screenplay format.<ref>English translation by Iris Urwin: Ladislav Grosman, The Shop on Main Street. Garden City, 1970.</ref> Grosman reworked it into a shooting script with Slovak dialogue in cooperation with the film's designated directors, Ján Kadár and Elmar Klos.
The only other language in the film, other than Slovak, is Yiddish (which is sometimes misidentified as German), though this is limited to several lines that Mrs. Lautmannová mutters to herself. Her Hebrew reading from the siddur is indistinct.
Production
The film was a collaborative effort between the Czechoslovak Socialist Republic and the Socialist Federal Republic of Yugoslavia. This collaboration was primarily due to the difficulties faced by the filmmakers in securing funding and logistical support within Czechoslovakia. Yugoslavia offered both financial support and access to locations that closely resembled the wartime Slovak setting of the story. The main filming location was the scenic village of Sabinov in Slovakia, which made the ideal setting for the fictional town portrayed in the movie.
Score
The score was composed by Zdenek Liska. It incorporates traditional brass band style music that would have been common in Czechoslovakia during the 1940s. The soundtrack was released on record in the US—the first Czechoslovak movie soundtrack to see such a release.<ref>Template:Cite web</ref>
Critical response
Template:Expand section Critics at the time praised the film for its profound exploration of the human psyche in the face of dire circumstances. Template:Rotten Tomatoes prose "The Shop on Main Street" was particularly lauded for its ability to navigate the delicate balance between humor and tragedy, often using dark humor to highlight the absurdity of the situation.
See also
- List of submissions to the 38th Academy Awards for Best Foreign Language Film
- List of Czechoslovak submissions for the Academy Award for Best International Feature Film
- List of films featuring the deaf and hard of hearing
- List of Czech Academy Award winners and nominees
- BFI Top 100 British films
- Czechoslovak New Wave
Notes
References
Further reading
External links
- Steven Banovac, "Ján Kadár and Elmar Klos: The Shop on Main Street (Obchod na korze) 1965."
- Template:IMDb title
- Template:Tcmdb title
- The Shop on Main Street: Not the Six Million but the One an essay by Ján Kadár at the Criterion Collection
- The Shop on Main Street on Criterion Channel
Template:Navboxes Template:Czechoslovak submission for Academy AwardsTemplate:Czechoslovak New WaveTemplate:Authority control
- 1965 films
- 1965 drama films
- 1960s war drama films
- Films directed by Ján Kadár
- Holocaust films
- Czechoslovak drama films
- Czechoslovak World War II films
- Slovak-language films
- Yiddish-language films
- Slovak World War II films
- Slovak war drama films
- Best International Feature Film Academy Award winners
- Films scored by Zdeněk Liška
- The Holocaust in Slovakia
- Czechoslovak New Wave films