Larry Austin

Template:Short description Larry Don Austin (September 12, 1930 – December 30, 2018) was an American composer noted for his electronic and computer music works. He was a co-founder and editor of the avant-garde music periodical Source: Music of the Avant Garde.<ref>Template:Cite book</ref> Austin gained additional international recognition when he realized a completion of Charles Ives's Universe Symphony.<ref>Template:Cite web</ref> Austin served as the president of the International Computer Music Association (ICMA) from 1990 to 1994 and served on the board of directors of the ICMA from 1984 to 1988 and from 1990 to 1998.<ref>Template:Cite web</ref>

Early life

Austin was born in Duncan, Oklahoma. He received a bachelor's (Music Education, 1951) and master's degree (Music, 1952) from University of North Texas College of Music.<ref>http://www.googlesyndicatedsearch.com/u/unorthtexas?q=+larry+austin&hq=inurl%3Awww.unt.edu%2Fdevelopment&sa.x=0&sa.y=0 Template:Dead link</ref> In 1955 he studied at Mills College, and from 1955 to 1958 he engaged in graduate study at the University of California, Berkeley, leaving to accept a faculty position at the University of California, Davis. Austin studied with Canadian composer Violet Archer at the University of North Texas,<ref>Template:Cite journal</ref> French composer Darius Milhaud at Mills College,<ref>Template:Cite web</ref> and with American composer Andrew Imbrie at the University of California, Berkeley.<ref>Template:Cite web</ref>

Teaching career

Austin taught at the University of California, Davis from 1958 till 1972 rising from assistant professor to full professor. While at the University of California, Davis, he founded the improvisational New Music Ensemble. In 1972 he accepted a position at the University of South Florida, where he taught until 1978. In that year he returned to Texas, teaching at his alma mater, the University of North Texas, from 1978 until 1996 when he was named professor emeritus.<ref name="cdemusic.org">Template:Cite web</ref> His notable students include William Basinski, Dary John Mizelle and Rodney Waschka II.

Compositions

Austin received early recognition for his instrumental and orchestral works and of those pieces, Improvisations for Orchestra and Jazz Soloists, was performed and recorded by the New York Philharmonic under Leonard Bernstein, and televised on a Young People's Concert on March 11, 1964.<ref>Music: Copland Plays at Philharmonic</ref><ref>Template:Cite web</ref> Other orchestral works of special note include Charles Ives's Universe Symphony, "as realized and completed by Larry Austin" (1974–93) for large orchestra,<ref>IVES Universe Symphony etc [RB]: Classical CD Reviews- April 2001 MusicWeb(UK)</ref> and Sinfonia Concertante: A Mozartean Episode Template:Cn (1986) for chamber orchestra and tape. Chamber works with particularly significant computer music/electro-acoustic music aspects include Accidents <ref>Template:Cite web</ref> for electronically prepared piano (1967), written for David Tudor, Canadian Coastlines: Canonic Fractals for Musicians and Computer Band <ref>Template:Cite journal</ref> for eight musicians and tape from 1981, and BluesAx for saxophonist and tape (1995), which won the Magisterium Prize, at Bourges in 1996.<ref>Institut International de Musique Electroacoustique – Collection "Cultures électroniques" Template:Webarchive</ref> BluesAx has been recorded by Steve Duke.<ref>Steve Duke – NIU – School of Music Template:Webarchive</ref> Later work included John Explains... (2007) for octophonic sound,<ref>Clark, Thomas: Larry Austin: Life and Times of an Experimental Composer. Raleigh: Borik Press, 2012. p. 85.</ref> based on a recording of an interview with John Cage. John Explains... was premiered at the 2008 North Carolina Computer Music Festival.<ref>Template:Cite web</ref> At the CEMI Circles festival, Austin's 2013 piece, Suoni della Bellagio—Sounds and sights of Bellagio, July–August, 1998 for video and two-channel tape was premiered.<ref>Template:Cite web</ref>

The noted critic Tom Johnson has written of Austin's music, "His style is neither uptown nor downtown, nor is it minimal, eclectic, hypnotic, or European. But it works, it is strongly personal, and it has something to say in all these directions.... The real source of Austin's music, however, is clearly Charles Ives, who also liked musical symbols, enjoyed collaging them together as densely as he could, and never had much of a knack for prettiness."<ref>"Larry Austin – Performances and Activities Template:Webarchive"</ref>

Austin said that "Exploring new concepts, new materials and their interaction is essential to my work as a composer."<ref name="cdemusic.org"/>Template:Dead link

Partial discography

• Leonard Bernstein Conducts Music of Our Time. New York Philharmonic, Columbia Masterworks, MS6733, 1965.<ref>Kollecta – Item (Vinyl Record (music)) Template:Dead link</ref>
  • Improvisations for Orchestra and Jazz Soloists
• Robert Floyd Plays New Piano Music by Hans Werner Henze and Larry Austin, Advance Records, FGR10S, 1970.<ref>Template:Cite web</ref>
  • Piano Set in Open Style
  • Piano Variations
• New Music for Woodwinds, Advance Records, FGR9S, 1974 (performed by Phil Rehfeldt, clarinet and Thomas Warburton, piano).<ref>Template:Cite web</ref>
  • Current
• Larry Austin Hybrid Musics: Four Compositions, Canton, Texas: IRIDA Records 0022, 1980.
  • Maroon Bells
  • Catalogo Voce
  • Quadrants: Event/Complex No. 1
  • Second Fantasy on Ives' Universe Symphony
• Volume 1, CDCM Computer Music Series. Baton Rouge: Centaur Records, Inc., (CRC 2029) 1988.<ref>Template:Cite web</ref>
  • Sinfonia Concertante (chamber orchestra conducted by Thomas Clark)
  • Sonata Concertante (performed by pianist Adam Wodicki)
• The Virtuoso in the Computer Age—I, Volume 10, CDCM Computer Music Series. Centaur Records, Inc., (CRC 2110) 1991.<ref>Template:Cite web</ref>
  • Montage:Themes and Variations for Violin and Computer Music on Tape (1985)
• The Virtuoso in the Computer Age—III, Vol. 11, CDCM Computer Music Series, Baton Rouge: Centaur Records, 1993
  • La Barbara: The Name/The Sounds/The Music
• A Chance Operation: The John Cage Tribute. New York: Koch International Classics (KIC-CD-7238) 1993.<ref>Welcome To KOCH Entertainment Template:Webarchive</ref>
  • art is self-alteration is Cage is... (1983/93), performed by Robert Black
• Charles Ives's Universe Symphony, as realized and completed by Larry Austin (1974–93). Baton Rouge: Centaur Records, CRC 2205, 1994.
  • Charles Ives's Universe Symphony, as realized and completed by Larry Austin (1974–93)
• Composers in the Computer Age II. Baton Rouge: Centaur Records, CRC 2193, 1994.
  • SoundPoemSet (1990–91), computer music on tape.
• Tárogató, New York: Romeo Records (7212), 2001. Esther Lamneck, performer.<ref>Template:Cite web</ref>
  • Tárogató
• UNconventional Trumpet, Camas, Washington: Crystal Records, CD763, 2004.<ref>Amazon.com: UNconventional Trumpet: Larry Austin, Rule Beasley, Merrill Ellis, William P. Latham, Martin Mailman, Cindy McTee, Fisher Tull, Jason Baker, Mark Ford, Natalia Bolshakova, John Holt, Keith Johnson: Music</ref>
  • Charley's Cornet

Further reading

• Zimmerman, Walter, Desert Plants – Conversations with 23 American Musicians, Berlin: Beginner Press in cooperation with Mode Records, 2020 (originally published in 1976 by A.R.C., Vancouver). The 2020 edition includes a CD featuring the original interview recordings with Larry Austin, Robert Ashley, Jim Burton, John Cage, Philip Corner, Morton Feldman, Philip Glass, Joan La Barbara, Garrett List, Alvin Lucier, John McGuire, Charles Morrow, J. B. Floyd (on Conlon Nancarrow), Pauline Oliveros, Charlemagne Palestine, Ben Johnston (on Harry Partch), Steve Reich, David Rosenboom, Frederic Rzewski, Richard Teitelbaum, James Tenney, Christian Wolff, and La Monte Young.

External links

• EMF Media: Larry Austin
• David Tudor and Larry Austin: A Conversation April 3, 1989, Denton, Texas
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• Template:YouTube