Kaija Saariaho

Kaija Anneli Saariaho (Template:IPA; Template:Née; 14 October 1952 – 2 June 2023) was a Finnish composer based in Paris, France. During the course of her career, Saariaho received commissions from the Lincoln Center for the Kronos Quartet and from IRCAM for the Ensemble Intercontemporain, the BBC, the New York Philharmonic, the Salzburg Music Festival, the Théâtre du Châtelet in Paris, and the Finnish National Opera, among others.<ref>Template:Cite web</ref> In a 2019 composers' poll by BBC Music Magazine, Saariaho was ranked the greatest living composer.<ref>Template:Cite web</ref>

Saariaho studied composition in Helsinki, Freiburg, and Paris, where she also lived since 1982. Her research at the Institute for Research and Coordination in Acoustics/Music (IRCAM) marked a turning point in her music away from strict serialism towards spectralism. Her characteristically rich, polyphonic textures are often created by combining live music and electronics.

Life and work

Saariaho was born in Helsinki, Finland. She played violin, guitar and piano growing up, and received her primary and secondary education at a Steiner school.<ref name=SKS>Template:Cite web</ref> In university she studied first splitting her time between studying graphic design at the Aalto University School of Arts, Design and Architecture, piano at the Template:Ill and musicology at the University of Helsinki; and then she later studied composition at the Sibelius Academy under the guidance of Paavo Heininen.<ref name=SKS /> After attending the Darmstadt Summer Courses, she moved to Germany to study at the Hochschule für Musik Freiburg under Brian Ferneyhough and Klaus Huber. She found her Freiburg teachers' emphasis on strict serialism and mathematical structures stifling, saying in an interview:

In 1980, Saariaho went to the Darmstadt Summer Courses and attended a concert of the French spectralists Tristan Murail and Gérard Grisey.<ref>Template:Cite magazine</ref> Hearing spectral music for the first time marked a profound shift in Saariaho's artistic direction. These experiences guided her decision to attend courses in computer music that were being given by IRCAM, the computer music research institute in Paris, by David Wessel, Template:Ill, and Marc Battier.

In 1982, she began work at IRCAM researching computer analyses of the sound-spectrum of individual notes produced by different instruments. She developed techniques for computer-assisted composition, experimented with musique concrète, and wrote her first pieces combining live performance with electronics. She also composed new works using IRCAM's CHANT synthesiser.<ref>Template:Cite journal</ref> Each of her Jardin Secret trilogy was created with the use of computer programs. Jardin secret I (1985), Jardin secret II (1986), and Nymphea (Jardin secret III) (1987).<ref>Howell, Tim; Hargreaves, Jon; Rofe, Michael. Kaija Saariaho: visions, narratives, dialogues. Ashgate, 2011. 82–85</ref> Her works with electronics were developed in collaboration with Jean-Baptiste Barrière, a composer, multimedia artist, and computer scientist who directed the IRCAM's department of musical research from 1984 to 1987. Saariaho and Barrière married in 1984. They have two children.<ref name="Ellison">Template:Cite news</ref>

Concert room with an orchestra

Saariaho at a concert in 2013

In Paris, Saariaho developed an emphasis on slow transformations of dense masses of sound.<ref>Template:Cite web</ref> Her first tape piece, Vers Le Blanc from 1982, and her orchestral and tape work, Verblendungen, are both constructed from a single transition: in Vers Le Blanc the transition is from one pitch cluster to another, while in Verblendungen, it is from loud to quiet. Verblendungen also uses a pair of visual ideas as its basis: a brush stroke which starts as a dense mark on the page and thins out into individual strands, and the word Verblendungen itself, which means "dazzlements, delusions, blindedness".<ref>Template:Cite web</ref>

Her work in the 1980s and 1990s was marked by an emphasis on timbre and the use of electronics alongside traditional instruments. Nymphéa (Jardin secret III) (1987), for example, is for string quartet and live electronics and contains an additional vocal element: the musicians whisper the words of an Arseny Tarkovsky poem, Now Summer is Gone. In writing Nymphea, Saariaho used a fractal generator to create material. Writing about the compositional process, Saariaho said:

Saariaho often talked about having a kind of synaesthesia, one that involves all of the senses, saying:

Another example is Six Japanese Gardens (1994), a percussion piece accompanied by a prerecorded electronic layer of the Japanese nature, traditional instruments, and chanting of Buddhist monks. During her visit to Tokyo in 1993, she expanded her original percussion conception into a semi-indeterminate piece. It consists of six movements that each represent a garden composed of traditional Japanese architecture, by which she was inspired rhythmically. Especially in movement IV and V, she explored many possibilities of complex polyrhythm in liberated instrumentation. She said:

In her book on Saariaho, musicologist Template:Ill writes about the indeterminate nature of this composition:

On 1 December 2016, the Metropolitan Opera gave its first performance of L'Amour de loin, the second opera by a female composer ever to be presented by the company (the first was performed more than a century earlier, in 1903).<ref>Template:Cite news</ref> The subsequent transmission of the opera to cinema on 10 December 2016 as part of the Metropolitan Opera Live in HD series marked the first opera by a female composer, and the first opera conducted by a female conductor (Susanna Mälkki), in the series. In 2002 the Santa Fe Opera presented L'Amour de loin. In 2008, the Santa Fe Opera also presented her opera Adriana Mater.

Saariaho was the patron of the Helsinki Music Centre organ project and endowed the construction of a new organ in the Helsinki Music Centre with one million euros.<ref>Template:Cite web</ref> She was also the chair of the International Kaija Saariaho Organ Composition Competition,<ref>Template:Cite web</ref> which selected in April 2023 eleven compositions.<ref>Template:Cite web</ref>

Saariaho was diagnosed with glioblastoma in February 2021. She died in Paris on 2 June 2023, at age 70.<ref>Template:Cite web</ref>

Her very last work, HUSH, a concerto for trumpet and orchestra, was given its world premiere on 24 August 2023 at the Helsinki Music Centre with Verneri Pohjola and the Finnish Radio Symphony Orchestra conducted by Susanna Mälkki.<ref>Template:Cite web</ref><ref>Template:Cite web</ref> While the premiere was posthumous, Saariaho had been able to hear the work herself at a rehearsal in the spring of 2023. The piece is conceived as a response to Saariaho's own first concerto Graal Théâtre and based on a text by Template:Ill,<ref>Template:Cite web</ref> Saariaho's son and librettist of some of her last works.

Awards and honours

• 1986 – Kranichsteiner Prize at Darmstädter Ferienkurse<ref name="Moisala">Moisala, Pirkko, "Gender Negotiation of the Composer Kaija Saariaho in Finland: The Woman Composer as Nomadic Subject", in Music and Gender (Pirkko Moisala and Beverley Diamond, editors). University of Illinois Press (Template:ISBN), pp. 166–188 (2000).</ref>
• 1988 – Prix Italia for Stilleben<ref name="Moisala"/>
• 1989 – Prix Ars Electronica for Stilleben and Io; one-year residency at the University of San Diego<ref name="Moisala"/>
• 2000 – Nordic Council Music Prize for Lonh<ref name="Nordic cooperation">Template:Cite web</ref>
• 2003 – Doctor honoris causa by the Faculty of Arts, University of Turku<ref>Template:Cite web</ref><ref>Template:Cite book</ref>
• 2003 – Doctor honoris causa by the Faculty of Arts, University of Helsinki<ref>Template:Cite news</ref>
• 2003 – University of Louisville Grawemeyer Award for L'Amour de loin<ref>Template:Cite web</ref>
• 2008 – Musical America "Musician of the Year 2008"<ref>Template:Cite news</ref>
• 2009 – Wihuri Sibelius Prize<ref>Template:Cite news</ref>
• 2010 – invited by Walter Fink to be the 20th composer featured in the annual Komponistenporträt of the Rheingau Musik Festival; the second female composer after Sofia Gubaidulina.<ref>Template:Cite news</ref>
• 2011 – Léonie Sonning Music Prize<ref>Template:Cite press release</ref>
• 2011 – Grammy Award for Best Opera Recording (L'Amour de loin)<ref>Template:Cite news</ref>
• 2012 – American Academy of Arts & Sciences, Member<ref>Template:Cite web</ref>
• 2013 – Polar Music Prize<ref>Template:Cite press release</ref>
• 2017 – BBVA Foundation Frontiers of Knowledge Award in Contemporary Music<ref>Template:Cite web</ref>
• 2017 – Bayerische Akademie der Schönen Künste, Corresponding Member<ref>Template:Cite web</ref>
• 2017 – American Academy of Arts and Letters, Honorary member<ref>Template:Cite web</ref>
• 2018 – Doctor honoris causa by the Sibelius Academy, University of the Arts Helsinki
• 2019 – BBC Music Magazine "Greatest Living Composer" survey<ref>Template:Cite web</ref>
• 2021 – Leone d'oro di Venezia, Biennale della Musica Contemporanea<ref>Template:Cite web</ref>
• 2021 – The New York Times "Composer of the Year"<ref>Template:Cite news</ref>
• 2022 – Académie des Beaux-Arts, "membre associé étranger"<ref>Template:Cite web</ref>
• 2023 – Template:Ill title bestowed by the President of the Republic of Finland<ref>Template:Cite web</ref>

Selected works

Saariaho's works include:<ref>"Kaija Saariaho: Catalogue (162)"Template:Dead link. Wise Music Classical. Template:Retrieved</ref><ref>Works" Template:Webarchive. saariaho.org. Retrieved 18 August 2020.</ref> Template:Div col

• Verblendungen (1984; orchestra, electronics)
• Lichtbogen (1986; flute, percussion, piano, harp, strings, live electronics)
• Io (1987; large ensemble, electronics)
• Nymphéa (1987; string quartet, electronics)
• Petals (1988; cello, electronics)
• Du cristal... (1989; orchestra, live electronics)
• ...à la Fumée (1990; solo alto flute and cello, orchestra)
• NoaNoa (1992; flute, live electronics)
• Graal théâtre (1994; violin, orchestra)
• Folia (1995; double bass, live electronics)
• Oltra Mar (1999; chorus and orchestra)<ref name="Ellison"/>
• L'Amour de loin (2000; opera)<ref>Template:Cite news</ref><ref>Template:Cite news</ref>
• Sept Papillons (2000; solo cello)
• Orion (2002; orchestra)
• Asteroid 4179: Toutatis (2005; orchestra)
• La Passion de Simone (2006; oratorio/opera)
• Adriana Mater (2006; opera, libretto by Amin Maalouf)
• Notes on Light (2006; cello concerto)
• Terra Memoria (2007; string quartet)
• Laterna Magica (2008; orchestra)
• Émilie (2010; opera)
• D'Om le Vrai Sens (2010; clarinet concerto)
• Circle Map (2012; orchestra)
• Maan varjot ("Earth's Shadows") (2013; organ and orchestra)
• True Fire (2014; baritone and orchestra)
• Trans (2015; harp concerto)
• Only the Sound Remains (2015; Always Strong and Feather Mantle)<ref>Template:Cite news</ref>
• Innocence (2021; opera)

Selected recordings

• Graal Théâtre – Gidon Kremer; BBC Symphony Orchestra; Esa-Pekka Salonen – Sony SK60817<ref>Template:Citation</ref>
• L'Amour de loin – Gerald Finley; Dawn Upshaw; Finnish National Opera; Esa-Pekka Salonen – Deutsche Grammophon DVD 00440 073 40264<ref>Template:Citation</ref>
• Nymphéa – Cikada String Quartet – ECM New Series 472 4222<ref>Template:Cite AV media</ref>

Further reading

• Iitti, Sanna: "Kaija Saariaho: Stylistic Development and Artistic Principles." International Alliance for Women in Music Journal, 2001.
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External links

• Template:Official website
• Saariaho, Kaija (1952–) at National Biography of Finland
• Chester Music Composer's homepage
• CompositionToday – Saariaho article and review of works
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