Dangerously in Love

Dangerously in Love is the debut solo studio album by American singer and songwriter Beyoncé. It was released on June 20, 2003, by Columbia Records and Music World Entertainment. The album was produced by Beyoncé herself, alongside Missy Elliott, The Neptunes, Scott Storch, and Kanye West, among others. The album also features guest appearances from Elliott and Beyoncé's fianceé Jay-Z, alongside Sean Paul, Big Boi of Outkast, Sleepy Brown, and Luther Vandross, with international editions including vocals from Vanness Wu and IAM. Musically, the album is a mixture of uptempo tracks and ballads, all of which are primarily R&B songs, while also incorporating elements of soul, hip hop and Arabic music.

During the recording of Destiny's Child's third studio album Survivor (2001), the group announced that each member would produce solo albums. Recording sessions for Dangerously in Love took place from March 2002 to March 2003 at various recording studios, during the group's hiatus. As the executive producer of the album, Beyoncé took a wider role in its production, co-writing a majority of the songs, choosing which ones to produce and sharing ideas on mixing and mastering. Although she remained discreet about her interpretation of the album's songs, their underlying meanings were attributed by media outlets as an allusion to her intimate relationship with rapper, Jay-Z.

Upon its release, Dangerously in Love received mixed reviews from music critics but was an commercial success, with the album debuting atop the US Billboard 200 with sales of 317,000 copies in its first week. At the 46th Annual Grammy Awards (2004), the album and its songs won five awards, including Best Contemporary R&B Album; Beyoncé consequently tied with Lauryn Hill, Alicia Keys and Norah Jones for the record of most Grammy Awards won by a woman at a single ceremony.Template:Efn Dangerously in Love has been certified septuple platinum by the Recording Industry Association of America (RIAA) and, as of 2011, has sold over 11 million copies worldwide, making it one of the best-selling albums of the 21st century.

Dangerously in Love produced four singles. "Crazy in Love" spent eight consecutive weeks atop the US Billboard Hot 100, reaching the top ten almost everywhere it charted and winning two Grammy Awards. "Baby Boy" replicated the international commercial success of "Crazy in Love" while outlasting it atop the Billboard Hot 100 by one week. "Me, Myself and I" peaked at number four on the Billboard Hot 100 while attaining lower peaks than its predecessors internationally. "Naughty Girl" peaked at number three on the Billboard Hot 100 and within the top ten in several additional countries. The final single was a cover of Donny Hathaway and Roberta Flack's "The Closer I Get to You", sung by Beyoncé and Luther Vandross. Beyoncé promoted the album via numerous live performances and two concert tours—Dangerously in Love Tour (2003) and Verizon Ladies First Tour (2004), the latter of which was co-headlined with Alicia Keys and Missy Elliott, while the former produced the live album Live at Wembley (2004).

Background and development

Beyoncé launched her career as the lead singer in the R&B girl group Destiny's Child in the late 1990s. According to Corey Moss of MTV News, "fans [were] eager to see" how Beyoncé, after years with the group, performs solo.<ref name="1Corey">Template:Cite web</ref> While recording their third album Survivor in late 2000, Beyoncé announced the group would be put on hiatus in order for the members to produce solo albums in the coming years, which they hoped would boost interest in Destiny's Child.<ref name="vanHorn">Template:Cite web</ref> The idea of individual releases emanated from the group's manager and Beyoncé's father Mathew Knowles.<ref name="CNN">Template:Cite web</ref> With different musical styles for each member to produce, the albums were not intended to compete on the charts. Destiny's Child's management strategically planned to stagger the release of each group member's album to maximize sales.<ref name="Kaufman">Template:Cite web</ref>

Michelle Williams was the first to release a debut solo album, titled Heart to Yours, in April 2002.<ref name="Kaufman" /> Meanwhile, Beyoncé had her film debut in the comedy film Austin Powers in Goldmember, and recorded her debut single "Work It Out", which was featured on the film's soundtrack.<ref name="Kaufman" /> Kelly Rowland collaborated with American rapper Nelly on the song "Dilemma" (2002) as a featured artist; it became a US Billboard Hot 100 number-one single, leading the label to advance the release date of her debut solo album Simply Deep to October. Beyoncé additionally starred in The Fighting Temptations (2003) and recorded another solo single. In August 2002, she collaborated with her now-husband Jay-Z as a featured vocalist on his song "'03 Bonnie & Clyde". Peaking at number four on the Billboard Hot 100, the song earned Beyoncé credibility as a solo artist and paved the way for the release of Dangerously in Love.<ref name="Kaufman" /><ref name="Louie">Template:Cite news</ref>

Recording and production

Beyoncé performing the title track "Dangerously in Love 2"—originally recorded by Destiny's Child—during The Beyoncé Experience tour in 2007

Before Beyoncé began recording for Dangerously in Love, she selected the producers with whom she would collaborate. For two days, she held meetings with prospective producers from the West Coast across the East Coast, and had interviews with them.<ref name="Garfield">Template:Cite news</ref> Beyoncé went to Miami to begin sessions with record producer Scott Storch, her first collaborator,<ref name="TheMaking">Template:Cite video</ref> and lived in a hotel in the following months.<ref name="1Tyrangiel">Template:Cite magazine</ref> As she wanted to concentrate on the album, Beyoncé took her time to avoid pressure build-up, significantly different from the hasty productions of Destiny's Child's albums.<ref name="1Tyrangiel" /> Beyoncé felt that recording an album without her groupmates was "liberating and therapeutic", coming into the studio and freely expressing her ideas with her collaborators.<ref name="Thread" /> The dependency she developed with Destiny's Child, however, meant it was harder "to be on [her] own creatively".<ref name="Thread" /> As she wanted to grow as an artist, Beyoncé contacted other artists with a view to forming a collaborative partnership. When the collective finished writing several songs, she printed copies of each and sent them to prospective guest artists. She talked to them by phone for possible collaboration, eventually gaining their approval. Besides Jay-Z, Beyoncé was able to work with Jamaican artist Sean Paul and American rapper Missy Elliott, among others. In contrast, some artists sent copies of songs to Beyoncé, which were eventually produced. Beyoncé also worked with Elliott and Timbaland on a track titled "Wrapped Around Me", but it ultimately failed to appear on the album.<ref name="Corey7">Template:Cite web</ref>

Survivor included a track titled "Dangerously in Love", which was deemed too sophisticated compared to other tracks on the album, and Destiny's Child decided not to release it as a single. After recording several tracks for Dangerously in Love, Beyoncé decided to re-record and add the track, retitling it "Dangerously in Love 2", after realizing that it fit the overriding theme of her album.<ref name="TheMaking" /> As she did on Survivor, Beyoncé took a wider role in the production of Dangerously in Love, co-writing a majority of the songs, choosing which ones to produce and sharing ideas on the mixing and mastering of tracks.<ref name="Thread">Template:Cite news</ref> Although Beyoncé did not create beats, she came up with melodies and ideas she shared with the producers. Since the album's release date was postponed so Columbia Records could capitalize on the success of Kelly Rowland's feature on Nelly's "Dilemma", Beyoncé had been offered the chance to further enhance the record.<ref name="2Corey">Template:Cite web</ref> Although she was disappointed with the decision, Beyoncé realized that "everything happens for a reason",<ref name="AP">Template:Cite news</ref> agreeing to return to the recording studio to work with other songwriters. This allowed her to record more songs, including the album's lead single "Crazy in Love". In late 2002, Beyoncé paused working on Dangerously in Love in favor of a holiday tour with Destiny's Child.<ref name="Corey7" /> With a few weeks left for recording in March 2003, Beyoncé was still collaborating with other guests on the album, including Sean Paul and P. Diddy.<ref name="Kaufman" /> The latter contributed on "Summertime", which ultimately did not make the album's final cut. However, it was later sent to radio stations and received favorable response.<ref>Template:Cite magazine</ref> Consequently, Beyoncé planned to release a follow-up album comprising leftover tracks from Dangerously in Love,<ref name="Corey5">Template:Cite web</ref> as the creative output of its sessions left several tracks ready for another album pressing.<ref name="Kaufman" /><ref name="Patel">Template:Cite web</ref>Template:Efn With 43 songs completed,<ref name="1Tyrangiel" /> Beyoncé is credited as a co-writer and a co-producer,<ref name="2Corey" /> as well as the album's executive producer alongside her father and then-manager Mathew Knowles.

Music and lyrics

Beyoncé's father and then-manager Mathew Knowles said Dangerously in Love showcased her musical roots.<ref name="Corey2">Template:Cite web</ref> While Williams and Rowland explored on gospel and alternative pop styles, respectively, Beyoncé focused on recording R&B songs.<ref name="Oggunaike">Template:Cite news</ref> The album's tracks vary, ranging from mid-tempo and club-oriented tracks on the first half, to ballads on the second half.<ref name="Thread" /><ref name="2Sanneh">Template:Cite news</ref> Beyoncé commented: "My album is a good balance of ... ballads and ... mid-tempos with just ridin'-in-your-car feels, to a lot of ... up-tempo club songs, to really sexy songs, to songs that make you feel emotional. It's a nice mixture of different types of tracks."<ref name="Corey4">Template:Cite news</ref> Although it contains high-energy tracks such as "Crazy in Love" and "Naughty Girl", the album's focal mode, however, is slow and moody.<ref name="1Tyrangiel" /> Beyoncé said she had mainly written ballads for the album.<ref name="Thread" /> She added that she wanted to be understood as an artist and showcase her range, and by doing so, she blended various genres and musical influences;<ref name="Thread" /> consequently, the album incorporates R&B, hip hop, soul, reggae and Arabic music influences.<ref name="Reid2" /> Its hip hop influences came from Jay-Z, Outkast, and Lil' Kim, while the reggae influences came from Sean Paul.<ref name="Thread" /> Additionally, Scott Storch's personal study of Arabic music gave the album a Middle Eastern vibe.<ref name="Toure">Template:Cite magazine</ref> Beyoncé and the producers also used a wide array of instrumentations.<ref name="Reid2">Template:Cite web</ref>

Lyrically, love was the theme Beyoncé had incorporated for Dangerously in Love the most. Surrounding the release of the album, there were persistent rumors of her relationship with Jay-Z, which would later be proven true. Though "most the material is vague enough to be about any relationship", the album consists multiple tracks suggesting affirmation of their relationship.<ref name="2Corey" /> On "Signs", Beyoncé sings about being in love with a Sagittarius, Jay-Z's zodiac sign.<ref name="2Corey" /> Beyoncé said the album was lyrically similar to Destiny's Child's albums. However, since she had to write only for herself, Beyoncé had the chance to compose personally deeper songs than previous records with the group.<ref name="Thread" /> With a theme based upon different stages of a romantic relationship, the album contains tracks speaking of romance and honesty. In addition, Beyoncé admitted some address sex.<ref name="1Tyrangiel" /> The personal content of the album, however, was not generally attributed to Beyoncé's own experiences—although some songs were—instead, the theme kept recurring in her mind. Beyoncé later explained: "I wanted to have an album that everyone could relate to and would listen to as long as I'm alive and even after... Love is something that never goes out of style. It's something everybody experiences, and if they are not in love, people usually want to feel that..."<ref name="1Corey" /> While some songs merely focus on the "beauty of love", the album also explores another side of love, with songs that "celebrate breakup" and songs that narrate a woman's desire to have a degree of control in a relationship.<ref name="1Corey" /> The album's hidden track "Daddy" is a tribute to Mathew Knowles, being an account of Beyoncé wanting her future husband and son to possess qualities similar to her father's.<ref name="2Corey" /> Originally, Beyoncé did not intend to include the track on the album, having thought its lyrics would make her appear immature. However, considering it one of the songs that reflected her life at that transitional moment, she relegated "Daddy" as the closing track.<ref name="2Tyrangiel">Template:Cite magazine</ref>

Title and packaging

Dangerously in Love was titled after a track of the same title from Destiny's Child's third studio album Survivor (2001), which Beyoncé re-recorded for the album. The song itself is lyrically about being romantically obsessed,<ref name="Nichols"/> as indicated in the chorus: "I am in love with you / You set me free / I can't do this thing called life without you here with me".<ref>Template:Cite web</ref> When "'03 Bonnie & Clyde" was released as a single in October 2002, critics and the public had speculated that Beyoncé and Jay-Z were having a mutual affair.<ref name="People">Template:Cite web</ref> Despite widespread rumors, they remained silent about their relationship.<ref name="2Corey" /> According to critics, the album's title sounded "more intriguing" with Beyoncé singing personal songs.<ref name="1Corey" /> Though love was the theme Beyoncé had incorporated in the album, "most of the material is vague enough to be about any relationship"; some tracks, however, alluded to the accuracy of the rumors.<ref name="2Corey" /> In response to the rumors allegedly echoed in the album's title, Beyoncé stated: "People can come to whatever conclusion they like... That's the beauty of music... I'm a singer, I'll talk about writing songs all you want. But when it comes to certain personal things any normal person wouldn't tell people they don't know, I just feel like I don't have to [talk about it]."<ref name="2Corey" />

The album cover for Dangerously in Love was photographed by Markus Klinko. Beyoncé asked for a diamond-themed portrait, inspired by Klinko's 2000 campaign for Diamond.com showing Laetitia Casta lying on diamond-studded spider web.<ref>Template:Cite web</ref> Beyoncé's mother and stylist, Tina Knowles, brought a diamond top for the shoot.<ref>Template:Cite instagram</ref> Tina had brought skirts to pair it with, but Beyoncé felt they would look too "red carpet" with the top, according to Klinko. Instead, he lent Beyoncé his Dolce & Gabbana jeans for the shoot.<ref name="klinko">Template:Cite web</ref> The photograph was edited in post-production to conceal Beyoncé's breasts.<ref name=":0">Template:Cite news</ref> Klinko said: "That famous pose she struck, with her arms out, she just did that. I didn't tell her to do that ... I just captured it."<ref>Template:Cite web</ref> He felt the image "projected who Beyoncé was about to become ... Within a couple of years she had become that iconic, undeniable superstar. The photoshoot created a road map to where she was headed."<ref name=":0" /> The diamond top was displayed in the 2020 Rock and Roll Hall of Fame exhibition dedicated to Beyoncé.<ref>Template:Cite web</ref>

Release and promotion

Beyoncé performing "Baby Boy" during The Beyoncé Experience tour in 2007

Beyoncé said she had trouble convincing executives at Columbia Records to release Dangerously in Love. She recounted that it was almost not released: "In 2003, I had my first solo album. But when I played it through for my record label, they told me I didn't have one hit on my album. I guess they were kinda right, I had five—'Dangerously in Love', 'Naughty Girl', 'Me, Myself and I', 'Baby Boy' and 'Crazy in Love'."<ref>Template:Cite web</ref> Since Kelly Rowland's "Dilemma" was concurrently charting atop the US Billboard Hot 100, Beyoncé's management released "Work It Out", one of the songs on the soundtrack to Austin Powers in Goldmember, instead of a single from Dangerously in Love to preclude it from possibly competing with "Dilemma".<ref name="Corey6">Template:Cite news</ref> Dangerously in Love was consequently pushed back from its original October 2002 release date to December,<ref name="Corey6" /> and then to May 2003.<ref name="Kaufman2">Template:Cite news</ref> Beyoncé recorded a cover version of 50 Cent's "In Da Club", which served its way to mixtapes before the original release date. The song failed to dominate as a "dancefloor favorite"; Mathew Knowles, however, confirmed that it was just a "buzz cut" and was not included on the album.<ref name="Reid">Template:Cite news</ref> Nonetheless, it earned enough airplay to chart on the US Hot R&B/Hip-Hop Songs.<ref>Template:Cite magazine</ref> While Beyoncé was completing the album, several of its tracks had leaked online. In an effort to prevent more tracks from the album being spread illegally, as well as being a victim of bootlegging,<ref name="Corey2" /> Columbia Records, with high commercial expectations from the album,<ref name="1Tyrangiel" /> pulled the release of Dangerously in Love to June 24, two weeks ahead of the planned July 8 release.<ref name="Susman">Template:Cite magazine</ref>

Buyers who pre-ordered Dangerously in Love via Sony Music's online store received links where they could download a song titled "I Can't Take No More" (written by Beyoncé, Mario Winans and Mike Jones and produced by Winans); the offer lasted until the album's release.<ref name="Corey3">Template:Cite web</ref> On June 14, Beyoncé premiered songs from the album during her first solo concert and the pay-per-view television special titled Ford Presents Beyoncé Knowles, Friends & Family, Live From Ford's 100th Anniversary Celebration in Dearborn, Michigan.<ref name="Corey2" /> By the night of the album's release, Beyoncé's concert was broadcast in over 20 theaters across the United States.<ref name="Corey3" /> Rowland, Michelle Williams, Tyrese and Beyoncé's younger sister Solange also performed during the show. Beyoncé also promoted the album by performing on television shows such as Saturday Night Live, Late Show with David Letterman, Today, The Early Show, and The View.<ref name="Corey4" /> She further promoted it with her Dangerously in Love Tour in November 2003, performing in the United Kingdom, Ireland and the Netherlands. Her concert at Wembley Arena in London on November 10, was filmed for her live album Live at Wembley, released on April 26, 2004. Additionally, Beyoncé co-headlined the Verizon Ladies First Tour with Alicia Keys and Missy Elliott across the US from March to April.

Singles

Beyoncé performing "Naughty Girl" during The Beyoncé Experience tour in 2007

In April 2003, Columbia Records was choosing the lead single from Dangerously in Love between two songs. Sent to clubs, the song that would receive better reception would be selected as the lead single.<ref name="Reid" /> Finally, "Crazy in Love" was released as the lead single on May 14, 2003. It was lauded by critics who described it as "deliriously catchy".<ref name="Erlewine" /> The single topped the US Billboard Hot 100, based on heavy rotation alone.<ref name="dominates">Template:Cite magazine</ref> The same week the song reached number one, Dangerously in Love topped the Billboard 200 as well. The substantial airplay and later retail sales of "Crazy in Love" facilitated it to dominate the chart,<ref>Template:Cite magazine</ref> subsequently spending eight straight weeks atop the Billboard Hot 100,<ref name="asever" /> making it Beyoncé's first number-one single in her solo career. According to Nielsen SoundScan, "Crazy in Love" was the most downloaded song in the United States for four consecutive weeks in July 2003.<ref name="asever">Template:Cite magazine</ref> The digital single was certified sextuple platinum by the Recording Industry Association of America (RIAA).<ref name="riaasingles"/> The song also became a success internationally, reaching the top of the charts in Croatia, Ireland and the United Kingdom.<ref>Template:Cite web</ref><ref>Template:Cite magazine</ref> At the 46th Annual Grammy Awards (2004), the song won Best R&B Song and Best Rap/Sung Collaboration.<ref name="cnn">Template:Cite web</ref><ref name="Silverman"/> Its Jake Nava-directed accompanying music video "celebrates the evolution of a woman. It is about a girl who is at the point of a relationship. She realizes that she is in love, she is doing stuff she would not normally do but she does not care. It does not matter she is just crazy in love."<ref>Template:Cite AV media</ref> Critically acclaimed, the video won Best Female Video, Best R&B Video and Best Choreography in a Video at the 2003 MTV Video Music Awards.<ref name="vma03">Template:Cite web</ref>

"Baby Boy" was released as the second single from Dangerously in Love on August 3, 2003. It was well received by critics, who declared it a "high-profile collaboration"<ref name="Neal" /> which "bridges the gap between the genres of R&B and dancehall."<ref name="Sweeting" /> It ultimately peaked atop the US Billboard Hot 100 eight weeks after its debut, and stayed there for nine consecutive weeks, surpassing the eight-week run atop the chart of "Crazy in Love".<ref name="Martens3">Template:Cite magazine</ref><ref>Template:Cite magazine</ref><ref name="Martens">Template:Cite magazine</ref> The digital single was certified platinum by the RIAA.<ref name="riaasingles"/> Internationally, the song peaked at number two on the UK Singles Chart, reaching the top ten in 15 additional countries.<ref>Template:Cite web</ref> Its accompanying music video, Beyoncé's second consecutive to be directed by Nava, features Beyoncé performing the song infused with heavy choreography at a flooded party and on a Miami beach, among other sceneries.<ref>Template:Cite AV media</ref>

"Me, Myself and I" was released as the third single from Dangerously in Love on October 19, 2003. It received generally positive critical response, directed towards its production and Beyoncé's vocal performance.<ref>Template:Cite web</ref> It peaked at number four on the US Billboard Hot 100, and reached the top ten in Canada.<ref>Template:Cite web</ref><ref>Template:Cite magazine</ref> The digital single was certified platinum by the RIAA.<ref name="riaasingles"/> However, the song failed to replicate its predecessors' international commercial success, reaching the top 20 in Australia, the Netherlands, New Zealand and the United Kingdom. Its Johan Renck-directed accompanying music video shows events of Beyoncé dealing with an adulterous boyfriend in reverse.<ref name="trl">Template:Cite AV media</ref> Critically acclaimed, the video was nominated for Best R&B Video at the 2004 MTV Video Music Awards.<ref name="vma04">Template:Cite web</ref>

"Naughty Girl" was released as the fourth and final single from Dangerously in Love on March 14, 2004.<ref>Template:Cite web</ref> The song was lauded by critics, who noted that "Beyoncé borrowed a portion of Donna Summer's naughty classic "Love to Love You Baby" to create this celebration of sensual naughtiness."<ref>Template:Cite web</ref> It peaked at number three on the US Billboard Hot 100, continuing Beyoncé's string of top-five singles on the chart.<ref>Template:Cite magazine</ref> The digital single was certified platinum by the RIAA.<ref name="riaasingles"/> Internationally, the song became a top-ten hit in Australia, Canada, the Netherlands, New Zealand and the United Kingdom.<ref>Template:Cite web</ref> Despite "Me, Myself and I" and "Naughty Girl" not peaking atop the Billboard Hot 100, they still achieved high commercial success and helped Dangerously in Love reach a multi-platinum status.<ref>Template:Harvnb</ref> The accompanying music video for "Naughty Girl" was directed by Nava and features Beyoncé seductively dancing and flirting with Usher.<ref name="ngmv">Template:Cite news</ref> The Studio 54-styled video was inspired by the dancing of Cyd Charisse and Fred Astaire in the 1953 musical comedy film The Band Wagon.<ref name="ngmv"/> Critically acclaimed, it won Best Female Video at the 2004 MTV Video Music Awards.<ref name="vma04"/>

Leading up to the release of Dangerously in Love, "Daddy" was released as a promotional single via iTunes Store on June 3, 2003.<ref>Template:Cite web</ref> Beyoncé and Luther Vandross' cover of Roberta Flack and Donny Hathaway's "The Closer I Get to You" was released as the fourth and final single from Vandross' thirteenth and final studio album Dance with My Father on June 13, 2004.<ref>Template:Cite web</ref> Having won Best R&B Performance by a Duo or Group with Vocals at the 46th Annual Grammy Awards,<ref name="cnn"/><ref name="Silverman"/> the song peaked at number 62 on the US Hot R&B/Hip-Hop Songs.<ref>Template:Cite magazine</ref> Despite never being released as a single, "Dangerously in Love 2" won Best Female R&B Vocal Performance at the 46th Annual Grammy Awards,<ref name="cnn"/><ref name="Silverman"/> and peaked at number 57 on the US Billboard Hot 100.<ref>Template:Cite magazine</ref> Its mastertone was certified gold by the RIAA.<ref name="riaasingles">Template:Cite web</ref>

Critical reception

Dangerously in Love received generally mixed reviews from music critics.<ref>Template:Cite news</ref> At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 63, based on 17 reviews, indicating "generally favorable reviews".<ref name="Metacritic">Template:Cite web</ref> Anthony DeCurtis of Rolling Stone viewed that it presents Beyoncé in two styles, one "far more flattering" than the other, and found the ballad-oriented songs on the album least flattering, commenting that Beyoncé has "plenty of time" to develop the style maturely that would "[make] sense for her".<ref name="DeCurtis">Template:Cite magazine</ref> Entertainment WeeklyTemplate:'s Neil Drumming commented that the album validates Beyoncé's "taste in innovation". He also viewed that Beyoncé's collaboration with various record producers explores new directions in contemporary music, doing more reinventing than revisiting. Like DeCurtis' review, however, Drumming pointed out that "most of the disc's missteps" are in its latter part.<ref name="Drumming">Template:Cite magazine</ref>

Slant MagazineTemplate:'s Sal Cinquemani wrote that "[Beyoncé] is allowed more room to experiment vocally as a solo artist, exploring softer registers and lathering on the coquettish persona that was only hinted at on Destiny's Child tracks like 'Bootylicious.'".<ref name="Cinquemani">Template:Cite web</ref> Steve Jones of USA Today stated, "Beyoncé succeeds by showing greater depth as a songwriter and broader range as a singer".<ref name="Jones">Template:Cite news</ref> BlenderTemplate:'s Ben Ratliff complimented Beyoncé's performance and stated, "She's playing the cool-hunter but covering the bases with seraphic arrangements of multiple voices. Her reach is remarkable".<ref name="Ratliff">Template:Cite magazine</ref> Mark Anthony Neal of PopMatters called it an "artistic leap" and wrote that it "finds Ms. B in the midst of a fully flowering womanhood and doing the best singing of her career".<ref name="Neal">Template:Cite web</ref> Uncut called its ballads "self-pitying/self-mythologising",<ref name="Uncut">Template:Cite magazine</ref> while Q stated: "She has good songs, but no great songs".<ref name="Q">Template:Cite magazine</ref> Los Angeles Times writer Natalie Nichols expressed that it "demonstrates vocal finesse [...] But, especially on the ballads, [Beyoncé] often drags things out with diva acrobatics".<ref name="Nichols">Template:Cite news</ref>

In a mixed review, VibeTemplate:'s Jason King said Dangerously in Love occasionally "sounds desperate to reach every demographic".<ref name="King">Template:Cite magazineTemplate:Dead link</ref> Kelefa Sanneh, writing for The New York Times, felt that the album missed the harmonies of Destiny's Child records and that Beyoncé was more effective "when she's got a posse behind her".<ref name="2Sanneh" /> Rob Fitzpatrick of NME called it "a cruel glimpse of a talent that occasionally blazes but is frustratingly inconsistent".<ref name="NME">Template:Cite magazine</ref> The GuardianTemplate:'s Adam Sweeting wrote that "the desperate urge to cover every musical base from dancefloor to soul-ballad means that there is barely a track here with any distinctive identity or even a tune".<ref name="Sweeting">Template:Cite news</ref> In his consumer guide for The Village Voice, Robert Christgau cited "Yes" and "Baby Boy" as the album's highlights and quipped that the artist was "Dangerously in Love ... with her daddy, the bonus cut reveals—as if we didn't know."<ref>Template:Cite news</ref> He gave the album a one-star honorable mention,<ref name="CG">Template:Cite web</ref> indicating "a worthy effort consumers attuned to its overriding aesthetic or individual vision may well like."<ref>Template:Cite web</ref> In a retrospective review, AllMusic editor Stephen Thomas Erlewine commented that "the first half is good enough to make Dangerously in Love one of the best mainstream urban R&B records released in 2003, and makes a strong case that Beyoncé might be better off fulfilling this destiny instead of reuniting with Destiny".<ref name="Erlewine">Template:AllMusic</ref>

Accolades

Template:For Dangerously in Love and its singles earned Beyoncé numerous awards and nominations. Beyoncé was recognized as New Female Artist and New R&B Artist, among the four awards she won during the 2003 Billboard Music Awards.<ref>Template:Cite web</ref> At the November 2003 American Music Awards, the album was nominated in the category for Favorite Soul/R&B Album.<ref>Template:Cite magazine</ref> It also received a nomination in the category for Best Album at the 2003 MOBO Awards.<ref>Template:Cite web</ref> At the 46th Annual Grammy Awards, Beyoncé won Best Contemporary R&B Album along with four other awards for the album's songs.<ref>Template:Cite web</ref> With that feat, she tied with Alicia Keys, Norah Jones, and Lauryn Hill for most Grammy Awards won by a female artist in one night.<ref name="Silverman">Template:Cite web</ref> At the 2004 Brit Awards, the album was nominated in the category for Best International Album but lost to Justin Timberlake's Justified. However, the singer herself won in the category for International Female Solo Artist.<ref>Template:Cite web</ref> Dangerously in Love was also nominated in the category for Best Album at the 2004 MTV Europe Music Awards.<ref>Template:Cite web</ref>

Rankings

Template:Sronly

Year	Publication	List	Position	Template:Abbr
2003	The Face	Recordings of the Year	check|unknown=|preview=Page using Template:Center with unknown parameter "_VALUE_"|ignoreblank=y| 1 | style }}	<ref>Template:Cite web</ref> {{safesubst:#invoke:Check for unknown parameters|check|unknown=|preview=Page using Template:Center with unknown parameter "_VALUE_"|ignoreblank=y| 1 | style }}
	The Village Voice	Pazz & Jop	check|unknown=|preview=Page using Template:Center with unknown parameter "_VALUE_"|ignoreblank=y| 1 | style }}	<ref>Template:Cite web</ref> {{safesubst:#invoke:Check for unknown parameters|check|unknown=|preview=Page using Template:Center with unknown parameter "_VALUE_"|ignoreblank=y| 1 | style }}
2007	Rock and Roll Hall of Fame	200 Definitive Albums That Shaped Rock and Roll	check|unknown=|preview=Page using Template:Center with unknown parameter "_VALUE_"|ignoreblank=y| 1 | style }}	{{safesubst:#invoke:Check for unknown parameters|check|unknown=|preview=Page using Template:Center with unknown parameter "_VALUE_"|ignoreblank=y| 1 | style }}
	Vibe	The 150 Albums That Define the Vibe Era	check|unknown=|preview=Page using Template:Center with unknown parameter "_VALUE_"|ignoreblank=y| 1 | style }}	<ref>Template:Cite magazine</ref> {{safesubst:#invoke:Check for unknown parameters|check|unknown=|preview=Page using Template:Center with unknown parameter "_VALUE_"|ignoreblank=y| 1 | style }}
2008	Entertainment Weekly	Top 100 Best Albums of the Past 25 Years	check|unknown=|preview=Page using Template:Center with unknown parameter "_VALUE_"|ignoreblank=y| 1 | style }}	<ref>Template:Cite magazine</ref> {{safesubst:#invoke:Check for unknown parameters|check|unknown=|preview=Page using Template:Center with unknown parameter "_VALUE_"|ignoreblank=y| 1 | style }}
2009	MTV Base	Greatest Albums Ever	check|unknown=|preview=Page using Template:Center with unknown parameter "_VALUE_"|ignoreblank=y| 1 | style }}	<ref>Template:Cite web</ref> {{safesubst:#invoke:Check for unknown parameters|check|unknown=|preview=Page using Template:Center with unknown parameter "_VALUE_"|ignoreblank=y| 1 | style }}
2021	Consequence	10 Solo Albums That Every Music Fan Should Own	check|unknown=|preview=Page using Template:Center with unknown parameter "_VALUE_"|ignoreblank=y| 1 | style }}	<ref>Template:Cite web</ref> {{safesubst:#invoke:Check for unknown parameters|check|unknown=|preview=Page using Template:Center with unknown parameter "_VALUE_"|ignoreblank=y| 1 | style }}
2023	Paste	The 100 Greatest Debut Albums Since 2000	check|unknown=|preview=Page using Template:Center with unknown parameter "_VALUE_"|ignoreblank=y| 1 | style }}	<ref>Template:Cite web</ref> {{safesubst:#invoke:Check for unknown parameters|check|unknown=|preview=Page using Template:Center with unknown parameter "_VALUE_"|ignoreblank=y| 1 | style }}
2023	UPROXX	The Best Albums of 2003, Ranked (20 Years Later)	check|unknown=|preview=Page using Template:Center with unknown parameter "_VALUE_"|ignoreblank=y| 1 | style }}	<ref>Template:Cite web</ref> {{safesubst:#invoke:Check for unknown parameters|check|unknown=|preview=Page using Template:Center with unknown parameter "_VALUE_"|ignoreblank=y| 1 | style }}

Commercial performance

In the United States, Dangerously in Love debuted atop the Billboard 200 chart dated July 12, 2003, with first-week sales of 317,000 copies according to Nielsen SoundScan.<ref name="Martens4">Template:Cite magazine</ref> Although its first-week sales failed to match those of Survivor (2001), which sold 663,000 copies, Beyoncé registered the highest single-week sales among Destiny's Child members' solo albums: Kelly Rowland's Simply Deep sold 77,000 copies in its first week, while Michelle Williams' Heart to Yours sold 17,000 copies in its strongest week.<ref name="Martens4" /> Beyoncé became the first female artist and the fifth artist ever to simultaneously top both the single–with "Crazy in Love"–and album charts in the United States and the United Kingdom, following the Beatles, Simon & Garfunkel, Rod Stewart and Men at Work.<ref>Template:Cite magazine</ref> In its second week, the album registered a 42-percent sales decrease to 183,000 copies, descending to number two behind Ashanti's Chapter II.<ref>Template:Cite magazine</ref> It remained behind Chapter II at number two in its third week, selling 132,000 copies.<ref>Template:Cite magazine</ref> The album has been certified sextuple platinum by the Recording Industry Association of America (RIAA).<ref name="RIAA" /> It remains Beyoncé's best-selling album in the country to date,<ref>Template:Cite web</ref> with cumulative sales of over five million copies as of December 2015.<ref name="sales">Template:Cite magazine</ref><ref>Template:Cite magazine</ref> In Canada, the album debuted atop the Canadian Albums Chart<ref name="can"/> and has since been certified triple platinum by Music Canada.<ref name="mc"/>

Across Europe, Dangerously in Love reached the summit in Germany, Greece, Iceland, Ireland and Norway, also peaking atop the European Top 100 Albums.<ref name="gre"/><ref name="ice"/><ref name="ire"/><ref name="eur"/> In November 2003, it was certified platinum by the International Federation of the Phonographic Industry (IFPI) for sales of one million copies across Europe.<ref name="ifpi"/> By July 2011, the album had sold over 1,143,000 copies in the UK,<ref name="uksales">Template:Cite web</ref> being certified quadruple platinum by the British Phonographic Industry (BPI).<ref name="BPI" /> In Australia, the album debuted at number three on the ARIA Top 100 Albums, ascending to its peak at number two the following week.<ref name="aus"/> It eventually went on to be certified triple platinum by the Australian Recording Industry Association (ARIA).<ref name="ARIA" /> In New Zealand, the album debuted at number 14, peaking at number eight in its second week.<ref name="nz"/> It was later certified platinum by the Recording Industry Association of New Zealand (RIANZ).<ref name="rmnz"/> In Japan, the album peaked at number 12 on the Oricon Albums Chart,<ref name="jap"/> being certified gold by the Recording Industry Association of Japan (RIAJ).<ref name="riaj"/> As of 2011, Dangerously in Love has sold over 11 million copies worldwide.<ref name="rapfix" />

Legacy

The album cover for Dangerously in Love was added to the National Portrait Gallery, with the writing "CD in Stores June 24".<ref>Template:Cite news</ref>

With the release of Dangerously in Love and the combined commercial success of its singles, Beyoncé had established herself as a viable solo artist. Rebecca Louie of the New York Daily News wrote that the success of Dangerously in Love brought Beyoncé into a "sultry solo star" who "blossomed from a girly group", referring to Destiny's Child.<ref name="Louie" /> The album also facilitated her to become one of the most marketable artists in the industry.<ref name="Oggunaike" /> She appeared on the cover of numerous magazines, guested television shows for promotions, and signed lucrative commercial deals.<ref name="AP" /> In 2003, she signed a contract with the conglomerate beverage manufacturer PepsiCo, and appeared on several television commercials for its products within the next ten years.<ref name="Thread" /> The album's success also incited the public to infer that it signalled the disbandment of Destiny's Child, as singer Justin Timberlake "could not go back to 'N Sync after tasting solo success".<ref name="Kaufman" /> However, Beyoncé said that their side projects were only "a brief diversion in the juggernaut that has become Destiny's Child".<ref name="AP" />

As time did not permit, Beyoncé's solo aspirations–which included a follow-up album to Dangerously in Love composed of its unreleased tracks–were put on hiatus for her to concentrate on her Super Bowl XXXVIII performance. She was slated to sing the US national anthem "The Star-Spangled Banner" there, and was busy recording of Destiny's Child's fifth studio album Destiny Fulfilled (2004).<ref name="Kaufman" /><ref name="Patel" /> Destiny Fulfilled would also become their final album, as the group ultimately disbanded in 2006. Following the disbandment, Beyoncé recorded her second solo studio album B'Day (2006). The album became her second to debut atop the US Billboard 200, with first-week sales of 541,000 units, which exceeded those of Dangerously in Love.<ref>Template:Cite magazine</ref> Its "handsome debut" was noted by Keith Caulfield of Billboard as having been generated "by goodwill earned from the performance of [Beyoncé's] smash first album Dangerously in Love."<ref>Template:Cite magazine</ref>Template:Break

Track listing

Notes

• Template:Small signifies an additional vocal producer
• Template:Small signifies a co-producer
• Template:Small signifies a vocal producer
• In some countries where "Daddy" was released as a hidden track, the track was excluded for the digital release.

Sample credits

• "Crazy in Love" contains samples from "Are You My Woman (Tell Me So)" by the Chi-Lites
• "Naughty Girl" contains interpolations from "Love to Love You Baby" by Donna Summer
• "Baby Boy" contains uncredited interpolations from "Here Comes the Hotstepper" by Ini Kamoze
• "Be with You" contains interpolations from "I'd Rather Be with You" by Bootsy's Rubber Band, excerpts from "Strawberry Letter 23" by Shuggie Otis and an uncredited sample from "Ain't Nothing I Can Do" by Tyrone Davis
• "That's How You Like It" contains resung lyrics from "I Like It" by DeBarge
• "Gift from Virgo" is "inspired by" "Rainy Day" by Shuggie Otis
• "'03 Bonnie & Clyde" contains interpolations from "If I Was Your Girlfriend" by Prince and samples from "Me and My Girlfriend" by 2Pac
• "What's It Gonna Be" contains samples from "Do It Roger" by Roger Troutman

Personnel

Credits are adapted from the liner notes of Dangerously in Love.<ref>Template:Cite AV media notes</ref>

• Nat Adderley, Jr. – arrangement (track 11), electric piano (track 11), production (track 11), string arrangements (track 11)
• Tawatha Agee – backing vocals (track 11)
• Vincent Alexander – additional engineering (track 4)
• Sanford Allen – concertmastering
• Chuckie Amos – hair styling
• Skip Anderson – additional keyboards (track 11), arrangement (track 11), programming (track 11)
• Delroy "D-Roy" Andrews – production (track 10), songwriting (track 10)
• Ray Bardani – mixing (track 11), string engineering (track 11)
• Sherrod Barnes – production (track 9), songwriting (track 9)
• Mark BatsonTemplate:Efn – additional instrumentation (track 15), conducting (track 15), engineering (track 15), production (track 15), songwriting (track 15), string arrangements (track 15)
• Carlos "El Loco" Bedoya – engineering (tracks 2, 3, 6, 8, 9 and 13), vocal engineering (track 7)
• Pete Bellotte – songwriting (track 2)
• Angela Beyincé – songwriting (tracks 2, 5 and 9)
• Beyoncé – executive production, production (tracks 1–10 and 12–15), songwriting (tracks 1–7, 9, 10 and 12–15), vocal production (track 8), vocals (all tracks)
• Big Boi – additional vocal production (track 4), songwriting (track 4), vocals (track 4)
• Kevin Bird – prop styling
• Brian Bridgeman – songwriting (track 10)
• Craig Brockman – production (track 8), songwriting (track 8)
• John "Jab" Broussard – additional guitars (track 12)
• Al Brown – string contracting (track 11)
• Dan Bucchi – mixing assistance (track 9)
• Chris Carmouche – additional engineering (track 4)
• Jim Caruana – engineering (tracks 1, 5 and 8)
• Demacio "Demo" Castellon – mixing assistance (track 8)
• George Clinton, Jr. – songwriting (track 5)
• William Collins – songwriting (track 5)
• Gary Cooper – songwriting (track 5)
• Tom Coyne – mastering (all tracks)
• Ian Cuttler – art direction
• Dahlen – photography
• Jason Dale – mixing assistance (track 7)
• Makeda Davis – songwriting (track 4)
• Eldra DeBarge – songwriting (track 10)
• Randy DeBarge – songwriting (track 10)
• Missy Elliott – production (track 8), songwriting (track 8), vocals (track 8)
• Focus... – engineering (track 7), instrumentation (track 7), production (track 7), songwriting (track 7)
• Guru – engineering (tracks 4 and 10)
• Phil Hamilton – guitar (track 11)
• Ivan Hampden Jr. – drums (track 11)
• Rich Harrison – instrumentation (tracks 1 and 5), production (tracks 1 and 5), songwriting (tracks 1 and 5)
• Andreao "Fanatic" Heard – production (track 9), songwriting (track 9)
• Cissy Houston – backing vocals (track 11)
• James Hunter – graphic design
• Indrani – photography
• Jay-Z – songwriting (tracks 1, 3, 4, 7 and 10), vocals (tracks 1 and 10)
• Bashiri Johnson – percussion (track 11)
• Etterlene Jordan – songwriting (track 10)
• Scott Kieklak – mixing (track 8)
• Quincy Jackson - marketing
• Markus Klinko – photography
• Mathew Knowles – executive production
• Tina Knowles – styling
• Brendan Kuntz – mixing assistance (track 14)
• Reggie Lucas – songwriting (track 11)
• Tony Maserati – mixing (tracks 1–7, 9, 10, 14 and 15)
• Errol "Poppi" McCalla, Jr. – production (track 12), songwriting (track 12)
• Byron Miller – bass (track 11)
• Giorgio Moroder – songwriting (track 2)
• Mr. B – production (track 10)
• James Mtume – songwriting (track 11)
• Shuggie Otis – songwriting (tracks 5 and 14)
• Sean Paul – songwriting (track 3), vocals (track 3)
• Greg Price – mixing assistance (tracks 2, 3 and 6)
• Eugene Record – songwriting (track 1)
• Mally Roncal – make-up
• Dexter Simmons – mixing (track 12)
• Sleepy Brown – vocals (track 4)
• Matt Snedecor – mixing assistance (tracks 9 and 14)
• Brian Springer – engineering (track 12)
• Nisan Stewart – production (track 8), songwriting (track 8)
• Scott Storch – production (tracks 2, 3 and 6), songwriting (tracks 2, 3 and 6)
• Donna Summer – songwriting (track 2)
• Candace Thomas – backing vocals (track 11)
• Pat Thrall – engineering (tracks 1 and 3)
• Luther Vandross – vocal arrangement (track 11), vocals (track 11)
• Luz Vasquez – mixing assistance (tracks 1–6 and 10)
• Stan Wallace – engineering (track 11)
• Robert Waller – songwriting (tracks 2, 3 and 6)
• Brenda White-King – backing vocals (track 11)
• Teresa LaBarbera Whites – A&R
• Bryce Wilson – production (track 4), songwriting (track 4)
• Pat Woodward – mixing assistance (tracks 1, 4–6 and 10)
• Dan Workman – engineering (track 12), guitars (track 12)

Charts

Weekly charts

Template:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chart

Template:Sronly

Chart	Peak position
Australian Urban Albums (ARIA)<ref>Template:Cite journalTemplate:Cbignore</ref>	1
Canadian R&B Albums (Nielsen SoundScan)<ref>Template:Cite web</ref>	6
European Top 100 Albums (Billboard)<ref name="eur">Template:Cite magazine</ref>	1
Greek Albums (IFPI)<ref name="gre">Template:Cite web</ref>	1
Icelandic Albums (Tónlist)<ref name="ice">Template:Cite web</ref>	1
Japanese Albums (Oricon)<ref name="jap">Template:Cite web</ref>	12
New Zealand Albums (RMNZ)<ref>Template:Cite web</ref>	8
South Korean Albums (RIAK)<ref>Template:Cite web</ref>	3
Spanish Albums (AFYVE)<ref>Template:Harvnb</ref>	10

Monthly charts

Template:Sronly

Chart	Peak position
Russian Albums (NFPF)<ref>Template:Cite web</ref>	9
South Korean International Albums (RIAK)<ref name="riak.or.kr">Template:Cite web</ref>	7

Year-end charts

Template:Sronly

Chart	Position
Australian Albums (ARIA)<ref name="aria_yearend2003">Template:Cite web</ref>	51
Australian Urban Albums (ARIA)<ref name="aria_yearendUrban03">Template:Cite web</ref>	7
Belgian Albums (Ultratop Flanders)<ref>Template:Cite web</ref>	39
Danish Albums (Hitlisten)<ref>Template:Cite web</ref>	74
Dutch Albums (Album Top 100)<ref>Template:Cite web</ref>	31
Finnish International Albums (Suomen virallinen lista)<ref>Template:Cite web</ref>	38
French Albums (SNEP)<ref>Template:Cite web</ref>	73
German Albums (Offizielle Top 100)<ref>Template:Cite web</ref>	37
Hungarian Albums (MAHASZ)<ref>Template:Cite web</ref>	85
Irish Albums (IRMA)<ref>Template:Cite web</ref>	10
New Zealand Albums (RMNZ)<ref>Template:Cite web</ref>	36
South Korean International Albums (RIAK)<ref name="miak.or.kr">Template:Cite web</ref>	18
Swedish Albums (Sverigetopplistan)<ref>Template:Cite web</ref>	66
Swiss Albums (Schweizer Hitparade)<ref>Template:Cite web</ref>	13
UK Albums (OCC)<ref>Template:Cite web</ref>	14
US Billboard 200<ref>Template:Cite web</ref>	19
US Top R&B/Hip-Hop Albums (Billboard)<ref>Template:Cite magazine</ref>	12
Worldwide Albums (IFPI)<ref>Template:Cite web</ref>	5

Template:Sronly

Chart	Position
Australian Albums (ARIA)<ref name="aria_yearend2004">Template:Cite web</ref>	74
Australian Urban Albums (ARIA)<ref name="aria_yearendUrban04">Template:Cite web</ref>	9
Belgian Albums (Ultratop Flanders)<ref>Template:Cite web</ref>	78
Dutch Albums (Album Top 100)<ref>Template:Cite web</ref>	79
French Albums (SNEP)<ref>Template:Cite web</ref>	128
UK Albums (OCC)<ref>Template:Cite web</ref>	96
US Billboard 200<ref>Template:Cite magazine</ref>	29
US Top R&B/Hip-Hop Albums (Billboard)<ref>Template:Cite magazine</ref>	12

Template:Sronly

Chart	Position
US Billboard 200<ref>Template:Cite magazine</ref>	195
US Top R&B/Hip-Hop Albums (Billboard)<ref>Template:Cite magazine</ref>	98

Decade-end charts

Template:Sronly

Chart	Position
US Billboard 200<ref>Template:Cite magazine</ref>	59
US Top R&B/Hip-Hop Albums (Billboard)<ref>Template:Cite magazine</ref>	67

Centurial charts

Template:Sronly

Chart	Position
UK Female Albums (OCC)<ref>Template:Cite web</ref>	41
US Billboard 200<ref>Template:Cite web</ref>	185

All-time charts

Template:Sronly

Chart	Position
Irish Female Albums (IRMA)<ref>Template:Cite web</ref>	40
US Billboard 200 (Women)<ref>Template:Cite magazine</ref>	95

Release history

Template:Sronly

Initial release date	Edition	Format(s)	Template:Abbr
June 20, 2003	Standard	Template:Hlist	<ref>Citations for Dangerously in Love standard edition: Template:Cite web Template:Cite news* Template:Cite web Template:Cite web Template:Cite web Template:Cite web Template:Cite web Template:Cite web </ref>
July 3, 2003	Asian	Template:Hlist	<ref>Citations for Dangerously in Love Asian edition: Template:Cite web Template:Cite web Template:Cite web</ref>

See also

• Beyoncé discography
• List of Billboard 200 number-one albums of 2003
• List of Billboard number-one R&B albums of 2003
• List of number-one albums of 2003 (Canada)
• List of number-one hits of 2003 (Germany)
• List of number-one albums of 2003 (Ireland)
• List of UK Albums Chart number ones of the 2000s
• List of UK R&B Albums Chart number ones of 2003
• List of best-selling albums of the 21st century
• List of best-selling albums by women
• Grammy Award for Best Contemporary R&B Album

References

Bibliography

• Template:Cite book
• Template:Cite book
• Template:Cite book

External links

• Official website
• Template:Discogs master
• Dangerously in Love at Metacritic