The Sound of Silence
Template:Short description Template:Other uses Template:Use mdy dates Template:Use American English Template:Infobox song
"The Sound of Silence" (originally "The Sounds of Silence") is a song by the American folk rock duo Simon & Garfunkel, written by Paul Simon. The duo's studio audition of the song led to a record deal with Columbia Records, and the original acoustic version was recorded in March 1964 at Columbia's 7th Avenue Recording Studios in New York City for their debut album, Wednesday Morning, 3 A.M., released that October to disappointing sales. An overdubbed electric remix was released the following year and went to number one on the Billboard singles chart.
In 1965, the song began to attract airplay at radio stations in Boston and throughout Florida. The growing airplay led Tom Wilson, the song's producer, to remix the track, overdubbing electric instruments and drums. This remixed version was released as a single in September 1965. Simon & Garfunkel were not informed of the song's remix until after its release. The remix hit No. 1 on the Billboard Hot 100 for the week ending January 1, 1966, leading the duo to reunite and hastily record their second album, which Columbia titled Sounds of Silence in an attempt to capitalize on the song's success. The remixed single version of the song was included on this follow-up album. Later, it was featured under both the opening and closing credits of the 1967 film The Graduate and was included on the film's soundtrack album. It was additionally released on the Mrs. Robinson EP in 1968, along with three other songs from the film: "Mrs. Robinson", "April Come She Will", and "Scarborough Fair/Canticle".
"The Sound of Silence" was a top-ten hit in multiple countries worldwide, among them Australia, Austria, West Germany, Japan and the Netherlands. Since its release, the song was included in later compilations, beginning with the 1972 compilation album Simon and Garfunkel's Greatest Hits.<ref>Template:Cite web</ref>
Background
Origin and original recording
Simon and Garfunkel had become interested in folk music and the growing counterculture movement separately in the early 1960s. Having performed together previously under the name Tom and Jerry in the late 1950s, their partnership had dissolved by the time they began attending college. In 1963, they regrouped and began performing Simon's original compositions locally in Queens. They billed themselves "Kane & Garr", after old recording pseudonyms, and signed up for Gerde's Folk City, a Greenwich Village club that hosted Monday night performances.Template:Sfn In September 1963, the duo's performances caught the attention of Columbia Records producer Tom Wilson, a young African-American jazz musician who was also helping to guide Bob Dylan's transition from folk to rock.<ref>Template:Cite magazine</ref>Template:SfnTemplate:Sfn Simon convinced Wilson to let him and his partner have a studio audition; their performance of "The Sound of Silence" got the duo signed to Columbia.Template:Sfn
The song's origin and basis are unclear, with some thinking that the song commented on the assassination of John F. Kennedy,<ref>Template:Cite news</ref> as the song was recorded three months after the assassination, although Simon & Garfunkel had performed the song live as Kane & Garr two months before the assassination.Template:Sfn Simon wrote "The Sound of Silence" when he was 21 years old,<ref>Template:Cite webTemplate:Cbignore</ref><ref>Template:Cite AV media</ref> later explaining that the song was written in his bathroom, where he turned off the lights to better concentrate.Template:Sfn "The main thing about playing the guitar, though, was that I was able to sit by myself and play and dream. And I was always happy doing that. I used to go off in the bathroom, because the bathroom had tiles, so it was a slight echo chamber. I'd turn on the faucet so that water would run (I like that sound, it's very soothing to me) and I'd play. In the dark. 'Hello darkness, my old friend / I've come to talk with you again.'"<ref>Template:Cite journal</ref> According to Garfunkel, the song was first developed in November 1963, but Simon took three months to perfect the lyrics, which were entirely written on February 19, 1964.Template:Sfn Garfunkel, introducing the song at a live performance (with Simon) in Haarlem (Netherlands), in June 1966, summed up the song's meaning as "the inability of people to communicate with each other, and not particularly internationally but especially emotionally, so that what you see around you is people who are unable to love each other."Template:Sfn
Garfunkel's college roommate, Sandy Greenberg, wrote in his memoir that the song reflected the strong bond of friendship between Simon and Garfunkel, who had adopted the epithet "Darkness" to empathise with Greenberg's sudden-onset blindness.<ref>Template:Cite web</ref>
To promote the release of their debut album, Wednesday Morning, 3 A.M., released on October 19, 1964,<ref>Template:Cite web</ref> the duo performed again at Folk City, as well as two shows at the Gaslight Café, which went over poorly. Dave Van Ronk, a folk singer, was at the performances, and noted that several in the audience regarded their music as a joke.Template:Sfn Template:"'Sounds of Silence' actually became a running joke: for a while there, it was only necessary to start singing 'Hello darkness, my old friend ... ' and everybody would crack up."Template:Sfn Wednesday Morning, 3 AM sold only 3,000 copies upon its October release, and its dismal sales led Simon to move to London.Template:Sfn While there, he recorded a solo album, The Paul Simon Songbook (1965), which features a rendition of the song, titled "The Sound of Silence" (instead of "The Sounds of Silence", as on Wednesday Morning, 3 A.M.).Template:Sfn
The original recording of the song is in D♯ minor, using the chords D♯m, C♯, B and F♯. Simon plays a guitar with a capo on the sixth fret, using the shapes for Am, G, F and C chords. He provides the lower vocals for harmony while Garfunkel sings the melody.<ref name=Bennighof-2007>Template:Cite book</ref> The vocal span goes from C♯3 to F♯4 in the song.<ref>Template:Cite web</ref>
Remix
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Wednesday Morning, 3 A.M. had been a commercial failure before producer Tom Wilson was alerted that radio stations had begun to play "The Sound of Silence" in spring 1965. A late-night disc jockey at WBZ in Boston began to spin "The Sound of Silence", where it found a college student audience.Template:Sfn Those at Harvard and Tufts University responded well, and the song made its way down the east coast pretty much "overnight", "all the way to Cocoa Beach, Florida, where it caught the students coming down for spring break."Template:Sfn A promotional executive for Columbia went to give away free albums of new artists, and beach-goers were interested only in the artists behind "The Sound of Silence". He phoned the home office in New York, alerting them of its appeal.<ref>Template:Cite web</ref> An alternate version of the story states that Wilson attended Columbia's July 1965 convention in Miami, where the head of the local sales branch raved about the song's airplay.<ref name="ency"/>
Folk rock was beginning to make waves on pop radio, with songs such as the Byrds' "Mr. Tambourine Man" charting high.<ref name="creativity">Template:Cite book</ref> Wilson listened to the song several times, thinking it too soft for a wide release.Template:Sfn He had strong feelings about editing the song with explicit rock overtones.Template:Sfn As stated by Geoffrey Himes, "If Columbia Records producer Tom Wilson hadn't taken the initiative, without the singers' knowledge, to dub a rock rhythm section over their folk rendition, the song never would have become a cultural touchstone—a generation's shorthand for alienation."<ref name="smithsonianmag.com">Geoffrey Himes. "How “The Sound of Silence” Became a Surprise Hit." Smithsonian Magazine. Jan-Feb 2016..</ref> Wilson had also experimented the previous December with overdubbing an electric band over acoustic tracks by Bob Dylan; these recordings were never officially released, as Dylan and Wilson opted to record new tracks with a live band for what would become the album Bringing It All Back Home.
On June 15, 1965, following sessions for Dylan's "Like a Rolling Stone", Wilson retained guitarist Al Gorgoni and drummer Bobby Gregg from the Dylan sessions, adding guitarist Vinnie Bell and bassist Bob Bushnell.<ref>Template:Cite book</ref> The tempo on the original recording was uneven, making it difficult for the musicians to keep the song in time.<ref name="creativity" /> Engineer Roy Halee employed a heavy echo on the remix, which was a common trait of the Byrds' hits.<ref name="creativity" /> The single was first provided to college FM rock stations, and a commercial single release followed on September 13, 1965.<ref name="ency">Template:Cite book</ref> The lack of consultation with Simon and Garfunkel on the remix was because, although the duo was still contracted to Columbia Records, the duo was no longer a "working entity".<ref name="creativity" /><ref name="SIMONS">Template:Cite book</ref> It was not unusual for producers to add instruments or vocals to previous releases and re-release them as new products.Template:Citation needed
In the fall of 1965, Simon was in Denmark, performing at small clubs, and picked up a copy of Billboard, as he had routinely done for several years.<ref name="ency"/> Upon seeing "The Sound of Silence" in the Billboard Hot 100, he bought a copy of Cashbox and saw the same thing. Several days later, Garfunkel excitedly called Simon to inform him of the single's growing success.<ref name="ency"/> A copy of the 7-inch single arrived in the mail the next day, and according to friend Al Stewart, "Paul was horrified when he first heard it ... [when the] rhythm section slowed down at one point so that Paul and Artie's voices could catch up."Template:Sfn Garfunkel was far less concerned about the remix, feeling conditioned to the process of trying to create a hit single: "It's interesting, I suppose it might do something, It might sell," he told Wilson.Template:Sfn
Lyrics
The lyrics of the song are written in five stanzas of seven lines each. Each stanza begins with a couplet describing the setting of the scene, followed by a couplet driving the action forward and another couplet expressing the climactic thought of the verse, and closes with a one-line refrain referring to "the sound of silence". The progress of the lyrics through its five stanzas places the singer into an incrementally increasing tension with an increasingly ambiguous "sound of silence". The irony of using the word "sound" to describe silence in the title lyrics suggests a paradoxical symbolism being used by the singer, which the lyrics of the fourth stanza eventually identifies as "silence like a cancer grows". The "sound of silence" is symbolically taken also to denote the cultural alienation associated with much of the 1960s.<ref name="smithsonianmag.com"/>
The first stanza presents the singer as taking some relative solace in the peacefulness he associates with "darkness" which is submerged "within" the ambiguous sound of silence.<ref>Template:Cite journal</ref> The second stanza has the effect of breaking into the silence with "the flash of a neon light" which leaves the singer "touched" by the enduring ambiguity of the sound of silence. In the third stanza, a "naked light" emerges as a vision of 10,000 people all caught within their own solitude and alienation without any one of them daring to "disturb" the recurring sound of silence.
In the fourth stanza, the singer proclaims in a declarative voice that "silence like a cancer grows," though his words "like silent raindrops fell" without ever being heard against the by now cancerous sound of silence. The fifth stanza appears to culminate with the urgency raised by the declarative voice in the fourth stanza through the apparent triumph of a false "neon god". The false neon god is only challenged when a "sign flashed out its warning" that only the words of the indigent written on "subway walls and tenement halls" could still "whisper" their truth against the recurring and ambiguous form of "the sound of silence".Template:Sfn The song has no lyrical bridge or change of key, and was written without any lyrical intro or outro.
Personnel
- Paul Simon – acoustic guitar, vocals
- Art Garfunkel – vocals
- Barry Kornfeld – acoustic guitar
- Bill Lee – double bass
(electric overdubs) personnel
- Al Gorgoni, Vinnie Bell – guitar
- Joe Mack (also known as Joe Macho) – bass guitar
- Bobby Gregg – drums
Charts performance
Charts history
"The Sound of Silence" first broke in Boston, where it became one of the top-selling singles in early November 1965;<ref name="ency"/><ref name="bb">Template:Cite magazine</ref> it spread to Miami and Washington, D.C. two weeks later, reaching number one in Boston and debuting on the Billboard Hot 100.<ref name="bb1">Template:Cite magazine</ref>
Throughout the month of January 1966 "The Sound of Silence" had a one-on-one battle with the Beatles' "We Can Work It Out" for the number one spot on the Billboard Hot 100. "The Sound of Silence" was number one for the weeks of January 1 and 22 and number two for the intervening two weeks. "We Can Work It Out" held the top spot for the weeks of January 8, 15, and 29, and it was number two for the two weeks that "The Sound of Silence" was number one. Overall, "The Sound of Silence" spent 14 weeks on the Billboard chart.<ref>Billboard Charts Archives for 1965 and 1966</ref>
In the wake of the song's success, Simon promptly returned to the United States to record a new Simon & Garfunkel album at Columbia's request. He later described his experiences learning the song went to number one, a story he repeated in numerous interviews:Template:Sfn
For his part, Garfunkel had a different memory of the song's success:
A cover by Peaches & Herb reached #88 in Canada, July 24, 1971.<ref>Template:Cite web</ref>
Weekly charts
Template:Col-begin Template:Col-2
Template:SinglechartTemplate:SinglechartTemplate:SinglechartTemplate:SinglechartTemplate:SinglechartTemplate:SinglechartTemplate:SinglechartTemplate:Singlechart| Chart (1965–68) | Peak position |
|---|---|
| Australia (Kent Music Report) | 3 |
| Canada Top Singles (RPM)<ref>Template:Cite web</ref> | 4 |
| Japan (Oricon)<ref>Template:Cite web</ref><ref>Template:Cite web</ref> | 1 |
| South Africa (Springbok Radio)<ref>Template:Cite web</ref> | 1 |
| Spain Singles Chart<ref>Template:Cite book</ref> | 17 |
| US Billboard Hot 100<ref>Template:Cite web</ref><ref>Joel Whitburn's Top Pop Singles 1955-1990 - Template:ISBN</ref> | 1 |
| US Cash Box Top 100<ref name="Cash Box Top 100 1/29/66"/> | 1 |
| Zimbabwe Singles Chart<ref>* Zimbabwe. Kimberley, C. Zimbabwe: singles chart book. Harare: C. Kimberley, 2000</ref> | 3 |
| Chart (2016) | Peak position |
|---|
- Paul Simon solo version
| Chart (1974) | Peak position |
|---|---|
| Canada Adult Contemporary (RPM)<ref name="Item Display - RPM - Library and Ar"/> | 42 |
| Canada Top Singles (RPM)<ref name="bac-lac.gc.ca"/> | 84 |
| US Billboard Easy Listening<ref name="auto"/> | 50 |
| US Cash Box Top 100<ref>Template:Cite web</ref> | 97 |
Year-end charts
| Chart (1966) | Position |
|---|---|
| South Africa<ref>Template:Cite web</ref> | 10 |
| US Billboard Hot 100<ref>Template:Cite web</ref> | 54 |
| US Cash Box Top 100<ref>Template:Cite web</ref> | 2 |
| Chart (2016) | Position |
|---|---|
| US Hot Rock Songs (Billboard)<ref>Template:Cite magazine</ref> | 100 |
Certifications
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Cover by the Bachelors
The cover by the Irish group the Bachelors was released in 1966. Simon and Garfunkel's version did not chart in either the UK or Ireland, losing out to the Bachelors cover version, whose version peaked at number three in the UK and number nine in Ireland.
Chart performance
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Template:Single chart| Chart (1966) | Peak position |
|---|---|
| Template:Single chart |
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Disturbed version
51 years after its original release, a cover version of "The Sound of Silence" was released by American heavy metal band Disturbed on December 7, 2015.<ref>Template:Cite magazine</ref><ref>Template:Cite news</ref> A music video was also released.<ref>Template:Cite web</ref> Their cover hit number one on the Billboard Hard Rock Digital Songs<ref name="hard rock">Template:Cite magazine</ref> and Mainstream Rock charts,<ref>Template:Cite magazine</ref> and is their highest-charting song on the Hot 100,<ref name="meme">Template:Cite magazine</ref> peaking at number 42. It is also their highest-charting single in Australia, peaking at number four. David Draiman sings it in the key of F♯m. His vocal span goes from F#2 to A4 in scientific pitch notation.<ref>Template:Cite web</ref>
In April 2016, Paul Simon endorsed the cover.<ref>Template:Cite web</ref> Additionally, on April 1, Simon sent Draiman an email praising Disturbed's performance of the rendition on American talk show Conan. Simon wrote, "Really powerful performance on Conan the other day. First time I'd seen you do it live. Nice." "Thanks." Draiman responded, "Mr. Simon, I am honored beyond words. We only hoped to pay homage and honor to the brilliance of one of the greatest songwriters of all time. Your compliment means the world to me/us and we are eternally grateful."<ref>Template:Cite web</ref> As of September 2017, the single had sold over 1.5 million digital downloads<ref name="disturbed single">Template:Cite news</ref> and had been streamed over 54 million times, estimated Nielsen Music.<ref>Template:Cite web</ref> As of September 2024, the music video has over 1 billion views on YouTube, while the live performance on Conan has over 157 million, making it the most watched YouTube video from the show.<ref>Template:Citation</ref><ref>Template:Citation</ref>
In 2023, the Australian DJ Cyril released a remix of Disturbed's version called The Sound of Silence (Cyril Remix).
Accolades
| Region | Year | Publication | Accolade | Rank |
|---|---|---|---|---|
| United States | 2015 | Loudwire | 20 Best Rock Songs of 2016<ref>Template:Cite magazine</ref> | 1 |
| 10 Best Rock Videos of 2016<ref>Template:Cite magazine</ref> | 2 |
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Weekly charts
| Chart (2015–2024) | Peak position |
|---|---|
| Belarus Airplay (TopHit)<ref>Template:Cite web</ref> | 32 |
| Bulgaria Airplay (PROPHON)<ref>Template:Cite web</ref> | 7 |
| Estonia Airplay (TopHit)<ref name="ee">Template:Cite web</ref> | 14 |
| Germany (Airplay Chart)<ref name="germanairplay">Template:Cite web</ref> | 28 |
| Lithuania Airplay (TopHit)<ref name="CISorg"/> | 127 |
| Mexico Ingles Airplay (Billboard)<ref>Template:Cite magazine</ref> | 16 |
| Morocco (Hit Radio)<ref>Template:Cite web</ref> | 2 |
| New Zealand (Recorded Music NZ)<ref>Template:Cite web</ref> | 32 |
| Portugal (AFP)<ref>Template:Cite web</ref> | 44 |
| Portugal Digital Songs (Billboard)<ref>Template:Cite magazine</ref> | 1 |
| Russia Airplay (TopHit)<ref name="CISorg"/> | 103 |
| Slovenia (SloTop50)<ref>Template:Cite web</ref> | 22 |
| Sweden (Sverigetopplistan)<ref>Template:Cite web</ref> | 17 |
| Turkey International Airplay (Radiomonitor Türkiye)<ref>Template:Cite tweet</ref> | 2 |
| Ukraine Airplay (TopHit)<ref name="ua May 16, 2024">Template:Cite web</ref> | 13 |
| UK Rock & Metal (OCC)<ref>Template:Cite web</ref> | 1 |
Monthly charts
| Chart (2024) | Peak position |
|---|---|
| Belarus Airplay (TopHit)<ref>Template:Cite web</ref> | 42 |
| CIS Airplay (TopHit)<ref>Template:Cite web</ref> | 47 |
| Estonia Airplay (TopHit)<ref>Template:Cite web</ref> | 22 |
| Romania Airplay (TopHit)<ref name="ROU">Template:Cite web</ref> | 36 |
| Ukraine Airplay (TopHit)<ref>Template:Cite web</ref> | 16 |
Year-end charts
| Chart (2016) | Position |
|---|---|
| Australia (ARIA)<ref>Template:Cite web</ref> | 44 |
| Austria (Ö3 Austria Top 40)<ref>Template:Cite web</ref> | 3 |
| Germany (GfK)<ref>Template:Cite web</ref> | 14 |
| Sweden (Sverigetopplistan)<ref>Template:Cite web</ref> | 100 |
| US Digital Song Sales (Billboard)<ref>Template:Cite web</ref> | 33 |
| US Hot Rock & Alternative Songs (Billboard)<ref>Template:Cite web</ref> | 9 |
| US Rock Airplay (Billboard)<ref>Template:Cite web</ref> | 23 |
| Chart (2024) | Peak position |
|---|---|
| Belarus Airplay (TopHit)<ref>Template:Cite web</ref> | 105 |
| CIS Airplay (TopHit)<ref>Template:Cite web</ref> | 108 |
| Denmark (Tracklisten)<ref>Template:Cite web</ref> | 51 |
| Estonia Airplay (TopHit)<ref>Template:Cite web</ref> | 35 |
Decade-end charts
| Chart (2010–2019) | Position |
|---|---|
| Germany (Official German Charts)<ref>Template:Cite web</ref> | 50 |
| US Hot Rock Songs (Billboard)<ref>Template:Cite magazine</ref> | 49 |
Template:Col-end Template:Col-begin Template:Col-2
Weekly charts (remix)
| Chart (2024) | Peak position |
|---|---|
| Belarus Airplay (TopHit)<ref>Template:Cite web</ref> | 14 |
| Croatia International Airplay (Top lista)<ref name="CR">Template:Cite web</ref> | 39 |
| Denmark (Tracklisten)<ref>Template:Cite web</ref> | 34 |
| Estonia Airplay (TopHit)<ref>Template:Cite web</ref> | 9 |
| France (SNEP)<ref>Template:Cite web</ref> | 3 |
| Greece International (IFPI)<ref>Template:Cite web</ref> | 71 |
| Kazakhstan Airplay (TopHit)<ref>Template:Cite web</ref> | 4 |
| Latvia Airplay (LaIPA)<ref>Template:Cite web</ref> | 17 |
| Lithuania (AGATA)<ref>Template:Cite web</ref> | 30 |
| Lithuania Airplay (TopHit)<ref>Template:Cite web</ref> | 30 |
| Luxembourg (Billboard)<ref>Template:Cite magazine</ref> | 10 |
| Moldova Airplay (TopHit)<ref>Template:Cite web</ref> | 91 |
| New Zealand Hot Singles (Recorded Music NZ)<ref>Template:Cite web</ref> | 23 |
| Norway (VG-lista)<ref>Template:Cite web</ref> | 12 |
| Poland (Polish Airplay Top 100)<ref>Template:Cite web</ref> | 1 |
| Poland (Polish Streaming Top 100)<ref>Template:Cite web</ref> | 7 |
| Romania (UPFR)<ref>Template:Cite web</ref> | 3 |
| Romania Airplay (TopHit)<ref>Template:Cite web</ref> | 2 |
| Russia Airplay (TopHit)<ref>Template:Cite web</ref> | 12 |
| South Korea Template:Abbr (Circle)<ref>Template:Cite web</ref> | 187 |
| Ukraine Airplay (TopHit)<ref name="ua2">Template:Cite web</ref> | 5 |
Monthly charts (remix)
| Chart (2024) | Peak position |
|---|---|
| Belarus Airplay (TopHit)<ref>Template:Cite web</ref> | 15 |
| CIS Airplay (TopHit)<ref>Template:Cite web</ref> | 7 |
| Czech Republic (Rádio Top 100)<ref>Template:Cite web</ref> | 21 |
| Czech Republic (Singles Digitál Top 100)<ref>Template:Cite web</ref> | 5 |
| Estonia Airplay (TopHit)<ref>Template:Cite web</ref> | 14 |
| Kazakhstan Airplay (TopHit)<ref>Template:Cite web</ref> | 4 |
| Lithuania Airplay (TopHit)<ref>Template:Cite web</ref> | 32 |
| Moldova Airplay (TopHit)<ref>Template:Cite web</ref> | 99 |
| Romania Airplay (TopHit)<ref>Template:Cite web</ref> | 3 |
| Russia Airplay (TopHit)<ref>Template:Cite web</ref> | 14 |
| Slovakia (Rádio Top 100)<ref>Template:Cite web</ref> | 6 |
| Slovakia (Singles Digitál Top 100)<ref>Template:Cite web</ref> | 4 |
| Ukraine Airplay (TopHit)<ref>Template:Cite web</ref> | 6 |
Year-end charts (remix)
| Chart (2024) | Position |
|---|---|
| Austria (Ö3 Austria Top 40)<ref>Template:Cite web</ref> | 71 |
| Belarus Airplay (TopHit)<ref>Template:Cite web</ref> | 44 |
| Belgium (Ultratop 50 Flanders)<ref>Template:Cite web</ref> | 98 |
| Belgium (Ultratop 50 Wallonia)<ref>Template:Cite web</ref> | 45 |
| CIS Airplay (TopHit)<ref>Template:Cite web</ref> | 9 |
| Estonia Airplay (TopHit)<ref>Template:Cite web</ref> | 28 |
| France (SNEP)<ref>Template:Cite web</ref> | 9 |
| Germany (GfK)<ref>Template:Cite web</ref> | 58 |
| Global 200 (Billboard)<ref>Template:Cite magazine</ref> | 172 |
| Hungary (Dance Top 40)<ref>Template:Cite web</ref> | 5 |
| Hungary (Rádiós Top 40)<ref>Template:Cite web</ref> | 2 |
| Hungary (Single Top 40)<ref>Template:Cite web</ref> | 22 |
| Kazakhstan Airplay (TopHit)<ref>Template:Cite web</ref> | 8 |
| Netherlands (Dutch Top 40)<ref>Template:Cite web</ref> | 6 |
| Netherlands (Single Top 100)<ref>Template:Cite web</ref> | 35 |
| Poland (Polish Airplay Top 100)<ref>Template:Cite web</ref> | 7 |
| Poland (Polish Streaming Top 100)<ref>Template:Cite web</ref> | 10 |
| Portugal (AFP)<ref>Template:Cite web</ref> | 120 |
| Russia Airplay (TopHit)<ref>Template:Cite web</ref> | 20 |
| Sweden (Sverigetopplistan)<ref>Template:Cite web</ref> | 21 |
| Switzerland (Schweizer Hitparade)<ref>Template:Cite web</ref> | 9 |
| UK Singles (OCC)<ref>Template:Cite web</ref> Template:Small |
95 |
| US Hot Dance/Electronic Songs (Billboard)<ref>Template:Cite magazine</ref> | 59 |
Certifications
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Paul Simon solo versions
Template:Infobox song Paul Simon released a solo acoustic version of "The Sound of Silence" in the spring of 1974. His version reached No. 84 in Canada<ref name="bac-lac.gc.ca">Template:Cite web</ref> and No. 97 on the US Cash Box chart.<ref name="Cash Box Top 100 1/29/66">Template:Cite web</ref> It was also a minor Adult Contemporary hit (US No. 50, Canada No. 42).<ref name="auto">Template:Cite book</ref><ref name="Item Display - RPM - Library and Ar">Template:Cite web</ref>
Simon had previously recorded a solo acoustic version of the song on his debut solo album The Paul Simon Songbook, released in 1965 in the UK only, and not widely available in the U.S. until its release as part of a retrospective box set in the 1980s.
Legacy
In 1999, BMI named "The Sound of Silence" as the 18th most-performed song of the 20th century.<ref>Template:Cite web, 1999 (archive.org copy)</ref> In 2004, it was ranked No. 156 on Rolling StoneTemplate:'s list of the 500 Greatest Songs of All Time, one of the duo's three songs on the list. The song is now considered "the quintessential folk rock release".<ref>Template:Cite book</ref>
In 2004, the song was inducted into the Grammy Hall of Fame.<ref>Template:Cite web</ref>
In popular culture
When director Mike Nichols and Sam O'Steen were editing the 1967 film The Graduate, they initially timed some scenes to this song, intending to substitute original music for the scenes. However, they eventually concluded that an adequate substitute could not be found and decided to purchase the rights for the song for the soundtrack. This was an unusual decision, as the song had charted more than a year earlier, and recycling established music for film was not commonly done at the time.<ref>Template:Cite book</ref>
The Canadian band Rush alluded to the song lyrics in the last lines of their 1980 song "The Spirit of Radio".<ref>Template:Cite web</ref>
In 2017, the song re-emerged on Billboard's Hot Rock Songs Chart at no. 6, due to its use in a YouTube video and meme involving Ben Affleck's facial expression during an interview about his film Batman v Superman, dubbed "Sad Affleck."<ref>Template:Cite news</ref>
References
Bibliography
External links
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