Production I.G
Template:Short description Template:Use mdy dates Template:Infobox company Template:Nihongo is a Japanese animation studio.
Headquartered in Musashino, Tokyo, Production I.G was founded on December 15, 1987, by producer Mitsuhisa Ishikawa and character designer Takayuki Goto as I.G Tatsunoko, a branch studio of the animation giant Tatsunoko Production, changing its name to the current Production I.G in September 1993.<ref group="Web">Template:Cite web</ref> The letters I and G derive from the names of the company founders.<ref name="natalie559014_1">Template:Cite web</ref> Since 2007, Production I.G is a subsidiary of the IG Port holding company, causing a restructuring which led to the second incarnation of the studio being formed. Ishikawa was president and CEO of the studio until August 2022 when that position was given to George Wada with Ishikawa remaining as chairman of the company.
Production I.G went through a number of structural changes, not only stepping up from subcontractor to prime contractor to financier of animation production, but also changing the very scheme of the animation business in Japan.<ref name="jinzai-bank.net1">Template:Cite web</ref><ref name="jinzai-bank.net2">Template:Cite web</ref> The studio has implemented a series of measures that break with industry norms, such as investing in productions that are unprecedented for an animation studio, entering the copyright business, establishing a finance company, establishing overseas subsidiaries, and negotiating directly with major Hollywood movie studios.<ref name="jinzai-bank.net1"/><ref name="jinzai-bank.net2"/> The studio established a holding company, IG Port, which owns Production I.G itself as well as animation studios Wit Studio. And the studio has continued to change and expand its business format, merging with publisher Mag Garden, establishing electronic content distribution company Lingua Franca, and forming a comprehensive business alliance with Netflix.<ref name="animationbusiness13287">Template:Cite web</ref><ref name="animeanime47064_2">Template:Cite web</ref> While other major studios are being acquired one after another by large companies and placed under their umbrella, the studio has remained independent (as of 2024).<ref name="ANNinterviewig">Template:Cite web</ref>
Since its inception, Production I.G has produced many of Japan's leading creators, including Mamoru Oshii and Kenji Kamiyama.<ref name="animeanime47064_1">Template:Cite web</ref> It has also produced a number of acclaimed feature films, television series, OVAs (Original Video Animations), ONAs (Original Net Animations), and video games.<ref name="animationbusiness13287"/><ref name="japansociety">Template:Cite web</ref> Its representative works include the Ghost in the Shell series, the Psycho-Pass series, Blood: The Last Vampire and its derivative works such as Blood+, the animation sequences of Kill Bill Vol. 1, Eden of the East, Guilty Crown, Kuroko's Basketball, and Haikyu!!<ref name="animationbusiness13287"/><ref name="animeanime47064_1"/> It is also known in the video game industry for developing intros, cut-scenes and artwork for games such as Bandai Namco's Tales series. Furthermore, it has also spawned such influential animation studios as Wit Studio and Signal.MD, and its influence on the Japanese animation industry is immeasurable.<ref name="animeanime47064_1"/>
Production I.G's works have received critical acclaim outside of Japan, with Mamoru Oshii's Ghost in the ShellTemplate:Efn reaching #1 on the U.S. Billboard Top Video Sales Charts in 1996, and Ghost in the Shell 2: Innocence was the first Japanese animation film to be nominated in Competition at the Cannes Film Festival.<ref name="jinzai-bank.net1"/><ref name="japansociety"/> Hiroyuki Okiura's Jin-Roh: The Wolf Brigade and Hiroyuki Kitakubo's Blood: The Last Vampire have also been highly acclaimed.<ref name="japansociety"/> Those works have also influenced famous Hollywood creators. As a result, it was decided that The Matrix, directed by Lana and Lilly Wachowski, would be produced, and Production I.G produced the animation sequences for Quentin Tarantino's Kill Bill Vol. 1.<ref name="japansociety"/><ref name="ign20170327">Template:Cite web</ref> When pitching the idea for The Matrix to producer Joel Silver, The Wachowskis showed him Ghost in the Shell and told him they wanted to make a similar film.<ref name="ign20170327"/> Tarantino liked Blood: The Last Vampire so much that he himself visited the studio and asked I.G to participate in the production of the film.Template:Efn<ref name="avwatch20090217">Template:Cite web</ref><ref name="allabout206146">Template:Cite web</ref> However, I.G was preoccupied and in no condition to accept, so Ishikawa initially declined. Tarantino then began sending unsolicited drafts of screenplays to the studio one after another. As Ishikawa read them, he gradually became interested and eventually accepted the request.<ref name="allabout206146"/>
History
On December 15, 1987, Mitsuhisa Ishikawa, a producer at Tatsunoko Production, established IG Tatsunoko Ltd., the predecessor of Production IG, with Takayuki Goto, who had organized Studio Chime.<ref name="animationbusiness13287"/> It was in the form of an independent Tatsunoko production branch led by the staff who participated in the Tatsunoko-produced TV series Zillion.<ref name="natalie559014_1"/> Japan was experiencing a booming economy at that time thanks to the economic bubble, but it was a difficult time for the animation industry to create new anime. Original animation projects that may or may not be successful were particularly difficult to pass, and there were few opportunities for young talent to demonstrate their abilities. Ishikawa therefore planned Zillion to provide them with a place to play an active role.<ref name="natalie559014_1"/> Ishikawa, already a freelancer, was entrusted with the work as a Tatsunoko Production branch separated from the company.<ref name="natalie559014_1"/><ref name="animeanime47064_1"/><ref name="TOMinterview">Template:Cite web</ref> Takashi Nakamura, Kōichi Mashimo, Takayuki Goto (later Production I.G board member), Hiroyuki Okiura and Kazuchika Kise (later Production I.G board member) who were at Anime R and Mu in Osaka at the time, as well as Mizuho Nishikubo and Mamoru Oshii helped in the production. Kyoto Animation also participated in the production.<ref name="animeanime47064_1"/><ref name="TOMinterview" /> After Zillion, he could have disbanded the team, but he sensed that everyone wanted to continue working together with this group, so he started I.G Tatsunoko.<ref name="natalie559014_1"/><ref name="jinzai-bank.net2"/> The company was formed by merging the Zillion production team and Studio Chime, which was run by Takayuki Goto, who designed its characters, with the cooperation of Kyoto Animation.<ref name="jinzai-bank.net2"/> Animator Kazuchika Kise also joined the studio early on.<ref group="Web">Template:Cite news</ref> Hideaki Hatta, President and CEO of Kyoto Animation, who encouraged Ishikawa to become president, supported him in establishing the company and even invested in it.<ref name="animeanime47064_1"/> The company name "I.G" was named by Takayuki Goto, after the initials "I" of Ishikawa, the head of the production team, and "G" of Goto, the head of the animation studio. It was Ishikawa's idea to put Tatsunoko in the company name because he thought it would make it easier to get work and out of consideration for Tatsunoko, which had trained him.<ref name="jinzai-bank.net2"/><ref name="TOMinterview" /> The company name was changed to Production I.G in 1993.<ref name="animationbusiness13287"/><ref group="Web" name="history">Template:Cite web</ref>
After becoming independent, I.G's work was mainly subcontracted to other studios for a while.<ref name="animeanime47064_2"/> Soon after becoming independent, I.G received an offer from Studio Deen to subcontract the production of Mamoru Oshii's Patlabor OVA and the movie, and with these hits, I.G solidified its position in the industry.<ref name="jinzai-bank.net2"/> However, Ishikawa began to feel dissatisfied with the fact that even though his company, a subcontractor, actually produced the works, it was only credited as a production partner in the end credits, while the name of the main contractor came to the forefront, and he also began to think that the studio would not be able to survive on low-budget subcontract work in the future.<ref name="animeanime47064_2"/> Ishikawa therefore founded Ing Co., Ltd. in 1990, a planning and production company that handles copyright business.<ref name="natalie559014_1"/> In the anime industry, studios cannot make a profit if they only subcontract production. Ishikawa therefore established Ing with the idea of earning income not only from anime production but also from copyrights, and the studio invested in its works.<ref name="natalie559014_1"/><ref name="animeanime47064_2"/> During his time at Tatsunoko Productions, Ishikawa had seen how the company generate revenue through the operation of the copyrights for original works, so he decided to follow suit.<ref name="natalie559014_1"/> However, he chose a name that was as unobtrusive as possible and not reminiscent of I.G, so as not to alarm the large companies that were already in the copyright business.<ref name="natalie559014_1"/> For Patlabor, Production I.G was a subcontractor for the first film in 1989, but was promoted to prime company for the second film in 1993, and even invested in the film.<ref name="animeanime47064_2"/> After that, Ishikawa continued to use Ing as a company responsible for matters related to contracts and funding, and invested in I.G works under the Ing name. Neon Genesis Evangelion was the only non-I.G studio's work that Ing invested in, and Ishikawa said that investing in this blockbuster work turned out to be a very good result for the studio.<ref name="natalie559014_1"/>
Production I.G produced the film Ghost in the Shell, which was released in Japan in 1995. When this video was released in the U.S., it was ranked No. 1 in the U.S. Billboard magazine's Sell Video category in 1996, and the studio became known as one of the top animation studios in the world, both in name and reality.<ref name="jinzai-bank.net2"/> The film would go on to spawn a Ghost in the Shell franchise that includes sequel and reboot films, television series, original video animation, and original net animation. Ishikawa says this work was the biggest turning point for the studio.<ref name="natalie559014_1"/> In Japanese anime production, manufacturers which are involved in the manufacturing, sale and distribution of video software, television stations, publishers and advertising agencies form a production committee, and animation studios generally join after the committee is formed. Since this would not be profitable enough for the studio, Ishikawa decided that the studio needed to move from being the one who was given permission to produce works to being the one who had the right to grant permission. He approached Kodansha, the publisher of the original Ghost in the Shell manga, and obtained permission to produce three forms of production: an anime TV series, a movie, and a video game. Since Production I.G has a direct contract with Kodansha for the rights to produce anime adaptations from the original manga, it is able to take the initiative when forming the production committee, including the ability to issue usage licenses to each of the participating companies.<ref name="natalie559014_1"/><ref name="animeanime47064_2"/> This allows Production I.G to develop a wide range of Ghost in the Shell anime franchises, including animation TV series, games, and movies.<ref name="animeanime47064_2"/> Ishikawa's decision was successful and brought in a fairly large amount of money for Production I.G, and the studio subsequently expanded its activities.<ref name="animeanime47064_2"/> After that, Production I.G began to get involved in the copyright business and grew into a company that was not just a production company, but also an investor.<ref name="jinzai-bank.net2"/> In the 2004 film Ghost in the Shell 2: Innocence, Ishikawa took a major risk to change the scheme of the Japanese animation business.<ref name="jinzai-bank.net2"/> He planned to make Production I.G, which had become a prime contractor and could invest somewhat, but was still just an animation production company, cut into a client position previously dominated by TV stations, publishing companies, and advertising agencies.<ref name="jinzai-bank.net3">Template:Cite web</ref> Traditionally, it has been common knowledge that once an animation studio produces and delivers a work and receives payment for it, its relationship with the work ends, and any further profits are monopolized by the publishing company, television station, or advertising agency that has invested in the work and holds the copyrights.<ref name="jinzai-bank.net3"/> Anime studios need a lot of money to continue to produce high-quality works and to pay their animators, directors, and other staff appropriately, but it was impossible to do so under such conditions. Therefore, Ishikawa decided to become an investor.<ref name="animeanime47064_2"/><ref name="jinzai-bank.net3"/> Ishikawa decided to produce Ghost in the Shell 2: Innocence on the studio's own , rather than relying on the publisher or other companies in Japan. In order to obtain production financing from major Hollywood film companies, he and Director Oshii traveled to the U.S. with a screenplay and negotiated directly with them without going through a major Japanese advertising agency.<ref name="jinzai-bank.net3"/> Ishikawa narrowed down the list of negotiating partners to DreamWorks, Warner Bros., and 20th century Fox, and finally signed a contract with DreamWorks, founded by Steven Spielberg, and succeeded in raising a huge amount of money and securing a promise of worldwide distribution.<ref name="jinzai-bank.net3"/> On the other hand, advertising and publicity in Japan was entrusted to Toshio Suzuki, a producer at Studio Ghibli.<ref name="jinzai-bank.net4">Template:Cite web</ref> Suzuki's power made possible a large-scale advertising campaign that I.G. would not have been able to carry out alone, but it also created some difficulties.<ref name="jinzai-bank.net4"/> Ishikawa's strategy was to first work with a major global distributor to make Ghost in the Shell 2 a hit in the U.S., where the first Ghost in the Shell video sold well, and then import it back to Japan, but Suzuki rejected this.<ref name="jinzai-bank.net4"/> He suggested that the film be a hit in Japan before the rest of the world and that the studio forget about the success of the previous film and make it not as a sequel but as a completely new film. As a result, the Japanese title was changed from Ghost in the Shell 2 to Innocence.<ref name="jinzai-bank.net4"/> Furthermore, most of the investors have changed from the original lineup.<ref name="jinzai-bank.net4"/> This was an unthinkable situation, and the project could have been scrapped, but Ishikawa was able to renegotiate the contract with his remarkable negotiating skills.<ref name="jinzai-bank.net4"/>
In May 1995, Production I.G established a subsidiary studio, Xebec.<ref group="Web" name="history"/> In 1997, Production I.G invested in Bee Train, a studio founded by Kōichi Mashimo, and also established Production I.G.,LLC, an overseas subsidiary based in Los Angeles.<ref group="Web" name="history"/><ref>Template:Cite journal</ref> The company co-developed and co-produced the television series IGPX, directed by Mitsuru Hongo, with Cartoon Network in 2005. This was the first collaboration between an American cable network and a Japanese anime studio.<ref>Template:Cite web</ref>
Production I.G was recapitalized and became a joint-stock company from a limited company in April 1998, and merged with Ing in September 2000.<ref name="natalie559014_1"/><ref group="Web" name="history"/>
In 2000, Production I.G produced the movie Blood: The Last Vampire, the first full-digital animation in Japan.<ref name="avwatch20090217"/> This was the first time for Production I.G to acquire the original rights to a work.<ref group="Web" name="history"/>
In the 2000s, Production I.G began to produce more TV series, especially those based on popular manga series published in magazines such as Shōnen Jump.<ref name="animeanime47064_2"/> This was the result of Ishikawa's focus on creating a business scheme and leaving the animation production site to younger staff and producers, giving priority to their wishes.<ref name="animeanime47064_2"/>
In 2004, Bee Train acquired the shares held by Production I.G and ceased to be an equity method affiliate of Production I.G. Mitsuhisa Ishikawa also resigned from Bee Train's board.<ref>Template:Cite web</ref>
In 2005, Production I.G. Inc. went public on the JASDAQ stock exchange.<ref name="natalie559014_1"/><ref name="animationbusiness13287"/> With the funds raised through the IPO, Production I.G founded a new studio capable of producing the latest 3DCG animation at the time, and co-founded FILM LIP, a studio capable of digital editing, with Fuji Television.<ref name="jinzai-bank.net4"/>
In 2007, Production I.G, Inc. changed its trade name to IG Port Inc. and at the same time established a new subsidiary under the name Production I.G. Inc.<ref name="natalie559014_1"/><ref group="Web" name="history"/> The company name and its function as an anime studio were taken over by the subsidiary, and the listing was maintained under the name IG Port.<ref name="natalie559014_1"/> Mitsuhisa Ishikawa was also the representative director of Production I.G and IG Port.<ref name="natalie559014_1"/> In the same year, IG Port acquired Mag Garden, a publisher specializing in comics, which publishes the monthly Comic Blade, as a subsidiary.<ref name="natalie559014_1"/><ref name="merg1">Template:Cite web</ref> The norm in the animation industry is for anime studios to obtain permission from major publishers such as Shueisha, Kodansha, Shogakukan, and Kadokawa to adapt popular manga into anime, and then produce anime adaptations based on the original manga.<ref name="natalie559014_1"/> Because of this, none of the animation studios wanted to have a publishing division, but Mag Garden was the perfect publisher for Production I.G to add to its group because it was not large enough to make those major publishers wary or hostile.
In September 2010, Production I.G moved its headquarters to Musashino, Tokyo.<ref group="Web" name="history"/>
In 2010, IG Port acquired an 11.2% stake in Tatsunoko Production and Mitsuhisa Ishikawa became a non-executive director of the company.<ref name="animeanime2010060203">Template:Cite web</ref>
On June 1, 2012, Wit Studio, I.G's subsidiary animation studio, was founded, with the studio's first project being Attack on Titan, which I.G assisted in producing.<ref>Template:Cite web</ref><ref>Template:Cite AV media</ref> IG Port invested 66.6%, while George Wada and Tetsuya Nakatake who were in the planning section of Production I.G invested 21.6% and 10.0%, respectively.<ref>Template:Cite web</ref>
In 2017, IG Port created Lingua Franca, an electronic distribution service company, as a wholly owned subsidiary, with Kyohei ShinpukuTemplate:Efn as its president.
On June 5, 2017, Production I.G launched Tate Anime (vertical anime), an anime distribution app optimized for viewing on smartphones.<ref name="animeanime38061">Template:Cite web</ref> It was completely renewed in 2018 and replaced with a new app, Anime Beans, with expanded functions, including the ability to deliver Yoko anime (horizontal anime), and more content available for viewing.<ref name="animeanime38061"/><ref>Template:Cite web</ref><ref>Template:Cite web</ref> The service was launched on December 18 worldwide except for China.<ref name="animeanime38061"/><ref>Template:Cite web</ref> The app ended service on March 31, 2023.<ref>Template:Cite web</ref>
In 2018, Production I.G and Wit Studio entered into a comprehensive business partnership with Netflix for anime productions.<ref>Template:Cite web</ref>
On November 20, 2018, IG Port sold Xebec to Sunrise. Prior to that, Xebeczwei, a subsidiary of Xebec, was transferred to Production I.G on January 12, 2018, becoming a subsidiary and changing its name to IGzwei accordingly.<ref name="xebec">Template:Cite web</ref>
On August 30, 2022, George Wada, who founded Wit Studio, was promoted from Executive Vice President of Production I.G to CEO, while Ishikawa resigned as CEO to become Chairman.<ref name="animationbusiness13287"/><ref>Template:Cite web</ref> Wada also continued to serve as president of Wit Studio.<ref name="animationbusiness13287"/><ref group="Web">Template:Cite web</ref>
Works
Television series
| Year | Title | Director(s) | Template:Abbr | Notes | Template:Abbr |
|---|---|---|---|---|---|
| 1994–1995 | Blue Seed | Jun Kamiya | 26 | Based on the manga series by Yuzo Takada. Produced with Ashi Productions. | <ref>Template:Cite web</ref> |
| 2001–2002 | Vampiyan Kids | Masatsugu Arakawa | 26Template:Efn | Original work. | <ref name="vampkids">Template:Cite web</ref> |
| PaRappa the Rapper | Hiroaki Sakurai | 30 | Based on the video game of the same name. Production co-operation with J.C. Staff. | <ref group="Web">Template:Cite web</ref> | |
| 2002–2005 | Ghost in the Shell: Stand Alone Complex | Kenji Kamiyama | 52Template:Efn | Second season titled Ghost in the Shell: S.A.C. 2nd Gig ran for 26 episodes from 2004 to 2005. | <ref name="gitssac">Ghost in the Shell: S.A.C. productions:
|
| 2003–2004 | Cromartie High School | Hiroaki Sakurai | 26 | Based on the manga series by Eiji Nonaka. | <ref>Template:Cite web</ref> |
| 2004–2005 | Windy Tales | Junji Nishimura | 13 | Original story by Minami Otori. | <ref>Template:Cite web</ref> |
| Otogi Zoshi | Mizuho Nishikubo | 26 | Original work. | <ref>Template:Cite web</ref> | |
| 2005–2006 | IGPX: Immortal Grand Prix | Mitsuru Hongo | 26 | Collaborative project with Cartoon Network. | <ref>Template:Cite web</ref> |
| Blood+ | Junichi Fujisaku | 50 | Original work. | <ref name="bloodplus">Template:Cite web</ref> | |
| 2006–2007 | Le Chevalier D'Eon | Kazuhiro Furuhashi | 24 | Based on an original story by Tow Ubukata. | <ref>Template:Cite web</ref> |
| 2006–2008 | xxxHolic | Tsutomu Mizushima | 37Template:Efn | Based on the manga by the group Clamp. Ran for two seasons for a total of 37 episodes. | <ref name="holic1">xxxHolic productions:
|
| 2007 | Moribito: Guardian of the Spirit | Kenji Kamiyama | 26 | Based on the novel by Nahoko Uehashi. | <ref>Template:Cite web</ref> |
| Reideen | Mitsuru Hongo | 26 | Remake of TV series Brave Reideen. | <ref>Template:Cite web</ref> | |
| Ani*Kuri15 | Mamoru OshiiTemplate:Efn Atsushi TakeuchiTemplate:Efn |
15 | 15 episode series with Production I.G producing two episodes. | <ref name="kuri15">Template:Cite web</ref> | |
| 2007–2008 | Ghost Hound | Ryūtarō Nakamura | 22 | Original work created with Masamune Shirow. | <ref>Template:Cite web</ref> |
| 2008 | Library War | Takayuki Hamana | 12Template:Efn | Based on the light novel series by Hiro Arikawa. | <ref>Template:Cite web</ref> |
| Real Drive | Kazuhiro Furuhashi | 26 | Original work created with Masamune Shirow. | <ref>Template:Cite web</ref> | |
| Sands of DestructionTemplate:Efn | Shunsuke Tada | 13 | Based on the video game of the same name.<ref>Template:Cite web</ref> | <ref>Template:Cite web</ref> | |
| 2009 | Erin | Takayuki Hamana | 50 | Based on the novel by Nahoko Uehashi. | <ref>Template:Cite web</ref> |
| Eden of the East | Kenji Kamiyama | 11 | Original work. | <ref name="eden1">Template:Cite web</ref> | |
| 2009–2010 | Sengoku Basara: Samurai Kings | Itsuro KawasakiTemplate:Efn Kazuya NomuraTemplate:Efn |
24 | Based on the Capcom video game series of the same name. Ran for two seasons. | <ref>Sengoku Basara productions:
|
| 2009–2024 | Kimi ni Todoke | Hiro KaburagiTemplate:Efn Kenichi MatsuzawaTemplate:Efn |
43 | Based on the manga by Karuho Shiina. | <ref>Kimi ni Todoke productions:
|
| 2010 | ShokaTemplate:Efn | Makoto Yamada | 1 | Based on a script written by Kenji Saido who won the grand prize at the 7th Animax Award in 2008.<ref>Template:Cite web</ref> | <ref name="shokann">Template:Cite web</ref> |
| 2011 | Moshidora | Takayuki Hamana | 10 | Based on the novel by Natsumi Iwasaki. | <ref>Template:Cite web</ref> |
| Bunny Drop | Kanta Kamei | 11 | Based on the manga by Yumi Unita. | <ref>Template:Cite web</ref> | |
| Blood-C | Tsutomu Mizushima | 12 | Original work, Created in collaboration with Clamp. | <ref name="bloodc">Template:Cite web</ref> | |
| 2011–2013 | You're Being Summoned, Azazel | 26Template:Efn | Based on the manga by Yasuhisa Kubo. Ran for two 13-episode seasons. | <ref>You're Being Summoned, Azazel productions:
| |
| 2011–2012 | Guilty Crown | Tetsuro Araki | 22 | Original work. | <ref name="gcrown">Template:Cite web</ref> |
| 2012–2015 | Kuroko's Basketball | Shunsuke Tada | 75Template:Efn | Based on the manga by Tadatoshi Fujimaki. Ran for three 25-episode seasons. | <ref name="kurokobasket">Kuroko's Basketball productions:
|
| 2012 | The Prince of Tennis II | Hideyo Yamamoto | 13 | Based on the manga by Takeshi Konomi, the sequel to The Prince of Tennis. Produced with M.S.C. | <ref name="tennisprince">Template:Cite web</ref> |
| Shining Hearts | Itsuro Kawasaki | 12 | Based on the video game of the same name. | <ref>Template:Cite web</ref> | |
| 2012–2013 | Robotics;Notes | Kazuya Nomura | 22 | Based on the visual novel by Mages. | <ref>Template:Cite web</ref> |
| Psycho-Pass | Katsuyuki MotohiroTemplate:Efn Naoyoshi ShiotaniTemplate:Efn |
22 | Original work. | <ref name="psychop">Template:Cite web</ref> | |
| Gargantia on the Verdurous Planet | Kazuya Murata | 13Template:Efn | Original work. | <ref>Template:Cite web</ref> | |
| 2013 | Genshiken: Second Generation | Tsutomu Mizushima | 13 | Genshiken Nidaime in Japanese. Based on the manga by Shimoku Kio. | <ref>Template:Cite web</ref> |
| 2013–2016 | Ace of Diamond | Mitsuyuki Masuhara | 126Template:Efn | Based on the manga by Yuji Terajima. Co-production with Madhouse with Production I.G working on two seasons. Season 1 ran for 75 episodes 2013–2015. Season 2 ran for 51 episodes 2015–2016. | <ref>Ace of Diamond productions:
|
| 2014–2020 | Haikyu!! | Susumu MitsunakaTemplate:Efn Masako SatoTemplate:Efn |
85Template:Efn | Based on the manga by Haruichi Furudate. Seasons 1–2 ran for 25 episodes 2014–2016. Season 3 ran for 10 episodes in 2016. Season 4 ran for 25 episodes in 2020. | <ref name="haikyust">Haikyu! production information:
|
| 2014 | Ao Haru Ride | Ai Yoshimura | 12 | Based on the manga by Io Sakisaka. | <ref>Template:Cite web</ref> |
| 2015 | Maria the Virgin Witch | Gorō Taniguchi | 12 | Based on the manga by Masayuki Ishikawa. | <ref>Template:Cite web</ref> |
| Ghost in the Shell: Arise - Alternative Architecture | Kazuchika Kise | 10 | TV version of the four-part original video animation (OVA) titled Ghost in the Shell: Arise that was shown in theaters in 2013 and 2014. | <ref name="arise">Template:Cite web</ref> | |
| Attack on Titan: Junior High | Yoshihide Ibata | 12 | Based on the manga by Saki Nakagawa that was itself based on the original manga by Hajime Isayama. | <ref>Template:Cite web</ref> | |
| 2015–2017 | Pikaia! | Daiki Tomiyasu | 26 | Production with OLM and NHK. Ran for two 13-episode seasons: Season 1 in 2015 and Season 2 in 2017. | <ref>Pikaia! seasons:
|
| 2016 | Joker Game | Kazuya Nomura | 12 | Based on the novel series by Koji Yanagi. | <ref>Template:Cite web</ref> |
| 2017 | Atom: The Beginning | Tatsuo Sato Katsuyuki MotohiroTemplate:Efn |
12 | Based on the manga by Tetsurō Kasahara. Co-production with OLM and Signal.MD. | <ref>Template:Cite web</ref> |
| Welcome to the Ballroom | Yoshimi Itazu | 24 | Based on the manga by Tomo Takeuchi. | <ref>Template:Cite web</ref> | |
| Magical Circle Guru Guru | Hiroshi Ikehata | 24 | Based on the manga by Hiroyuki Etō. | <ref>Template:Cite web</ref> | |
| 2018 | Legend of the Galactic Heroes: Die Neue These | Shunsuke Tada | 12 | Based on the novels by Yoshiki Tanaka. | <ref>Template:Cite web</ref> |
| FLCL Progressive | Katsuyuki MotohiroTemplate:Efn Yutaka Uemura (Alternative) |
6 | Second season of FLCL. Produced in collaboration with Adult Swim. | <ref name="flclann">Template:Cite web</ref> | |
| FLCL Alternative | Third season of FLCL. Produced in collaboration with Adult Swim and general animation production by NUT and Revoroot. | ||||
| 2018 | Run with the Wind | Kazuya Nomura | 23 | Based on the novel by Shion Miura. | <ref>Template:Cite web</ref> |
| 2019–2020 | Case File nº221: Kabukicho | Ai Yoshimura | 24Template:Efn | Original work. | <ref>Template:Cite web</ref> |
| 2019–2021 | Chūka Ichiban! | Itsuro Kawasaki | 24 | Based on the manga by Etsushi Ogawa. Produced with NAS. Ran for two 12-episode seasons. | <ref>Chūka Ichiban seasons:
|
| 2019 | Psycho-Pass 3 | Naoyoshi Shiotani | 8 | Sequel to Psycho-Pass 2. | <ref>Psycho-Pass 3 episodes and staff:
|
| 2020 | Noblesse | Yasutaka Yamamoto Shunsuke TadaTemplate:Efn |
13 | Based on the manhwa by Son Je-ho. A Crunchyroll original produced with WEBTOON and animated by Production I.G. | <ref>Noblesse episodes and staff:
|
| 2020–2021 | Moriarty the Patriot | Kazuya Nomura | 24Template:Efn | Based on the manga by Ryōsuke Takeuchi and Hikaru Miyoshi. | <ref>Template:Cite web</ref> |
| 2021 | Fena: Pirate Princess | Kazuto Nakazawa | 12 | Original work. Adult Swim and Crunchyroll co-production with Production I.G animating. | <ref>Template:Cite web</ref> |
| 2022 | Aoashi | Akira Sato | 24 | Based on the manga by Yūgo Kobayashi and Naohiko Ueno. | <ref name="ashishow">Template:Cite web</ref> |
| Housing Complex C | Yūji Nara | 4 | Produced in collaboration with Adult Swim. | <ref>Template:Cite web</ref> | |
| 2023 | Heavenly Delusion | Hirotaka Mori | 13 | Based on the manga by Masakazu Ishiguro. | <ref>Template:Cite web</ref> |
| FLCL: Grunge | Hitoshi Takekiyo | 3 | Fourth season of FLCL. Produced in collaboration with Adult Swim and general animation production by MontBlanc Pictures. | <ref>Template:Cite web</ref> | |
| FLCL: Shoegaze | Yutaka Uemura | Fifth season of FLCL. Produced in collaboration with Adult Swim and general animation production by NUT. | |||
| 2024–present | Kaiju No. 8 | Shigeyuki Miya Tomomi KamiyaTemplate:Efn |
23 | Based on the manga by Naoya Matsumoto. | <ref>Template:Cite web</ref> |
| 2024 | Uzumaki | Hiroshi Nagahama | 4 | Produced in collaboration with Adult Swim and general animation production by Fugaku and Akatsuki. | <ref>Template:Cite web</ref> |
| 2024–2025 | Shinkalion: Change the World | Kenichiro Komaya | 39 | Based on the toyline franchise by Takara Tomy. Co-production with Signal.MD. | <ref>Template:Cite web</ref> |
| Kinnikuman: Perfect Origin Arc | Akira Sato | 24 | Based on the manga by Yudetamago. | <ref>Template:Cite web</ref> | |
| 2026 | Hidarikiki no Eren | Toshimasa Suzuki | Template:TBA | Based on the manga by Kappi. Co-production with Signal.MD. | <ref>Template:Cite web</ref> |
OVAs
| Year | Title | Director(s) | Template:Abbr | Notes | Template:Abbr |
|---|---|---|---|---|---|
| 1990 | Eiji | Mizuho Nishikubo | 1 | As I.G Tatsunoko. Based on the manga by Hisashi Eguchi. | <ref group="Web">Template:Cite web</ref> |
| 1991 | The Heroic Legend of Arslan | Mamoru Hamatsu | 1 | As I.G Tatsunoko. Produced with Animate Film. Kazuchika Kise served as animation director. Based on the novel series by Yoshiki Tanaka. | <ref group="Web" name="arslan">Template:Cite web</ref> |
| 1992 | Video Girl Ai | Mizuho Nishikubo | 6 | As I.G Tatsunoko. Based on the manga by Masakazu Katsura. | <ref group="Web" >Template:Cite web</ref> |
| 1993 | Dragon Half | Shinya Sadamitsu | 2 | As I.G Tatsunoko. Based on the manga by Ryūsuke Mita. | <ref group="Web" >Template:Cite web</ref> |
| Shooting Star Gakusaver | 1 | As I.G Tatsunoko. Based on the manga by G.Project. | <ref>Template:Cite web</ref> | ||
| Girl From PhantasiaTemplate:Efn | Jun Kamiya | 1 | As I.G Tatsunoko. Based on the manga by Akane Nagano.<ref name="fantasy">Template:Cite web</ref> | <ref>Template:Cite web</ref> | |
| Please Save My Earth | Kazuo Yamazaki | 6 | First work under the name of Production I.G. Based on the manga by Saki Hiwatari. | <ref name="saveearth">Template:Cite web</ref> | |
| 1994 | Combustible Campus Guardress | Toshihiko Nishikubo
Daisuke Chiba |
4 | Original OVA published by Shueisha.<ref>Template:Cite web</ref> | <ref group="Web" >Template:Cite web</ref> |
| B.B. Fish | Mamoru Hamatsu | 1 | Based on the manga by Sho Kitagawa.<ref>Template:Cite web</ref> | <ref group="Web" >Template:Cite web</ref> | |
| 1996 | The Special Duty Combat Unit Shinesman | Shinya Sadamitsu | 2 | Based on the manga by Kaim Tachibana.<ref>Template:Cite web</ref> | <ref group="Web">Template:Cite web</ref> |
| Blue Seed Beyond | Jun Kamiya | 3 | Three-episode OVA with Production I.G working on episodes 1 and 2. Sequel to Blue Seed. | <ref>Template:Cite web</ref> | |
| Panzer Dragoon | Shinji Takagi | 1 | Based on the video game of the same name. | <ref>Template:Cite web</ref> | |
| Bronze Zetsuai ~ Since 1989 | Itsuro Kawasaki | 1 | Based on the manga by Minami Ozaki. | <ref>Template:Cite web</ref> | |
| 1998 | One Piece: Defeat Him! Pirate Ganzack! | Goro Taniguchi | 1 | One Piece special. Based on the manga by Eiichiro Oda. | <ref>Template:Cite web</ref> |
| 2000–2001 | FLCL | Kazuya Tsurumaki | 6 | Produced with Gainax. | <ref>Template:Cite web</ref> |
| 2001 | Kai Doh Maru | Kanji Wakabayashi | 1 | Original work. | <ref>Template:Cite web</ref> |
| 2003 | The Prince of Tennis: A Day on Survival Mountain | Takayuki Hamana | 1 | Special episode of the anime series shown at Jump Festa 2003. | <ref>Template:Cite web</ref> |
| 2004 | Van Helsing: The London Assignment | 1 | Short film based on the movie by Stephen Sommers. | ||
| 2007–2008 | Tsubasa Tokyo Revelations | Shunsuke Tada | 3 | Based on the manga by Clamp. | <ref name="tsubasa1">Template:Cite web</ref> |
| 2007 | Tokyo Marble Chocolate | Naoyoshi Shiotani | 2 | Original work. Directorial debut of Naoyoshi Shiotani. | <ref group="Web">Template:Cite web</ref> |
| 2008 | Batman: Gotham Knight | Futoshi HigashideTemplate:Efn
Hiroshi MoriokaTemplate:Efn |
6 | In collaboration with Warner Bros and DC Comics. Production I.G worked on two episodes. | <ref group="Web">Template:Cite web</ref> |
| 2009 | Tsubasa Spring Thunder Chronicles | Shunsuke Tada | 2 | Sequel to Tsubasa Tokyo Revelations. Based on the manga series by Clamp. | <ref name="tsubasa2">Template:Cite web</ref> |
| 2010 | Halo Legends | Multiple directors | 7 | Production I.G worked on two episodes. | |
| Dante's Inferno: An Animated Epic | Multiple directors | 6 | Production I.G worked in collaboration with multiple other studios. | <ref>Template:Cite web</ref> | |
| Je t'aime | Mamoru Oshii | 1 | Short film with music by Glay. | <ref>Template:Cite web</ref> | |
| 2013 | Vassalord | Kazuto Nakazawa | 1 | Based on the manga by Nanae Chrono. | <ref>Template:Cite web</ref> |
| Pokémon Origins | Itsuro Kawasaki | 4 | Production I.G worked on the first episode. | <ref>Template:Cite web</ref> |
ONAs
| Year | Title | Director(s) | Template:Abbr | Notes | Template:Abbr |
|---|---|---|---|---|---|
| 2005-2006 | The King of Fighters: Another Day | Masaki Tachibana | 4 | Based on the video game series of the same name. | <ref group="Web">Template:Cite web</ref> |
| 2008 | Chocolate UndergroundTemplate:Efn | Takayuki Hamana | 13 | Based on the novel Bootleg by Alex Shearer. Shown on mobile phones. | <ref>Template:Cite web</ref> |
| 2012 | Next A-Class | Mizuho Nishikubo | 1 | Collaboration with Mercedes-Benz. | <ref>Template:Cite web</ref> |
| 2013 | au Unlimited Future Laboratory | Kenji Kamiyama | 1 | Collaboration with au. | <ref>Template:Cite web</ref> |
| 2016 | Noblesse: Awakening | Shunsuke Tada Kazuto Nakazawa |
1 | Based on the manhwa by Son Je-ho. A Crunchyroll original produced with WEBTOON and animated by Production I.G. | <ref>Template:Cite web</ref> |
| 2017 | Neo Yokio | Kazuhiro Furuhashi Junji Nishimura |
6 | Production I.G contributed to storyboards of the series. | <ref>Template:Cite web</ref> |
| Kodoku no Gourmet | Kazuchika Kise<ref>Template:Cite web</ref> | 10 | Based on the manga by Masayuki Kusumi and Jiro Taniguchi. Shown on the Tate Anime application. | <ref>Template:Cite web</ref> | |
| 2018–2021 | B: The Beginning | Kazuto NakazawaTemplate:Efn Yoshinobu YamakawaTemplate:Efn Itsuro KawasakiTemplate:Efn |
18 | Original work. Season 2 titled B: The Beginning Succession ran for six episodes in 2021. | <ref>B: The Beginning productions:
|
| 2019–2023 | Ultraman | Kenji Kamiyama Shinji Aramaki |
31 | Based on the manga by Eichii Shimizu and Tomohiro Shimiguchi. Ran for three seasons. Produced with Sola Digital Arts. | <ref>Template:Cite web</ref> |
| 2020 | Sol Levante | Akira Saito | 1 | In collaboration with Netflix. | <ref>Template:Cite web</ref> |
| 2020–2022 | Ghost in the Shell: SAC_2045 | Kenji Kamiyama Shinji Aramaki |
24Template:Efn | Ran for two twelve-episode seasons. Produced with Sola Digital Arts. | <ref name="sac2045">Template:Cite web</ref> |
| 2021 | Star Wars: Visions | Kenji Kamiyama | 9 | Production I.G worked on episode 5: "The Ninth Jedi." In collaboration with Lucasfilm. | <ref>Template:Cite web</ref> |
| 2024 | Terminator Zero | Masashi Kudō | 8 | Based on the Terminator franchise created by James Cameron and Gale Anne Hurd. Produced with No Brakes and Skydance Television. | <ref>Template:Cite web</ref><ref>Template:Cite web</ref> |
| scope="row" style=text-align:left Template:TBA | BRZRKR | Template:TBA | Template:TBA | Based on the comic by Keanu Reeves, Matt Kindt and Ron Garney. | <ref>Template:Cite web</ref> |
Films
| Year | Title | Director(s) | Notes | Template:Abbr |
|---|---|---|---|---|
| 1989 | Patlabor: The Movie | Mamoru Oshii | Based on the manga by Headgear. Produced with Studio Deen. | <ref name="patlabor1">Template:Cite web</ref> |
| 1992 | The Weathering Continent | Kōichi Mashimo | Based on the light novel series by Sei Takekawa. As IG Tatsunoko. | <ref>Template:Cite web</ref> |
| 1993 | Patlabor 2: The Movie | Mamoru Oshii | As IG Tatsunoko. Based on the original series by Headgear. | <ref name="patlabor2">Template:Cite web</ref> |
| 1995 | Ghost in the Shell | Based on the manga by Masamune Shirow. | <ref name="gits95">Template:Cite web</ref> | |
| 1997 | Neon Genesis Evangelion: Death & Rebirth | Hideaki AnnoTemplate:Efn Kazuya TsurumakiTemplate:Efn |
With Gainax. Production I.G worked on the Rebirth part of the film. | <ref>Template:Cite web</ref> |
| Neon Genesis Evangelion: The End of Evangelion | With Gainax. | <ref>Template:Cite web</ref> | ||
| 1999 | Cyber Team in Akihabara: Summer Vacation of 2011 | Hiroaki Sakurai | With Xebec. Based on the anime series by Tsukasa Kotobuki. | <ref>Template:Cite web</ref> |
| 2000 | Jin-Roh: The Wolf Brigade | Hiroyuki Okiura | Written by Mamoru Oshii. | <ref name="jinwolf">Template:Cite web</ref> |
| Blood: The Last Vampire | Hiroyuki Kitakubo | Based on a story by Kenji Kamiyama. Also developed by Junichi Fujisaku and Mamoru Oshii. | <ref name="bloodvamp">Template:Cite web</ref> | |
| 2001 | Sakura Wars: The Movie | Mitsuru Hongo | Based on the Sega video game series of the same name by Oji Hiroi. | <ref>Template:Cite web</ref> |
| 2004 | Dead Leaves | Hiroyuki Imaishi | Original concept by Hiroyuki Imaishi. | <ref group="Web">Template:Cite web</ref> |
| Ghost in the Shell 2: Innocence | Mamoru Oshii | Sequel to Ghost in the Shell. | <ref name="gits04">Template:Cite web</ref> | |
| 2005 | The Prince of Tennis – The Two Samurai: The First GameTemplate:Efn | Takayuki Hamana | Based on the manga by Takeshi Konomi. | <ref>Template:Cite web</ref> |
| Tsubasa Reservoir Chronicle the Movie: The Princess in the Birdcage Kingdom | Itsuro Kawasaki | Based on the manga by the group Clamp. | <ref group="Web">Template:Cite web</ref> | |
| xxxHolic: A Midsummer Night's Dream | Tsutomu Mizushima | <ref>Template:Cite web</ref> | ||
| 2006 | Ghost in the Shell: Stand Alone Complex - Solid State Society | Kenji Kamiyama | Based on the manga by Masamune Shirow. | <ref>Template:Cite web</ref> |
| 2008 | The Sky Crawlers | Mamoru Oshii | Based on the novel series of the same name by Hiroshi Mori. | <ref>Template:Cite web</ref> |
| 2009 | Tales of Vesperia: The First Strike | Kanta Kamei | Based on the Namco video game of the same name. | <ref>Template:Cite web</ref> |
| Eden of the East: The King of Eden | Kenji Kamiyama | Template:N/a | <ref name="eden2">Template:Cite web</ref> | |
| Oblivion Island: Haruka and the Magic Mirror | Shinsuke Sato | Template:N/a | <ref>Template:Cite web</ref> | |
| 2010 | Eden of the East: Paradise Lost | Kenji Kamiyama | Template:N/a | <ref name="eden2" /> |
| 2010–2011 | Broken BladeTemplate:Efn | Tetsuro AminoTemplate:Efn Nobuyoshi HabaraTemplate:Efn |
Six films released from 2010 to 2011. Based on the manga by Yunosuke Yoshinaga. Produced with Xebec. | <ref name="brokenblade">Template:Cite web</ref> |
| 2010 | Book GirlTemplate:Efn | Shunsuke Tada | Based on the light novel series of the same name by Mizuki Nomura. | <ref>Template:Cite web</ref> |
| Hiyokoi | Norihiro Naganuma<ref>Template:Cite web</ref> | Template:N/a | <ref>Template:Cite web</ref> | |
| Loups=Garous | Junichi Fujisaku | With Trans Arts. | <ref>Template:Cite web</ref> | |
| 2011 | Sengoku Basara: The Last Party | Kazuya Nomura | Template:N/a | <ref>Template:Cite web</ref> |
| Drawer Hobs | Kazuchika Kise | Short film. | <ref group="Web">Template:Cite web</ref> | |
| A Letter to Momo | Hiroyuki Okiura | World premiere in 2011. Released in Japan in 2012. | <ref>Template:Cite web</ref> | |
| Xi Avant | Kenji Kamiyama | Short film. Collaboration with NTT Docomo. | <ref>Template:Cite web</ref> | |
| The Prince of Tennis - The Battle of the British City | Shunsuke Tada | Template:N/a | <ref>Template:Cite web</ref> | |
| Appleseed XIII: Tartaros | Takayuki Hamana | Based on the manga series of the same name by Masamune Shirow. Compilation of anime series. | <ref group="Web">Template:Cite web</ref> | |
| Appleseed XIII: Ouranos | ||||
| 2012 | Blood-C: The Last Dark | Naoyoshi Shiotani | Sequel to the anime series. | <ref>Template:Cite web</ref> |
| Library War: The Wings of Revolution | Takayuki Hamana | Sequel to the anime series. | <ref>Template:Cite web</ref> | |
| 009 Re:Cyborg | Kenji Kamiyama | Based on the manga Cyborg 009 by Shotaro Ishinomori. | <ref>Template:Cite web</ref> | |
| Wasurenagumo | Toshihisa Kaiya | Short film made for the Anime Mirai project. | <ref>Template:Cite web</ref> | |
| Mass Effect: Paragon Lost | Atsushi Takeuchi | Prequel story to Mass Effect 3. With BioWare and T.O. Entertainment. | <ref>Mass Effect production:
| |
| 2013 | Kick-Heart | Masaaki Yuasa | Short film. Financed through a Kickstarter funding campaign. | <ref>Template:Cite web</ref> |
| 2014 | Giovanni's Island | Mizuho Nishikubo | Template:N/a | <ref>Template:Cite web</ref> |
| 2015 | Psycho-Pass: The Movie | Katsuyuki MotorihoTemplate:Efn Naoyoshi Shiotani |
Template:N/a | <ref>Template:Cite web</ref> |
| Miss Hokusai | Keiichi Hara | Based on the manga series by Hinako Sugiura. | <ref>Template:Cite web</ref> | |
| Ghost in the Shell: The New Movie | Kazuchika KiseTemplate:Efn Kazuya Nomura |
Template:N/a | <ref>Template:Cite web</ref> | |
| Pigtails | Yoshimi Itazu | Based on the manga by Machiko Kyō. Short animated film used for a stage play of the manga. | <ref>Template:Cite web</ref> | |
| 2017 | Kuroko's Basketball The Movie: Last Game | Shunsuke Tada | Template:N/a | <ref>Template:Cite web</ref> |
| 2018 | Tokimeki Restaurant: Miracle 6 | Chiaki Kon | Based on the Tokimeki Restaurant mobile game by Koei Tecmo and Konami. | <ref>Template:Cite web</ref> |
| 2019 | Psycho-Pass: Sinners of the System | Naoyoshi Shiotani | Film trilogy. | <ref>Template:Cite web</ref> |
| Legend of the Galactic Heroes: Die Neue These - Stellar War | Shunsuke Tada | Film trilogy that served as the second season of the anime series. | <ref>Template:Cite web</ref> | |
| 2019–2021 | Fafner in the Azure - The Beyond | Takashi Noto | Film tetralogy released from 2019 to 2021. Produced with Xebec. | <ref>Template:Cite web</ref> |
| 2020 | Psycho-Pass 3: First Inspector | Naoyoshi Shiotani | Template:N/a | <ref>Template:Cite web</ref> |
| BEM: Become Human | Hiroshi Ikehata | Reboot of the Humanoid Monster Bem anime series. | <ref>Template:Cite web</ref> | |
| 2021 | Fate/Grand Order - Divine Realm of the Round Table: Camelot | Kazuto Arai | Animation production for the second film titled Paladin; Agaterám. | <ref>Template:Cite web</ref> |
| 2022 | The Deer King | Masashi Ando Masayuki Miyaji |
Based on the novel series by Nahoko Uehashi. | <ref>Template:Cite web</ref> |
| Deemo: Memorial Keys | Shūhei Matsushita | Based on the Deemo video game by Rayark. With Signal.MD. | <ref>Template:Cite web</ref> | |
| Legend of the Galactic Heroes: Die Neue These - Clash | Shunsuke Tada | Film trilogy that served as the third season of the anime series. | <ref>Template:Cite web</ref> | |
| Legend of the Galactic Heroes: Die Neue These - Intrigue | Film trilogy that served as the fourth season of the anime series. | <ref>Template:Cite web</ref> | ||
| 2023 | Fafner in the Azure: Behind the Line | Takashi Noto | Template:N/a | <ref>Template:Cite web</ref> |
| Rakudai Majo | Takayuki Hamana | Based on the book series by Satoko Narita. | <ref>Template:Cite web</ref> | |
| Psycho-Pass Providence | Naoyoshi Shiotani | Film celebrating the 10th anniversary of the Psycho-Pass franchise. | <ref>Template:Cite web</ref> | |
| The Concierge at Hokkyoku Department Store | Yoshimi Itazu | Based on the manga by Tsuchika Nishimura. | <ref>Template:Cite web</ref> | |
| 2024 | Haikyu!! The Dumpster Battle | Susumu Mitsunaka | Sequel to the anime series. | <ref name="haikyufilms">Template:Cite web</ref> |
| 2025 | Kill Bill: The Whole Bloody Affair | Template:N/a | Production I.G animated Chapter 3: The Origin of O-Ren. | <ref name="kbill">Template:Cite web</ref><ref>Template:Cite web</ref> |
| scope="row" style=text-align:left Template:TBA | Haikyu!! vs. The Little Giant | Susumu Mitsunaka | Sequel to Haikyu!! The Dumpster Battle | <ref>Template:Cite web</ref> |
Live-action series
- K-tai Investigator 7 (2008–2009)<ref>Template:Cite web</ref>
- Stay Tuned! (2019)<ref>Template:Cite web</ref>
- Dragons of Wonderhatch (2023, animated scenes)<ref>Template:Cite web</ref>
Music videos
- m-flo: Quantum Leap (2000)<ref group="Web">Template:Cite web</ref>
- Linda: Chains & Rings (2003)<ref group="Web">Template:Cite web</ref>
- Mylène Farmer: Peut-être toi (2006)<ref>Template:Cite web</ref>
- Maaya Sakamoto: Universe (2007)<ref group="Web">Template:Cite web</ref>
- Re:vale: NO DOUBT (2017)<ref group="Web">Template:Cite web</ref>
- Valorant: 二律背反 REFLECTIONS (2023)<ref group="Web">Template:Cite web</ref>
Video games
- Power Pros (1994)
- Tales series (1995–2009)
- Grandia (1997, CG support)
- Ghost in the Shell (1997, animated sequences)<ref group="Web">Template:Cite web</ref>
- The Granstream Saga (1997, animated sequences)<ref group="Web">Template:Cite web</ref>
- Yarudora Series Vol. 1: Double Cast (1998, animated cutscenes)<ref name="yarudoras">Template:Cite web</ref>
- Yarudora Series Vol. 2: Kisetsu o Dakishimete (1998, animated cutscenes)<ref name="yarudoras" />
- Yarudora Series Vol. 3: Sampaguita (1998, animated cutscenes)<ref name="yarudoras" />
- Yarudora Series Vol. 4: Yukiwari no Hana (1998, animated cutscenes)<ref name="yarudoras" />
- Tekken 3 (1998, pre-rendered CGI cutscenes and animated cutscene)<ref group="Web">Template:Cite web</ref>
- Xenogears (1998, traditionally animated cutscenes and pre-rendered CGI cutscenes)<ref>Template:Cite web</ref>
- Sakura Wars 2: Thou Shalt Not Die (1998)<ref group="Web">Template:Cite web</ref>
- Ace Combat 3: Electrosphere (1999)<ref group="Web">Template:Cite web</ref>
- Love & Destroy (1999)<ref group="Web">Template:Cite web</ref>
- Psychometrer Eiji (1999)<ref group="Web">Template:Cite web</ref>
- Valkyrie Profile (1999, character design)<ref group="Web">Template:Cite web</ref>
- Wild Arms 2 (1999)<ref group="Web">Template:Cite web</ref>
- Summon Night (2000)
- Sakura Wars 3: Is Paris Burning? (2001)<ref group="Web">Template:Cite web</ref>
- Sakura Wars 4: Fall in Love, Maidens (2002)<ref group="Web">Template:Cite web</ref>
- Silk to Cotton (2002, character design)<ref>Template:Cite web</ref>
- Surveillance Kanshisha (2002)<ref>Template:Cite web</ref>
- Sakura Wars V Episode 0 (2004)<ref>Template:Cite web</ref>
- Lethal Enforcers 3 (2004)
- Popolocrois Monogatari II (2000, opening and animated cutscenes)<ref group="Web">Template:Cite web</ref>
- Fire Emblem: Path of Radiance (2005, CG animated cutscenes)
- Namco × Capcom (2005)<ref>Template:Cite web</ref>
- Sonic Riders (2006, opening animation)<ref>Template:Cite web</ref>
- Children of Mana (2006, animated cutscenes)<ref>Template:Cite web</ref>
- Valkyrie Profile 2: Silmeria (2006)
- Fire Emblem: Radiant Dawn (2007, CG animated cutscenes)
- Star Ocean: First Departure (2007)
- Star Ocean: Second Evolution (2008)
- Wario Land: Shake It! (2008, cutscenes and character animation)<ref>Template:Cite web</ref>
- Sands of Destruction (2008)
- The Sky Crawlers: Innocent Aces (2008, CG animated cutscenes)
- Infinite Space (2009, short promotional film produced with studio Gonzo)<ref>Template:Cite web</ref>
- Valkyria Chronicles III (2011, opening animation)<ref>Template:Cite web</ref>
- Kid Icarus: Uprising (2012, Thanatos rising shorts)<ref>Template:Cite web</ref>
- BlazBlue: Central Fiction (2016, opening animation)<ref>Template:Cite web</ref>
- Persona 5 (2016, animated cutscenes,<ref>Template:Cite web</ref> with Domerica)
- Persona 5 Royal (2019, animated cutscenes, with Domerica)
- Another Eden (2020, opening animation)<ref>Template:Cite web</ref>
Notes
References
Production I.G website
External links
Template:Portal bar Template:Commons category
Template:Production I.G Template:Production I.G OVAs Template:Production I.G films Template:Japanese animation studios Template:Authority control