Saint Cecilia

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Saint Cecilia (Template:Langx), also spelled Cecelia, was a Roman Christian virgin martyr, who is venerated in Catholic, Orthodox, Anglican, and some Lutheran churches, such as the Church of Sweden.<ref>Template:Cite web</ref> She became the patroness of music and musicians, it being written that, as the musicians played at her wedding, Cecilia "sang in her heart to the Lord".Template:Sfn<ref name="SHMI">Template:Cite book</ref> Musical compositions are dedicated to her, and her feast, on 22 November,<ref>Template:Cite EB1911</ref> is the occasion of concerts and musical festivals. She is also known as Cecilia of Rome.

Saint Cecilia is one of several virgin martyrs commemorated by name in the Canon of the Mass in the Latin Church. The church of Santa Cecilia in Trastevere, founded in the 3rd century by Pope Urban I, is believed to be on the site of the house where she lived and died.

Life

File:CeciliaValerianTiburtius.jpg
Saints Cecilia, Valerian, and Tiburtius by Botticini

It is popularly supposed that Cecilia was a noble woman of Rome<ref name=SHMI /> who, with her husband Valerian, his brother Tiburtius, and a Roman soldier named Maximus, suffered martyrdom about 230, under the Emperor Alexander Severus.<ref>Fuller, Osgood Eaton: Brave Men and Women. BiblioBazaar, LLC, 2008, p. 272. Template:ISBN.</ref>Template:Sfn Giovanni Battista de Rossi, however, argues that instead she perished in Sicily under the Emperor Marcus Aurelius between 176 and 180, citing the report of Venantius Fortunatus, Bishop of Poitiers (d. 600).<ref>Rom. sott. ii. 147.</ref>

According to the story, despite her vow of virginity, her parents forced her to marry a pagan nobleman named Valerian. During the wedding, Cecilia sat apart singing to God in her heart, and for that, she was later declared the saint of musicians.<ref name=SHMI /> When the time came for her marriage to be consummated, Cecilia told Valerian that watching over her was an angel of the Lord, who would punish him if he sexually violated her but would love him if he respected her virginity. When Valerian asked to see the angel, Cecilia replied that he could see the angel if he would go to the third milestone on the Via Appia and be baptized by Pope Urban I. After following Cecilia's advice, he saw the angel standing beside her, crowning her with a chaplet of roses and lilies.<ref name=SHMI />

File:Bologna Pinacoteca Nazionale - Rafaël Santi (1483-1520) - Heilige Cecilia in extase met Paulus, Johannes (evangelist), Augustinus en Maria Magdalena - 26-04-2012 9-13-18.jpg
The Ecstasy of St. Cecilia by Raphael

The martyrdom of Cecilia is said to have followed that of her husband Valerian and his brother at the hands of the prefect Turcius Almachius.<ref>The Life of Saint Cecilia Template:WebarchiveGolden Legend article</ref> According to an ancient tradition, after being struck three times on the neck with a sword, she lived for three days, and asked the pope to convert her home into a church.<ref name="foley">Leonard Foley, OFM, revised by Pat McCloskey. "Saint of the Day: Saint Cecilia". Franciscan Media]. Template:ISBN.</ref>

St. Cecilia was buried in the Catacomb of Callixtus and later transferred to the Church of Santa Cecilia in Trastevere. In 1599, her tomb was opened and, according to multiple witnesses, her body was found to be still incorrupt, and she seemed to be simply sleeping.<ref name=SHMI />

Cecilia is one of the most famous Roman martyrs, although some elements of the stories recounted about her do not appear in the source material.<ref name="foley" /> According to Johann Peter Kirsch, the existence of the martyr is a historical fact. At the same time, some details bear the mark of a pious romance, like many other similar accounts compiled in the fifth and sixth centuries. The relation between Cecilia and Valerian, Tiburtius, and Maximus, mentioned in the Acts of the Martyrs, has some historical foundation. Her feast day has been celebrated since about the fourth century.Template:Sfn There is no mention of Cecilia in the Depositio Martyrum, but there is a record of an early Roman church founded by a lady of this name, Santa Cecilia in Trastevere.<ref>Template:Cite web</ref>

Santa Cecilia in Trastevere

Template:Main The church of Santa Cecilia in Trastevere is reputedly built on the site of the house in which she lived. The original church was constructed in the fourth century; during the ninth century, Pope Paschal I had remains that were supposedly hers buried there. In 1599, while leading a renovation of the church, Cardinal Paolo Emilio Sfondrati had the remains, which he reported to be incorrupt, excavated and reburied.<ref>Template:Cite journal</ref>

Name

The name "Cecilia" applied generally to Roman women who belonged to the plebeian clan of the Caecilii. Legends and hagiographies, mistaking it for a personal name, suggest fanciful etymologies. Among those cited by Chaucer in "The Second Nun's Tale" are: lily of heaven, the way for the blind, contemplation of heaven and the active life, as if lacking in blindness, and a heaven for people to gaze upon.<ref>Chaucer, Canterbury Tales, The Second Nun's Tale Template:Webarchive, prologue, 85–119. As the rubric to these lines declares, the nun draws her etymologies from the Legenda Aurea of Jacobus de Voragine (Jacobus Januensis – James of Genoa – in the rubric).</ref>

Patroness of musicians

File:Orazio Gentileschi and Giovanni Lanfranco, Saint Cecilia and an Angel, c. 1617-1618 and c. 1621-1627, NGA 46172.jpg
Orazio Gentileschi and Giovanni Lanfranco, Saint Cecilia and an Angel, c. 1617–1618 and c. 1621–1627, National Gallery of Art, Washington, D.C.

The first record of a music festival in her honour was held at Évreux in Normandy in 1570.<ref name="academy">Template:Cite web</ref>

The Accademia Nazionale di Santa Cecilia in Rome is one of the oldest musical institutions in the world. It was founded by the papal bull, Ratione congruit, issued by Sixtus V in 1585, which invoked two saints prominent in Western musical history: Gregory the Great, after whom Gregorian chant is named, and Saint Cecilia, the patron saint of music.

Her feast day became an occasion for musical concerts and festivals that occasioned well-known poems by John Dryden and Alexander Pope<ref>Ode on St. Cecilia's Day (composed 1711) at, for example, www.PoemHunter.com</ref> and music by Henry Purcell (Ode to St. Cecilia); three different oratorios by Marc-Antoine Charpentier, Caecilia virgo et martyr octo vocibus H.397, for soloists, double chorus, double string orchestra and bc, Cecilia virgo et martyr H.413, for soloists, chorus, two treble instruments and bc, and Caecilia virgo et martyr H.415, for soloists, chorus, two treble instruments and bc, to libretti probably written by Philippe Goibaut); George Frideric Handel (Ode for St. Cecilia's Day; Alexander's Feast); Charles Gounod (St. Cecilia Mass); as well as Benjamin Britten, who was born on her feast day (Hymn to St Cecilia, based on a poem by W. H. Auden). Herbert Howells' A Hymn to Saint Cecilia has words by Ursula Vaughan Williams; Gerald Finzi's "For Saint Cecilia", Op. 30, was set to verses written by Edmund Blunden; Michael Hurd's 1966 composition "A Hymn to Saint Cecilia"<ref>Published by Novello & Co., HL.14013968</ref> sets John Dryden's poem; and Frederik Magle's Cantata to Saint Cecilia is based on the history of Cecilia.<ref>Template:Cite web</ref> The Heavenly Life, a poem from Des Knaben Wunderhorn (which Gustav Mahler used in his Symphony No. 4) mentions that "Cecilia and all her relations make excellent court musicians."

From the name of Cecilia comes Cecyliada, the name of the festival of sacred, choral, and contemporary music, held from 1994 in Police, Poland.

Legacy

File:Carlo Saraceni - The Martyrdom of St Cecilia - WGA20831.jpg
The Martyrdom of St Cecilia by Carlo Saraceni (c. 1610)

Cecilia symbolizes the central role of music in the liturgy.<ref name=foley/>

The Cistercian nuns of the convent nearby Santa Cecilia in Trastevere shear lambs' wool to be woven in the palliums of new metropolitan archbishops. The lambs are raised by the Trappists of the Abbey Tre Fontane in Rome. The Pope blesses the lambs every 21 January, the Feast of Saint Agnes. The pallia are given by the Pope to the new metropolitan archbishops on the Solemnity of Saints Peter and Paul, 29 June.

Located on the Isle of Wight, St. Cecilia's Abbey, Ryde was founded in 1882. The nuns live a traditional monastic life of prayer, work, and study in accordance with the ancient Rule of Saint Benedict.<ref>Template:Cite web</ref>

The famous luthier Jean-Baptiste Vuillaume produces a line of violin and viola under the name St. Cécile with a decal stamped on the upper back.<ref>Template:Cite web</ref>

Cecilia is remembered in the Church of England with a commemoration on 22 November.<ref>Template:Cite web</ref> She is honored on the Episcopal Church liturgical calendar with Agnes of Rome on 21 January.<ref>Template:Cite web</ref>

Croatian journal for church music Sveta Cecilija is named after her. It is published since 1877.<ref>Template:Cite web</ref>

Iconography

Cecilia is frequently depicted playing the viola, a portative organ, or other musical instruments,<ref name=foley/> evidently to express what was often attributed to her, namely that while the musicians played at her nuptials, she sang in her heart to God. The organ, however, may be misattributed to herTemplate:Sfn as the result of a mistranslation,<ref>Template:Cite book</ref> though this is denied by the Italian musicologist and organist Domenico Morgante.<ref>Template:Cite book</ref>

A miniature Saint Cecilia beneath Worcester Cathedral was featured on the reverse side of the Sir Edward Elgar £20 banknote, which was withdrawn by the Bank of England in 2010.<ref>Template:Cite web</ref>

In music

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Renaissance, baroque and classical music

  • Marc-Antoine Charpentier composed four Histoires sacrées using a text thought to have been written by his colleague Philippe Goibaut des Bois La Grugère:
    • In honorem Caeciliae, Valeriani et Tiburtij canticum H.394 for three voices, two treble instruments, and continuo (1675 ?).
    • Caecilia virgo et martyr octo vocibus H.397 for soloists, double chorus, double orchestra, and continuo (1677–78).
    • Caecilia virgo et martyr, H.413 for soloists, chorus, and two treble instruments (1683–85).
    • Caecilia virgo et martyr H.415 – H.415 a for soloists, chorus, and two treble instruments (1686).
  • Henry Purcell, Laudate Ceciliam (1683), Welcome to all the pleasures (1683), Raise, raise the voice (c1685) and Hail! Bright Cecilia (1692).<ref>The Gentleman's Journal, or Monthly Miscellany, November 1692, cited in Rimbault's edition, London: Musical Antiquarian Society Publications, 1848, p. 2.</ref>
  • Sébastien de Brossard, "Canticle for Saint Cécila" SdB.9 (1720 ?)
  • Alessandro Scarlatti Il martirio di santa Cecilia, oratorio donné pour la première fois le 1er mars 1708; Messa di Santa Cecilia(1720).
  • Georg Friedrich Händel composed two works for Saint Cecilia with John Dryden: The Oratorio Alexander's Feast or The Power of Music (1736) and Ode for St. Cecilia's Day (1739).
  • Joseph Haydn, Missa Sanctae Caeciliae ou Missa Cellensis in honorem Beatissimae Virginis Mariae (1766–67).
  • Ferdinand Hiller, St. Cäcilia (1848), cantata for soloists and orchestra to the text by Wolfgang Müller von Königswinter.
  • Charles Gounod, Hymne à Sainte Cécile, CG 557 (1865) for solo violin and orchestra<ref name="IMSLP-Gounod">List of works by Charles Gounod, IMSLP, accessed 2022-05-14</ref>
  • Julius Benedict, Legend of Saint Cecilia (premiered 1866)<ref>Template:Cite web</ref>

Contemporary music

In pop culture

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