Kawatake Mokuami
Template:Short description Template:Infobox writer
Template:Nihongo, born Template:Nihongo was a Japanese dramatist of Kabuki. It has been saidTemplate:By whom that "as a writer of plays of Kabuki origin, he was one of the greatest, if not the greatest, Japan has ever known".<ref name=Miyake50>Miyake, Shutarō. Kabuki Drama. Tokyo: Japan Travel Bureau, Inc., 1971. p50.</ref> He wrote 150 or so plays over the course of his 58-year career,<ref name=Miyake149>Miyake. p149.</ref> covering a wide variety of themes, styles, and forms, including short dance pieces, period plays (jidaimono), contemporary genre pieces (sewamono), tragedies and comedies, as well as adaptations of foreign (Western) stories,<ref name=jiten>"Kawatake Mokuami". Kabuki Jiten (歌舞伎事典, "Kabuki Encyclopedia"). Japan Arts Council, 2001-2003. Accessed 26 September 2008.</ref> though he is perhaps most famous for his shiranamimono, plays featuring sympathetic or tragic rogues and thieves.<ref name=Oedo>Kawade Shobō Shinsha Editorial Team (eds.). "'Shiranami sakusha' to yobareta Kawatake Mokuami" (「白波作者」と呼ばれた河竹黙阿弥, "Kawatake Mokuami, who was called the 'Shiranami Writer'"). Ō-Edo Rekishi Hyakka (大江戸歴史百科, "Historical Encyclopedia of Great Edo"). Tokyo: Kawade Shobō Shinsha Publishers, 2007. p198.</ref> For the greater part of his career he wrote under the professional name Kawatake Shinshichi, only taking the name Mokuami on his retirement from the stage in 1881.
Life and career
Mokuami was born in the Nihonbashi district of Edo (modern-day Tokyo). He was disinherited by his father at age fourteen, and obtained work at a lending library, introducing him to the world of theatre.<ref>Template:Cite book</ref> In 1835, he entered into an apprenticeship with Tsuruya Nanboku IV, and in 1843 became the lead playwright (tate-sakusha) for the Kawarazaki-za theatre, succeeding to the name Kawatake Shinshichi II. He began working with kabuki star Ichikawa Kodanji IV in 1854, producing kizewamono pieces.<ref name=Oedo/> Most of Mokuami's works are in this form, and were written specifically for the star actors of the time, such as Onoe Kikugorō V and Ichikawa Kodanji IV.<ref name=Miyake50/> Many of his plays, such as the famous Benten Kozō, featured thieves and robbers,<ref name=Miyake149/> also known as shiranami (white waves), whom he represented somewhat sympathetically, as low-class heroes, or as tragic figures.
As Japan modernized and Westernized rapidly in the Meiji period, Mokuami moved along with new trends in theatre, becoming a pioneer of Shin-kabuki ("New Kabuki"), writing plays in new genres such as katsurekimono (realistic, historically accurate jidaimono period plays) and zangirimono (sewamono genre plays featuring Meiji era contemporary characters and setting<ref>"Zangirimono." Kabuki Glossary. Kabuki21.com. Accessed 26 September 2008.</ref>).<ref name=Oedo/>
During his 58-year career, he became the most prolific kabuki author in history, producing over 360 works: 130 sewamono, 90 jidaimono, and 140 dances.<ref>Template:Cite book</ref> Mokuami formally retired in 1881, but continued to present new works, and was spoken highly of by novelist and literary critic Tsubouchi Shōyō. Mokuami died in 1893 and is buried at Gentsū-ji in Nakano, Tokyo.<ref name=Oedo/>
Selected works
- Izayoi Seishin (1859)
- Sannin Kichisa Kuruwa no Hatsugai (1860)
- Murai Chōan (1862)
- Benten Kozō aka Shiranami Gonin Otoko (1862)
- Marubashi Chūya aka Keian Taiheiki (1870)
- Renjishi (Two Lions) (1872)
- Sakai no Taiko (Sakai's Drum) (1873)
- Kamiyui Shinza (Shinza the Barber) (1873)
- Ningen Banji Kane Yono Naka (Everything in the World is Run by Money) (1878), an adaptation of Money (play) by Edward_Bulwer-Lytton
- Kumo ni Magō Ueno no Hatsuhana (1881)
- Tsuchigumo (1881)
- Ibaraki (The Demon Ibaraki) (1883)
- Funa Benkei (1885)
- Momijigari (1887)