Playback singer

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File:Lata Mangeshkar at an event.jpg
Indian playback singer Lata Mangeshkar recorded thousands of songs
File:Si nger Ahmed Rushdi 1955.jpg
Pakistani playback singer Ahmed Rushdi during a live performance

A playback singer, as they are usually known in South Asian cinema, or ghost singer in Western cinema, is a vocalist whose performance is pre-recorded for use in movies. Playback singers record songs for soundtracks, and the actors lip-sync the songs for camera; the actual playback singer does not get filmed or appear on screen. Generally, to synchronize with the emotional situation of the song or complete movie, the playback singer is given an idea or emotional context of that part of the film so that he or she can interpret by taking the right moves in their vocals.

South Asia

South Asian films produced in the Indian subcontinent frequently use this technique. A majority of Indian films as well as Pakistani films typically include six or seven songs. After Alam Ara (1931), the first Indian talkie film, for many years singers made dual recordings for a film, one during the shoot, and later in the recording studio, until 1952 or 1953. Popular playback singers in India enjoy the same status as popular actors and music directors<ref>Template:Cite journal</ref><ref>Template:Cite book</ref><ref>Template:Cite web</ref> and receive wide public admiration. Most of the playback singers are initially trained in classical music, but they later often expand their range.<ref>Template:Cite web</ref>

Mohammed Rafi and Ahmed Rushdi<ref>Template:Cite web</ref> are regarded as two of the most influential playback singers in South Asia.<ref>*Template:Cite web

Hollywood

The practice is also employed in Hollywood musicals, where such performers are known as ghost singers, though less frequently in other genres. Notable Hollywood performances include Anita Ellis as the voice of Rita Hayworth's title character in Gilda (1946). Both Ellis's and Hayworth's performances were so impressive that audiences did not know that the latter's voice had been dubbed. Called "the sexiest voice of 1946", Ellis's identity was not publicized; Hayworth was instead credited on the soundtrack.

There have been other uses of ghost singing in Hollywood, including Marni Nixon in West Side Story for Natalie Wood's portrayal of Maria, in The King and I for Deborah Kerr's Anna Leonowens, and for Audrey Hepburn's Eliza in My Fair Lady; Bill Lee singing for John Kerr's Lieutenant Cable in South Pacific and for Christopher Plummer's Captain von Trapp in The Sound of Music,<ref>Template:Cite web</ref> Lindsay Ridgeway for Ashley Peldon's character as Darla Dimple in the animated film Cats Don't Dance, Claudia Brücken providing the singing voice for Erika Heynatz's character as Elsa Lichtmann in L.A. Noire, and Betty Noyes singing for Debbie Reynolds in Singin' in the Rain,<ref>Earl J. Hess and Pratibha A. Dabholkar, Singin' in the Rain: The Making of an American Masterpiece (Lawrence, Kansas: University Press of Kansas, 2009), p145.</ref> a film in which ghost singing is a major plot point.

Examples

Template:See also Known playback or ghost singers include:

See also

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References

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