My Love Is Your Love
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My Love Is Your Love is the fourth studio album by American singer Whitney Houston, released worldwide on November 17, 1998. The album is one of the best-selling female albums of all time, having been certified four times platinum in both the United States and Europe. As of May 2000, My Love Is Your Love sold over 10 million copies worldwide. It was Houston's first studio album in eight years, following I'm Your Baby Tonight (1990) although she had contributed to three movie soundtracks during that period (performing all songs on the soundtrack to The Preacher's Wife). Musically, My Love Is Your Love is a hip hop and R&B album that is composed of elements of pop, gospel and dance music, produced by musicians such as Whitney Houston herself, Rodney Jerkins, Soulshock & Karlin, Missy Elliott, Wyclef Jean, David Foster, Lauryn Hill, and Babyface.
It is notable for introducing elements of hip hop into Houston's work, only sparingly used in her previous material. The album was a hit in Europe, topping the European Top 100 Albums chart for six weeks, selling over 4.3 million copies.<ref>Template:Cite book</ref> It generated several hit singles: "When You Believe", a duet with Mariah Carey, which won an Academy Award for Best Original Song at the 71st Academy Awards ceremony; "Heartbreak Hotel", which features Kelly Price and Faith Evans; "It's Not Right but It's Okay"; The title track, "My Love Is Your Love", was certified platinum and became Houston's third-best-selling single ever;<ref name="mliylsingle01"/><ref name="iwalyworldwidesales"/><ref name="iwdwsworldwide"/> and "I Learned from the Best".
My Love Is Your Love received positive reviews and is regarded as one of her best studio albums.<ref>Template:Cite magazine</ref> At the 42nd Grammy Awards of 2000, the album received seven nominations, including Best R&B Album and Best R&B Song, twice. Houston won for Best Female R&B Vocal Performance for "It's Not Right But It's Okay",<ref name="2000grammy"/> her sixth and final Grammy Award. The album cemented Houston's status as a pop culture icon.
Background
By 1998, Houston had enjoyed a very successful career, releasing three studio albums and two official soundtrack albums from two of her films along with contributing to a third soundtrack for a third. Houston produced the successful Disney film Cinderella, which she also had a starring role and also contributed music to.
It had been eight years since Houston had released a full-length studio album since I'm Your Baby Tonight (1990), which sold over ten million copies worldwide and became the best-selling R&B album by an artist in 1991. After Houston began her film career in 1992, Houston focused on that part of her career but still contributed a lot of music in the interim: The Bodyguard (1992) went on to be the singer's best-selling album ever, as well as one of the best-selling albums of all time thanks to signature hit ballads "I Will Always Love You" and "I Have Nothing", the former being the best-selling single ever by a woman<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and also won Houston the Grammy Award for Album of the Year, while the soundtrack to The Preacher's Wife, earned Houston another all-time record as the best-selling gospel release in history. In between, Houston contributed three songs to the multi-artist soundtrack for the film, Waiting to Exhale (1995), which was nominated for eleven Grammys, including Album of the Year. In addition, due to her reputation as a touring artist, Houston frequently performed onstage to promote the soundtracks, primarily from The Bodyguard and The Preacher's Wife.
But by 1997, Houston's label boss, Arista head Clive Davis wrote her a letter reminding her that she had "not recorded a studio album in seven years" and that she had only released several singles that "were chosen to integrate into the characters of two motion pictures" and that "so insofar as your position as the number one contemporary artist in the world, you are practically missing in action".<ref name="WhitneyClive">Template:Cite news</ref>
Recording
Since contemporary R&B and hip-hop were becoming the dominant genres in music at the time, Houston opted to record with some of its current hitmakers, including Missy Elliott, The Fugees' Wyclef Jean and Lauryn Hill and Rodney Jerkins. Davis added the rising European R&B production team Soulshock and Karlin, while retaining Houston's previous producers Babyface and David Foster. Most of the music was recorded at Houston's home studio, Crossway Studios, in Mendham, New Jersey. Due to this arrangement, it became the fastest-recording album of Houston's career at just six weeks, recorded mostly between August and October 1998.<ref name="ewmliyl"/><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Prior to working on content for the album, Houston had been approached by longtime collaborator Babyface to contribute vocals to the song "When You Believe" off the soundtrack to the upcoming film, The Prince of Egypt without Houston knowing it would be a duet between her and fellow singer Mariah Carey.<ref name="shapiro">Template:Cite book</ref><ref name=mtvbelieve>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name=vibeinterview>Template:Cite book</ref> However, the duet recording, produced by Babyface, helped the two artists to become friends and Houston would later discuss meeting her after they met at another recording session for the song.<ref name=bnetwhitney>Template:Cite news</ref> After the song was recorded, Houston's and Carey's labels agreed to include the song as the leading single off their upcoming albums, with Carey putting the duet on her first compilation album, Number Ones. Houston and Carey's friendship carried on until Houston's death.<ref name=mtvbelieve/><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
Jerkins would provide the first batch of songs for the album — "Get It Back", "If I Told You That", "It's Not Right but It's Okay" and "I Bow Out", in which he co-produced with Babyface. Jerkins recalled that it took Houston "four days" to record because she was then suffering from bronchitis.<ref name="Rodney">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The producer added that he and Houston would "pray together" before recording sessions.<ref name="Rodney"/> Jerkins had reportedly wanted to work with Houston since he was 17; when Clive Davis learned of this, he asked Jerkins to present a song to him. Upon doing so, Davis told him he thought that it was "one of the worst songs [he] ever heard in [his] life" but encouraged him to "keep working".<ref name="Rodney"/> After his success with Brandy off the singer's sophomore album, Never Say Never (1998), to which fellow Arista recording act Monica participated in the hit duet, "The Boy is Mine", Davis requested Jerkins to write for Houston's next studio album.<ref name="Rodney"/> According to the producer, "It's Not Right but It's Okay" was the song to "jumpstart" the album.<ref name="Rodney"/> Jerkins further stated that upon first recording her that Houston "took [him] to church inside the studio. She's giving you full-throttle effort at all times", adding that the artist "just does it the same extraordinary way every time" and called Houston a "genius".<ref>Template:Cite magazine</ref>
Soulshock and Karlin gave Houston the song "Heartbreak Hotel" after the R&B group TLC turned the song down; it was decided that the song would become a duet with younger singers Faith Evans and Kelly Price contributing complimentary vocals on the song's bridge and chorus. Initially, Houston's volatile husband, singer Bobby Brown contributed to the song by rapping the intro, "this is the heart-break ho-tel..."<ref name=soulshock>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Only after Clive Davis heard playback did he demand Brown's vocals be removed from the track; he was replaced by Houston doing the rap herself.<ref name=soulshock/> With Foster, Houston recorded the Diane Warren-penned "I Learned From the Best"; during the song's production, Houston convinced Foster to "add those Chicago horns in it".<ref name="uncut">Template:YouTube</ref>
In addition to "When You Believe", Babyface produced the songs "Until You Come Back", "I Bow Out" and "You'll Never Stand Alone", the latter two, also penned or co-written by Warren in her first collaborations with Houston since the Aretha Franklin duet, "It Isn't, It Wasn't, It Ain't Never Gonna Be" (1989). Elliott, with whom Houston had personally called herself, would give Houston the songs "Oh Yes" and "In My Business".
Hill, fresh from producing Aretha Franklin's comeback hit of that year, "A Rose Is Still a Rose", originally gave Houston the neo soul ballad, "All That I Can Say", but due to timing issues, Houston couldn't record it.<ref name="bobbyxwhitney">Template:Cite instagram</ref> Hill eventually gave the ballad to fellow contemporary soul singer Mary J. Blige, who ended up recording the song for her fourth album, Mary (1999). Instead, through Houston's suggestion, Hill produced a rendition of Stevie Wonder's "I Was Made to Love Her", recorded with the genders reversed and Houston rewriting portions of the song in dedication to her husband and in which featured Houston's group, Sunday providing background vocals. Houston had known Hill, a fellow resident of East Orange, New Jersey, since Hill was a teenager.<ref name="uncut"/>
Jean's contribution was for the song that was to be the title track. The Fugees leader recalled that while recording the song that he stopped the session because he felt Houston had went flat or sharp on a note; Houston told him she wasn't flat or sharp, only that she "bend[ed]" the notes she was singing, which Jean was impressed by.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Due to the presence of Houston's daughter Bobbi Kristina Brown, Jean and the song's co-writer, bassist Jerry Duplessis decided to have the then-five-year-old be recorded encouraging her mother, to which Houston happily approved.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
Music and content
In comparison to her previous work, which mostly was a blend of R&B, pop and gospel as well as urban pop, My Love Is Your Love presented a stronger hip-hop and R&B edge with some songs having elements of funk, reggae fusion and soul.
Most of the content from My Love Is Your Love differed from her previous work. As Houston told Billboard upon the album's release, "I wasn't into the syrupy kind of vibe. I just didn't feel like singing 'I Will Always Love You'. I'm a working mother. I'm a wife. I'm an artist. There are so many things that go into that, and it's not like 'Everything is beautiful in its own way'."<ref name="Heppermann1">Template:Harvnb</ref>
"You have to keep up with the times, no matter how you feel about your own music and what you used to do or did,” Houston further stated. “You have to keep it with what the [current] groove is, and I can do that. Ain’t no biggie, ain’t no biggie at all."<ref name="legacy">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
Compared to the "soaring romanticism" of previous songs such as "Greatest Love of All", listeners instead found "an edgy realism" in the album's opening track, "It's Not Right but It's Okay", which many fans allude to be aimed at her troubling marriage to Bobby Brown, while the Missy Elliott-produced track, "In My Business" addressed tabloid scrutiny.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name="Heppermann2">Template:Harvnb</ref>
The themes on the album dealt with relationships, family and tabloid media, making the album a little personal and intimate than in most of Houston's records up until that time in her career.<ref name="Heppermann3">Template:Harvnb</ref> Houston stressed that the album wasn't too autobiographical, writing in the back of the album: "The events and characters depicted in this album are fictitious."<ref name="NY daily review">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
Singles
Houston would release five singles on the album, all of whom were officially released worldwide. In the US, the album produced five top 40 hits, the most for a Houston release since Whitney (1987) produced five top ten singles. Four of the singles charted inside the top 20, while three were top five singles, Houston's fourth consecutive studio release to do so, and her fifth album overall (including The Bodyguard) to do so. Houston would sell a combined 3.9 million units of all five singles in the country alone, while in the UK, the five Houston singles, which also reached the top 40 there and also produce three top five singles, sold a combined total of 1.09 million units, making Houston the eighth best-selling singles artist of 1999.<ref>Template:Cite magazine</ref> The singles also achieved success in other countries such as Canada, Germany, Sweden, Switzerland, Spain, Romania and Poland among other countries.
The duet single, "When You Believe", with singer Mariah Carey, became the leading single throughout November and December, debuting on the Billboard Hot 100 at number 50 on December 5, 1998, which was the first Hot 100 chart to allow airplay-only songs to enter the chart.<ref>Template:Cite magazine</ref> Despite expectations the song would become a big hit due to the star power of Houston and Carey, it peaked at number fifteen on the Billboard Hot 100 on January 30, 1999, and peaked at number 33 on the Billboard Hot R&B Singles & Tracks, then the lowest peak position for both artists at the time, on February 13.<ref>Template:Cite magazine</ref><ref name="books.google.co.kr">Template:Cite magazine</ref> Billboard was unfavorable towards the single, commenting "Given the potential of these two [Houston and Carey] powerhouse voices, however, the song falls flat with a surprisingly understated and downright disappointing bridge: You wait and wait for the duel of the divas, and it simply never materializes," but positive of Houston's performance; "The genuine story in this track is the return of Houston, who sounds fantasticㅡas clear and confident as ever."<ref>Template:Cite magazine</ref> Despite its lower-than-expected chart performance, the song still was certified gold by the RIAA on March 24. Years later, on March 27, 2023, Carey's birthday, the song would be certified platinum for sales of a million copies.<ref name="whenyoubelieveriaa">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The duet was a huge global hit, reaching the top five in the UK,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Belgium,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> France,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Italy,<ref>Template:Cite magazine</ref> Netherlands,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Norway,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Spain,<ref>Template:Cite magazine</ref> Sweden,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Switzerland,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and the top ten in Austria,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Denmark,<ref>Template:Cite magazine</ref> Finland,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Germany,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Ireland,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and New Zealand.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Thanks to popularity for the song across Europe, it eventually peaked at number two on the Eurochart Hot 100.<ref>Template:Cite magazine</ref> It sold 260,000 copies sold in the UK at the end of 1999.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
The second single, "Heartbreak Hotel", a duet between Faith Evans and Kelly Price, was officially released on December 15, 1998.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Entering the Billboard Hot 100 at number 84 on December 26, after a commercial single was released, the song leaped to number 29, before peaking at number two six weeks later on March 27, making it Houston's first single to peak in the runner-up spot and was her biggest chart hit since "Exhale (Shoop Shoop)" debuted at number one on the chart in November 1995.<ref>Template:Cite magazine</ref><ref>Template:Cite magazine</ref><ref>Template:Cite magazine</ref><ref>Template:Cite magazine</ref> On the revamped Hot R&B Singles & Tracks chart, it debuted at number twenty three on January 9, 1999. In its first week of retail release, it shot up to number six and then climbed to number one the following week on February 13, where it would stay for seven consecutive weeks, her third longest tenure after "I Will Always Love You" and "Exhale (Shoop Shoop)".<ref>Template:Cite magazine</ref><ref name="books.google.co.kr"/><ref>Template:Cite magazine</ref> It would also become one of Houston's longest charting songs to date on the chart for 31 weeks.<ref>Template:Cite magazine</ref><ref>Template:Cite magazine</ref> The single sold over 1,400,000 copies in the U.S. alone, becoming the third-best-selling single of 1999, and was certified Platinum by the RIAA on March 2, 1999.<ref>Template:Cite magazine</ref><ref name="1990sriaaawards04">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
"It's Not Right but It's Okay" became its third single, released on February 15, 1999.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Prior to its North American release in May 1999, the song was the b-side of the "Heartbreak Hotel" maxi-single and, as a result, charted on several Billboard Hot 100 and R&B airplay and sales charts. It debuted on the Hot R&B singles chart at number 64 on January 9, 1999.<ref>Template:Cite book</ref> In its 24th week, the song reached its peak position of number seven.<ref>Template:Cite magazine</ref> The song made its Billboard Hot 100 debut at number 87 on May 8, 1999. After its retail single was released, the song eventually peaked at number four on the chart on July 3, selling 522,000 units in the country alone.<ref>Template:Cite magazine</ref><ref>Template:Cite magazine</ref> It was certified gold in the US on June 29.<ref name="1990sriaaawards04"/> The song became another global hit, reaching number three in the UK, becoming her twelfth top ten single there, and sold over 510,000 units, becoming the 25th best-selling song of the year in the region.<ref name="whitneyuksinglessales">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name="ukbestsellingsingle1999">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The song made history in Canada by charting in the top five simultaneously on their official chart in August 1999, with the regular single reaching number three and the import single peaking at number five.<ref>Template:Cite magazine</ref> Houston's promotion of the song in Europe helped to successfully reach several European charts, including Spain, where it reached number one.<ref>Template:Cite magazine</ref> It would reach the top 20 in Austria,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Germany,<ref>Template:Cite magazine</ref> Netherlands,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Switzerland,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and Sweden.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Due to its strong sales and chart success all over the European continent, it peaked at number nine on the Eurochart Hot 100.<ref>Template:Cite magazine</ref>
The title track, "My Love Is Your Love" was the fourth single from the album, released on May 31, 1999.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> It was a massive hit worldwide, becoming another signature song for Whitney. The single was released in each European country around June 1999, prior to the United States. Upon release, the song was popular immediately across the continent, and became a bigger hit during the European leg of her My Love Is Your Love World Tour. In the UK, it peaked at number two on July 3.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The single sold 525,000 copies there, becoming the twenty-second best-selling single of 1999.<ref name="whitneyuksinglessales"/><ref name="ukbestsellingsingle1999"/> In Germany, it peaked at number two and was certified Platinum for shipments of 500,000 copies by the Bundesverband Musikindustrie (BVMI).<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>Template:Cite certification</ref> It also reached number two in other countries such as Austria,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Ireland,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> the Netherlands,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Sweden,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and Switzerland.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In addition, it peaked inside the top ten in Belgium,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Denmark,<ref>Template:Cite magazine</ref> France,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and Norway.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Eventually the single topped the Eurochart Hot 100 for a week, becoming her fourth number one single, and was positioned at number six in the Eurochart top singles list of 1999.<ref name="europe1999yearend"/><ref>Template:Cite magazine</ref> In New Zealand, it peaked at number one for a week, becoming Houston's third number-one single after 1987's "I Wanna Dance with Somebody (Who Loves Me)" and 1992's "I Will Always Love You".<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Likewise, it was a hit in the United States. The song debuted at number eighty-one on the Billboard Hot 100 chart in September 1999 and peaked at number four in January 2000, becoming her 22nd top ten hit.<ref>Template:Cite magazine</ref><ref>Template:Cite magazine</ref><ref>Template:Cite magazine</ref> In addition, it reached the number two position on the R&B singles chart, spending a total of thirty weeks on the chart.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The single sold 1,100,000 copies and was certified Platinum by the RIAA on December 14, 1999.<ref name="1990sriaaawards04"/> Worldwide it sold over 5 million copies and became her third-best-selling single ever, behind "I Will Always Love You" and "I Wanna Dance with Somebody (Who Loves Me)".<ref name="mliylsingle01">Template:Cite magazine</ref><ref name="iwalyworldwidesales">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name="iwdwsworldwide">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
"I Learned from the Best" became the fifth and final single to be released from the album on November 15, 1999.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The song debuted at number 83 on the Hot 100 and peaked at number 27.<ref>Template:Cite magazine</ref><ref>Template:Cite magazine</ref> It reached number 13 on the R&B chart.<ref>Template:Cite magazine</ref> According to SoundScan, the single sold 352,000 units in the US alone. Outside the US, it reached the top 40 in the Netherlands,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Sweden,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and Switzerland.,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> number 19 in the UK with 95,000 units sold,<ref name="whitneyuksinglessales"/><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> number 6 in Finland<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> number 8 in Spain,<ref>Template:Cite magazine</ref> and hit the top spot in both Romania and Poland.
Success on the dance charts
With this album, Houston released several dance and house remixes of the songs, all of which found huge success on the Billboard Dance Club Play chart. Houston became one of the few artists to produce four consecutive number one dance singles off a single album, first reaching number one in February 1999 with the Thunderpuss remix of "It's Not Right but It's Okay", which became one of her longest running number-ones at three weeks,<ref name="http">Template:Cite magazine</ref> then topping the chart again for a week with the Hex Hector remix of "Heartbreak Hotel",<ref>Template:Cite magazine</ref> later in the year with "My Love Is Your Love" for two weeks,<ref>Template:Cite magazine</ref> and finally the Junior Vasquez mix of "I Learned From the Best" for three weeks.<ref>Template:Cite magazine</ref> Houston also topped the Billboard Dance Music/Maxi-Singles Sales chart twice with "My Love Is Your Love" topping for two weeks and "I Learned From the Best" topping for a single week.<ref>Template:Cite magazine</ref><ref>Template:Cite magazine</ref> The two other maxi singles, "Heartbreak Hotel"/"It's Not Right but It's Okay" and "It's Not Right but It's Okay"/"I Will Always Love You" each reached number two.<ref name="http"/><ref>Template:Cite magazine</ref>
Promotion and appearances
- TV
Throughout the album's run, Houston went on to promote the album in a series of television programs. On November 23, 1998, Houston appeared on The Rosie O'Donnell Show where she performed "Heartbreak Hotel" with Faith Evans and Kelly Price and "My Love Is Your Love" and was interviewed in between the performances. Two days later, Houston appeared on The Oprah Winfrey Show in her second appearance on the talk show since promoting the release of the film, Waiting to Exhale; the occasion was to perform the songs "When You Believe" and "I Learned from the Best", the former being the very first time Houston and duet partner and fellow pop superstar Mariah Carey performed live together. On December 7, she appeared at the 9th annual Billboard Music Awards in what was her first appearance since 1993, where she performed "Heartbreak Hotel" with Evans and Price. On December 10, she appeared on Late Show with David Letterman for the first time since September 1985, performing "My Love Is Your Love", with Wyclef Jean. A day later, Houston appeared on the Today where she performed "My Love Is Your Love", "I Learned from the Best" and "Heartbreak Hotel" at the Rockefeller Center in New York City. Two days later, on December 13, Houston and Carey co-hosted the television special to promote the animated film, The Prince of Egypt and premiered a second music video performance of the song together. On January 11, 1999, Houston appeared at the 26th American Music Awards where she performed "Until You Come Back" and "My Love Is Your Love" after an introduction from Will Smith and featured both Babyface, who played piano throughout Houston's performance, and Wyclef Jean, who showed up to rap with Houston during "My Love Is Your Love". Two days after that, on January 13, Houston appeared at The Tonight Show with Jay Leno and after an interview, performed "I Learned From the Best".
A month later, Houston headed on a European promotional tour for the album, starting with an appearance on the Dutch TV show, The Surprise Show, on February 8, 1999, where she performed "It's Not Right but It's Okay" live for the first time. This was followed two days later by an appearance on the Italian TV show, C'era Un Ragazzo, where she sang "It's Not Right but It's Okay".<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Later on, while the show's host Gianni Morandi performed her previous hit, "All at Once", Houston — in a gown — reappeared to sing with Morandi and soon followed it with her performance of "I Learned from the Best". Morandi had been the winner at the 37th Festival di Sanremo in February 1987, where Houston participated as the festival's guest performer and sang "All at Once" twice. Two days after that, on February 13, Houston made a surprise appearance on the Spanish TV show, Sorpresa, Sorpresa, where she surprised a 15-year-old female singer's performance of "I Will Always Love You" and helped to finish the song with her. Following this performance, Houston performed "It's Not Right but It's Okay" and "I Learned from the Best" on the same program. On February 16, Houston returned to the Brit Awards for the first time in 12 years and, after being introduced by host Johnny Vaughan as "the international singing legend", Houston came out to perform "It's Not Right but It's Okay" in a critically acclaimed performance.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> On February 18, Houston appeared on the Swedish TV show, Sen kväll med Luuk, which was TV4's most popular talk shows ever and performed "It's Not Right but It's Okay" and was interviewed by host Kristian Luuk. On February 19, Houston taped a performance on the British music show, Top of the Pops, in her first appearance since 1987. On the program, which was held at Elstree Studios, Houston performed "It's Not Right but It's Okay", "My Love Is Your Love" and "I Learned from the Best". A day later, Houston appeared on the German TV show, Wetten Dass and performed "It's Not Right but It's Okay". After briefly returning to the United States to attend the 41st Annual Grammy Awards where she presented the Album of the Year to Lauryn Hill on her landmark album, The Miseducation of Lauryn Hill, in late February, Houston appeared on the French TF1 TV show, Les Annees Tube where she performed "Heartbreak Hotel". It was Houston's first French TV performance since appearing in an infamous episode of Champs Elysees where she was sexually harassed live by Serge Gainsbourg in 1986.
On March 21, Houston performed "When You Believe" with Mariah Carey at the 71st Academy Awards. The song later won the award for Best Original Song. Five days later, on March 26, Houston opened the 1999 Soul Train Music Awards with "It's Not Right but It's Okay", which was preceded by the opening intro of "Get It Back". Houston's performance — her third overall in the awards show's history — was wildly received by the audience. Later on, Houston returned onstage to honor Luther Vandross, who was being given the Quincy Jones Award for Career Achievement that night, in a tribute medley, performing Vandross' 1986 hit, "So Amazing". On April 13, Houston headlined the VH1 Divas Live '99 concert at the Beacon Theatre in New York City alongside other legends Tina Turner and Cher.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> During Houston's portion of the show, which made up much of the concert though it had opened with Turner performing "The Best", Houston performed "It's Not Right but It's Okay" and "My Love Is Your Love", the latter of which, featured the debut performance of Houston's daughter, Bobbi Kristina Brown, who sat near her mother in a chair, and also featured fellow East Orange, NJ musician, rapper Treach, of the hip-hop group, Naughty by Nature. Houston also gave a critically acclaimed performance of Aretha Franklin's hit "Ain't No Way" with contemporary R&B singer Mary J. Blige, which resulted in a mid-performance standing ovation from the audience after the singers belted during the song's bridge. Houston also performed her classic hits, "I Will Always Love You" and "I'm Every Woman", the latter of which featured the song's original vocalist Chaka Khan joining Houston onstage. On June 21, just as Houston was due to begin her world tour, she returned to the Oprah Winfrey Show where she showcased her new edgy wardrobe designed for her by Dolce & Gabbana. During her appearance, Houston performed "It's Not Right but It's Okay", "My Love Is Your Love" and "Greatest Love of All".
- Concerts
Houston performed three sold-out concerts, two shows a few days before the album's release, on November 13 and 14, 1998 at the Taj Mahal in Atlantic City. Both concerts showcased new songs from the album as well as hit songs from previous releases. Several media critics as well as a host of celebrities attended, including Luther Vandross, Brandy, and Wyclef Jean. The third show on November 19, Houston performed an expensive invitation-only charity concert at Cipriani's Wall Street's Grand Ballroom, audience attendees included Clive Davis, Kevin Costner, P. Diddy, Babyface, Mary J. Blige, and wealthy business socialites.
- Set list
- "Video Interlude" (contain elements of "When You Believe)"
- "I'm Every Woman"
- "Queen of the Night"
- "I Wanna Dance with Somebody (Who Loves Me)"
- "I Learned from the Best"
- "You Give Good Love"Template:Efn
- "Saving All My Love for You"
- "Greatest Love of All"Template:Efn
- Diana Ross Medley:Template:Efn "Endless Love" (with Gary Houston) / "Ain't No Mountain High Enough" / "The Boss"
- "How Will I Know"
- "All the Man That I Need"
- "My Love Is Your Love"
- "If I Told You That"
- "Exhale (Shoop Shoop)"
- "I Believe in You and Me
- "I Love the Lord"
- "I Will Always Love You"
- "I Was Made to Love Him"Template:Efn
- "Step by Step"
- Notes
- Shows
| November 13–14, 1998 | Atlantic City, New Jersey | Etees Arena |
| November 19, 1998 | New York City, New York | Cipriani Grand Ballroom |
Tour
{{#invoke:Labelled list hatnote|labelledList|Main article|Main articles|Main page|Main pages}}
Houston embarked on the My Love Is Your Love World Tour, which launched at the Arie Crown Theatre in Chicago for a two-date run on June 22 and 23, 1999. When asked why after her last world tour had her performing at large-seated arenas and stadiums did she decide to perform at theaters and smaller capacity venues during the North American leg of the tour, Houston explained that she turned down arena dates to do the theater performances to "do something where people can feel [her] and [she] can feel them."<ref>1999: Nippy News Release Articles Template:Webarchive</ref> Due to this, Houston and her band were allowed to have a "jam-session" atmosphere. For most of Houston's North American dates, the singer performed two dates of the same venue.
Prior to the tour, Houston had embarked on two short regional tours in 1997 and 1998 respectively and had for the most part stuck to her older gowns and outfits. For this tour, Houston hired fashion designers Dolce & Gabbana to give her edgier outfits for the show, which was a stark contrast from her more elegant outfits of previous tours. The singer had previewed the wardrobe while appearing on the Oprah Winfrey Show. During the US portion of the tour, Houston gained notoriety for canceling several dates of the tour with Houston pulling out either due to vocal issues or from exhaustion, including two dates at Newark's Prudential Center. A cancellation of a show at San Francisco's Concord Pavilion happened 15 minutes before the show, to which Houston was sued for $100,000 in compensation. Though reports of strange and erratic behavior and rumors of her drug use hit the tabloids, Houston would claim throat ailments were the cause of the cancellations.<ref>Entertainment: News in Brief. BBC News. August 26, 1999.</ref> Despite the controversy, however, the North American leg of the tour was successful. Charging $150 a ticket, the highest of a Houston concert tour at the time, the tour made Houston one of the few artists to break the $100-per ticket barrier.<ref>Farber, Jim. "Summer concert tours, paved with profits and with potholes". Buffalo News. August 23, 1999. Page A7</ref>
On June 27, Houston made a surprise appearance at the 13th Annual New York City Lesbian and Gay Pride Dance in New York City, performing the popular remixes of her hits "Heartbreak Hotel" and "It's Not Right but It's Okay". The performance would mark one of the first times a major pop musician made unannounced appearances and performances at LGBTQ events and helped to make such performances commonplace.<ref name="whitneypride">Template:Cite news</ref><ref name="whitneypride2">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
Houston's European leg of the tour would prove to be even more successful, however. Unlike in North America, all of Houston's European concerts were held at arenas and stadiums. Houston would end up with the highest-grossing arena tour in Europe that year, performing to half a million people. Due to high demand, the tour was extended to November.<ref name="allbusiness.com">Whitney Houston World Tour '99 Becomes Europe's Highest Grossing Arena ever. Business Wire. October 19, 1999.</ref> While in Germany, most of the singer's concerts there were filmed for a documentary of the tour, titled Whitney: Close Up.<ref>Doro Films Live Concert documentaries – Whitney: Close Up Template:Webarchive</ref> Close Up was originally set to be aired as a TV special in early 2000 following the release of Whitney: The Greatest Hits, but did not air at the time. Some footage from Close Up was also used in the documentary Whitney: Can I Be Me.<ref>Template:Cite news</ref> A similar but different documentary, also titled Close Up was broadcast on February 11, 2018, on the German TV channel ServusTV.<ref>Zum sechsten Todestag: ServusTV sendet Porträt über Whitney Houston. InfoDigital. January 4, 2018</ref> Houston ended the tour at London's Wembley Arena on November 8, 1999.
Critical reception
Upon the album's debut, the album received positive responses from music critics, and arguably the strongest reviews of her career to that point.<ref>Template:Cite book</ref> Rob Sheffield of Rolling Stone magazine commented that "It's easily her most consistent album ever—in fact, it's her first consistent album",<ref name="rolling stone review"/> and praised her mature voice as follows:
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Jon Pareles, in his review for the New York Times, praised her fully developed voice, too. He stated that her sound was "supple and devout", comparing Carey's fidgetting sound with every phrase in "When You Believe", and commented "Ms. Houston used to be similarly showy and disjointed, but now her improvisations bring emotional coherence to technical feats."<ref name="New York Times review">Template:Cite news</ref> With expressing his interest about any connections between her troubled marriage and her new materials, commented "Lest anyone draw other conclusions from the songs, the album carries a disclaimer."<ref name="New York Times review"/> Also, he was almost positive about songs such as "It's Not Right But It's Okay", "Heartbreak Hotel" and "My Love Is Your Love".<ref name="New York Times review"/> In Billboard magazine's review, the issue dated November 28, 1999, the magazine called the album "A tour de force that showcases her strengths in a wide array of musical genres from pop to R&B to gospel to dance."<ref name="billboard review">Template:Cite magazine</ref> The publication also opined: "On an album with writing and production input from a diverse roster of players, Houston keeps it all together with her spectacular voice and singular artistic persona", declaring the album had "immense crossover potential"<ref name="billboard review"/>
Mark Bautz of Entertainment Weekly gave the album B+, calling My Love Is Your Love "A schizophrenic album" and "A primer on today's hip-hop/R&B scene: the good, the bad." by reason of the unevenness of the album.<ref name="ew review"/> He commented "Wyclef Jean's gorgeous reggae-tinged title song and three funky cuts by Rodney Jerkins showcase the 35-year-old Whitney Houston in all her creative, soulful maturity. In contrast, a trio of schmaltzy Babyface-produced tunes expose her as merely a gifted interpreter of bland radio-ready fare.".<ref name="ew review"/> Similarly, TIME praised some new songs, calling the title song "superb" and Houston's remake of Stevie Wonder's classic "fabulous", but criticized the old-fashioned songs of the album sharply, commenting "The problem is with the Old Guard: producer David Foster's work is dull, and Dianne Warren and Babyface, who both wrote tracks, have better work on their respective resumes."<ref name="time review"/>
Writing for USA Today in November 1998, Steve Jones made a favorable comment on almost every song whether it is a ballad with her formula for success or a new styled song produced by hot, young producers who've updated and diversified her sound, stating "There's something here for just about everybody, whether you favor R&B, pop or adult contemporary radio."<ref name="usa today review">Template:Cite news</ref> But he chose the remake "I Was Made To Love Him" as the best track of the album, complimenting the song highly, "The rollicking, gender-flipping remake".<ref name="usa today review"/> Stephen Thomas Erlewine from Allmusic, who gave the album four out of five stars, called it "easily ranks among her best" and complimented the musical diversity "Houston has never been quite so subtle before, nor has she ever shown this desire to branch out musically."<ref name="allmusic review">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> But he also wasn't positive for adult contemporary ballads of the album, stating "In fact, the songs that feel the stiffest are the big production numbers; tellingly, they're the songs that are the most reminiscent of old-school Houston."<ref name="allmusic review"/> Los Angeles Times gave it three out of four stars, writing "[It] reflect her growth as an artist and as an individual."<ref name="los angeles times review">Template:Cite news</ref>
Commercial performance
Worldwide, the album's release was not preceded by that of any commercial singles, which initially resulted in it underperforming commercially. In the United States, My Love Is Your Love was released on November 17, 1998, when major records were released simultaneously for the holidays by high-profile musicians like Garth Brooks, Mariah Carey, Celine Dion, Jewel, Method Man, The Offspring and Seal besides her. Time magazine wrote, "Music-industry folks have dubbed it Super Tuesday because more than ten major pop acts issued new CDs on the single day, making it the heaviest release date ever."<ref name="time review">Template:Cite magazine</ref><ref name="nytimes">Template:Cite news</ref> The week of December 5, 1998, the album entered the US Billboard 200 chart at number thirteen, which was the peak position of the album, and her lowest chart position at that point in time, with sales of 123,000 copies in its first week.<ref>Template:Cite magazine</ref><ref>Template:Cite magazine</ref> That result was disappointing initially because the release was Houston's first non-soundtrack album in eight years and was highly anticipated. But eventually, the album became a commercial success, thanks to a series of hit singles, her energetic promotions and a successful world tour. My Love Is Your Love was present on the Billboard 200 chart for over a year, at 75 weeks, and on Billboard Top R&B/Hip-Hop Albums chart for 79 weeks, peaking at number seven.<ref name="mliylbb200">Template:Cite magazine</ref><ref name="mliylbbrnb">Template:Cite magazine</ref> The Recording Industry Association of America (RIAA) certified the album four-times platinum on November 1, 1999, for shipments of four million copies. According to the Nielson SoundScan, the album has sold 2,753,000 copies.<ref name="askbillboard"/>
Across Europe, it was more successful than in the United States. In early times of its release, the commercial response for the album was short of expectations, but its sales rose sharply during the European leg of the My Love Is Your Love World Tour, which was the highest grossing arena concert tour of 1999 on the continent,<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and consequently My Love Is Your Love became the second best-selling album of 1999 in Europe, behind Cher's Believe,<ref name="europe1999yearend">Template:Cite magazine</ref> spending more than one year on the charts in many countries. In the United Kingdom, it reached number four on the albums chart<ref name="mliyluk">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and was certified 3× Platinum for shipments of 900,000 copies of the album by the British Phonographic Industry (BPI). In France, the album peaked at number two on the albums chart,<ref name="mliylfr">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and was certified 2× platinum by the Syndicat National de l'Édition Phonographique (SNEP). In Germany, it climbed to the number two on the albums chart on its 35th week and has sold more than 670,000 copies.<ref name="mliylger">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name="mliylbvmi">Template:Cite magazine</ref> The album reached number one on the albums charts in Austria,<ref name="mliylaustria">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Switzerland<ref name="mliylswiss">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and Netherlands,<ref name="mliyldutch">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and the top five in Belgium,<ref name="mliylbelvl">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name="mliylbelwa">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Denmark,<ref name="mliylden">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Norway<ref name="mliylnor">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> and Finland.<ref name="mliylfin">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> My Love Is Your Love was certified 4× platinum by the International Federation of the Phonographic Industry (IFPI) for shipments of four million copies of the album in Europe. As of May 2000, the album sold over 10 million copies worldwide.<ref name="billboard000513">Template:Cite magazine</ref><ref name="nme2012">Template:Cite magazine</ref>
Accolades
Much like her previous albums, Houston received many awards and nominations from her work on the album. At the 71st Academy Awards, "When You Believe", her duet with Mariah Carey from The Prince of Egypt won the Academy Award for Best Original Song, which went to writer Stephen Schwartz, who wasn't present for the award.<ref name="1999academynominees">Template:Cite news</ref> It was the third Academy Award-nominated song Houston performed on, after "Run to You" and "I Have Nothing", from The Bodyguard. The same song received two nominations at the American Latino Media Arts (ALMA) Awards, including Outstanding Performance of a Song for a Feature Film and Outstanding Music Video, mainly due to Carey's Latino (Venezuelan) heritage.<ref name="1999alma">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name="1999almaunitedpress">{{#invoke:citation/CS1|citation |CitationClass=web }} Template:Dead linkTemplate:Cbignore</ref> The same song was nominated for Best Original Song at the 56th Golden Globe Awards.<ref name="1999goldenglobe">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
Houston received three nominations for the album at the 2000 American Music Awards, including her seventh career nomination for Favorite Pop/Rock Female Artist, her seventh career nomination for Favorite Soul/R&B Female Artist and a career fourth nomination for Favorite Soul/R&B Album.<ref name="2000ama">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name="2000amabillboard">Template:Cite magazine</ref>
At the Bambi Verleihung (or Bambi Awards) in Germany, Houston received the Pop International Award for her work on the album as well as her entire two-decade career.<ref name="1999bambi">Template:Cite magazine</ref>
At the 1999 Billboard Music Awards, Houston received three nominations, including Hot 100 Female Artist of the Year while her hit "Heartbreak Hotel" was nominated in the Hot 100 Single and Hot R&B Single of the Year categories.<ref name="1999bma01">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name="1999bma02">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In 1999 and 2000, Houston received four nominations at the Blockbuster Entertainment Awards including two nominations for Favorite R&B Female Artist and two nominations for "Heartbreak Hotel" and "When You Believe".<ref name="2000blockbuster">Template:Cite magazine</ref><ref name="2000blockbustermtv">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Three of the songs on the album - "Heartbreak Hotel", "It's Not Right but It's Okay" and "My Love Is Your Love" - won awards for the songwriters at the 2000 BMI Pop Awards.<ref name="2000bmipopawards">Template:Cite magazine</ref> While Babyface received a BMI Pop Award for "When You Believe" at the 2001 ceremony.<ref name="2001bmipopawards01">Template:Cite magazine</ref> At the 2000 Brit Awards in London received her sixth nomination for Best International Female Artist.<ref name="2000brits">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
At the 42nd Annual Grammy Awards in 2000, Houston received four nominations for the album, including Best R&B Album, winning one for Best Female R&B Vocal Performance for "It's Not Right but It's Okay".<ref name="2000grammy">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> It was her first win in the category after six previous nominations, dating back to the 1986 ceremony. Houston joined cousin Dionne Warwick and Toni Braxton as only the third artist to win in both R&B and pop categories. In addition, both "It's Not Right but It's Okay" and "Heartbreak Hotel" were each nominated in the Best R&B Song category while "When You Believe" was nominated for the Grammy for Best Song Written for a Motion Picture, Television or Other Visual Media.
Houston was nominated in the category of Best International Act at the 1999 MOBO (Music of Black Origin Awards) Awards in London, losing to album collaborator Lauryn Hill.<ref name="1999mobo">{{#invoke:citation/CS1|citation |CitationClass=web }} Template:Dead link</ref>
At the 1999 MTV Video Music Awards, Houston received her first nomination in over a decade since the 1986 ceremony,<ref name="1986vmas">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> with "Heartbreak Hotel" receiving a nomination for Best R&B Video.<ref name="1999vmas">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> At the 1999 MTV Europe Music Awards, Houston received two nominations, winning one for Best R&B.<ref name="1999emabbc">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name="1999ema">Template:Cite magazine</ref><ref name="1999emamtv">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
At the 1999 and 2000 NAACP Image Awards, Houston received seven nominations, winning two with "When You Believe" receiving the award for Outstanding Duo or Group and her work on "Heartbreak Hotel" resulted in her winning the award for Outstanding Female Artist in the respective years while the album itself was nominated for Outstanding Album.<ref name="1999naacpcrisis">Template:Cite book</ref><ref name="1999naacp">Template:Cite book</ref><ref name="1999naacpballot">Template:Cite book Template:Dead linkTemplate:Cbignore</ref> At the NRJ Awards in France, Houston received two nominations, winning one for Album international de l'année (International Album of the Year).
At the Lady of Soul Awards, Houston received two nominations while at the 2000 Soul Train Music Awards, Houston received two competitive nominations for the album.<ref name="1999ladyofsoul">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name="Soul Train Music Awards History">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> At the same ceremony, Houston received the Female Artist of the Decade honor.<ref name="Soul Train Music Awards History"/> In November 1999, Houston received a special honor from the Recording Industry Association of America, receiving the Century Award for being the best selling R&B female artist of the 20th century.<ref name="riaacentury">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
Track listing
Template:Track listing Template:Track listing Notes
- Template:Note denotes additional producer
Personnel
Adapted from AllMusic.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>
- Babyface – composer, drum programming, guest artist, keyboards, producer, programming, background vocals
- Jerry Barnes – bass
- Sherrod Barnes – guitar
- Ali Boudris – acoustic guitar
- Corrado Sgandurra – guitar
- Paul Boutin – engineer
- Tim Boyle – engineer
- Kelvin Bradshaw – composer
- Mariah Carey – guest artist
- Sue Ann Carwell – background vocals
- Beverly Crowder – background vocals
- LaShawn Daniels – composer
- Loren Dawson – strings
- Jerry "Wonda" Duplessis – producer
- Nathan East – bass
- Felipe Elgueta – engineer
- Missy Elliott – guest artist, featured artist, producer, vocals
- Toni Estes – background vocals
- Faith Evans – featured artist, guest artist
- Paul J. Falcone – engineer, mixing
- David Foster – arranger, guest artist, keyboards, producer
- Jon Gass – mixing
- Humberto Gatica – engineer
- Sharlotte Gibson – background vocals
- Brad Gilderman – engineer, mixing
- Gavin Greenaway – conductor
- Mick Guzauski – mixing
- Whitney Houston – primary artist, producer, vocal arranger, vocals, background vocals, composer
- Wyclef Jean – composer, producer
- Rodney Jerkins – composer, drum programming, keyboards, producer, strings
- Kenneth Karlin – composer, arranger, producer
- Larry Kimpel – bass
- Ricky Lawson – drums
- Manny Marroquin – engineer, mixing
- Bill Meyers – conductor
- Don Murray – engineer
- Kevin Parker – engineer
- Greg Phillinganes – piano
- Isaac Phillips – composer
- Kelly Price – featured artist, guest artist
- Eric Rigler – pipe
- William Ross – arranger, conductor
- Tamara Savage – composer
- Carsten Schack – composer
- Stephen Schwartz – composer
- Sheila E. – guest artist, percussion
- Daryl Simmons – composer
- John Smeltz – engineer
- V. Jeffrey Smith – flute
- Soulshock – arranger, mixing, producer
- Michael Thompson – guitar
- Ryan Toby – vocals
- Lloyd Turner – composer
- Tommy Vicari – engineer
- Diane Warren – composer
- Shanice Wilson – background vocals
- James Burris – Choir: Eric Cherry's Family And Friends-background vocals
- Hans Zimmer – arranger
Charts
Template:Col-begin Template:Col-2
Weekly charts
| Chart (1998–2000) | Peak position |
|---|---|
| Czech Republic Albums (IFPI)<ref>Template:Cite magazine</ref> | 17 |
| Danish Albums (IFPI Danmark)<ref>Template:Cite magazine</ref> | 3 |
| European Top 100 Albums (Music & Media)<ref>Template:Cite magazine</ref> | 1 |
| Greek Albums (IFPI Greece)<ref>Template:Cite magazine</ref> | 6 |
| Icelandic Albums (Tónlist)<ref>Template:Cite news</ref> | 5 |
| Italian Albums (Musica e dischi)<ref>Template:Cite magazine</ref> | 8 |
| Japanese Albums (Dempa)<ref>Template:Cite magazine</ref> | 11 |
| Malaysian Albums (RIM)<ref>Template:Cite magazine</ref> | 5 |
| Chart (2012) | Peak position | |
|---|---|---|
| US Billboard 200<ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
30 |
| Chart (2023) | Peak position | |
|---|---|---|
| Spanish Vinyl Albums (PROMUSICAE)<ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
23 |
Year-end charts
| Chart (1998) | Position | |
|---|---|---|
| French Albums (SNEP)<ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
74 |
| Chart (1999) | Position | |
|---|---|---|
| Austrian Albums (Ö3 Austria)<ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
2 |
| Belgian Albums (Ultratop Flanders)<ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
11 |
| Belgian Albums (Ultratop Wallonia)<ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
24 |
| Dutch Albums (Album Top 100)<ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
15 |
| European Top 100 Albums (Music & Media)<ref>Template:Cite magazine</ref> | 4 | |
| French Albums (SNEP)<ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
12 |
| German Albums (Offizielle Top 100)<ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
3 |
| Swedish Albums (Sverigetopplistan)<ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
33 |
| Swiss Albums (Schweizer Hitparade)<ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
8 |
| UK Albums (OCC)<ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
15 |
| US Billboard 200<ref>Template:Cite magazine</ref> | 30 | |
| US Top R&B/Hip-Hop Albums (Billboard)<ref>Template:Cite magazine</ref> | 12 |
| Chart (2000) | Position |
|---|---|
| US Billboard 200<ref>Template:Cite magazine</ref> | 184 |
Decade-end charts
| Chart (1990–1999) | Position | |
|---|---|---|
| Austrian Albums (Ö3 Austria)<ref>{{#invoke:citation/CS1|citation | CitationClass=web
}}</ref> |
25 |
Certifications and sales
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See also
References
Bibliography
- Pages with broken file links
- 1998 albums
- Whitney Houston albums
- Albums produced by Clive Davis
- Albums produced by Rodney Jerkins
- Albums produced by David Foster
- Albums produced by Missy Elliott
- Albums produced by Wyclef Jean
- Arista Records albums
- Albums produced by Jerry Duplessis
- Albums produced by Lauryn Hill
- Hip-hop soul albums
- Albums produced by Whitney Houston