Greensleeves

"Greensleeves" is a traditional English folk song. A broadside ballad by the name "A Newe Northen Dittye of ye Ladye Greene Sleves" was registered by Richard Jones at the London Stationers' Company in September 1580,<ref name="fkids">Frank Kidson, English Folk-Song and Dance. READ BOOKS, 2008, p.26. Template:ISBN</ref><ref name="Ward181">John M. Ward, "'And Who But Ladie Greensleeues?'", in The Well Enchanting Skill: Music, Poetry, and Drama in the Culture of the Renaissance: Essays in Honour of F. W. Sternfeld, edited by John Caldwell, Edward Olleson, and Susan Wollenberg, 181–211 (Oxford:Clarendon Press; New York: Oxford University Press, 1990): 181. Template:ISBN.</ref> and the tune is found in several late 16th-century and early 17th-century sources, such as Ballet's MS Lute Book and Het Luitboek van Thysius, as well as various manuscripts preserved in the Seeley Historical Library in the University of Cambridge.

Origin

A broadside ballad by this name was registered at the London Stationer's Company in September 1580,<ref name="fkids"/> by Richard Jones, as "A Newe Northen Dittye of ye Ladye Greene Sleves".<ref name="Ward181" /> Six more ballads followed in less than a year, one on the same day, 3 September 1580 ("Ye Ladie Greene Sleeves answere to Donkyn hir frende" by Edward White), then on 15 and 18 September (by Henry Carr and again by White), 14 December (Richard Jones again), 13 February 1581 (Wiliam Elderton), and August 1581 (White's third contribution, "Greene Sleeves is worne awaie, Yellow Sleeves Comme to decaie, Blacke Sleeves I holde in despite, But White Sleeves is my delighte").<ref name="Rollins">Hyder Edward Rollins, An Analytical Index to the Ballad-Entries (1557–1709) in the Registers of the Company of Stationers of London (Chapel Hill: University of North Carolina Press, 1924): nos, 1892, 1390, 1051, 1049, 1742, 2276, 1050. Cited in John M. Ward, "'And Who But Ladie Greensleeues?'", in The Well Enchanting Skill: Music, Poetry, and Drama in the Culture of the Renaissance: Essays in Honour of F. W. Sternfeld, edited by John Caldwell, Edward Olleson, and Susan Wollenberg, 181–211 (Oxford:Clarendon Press; New York: Oxford University Press, 1990): 181–82. Template:ISBN.</ref> It then appears in the surviving A Handful of Pleasant Delights (1584) as A New Courtly Sonnet of the Lady Green Sleeves. To the new tune of Green Sleeves.

It is a common myth that Greensleeves was written by King Henry VIII. However, Henry could not have written Greensleeves,<ref>Template:Cite book Exhibition catalogue.</ref><ref name="BBC_music">Template:Cite web</ref><ref name="pittaway1">Template:Cite news</ref> as the piece is based on an Italian style of composition that did not reach England until after his death.

Lyrical interpretation

A popular interpretation of the lyrics is that Lady Green Sleeves was a promiscuous young woman, perhaps even a prostitute.<ref>Meg Lota Brown and Kari Boyd McBride, Women's Roles in the Renaissance (Westport, CT: Greenwood Press, 2005), 101. Template:ISBN</ref> Historically, the word "green" had sexual connotations, most notably in the phrase "a green gown", a reference to the grass stains on a woman's dress from engaging in sexual intercourse outdoors.<ref name="Vance Randolph">Vance Randolph "Unprintable" Ozark Folksongs and Folklore, Volume I, Folksongs and Music, page 47, University of Arkansas Press, 1992, Template:ISBN</ref> However, earliest examples of associating green with fecundity date back only to 1675 (Shepherd’s Ingenuity: OR, The Praise of the Green Gown), and there are surviving Renaissance paintings of saints and noblewomen in green, casting doubt on prostitute interpretation.<ref name="pittaway1" />

An alternative explanation is that Lady Green Sleeves was, through her costume, incorrectly assumed to be sexually promiscuous. Her "discourteous" rejection of the singer's advances supports the contention that she is not.<ref name="Vance Randolph" />

In Nevill Coghill's translation of The Canterbury Tales,<ref>Geoffrey Chaucer, The Canterbury Tales, revised edition, translated into modern English by Nevill Coghill (Harmondsworth and Baltimore, Penguin Books, 1958): 517, note 422. Reprinted in The Penguin Classics Library Complete Collection (London and New York: Penguin Books, 2003). Template:ISBN.</ref> he explains that "green [for Chaucer's age] was the colour of lightness in love. This is echoed in 'Greensleeves is my delight' and elsewhere."

Alternative lyrics

Christmas and New Year texts were associated with the tune from as early as 1686, and by the 19th century almost every printed collection of Christmas carols included some version of words and music together, most of them ending with the refrain "On Christmas Day in the morning".<ref name="Ward193">John M. Ward, "'And Who But Ladie Greensleeues?'", in The Well Enchanting Skill: Music, Poetry, and Drama in the Culture of the Renaissance: Essays in Honour of F. W. Sternfeld, edited by John Caldwell, Edward Olleson, and Susan Wollenberg, 181–211 (Oxford:Clarendon Press; New York: Oxford University Press, 1990): 193. Template:ISBN.</ref> One of the most popular of these is "What Child Is This?", written in 1865 by William Chatterton Dix.<ref>Template:Cite news</ref>

Early literary references

File:Dante Gabriel Rossetti - My Lady Greensleeves (1859).jpg

Dante Gabriel Rossetti - My Lady Greensleeves, sketch 1859

In Shakespeare's The Merry Wives of Windsor (written c. 1597; first published in 1602), the character Mistress Ford refers twice to "the tune of 'Greensleeves'", and Falstaff later exclaims:

Form

Template:Technical "Greensleeves" can have a ground either of the form called a romanesca; or its slight variant, the passamezzo antico; or the passamezzo antico in its verses and the romanesca in its reprise; or of the Andalusian progression in its verses and the romanesca or passamezzo antico in its reprise. The romanesca originated in Spain<ref name="Guitar">Harvey Turnbull, The Guitar from the Renaissance to the Present (1992)Template:Full citation needed, p.31. Template:ISBN. See: Template:Cite web.</ref> and is composed of a sequence of four chords with a simple, repeating bass, which provide the groundwork for variations and improvisation.

Uses

• The tune was used (as "My Lady Greensleeves") as the slow march of the London Trained Bands in the 16th and 17th centuries. Later the 7th (City of London) Battalion London Regiment, which claimed descent from the Yellow Regiment of London Trained Bands, adopted the tune as its quick march during World War I, replacing "Austria" (to the same tune as the Imperial Austria Anthem), which had been used until then.<ref>C. Digby Planck, The Shiny Seventh: History of the 7th (City of London) Battalion London Regiment, London: Old Comrades' Association, 1946/Uckfield: Naval & Military Press, 2002, Template:ISBN, pp. 219–20.</ref>
• Greensleeves is the tune for the classic Christmas carol "What Child Is This?".<ref name=stories>Template:Cite book</ref>
• The 17th century English ballad, Old England Grown New is a version of "Greensleeves", also sometimes known as 'The Blacksmith' after another broadside ballad of the time.<ref>Template:Cite web</ref>
• Ralph Vaughan Williams incorporated Greensleeves as the song Alas, My Love, You Do Me Wrong for Mistress Ford in Act III of his 1928 opera Sir John in Love. Its contrasting middle section is founded on another folk tune: Lovely Joan. In 1934 the song was arranged for strings and harp, with Vaughan Williams's blessing, by Ralph Greaves (1889–1966); this is the familiar Fantasia on Greensleeves.<ref>Ralph Vaughan Williams, Fantasia on Greensleeves, arranged from the opera Sir John in Love for string orchestra and harp (or pianoforte) with one or two optional flutes by Ralph Greaves, Oxford Orchestral Series no. 102 (London: Oxford University Press, 1934).</ref><ref>Hugh Ottaway and Alain Frogley, "Vaughan Williams, Ralph", The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell (London: Macmillan Publishers, 2001).</ref><ref>Michael Kennedy, "Fantasia on 'Greensleeves'", The Oxford Dictionary of Music, second edition, revised; associate editor, Joyce Bourne (Oxford and New York: Oxford University Press, 2006) Template:ISBN.</ref><ref>Template:Cite web</ref>
• Gustav Holst incorporated the tune into the final movement of his Second Suite in F for Military Band, interwoven with the primary theme, "Dargason".<ref>Template:Cite web</ref> He later adapted the movement for strings, still using both folk tunes, in his St Paul's Suite.<ref>Template:Cite web</ref>
• The tune was the basis for "Home in the Meadow", a recurring song throughout the 1962 epic film How the West Was Won.<ref>Template:Cite web</ref>
• The song is traditionally played by ice cream vans in the United Kingdom, Australia, and New Zealand.<ref>Template:Cite news</ref><ref>Template:Cite news</ref><ref>Template:Cite web</ref><ref>Template:Cite web</ref> It is also played by ice cream trucks in the United States, albeit rarely.<ref>Template:Cite web</ref><ref>Template:Cite news</ref>
• Belgian singer Jacques Brel used the tune for the basis of his 1964 song "Amsterdam".<ref>Template:Cite book</ref>
• Instrumental versions of "Greensleeves" were used in the long-running original Lassie television series, both in a seven-part 1966 story<ref>Template:Cite web</ref> and as the show's theme song for its last three seasons (1970–1973).<ref>Template:Cite web</ref>
• Canadian singer-songwriter Leonard Cohen includes an adaptation of the song, titled "Leaving Green Sleeves" in his 1974 album New Skin for the Old Ceremony, in which the chord progression and lyrical content of the first two verses are retained.<ref>Template:Cite web</ref>
• The melody of "Greensleeves" is used repeatedly as a motif in SIX, a musical about the wives of Henry VIII.<ref>Template:Cite news</ref>
• In Hong Kong, "Greensleeves" is used as background music in the listening tests of the city's university entrance exams, the Hong Kong Diploma of Secondary Education Examination.<ref name="hong kong">Template:Cite news</ref><ref name="Autistic Hong Kong teen">Template:Cite news</ref>
• In Hong Kong, upon the opening of the MTR's Tuen Ma line in 2021, a video of a young rail enthusiast singing the lyrics "I'm really excited about the opening of Tuen Ma line" to the tune of "Greensleeves" became a viral internet meme.<ref name="Autistic Hong Kong teen" /> The MTR created its own edition of the song for the extension of the East Rail line in 2022.<ref>Template:Cite news</ref>
• The tune has been covered by the London Vegetable Orchestra.<ref>Template:Cite news</ref>

External links

• Template:Cite web Public domain music recording
• Template:Cantorion
• Transcription of the lyrics from A Handful of Pleasant Delights (1584)
• Template:Cite web
• Andrew Kuntz, The Fiddler's Companion: see under Greensleeves [2]
• Greensleeves Template:Webarchive on TradTune.com