Holger Czukay

Template:Short description Template:Use dmy dates Template:Infobox musical artist Holger Schüring<ref>Template:Cite news.</ref> (24 March 1938 – 5 September 2017),<ref name="death">Template:Cite news</ref> known professionally as Holger Czukay (Template:IPAc-en),<ref>Template:Cite web.</ref> was a German musician who co-founded the krautrock group Can. Described as "successfully bridg[ing] the gap between pop and the avant-garde",<ref>Template:Cite web</ref> Czukay also created early important examples of ambient music, explored "world music" well before the term was coined, and was a pioneer of sampling.

Biography

Early life

Czukay was born as Holger Schüring on 24 March 1938 in the Free City of Danzig (present-day Gdańsk, Poland). According to Holger, his grandfather told the Third Reich officials that their family "must be Aryan", and came up with a family tree supporting the claim. The family also changed their Polish last name "Czukay" to Schüring, a Dutch name.Template:Sfn<ref>Template:Cite magazine</ref> In early 1945, after World War II, his family was expelled from Poland. They booked tickets for a passage on the ship MV Wilhelm Gustloff, which was due to depart on 13 January 1945, but at the last moment his grandmother changed her mind and took them to the railway station, where they boarded a train carrying wounded soldiers to Berlin. Gustloff was hit by a Soviet torpedo, and almost ten thousand passengers died.Template:Sfn

Czukay family resettled to Limburg an der Lahn, and when Holger was in his teens, moved to Duisburg, where he attended the Gerhard Mercator Scientific School and worked part-time in a radio and TV repair shop. While working at the shop he became fond of the aural qualities of radio broadcasts (anticipating his use of shortwave radio broadcasts as musical elements) and became familiar with the rudiments of electrical repair and engineering.Template:Sfn<ref>Template:Cite web</ref> Around that time, in the late fifties, Czukay was playing double bass in local jazz bands, including his own Holger Czukay Quintet. His fascination for music inclined Czukay's relocation to East Berlin and enrollment at the Hochschule für Musik Hanns Eisler Berlin in February 1962. Holger was expelled from the Berlin Music Academy, but kept pursuing his music studies.Template:Sfn

Czukay signed up to Karlheinz Stockhausen's new-music course in Cologne, studying under Stockhausen from 1963 to 1966.<ref name="CzukaySpoon">Template:Cite web</ref> While studying he met his future Can bandmates—Irmin Schmidt and David C. Johnson.Template:Sfn In May 1966, Czukay resettled to St Gallen (Switzerland) taking up a lecturing post in music at the Institut auf dem Rosenberg. One of his pupils, Michael Karoli,Template:Sfn familiarised Czukay with the contemporary rock music, introducing him to The Beatles, Velvet Underground, and Frank Zappa. Holger particularly liked "I Am the Walrus", impressed by its unusual musical structure and blasts of AM radio noise; perpetrating "avant-garde pranks in a pop/rock context".<ref name="Canpub">Template:Cite web</ref> Czukay and Karoli played with rock pianist Tony Ashton and several members of his band, Remo Four, proposing him an idea to form an experimental band, but didn't followed through. When Michael was finishing school, Czukay was fired from the Institut auf dem Rosenberg, as Czukay explained, "for being too … er … intriguing!"Template:Sfn

In late 1967, Czukay got a letter from Irmin inviting Holger to form a group in Cologne. Czukay brought Karoli with him.Template:Sfn

Career

Czukay co-founded Can in 1968, where he played bass guitar, and undertook most of the recording and engineering for the group. During live performances Holger wore his signature white gloves using them while playing bass to protect his fingertips for tape editing, and also to absorb sweat.Template:Sfn Rosko Gee, former bassist of the British band Traffic, joined the band in 1977, with Czukay handling only tapes and sound effects on the album Saw Delight, his final LP with the group before departing for a solo career.<ref name="Pitchfork"/> Czukay had been sidelined due to creative disputes and his failure to progress as a bassist, admitting his shortcomings on the instrument which he had taken up "almost by default" in the early days of Can.Template:Sfn

After his departure from Can, Czukay recorded several solo albums. One of his trademarks was the use of shortwave radio sounds and his early pioneering of sampling,<ref>Template:Cite web</ref> in those days involving the painstaking cutting and splicing of magnetic tapes. He would tape-record various sounds and snippets from shortwave and incorporate them into his compositions. He also used shortwave as a live, interactive musical instrument (such as on 1991's Radio Wave Surfer), a method of composition he termed "radio painting". Czukay stated "If you want to make something new, you shouldn't think too far beyond one certain idea".<ref name="Music">Template:Cite book</ref>

Czukay continued to work with the former members of Can: playing bass on Irmin Schmidt's soundtrack pieces released in Filmmusik Vol.2 (1981), recording Full Circle (1982) with Jaki Liebezeit,<ref name="Allmusic"/> and mastering Michael Karoli's debut album Deluge (1984).Template:Sfn Czukay further collaborated with other musicians, including a series of albums with Jah Wobble and David Sylvian,<ref name="CzukaySpoon"/> two younger British musicians who shared his interest in blending pop music with experimental recording and sampling techniques. Other collaborators include U.N.K.L.E., Brian Eno, Eurythmics, and German Neue Deutsche Welle band Trio.<ref name="Pitchfork">Template:Cite web</ref>

In 2009, after a problematic time with the record company that had been gradually re-releasing his albums on CD, Czukay began a new collaboration with the Claremont 56 record label,<ref>Template:Cite web</ref> releasing vinyl-only remixes of tracks from earlier albums, as well as some new recordings. This approach changed Czukay's plans for his back catalogue, so that the original albums Der Osten ist Rot (1984), Rome Remains Rome (1987) and Moving Pictures (1993) are no longer being reissued (in the case of Moving Pictures, because the master tapes have degraded beyond repair).<ref>Template:Cite web</ref> Instead, most of the tracks are being remade and newly organized as limited edition vinyl releases.

In 2018, it was announced that Czukay's work was being released in a box set, Cinema, including his solo works, collaborations, and unreleased material. It was released in March 2018.<ref>Template:Cite web</ref>

Personal life

Holger Czukay was married for nearly thirty years to the German painter and singer Ursula Kloss (known professionally as Ursa Major, and later as U-She), with whom he collaborated on numerous multimedia pieces. Ursula Schüring (as she was called after marrying Holger Schüring under his real name) died on her 55th birthday (28 July 2017) after having been severely debilitated by illness for over a decade.<ref>Template:Cite web</ref><ref>Template:Cite web</ref><ref>Template:Cite web</ref>

Death

On 5 September 2017, Czukay was found dead in his apartment, converted from Can's old studio in Weilerswist, near Cologne.<ref>Template:Cite news</ref> The New York Times reported that he had died on the same day, but the cause of his death was the subject of a police investigation.<ref name="death"/> His death was eventually assumed to have been from natural causes.Template:Sfn

Discography

Solo

• Canaxis 5 (1969, remastered and expanded 2006)<ref name="Allmusic">Template:Cite web</ref>
• Movies (1979, remastered and expanded 2007)<ref name="Allmusic"/>
• On the Way to the Peak of Normal (1981)<ref name="Allmusic"/>
• Full Circle (1982)<ref name="Allmusic"/> collaboration with Jah Wobble and Jaki Liebezeit (re-issue of a UK-only EP, expanded with two extra tracks)
• Der Osten ist Rot (1984)<ref name="Allmusic"/>
• Rome Remains Rome (1987)<ref name="Allmusic"/>
• Plight & Premonition (1988, remastered 2018)<ref name="Allmusic"/> collaboration with David Sylvian; remixed by Sylvian in 2002 and subsequently released in 2018<ref>Template:Cite web</ref>
• Flux + Mutability (1989, remastered 2018)<ref name="Allmusic"/> collaboration with David Sylvian; reissued combined with Plight & Premonition in 2018
• Radio Wave Surfer (1991, remastered and expanded 2006)<ref name="Allmusic"/> Live recordings made in 1984, 1986 & 1987
• Moving Pictures (1993)<ref name="Allmusic"/>
• Clash (1998, remastered and expanded 2007)<ref name="Allmusic"/> collaboration with Dr. Walker
• Good Morning Story (1999, remastered and expanded 2006)<ref name="Allmusic"/>
• La Luna (2000, remastered and expanded 2007)<ref name="Allmusic"/>
• Linear City (2001, remastered and remixed 2006)<ref name="Allmusic"/>
• Time and Tide (2001, remastered 2007)<ref name="Allmusic"/> with U-She
• The New Millennium (2003)<ref name="Allmusic"/> with U-She
• 21st Century (2007)<ref name="Allmusic"/> with Ursa Major - voice, Drew Kalapach - electronics
• Travellers (2014) (With Bison)
• 11 Years Innerspace (2015) 500 limited edition vinyl LP worldwide;<ref name="blood">Template:Cite web</ref> also released on CD in Japan<ref>Template:Cite web</ref>
• Sushi. Roti. Reibekuchen (2024) with Brian Eno and J. Peter Schwalm on August 27, 1998<ref>Template:Cite magazine</ref>
• Gvoon - Brennung 1 (2025)

Appearances

• Rastakraut Pasta (1980) Mœbius & Plank
• Filmmusik Vol.2 (1981) with Irmin Schmidt
• Phew (1981) with Phew, Conny Plank, Jaki Liebezeit
• Snake Charmer (1983)<ref name="Allmusic"/> EP, collaboration with Jah Wobble, The Edge, and Ben Mandelson
• Deluge (1984) with Michael KaroliTemplate:Sfn
• Brilliant Trees (1984), with David Sylvian
• Words with the Shaman (1985), with David Sylvian
• Freemix (2004)<ref name="Allmusic"/>
• Daemon In The Bar (2006)<ref>Template:Cite web</ref> with Bob Humid

Singles / EPs

• Biomutanten / Menetekel (as Les Vampyrettes with Conny Plank) (1981)<ref>Template:Cite web</ref>
• Ode to Perfume / Fragrance (2009) 10 inch single, limited edition of 500<ref>Template:Cite web</ref>
• Way to LA (2010)<ref>Template:Cite web</ref> 10 inch single collaboration with Bison and Ursa Major
• Let's Get Hot / Let's Get Cool (2010)<ref name="discogs"/> 12 inch single, limited edition of 500 red vinyl and 500 blue vinyl
• Persian Love (Remix) / My Persian Love (2010)<ref name="discogs">Template:Cite web</ref> 12 inch single, gold vinyl, limited edition of 1001
• Dream Again (2010)<ref name="discogs"/> 10 inch double EP of remixes from The East Is Red and Rome Remains Rome, clear vinyl, limited edition of 666
• Hit Hit Flop Flop (Remix) / Hey Baba Reebop (2011) 7 inch single, limited edition of 500<ref name="blood"/>
• Gvoon - Version 1 (2025) (HOLGER CZUKAY / die ANGEL & Zappi W. Diermaier)

Compilations

• Rome Remains Rome And Excerpts From Der Osten Ist Rot (1987)
• Der Osten Ist Rot / Rome Remains Rome (2014)
• Cinema (2018)
• Plight & Premonition / Flux & Mutability (2018)
• Claremont 56 Versions (2024)

See also

• Template:Ill (experimental film, 1987)
• List of ambient music artists

Further reading

• Template:Cite magazine

External links

• Template:Official website
• Holger Czukay interview at bluefat.com (2004)
• Interview with Czukay at furious.com (1997)
• Dignose Records