Tigerlily

Template:Other uses Template:Use mdy dates Template:Infobox album Tigerlily is the debut studio album by American singer-songwriter Natalie Merchant, released on June 20, 1995, following her departure from the alternative rock band 10,000 Maniacs.

Tigerlily peaked at No. 13 on the Billboard 200 album chart and was certified five-times platinum by the Recording Industry Association of America in 2001.<ref name="RIAA"/> It contained three singles that charted on the Billboard Hot 100: "Carnival" (No. 10), "Wonder" (No. 20), and "Jealousy" (No. 23).

Re-releases

Tigerlily was re-released in 1996 as a 2-CD set, with the second CD containing a remix of the song "Jealousy" and live performances from her tour.

In 2015, to commemorate the album's 20th anniversary, Merchant rerecorded the songs from the album and released them as Paradise Is There: The New Tigerlily Recordings.<ref>Template:Cite web</ref>

Background

The song "River" is a tribute to River Phoenix.<ref name="AllMusic"/><ref name="RS"/>

Aileen Wuornos requested that Merchant's song "Carnival" be played at her funeral, and the song later appeared in the credits of the 2003 documentary Aileen: Life and Death of a Serial Killer. Merchant later commented:

Reception

Among positive reviews, J. D. Considine commented in Musician that Tigerlily shows "a far greater stylistic range than the Maniacs" and "Merchant conveys more passion and personality than in the past",<ref>Template:Cite magazine</ref> while Mark Cooper of Mojo highlighted "her flair for narrative songwriting and that habitual chafing between the sober and the sensual, sense and sensibility."<ref>Template:Cite magazine</ref> Los Angeles Times critic Jean Rosenbluth wrote that Tigerlily "presents Merchant as considerably more mature and womanly than the Maniacs gave her room to be" and "marks positive progress for a talent that is still in bloom."<ref name="LAT"/> In The Guardian, Caroline Sullivan opined that Merchant had surpassed her work in 10,000 Maniacs with an album of "11 moving lyrics, sung with great grace", singling out "Beloved Wife" as possibly "the most touching thing committed to disc this year."<ref name="Guardian"/> Writing for Entertainment Weekly, David Browne observed that, "with its unadorned, keyboard-based arrangements, Tigerlily is more sparely produced than anything Merchant did with 10,000 Maniacs, yet the starkness works in her favorTemplate:Nbsp... The hooks on this album are subtler, and ultimately Merchant sounds both more natural and affecting." While Browne expressed a desire for Merchant to "lighten up," he also praised her "uncompromising vision."<ref name="EW"/> Brad Webber of the Chicago Tribune felt that Merchant's "characteristic trills and unique vocal stylism paint Tigerlily with bravura and make amends for some tepid songwriting."<ref name="CT"/>

Al Weisel, however, said in Rolling Stone that Merchant's voice had "nearly deteriorated into self-parody", adding, "With its surfeit of blindly self-obsessed lyrics and lulling lite-rock arrangements, the bulk of Tigerlily provides a perfect soundtrack for the Prozac nation."<ref name="RS"/> Elysa Gardner panned it in Spin as a "predictably tasteful effort" that "makes 10,000 Maniacs actually sound like ten thousand maniacs",<ref name="Spin"/> while QTemplate:'s Phil Sutcliffe found it lacking in "conviction or soul",<ref name="Q"/> and NMETemplate:'s Mark Sutherland deemed it "nice" yet mostly "routine reflection".<ref name="NME"/> Critic Robert Christgau left no comment beyond an indifferent grade of "neither".<ref>Template:Cite book</ref>

In a retrospective review for AllMusic, Stephen Thomas Erlewine concluded that "the added emphasis on rhythmic texture works, creating an intimate but not exclusive atmosphere that holds throughout the record, even when her occasionally sophomoric, sentimental poetry threatens to sink the album in the weight of its own preciousness".<ref name="AllMusic"/> Tom Moon, in the 2004 Rolling Stone Album Guide, compared the songs on Tigerlily to the "ambitious, unconventional material" Merchant wrote as a member of 10,000 Maniacs, "which made good use of her porcelain voice and exotic lyrical imagery."<ref name="RSAG"/>

Personnel

• Natalie Merchant – vocals, piano, organ, vibraphone
• Jennifer Turner – electric and acoustic guitars, backing vocals
• Peter Yanowitz – drums, percussion
• Barrie Maguire – bass guitar, 12-string electric guitar

Additional musicians

• John Holbrook – electric guitar (1, 9), organ (3, 9)
• Adrián López Guevarra – percussion (5, 10)
• Matt Henderson – electric guitar (1), bass guitar (1)
• Jay Ungar – violin (8)
• Michelle Kinney – cello (11)
• Katell Keineg – backing vocals (5)
• Eric Schenkman – electric guitar (9)
• Randy Grant – percussion (1)

Technical

• John Holbrook – engineer, mixing
• Natalie Merchant – package design
• Frank Olinsky – package design
• Dan Borris – portraits of Natalie
• José Picayo – band photographs
• Todd Vos – assistant engineer
• Paul Antonell – assistant engineer

Robert Frazza - engineer

• Suzanne Dyer – assistant engineer
• Andrew Page – assistant engineer
• Bob Ludwig – mastering

Charts

Weekly charts

Template:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chart

Chart (1995)	Peak position

Year-end charts

Chart (1995)	Position
US Billboard 200<ref>Template:Cite web</ref>	57
Chart (1996)	Position
New Zealand Albums (RMNZ)<ref>Template:Cite web</ref>	36
US Billboard 200<ref>Template:Cite web</ref>	25