Torii

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Template:Short description Template:Italic title {{#invoke:other uses|otheruses}} Template:Use dmy dates

File:ItsukushimaTorii7379.jpg
The torii at Itsukushima Shrine

A Template:Nihongo is a traditional Japanese gate most commonly found at the entrance of or within a Shinto shrine, where it symbolically marks the transition from the mundane to the sacred,<ref name="jato" /> and a spot where kami are welcomed and thought to travel through.<ref>Template:Cite book</ref>

The presence of a torii at the entrance is usually the simplest way to identify Shinto shrines, and a small torii icon represents them on Japanese road maps and on Google Maps.

The first appearance of torii gates in Japan can be reliably pinpointed to at least the mid-Heian period; they are mentioned in a text written in 922.<ref name="jato"/> The oldest extant stone torii was built in the 12th century and belongs to a Hachiman shrine in Yamagata Prefecture. The oldest extant wooden torii is a ryōbu torii at Kubō Hachiman Shrine in Yamanashi Prefecture built in 1535.<ref name="jato"/>

Torii gates were traditionally made from wood or stone, but today they can be also made of reinforced concrete, stainless steel and other materials. They are usually either unpainted or painted vermilion with a black upper lintel. Shrines of Inari, the kami of fertility and industry, typically have many torii because those who have been successful in business often donate torii in gratitude. Fushimi Inari-taisha in Kyoto has thousands of such torii, each bearing the donor's name.<ref>Template:Cite web</ref>

Uses

The function of a torii is to mark the entrance to a sacred space. For this reason, the road leading to a Shinto shrine (sandō) is almost always straddled by one or more torii, which are therefore the easiest way to distinguish a shrine from a Buddhist temple. If the sandō passes under multiple torii, the outer of them is called Template:Nihongo.<ref name="Shinto">Template:Cite encyclopedia</ref> The following ones, closer to the shrine, are usually called, in order, Template:Nihongo and Template:Nihongo. Other torii can be found farther into the shrine to represent increasing levels of holiness as one nears the inner sanctuary (Template:Lang), core of the shrine.<ref name=Shinto/> Also, because of the strong relationship between Shinto shrines and the Japanese Imperial family, a torii stands also in front of the tomb of each Emperor.

File:Hogonji13s3200.jpg
Buddhist goddess Benzaiten, a torii visible on her head

In the past torii must have been used also at the entrance of Buddhist temples. Even today, as prominent a temple as Osaka's Shitennō-ji, founded in 593 by Shōtoku Taishi and the oldest state-built Buddhist temple in the country (and world), has a torii straddling one of its entrances.<ref name="scheid">Template:Cite web</ref> (The original wooden torii burned in 1294 and was then replaced by one in stone.) Many Buddhist temples include one or more Shinto shrines dedicated to their tutelary kami ("Chinjusha"), and in that case a torii marks the shrine's entrance. Benzaiten is a syncretic goddess derived from the Indian divinity Sarasvati, who unites elements of both Shinto and Buddhism. For this reason halls dedicated to her can be found at both temples and shrines, and in either case in front of the hall stands a torii. The goddess herself is sometimes portrayed with a torii on her head.<ref name="scheid"/> Finally, until the Meiji period (1868–1912) torii were routinely adorned with plaques carrying Buddhist sutras.<ref name=bocking>Template:Cite book</ref>

Yamabushi, Japanese mountain ascetic hermits with a long tradition as mighty warriors endowed with supernatural powers, sometimes use as their symbol a torii.<ref name="scheid"/>

The torii is also sometimes used as a symbol of Japan in non-religious contexts. For example, it is the symbol of the Marine Corps Security Force Regiment and the 187th Infantry Regiment, 101st Airborne Division and of other US forces in Japan.Template:Cn It is also used as a fixture at the entrance of some Japantown communities, such as Liberdade in São Paulo.

Origins

{{#invoke:Gallery|gallery}} In Japan, the torii was adopted by Shingon Buddhism founder Kūkai, who used it to demarcate the sacred space used for the homa ceremony.<ref>James Edward Ketelaar.Of Heretics and Martyrs in Meiji Japan. Princeton: Princeton University Press, 1990. p.59.</ref>

Scholars believe that the stylistic origins of the Japanese torii derived from the Indian torana.<ref name="tor1">Shôzô Yamaguchi, Frederic De Garis and Atsuharu Sakai, 1964, We Japanese: Miyanushita, Hakone, Fujiya Hotel, Page 200.</ref> According to several scholars, the vast evidence shows how the torii, both etymologically and architecturally, were originally derived from the torana, a free-standing sacred ceremonial gateway which marks the entrance of a sacred enclosure, an element prominent in Indian Buddhist architecture.<ref>1987, Tenri Journal of Religion, Issue 21, Page 89.</ref><ref>Louis Fredric, 2002, Japan Encyclopedia, page 986.</ref><ref>Atsuharu Sakai, 1949, Japan in a Nutshell: Religion, culture, popular practices. Page 6.</ref><ref>Parul Pandya Dhar, 2010, The Toraṇa in the Indian and Southeast Asian Architecture, page 295.</ref><ref>Fosco Maraini, 1960, Ore giapponesi, Interpretive description of modern Japan by an Italian linguist and photographer who spent many years there, page 132.</ref><ref>Parul Pandya Dhar, 2010, The Toraṇa in the Indian and Southeast Asian Architecture, Page 295.</ref><ref>Torii-A DOORWAY INTO THE JAPANESE SOUL</ref><ref>Template:Cite web</ref> The hypothesis arose in the 19th and 20th centuries due to similarities in structure and name between the two gates. Linguistic and historical theories have now emerged, but no conclusion has yet been reached.<ref name="scheid" /> Various tentative etymologies of the word torii exist. According to one of them, the name derives from the term Template:Nihongo.<ref name="Shinto" />

Other theories claim torii may be related to the pailou of China. These structures however can assume a great variety of forms, only some of which actually somewhat resemble a torii.<ref name="scheid" /> The same goes for Korea's hongsalmun.<ref name="GuissoYu1988">Template:Cite book</ref><ref name="Bocking2005">Template:Cite book</ref> Unlike its Chinese counterpart, the hongsal-mun does not vary greatly in design and is always painted red, with "arrowsticks" located on the top of the structure (hence the name). Another hypothesis takes the name literally: the gate would originally have been some kind of bird perch. This is based on the religious use of bird perches in Asia, such as the Korean sotdae (솟대), which are poles with one or more wooden birds resting on their top. Commonly found in groups at the entrance of villages together with totem poles called jangseung, they are talismans which ward off evil spirits and bring the villagers good luck. "Bird perches" similar in form and function to the sotdae exist also in other shamanistic cultures in China, Mongolia and Siberia. Although they do not look like torii and serve a different function, these "bird perches" show how birds in several Asian cultures are believed to have magic or spiritual properties, and may therefore help explain the enigmatic literal meaning of the torii's name ("bird perch").<ref name="scheid" /><ref>Torii used to be also called Template:Nihongo. The presence of the honorific Mi- or Go- makes it likely that by then their use was already associated with shrines.</ref>

In Japan, birds have also long had a connection with the dead, this may mean it was born in connection with some prehistorical funerary rite. Ancient Japanese texts like the Kojiki and the Nihon Shoki for example mention how Yamato Takeru after his death became a white bird and in that form chose a place for his own burial.<ref name="scheid"/> For this reason, his mausoleum was then called Template:Nihongo. Many later texts also show some relationship between dead souls and white birds, a link common also in other cultures, shamanic like the Japanese. Bird motifs from the Yayoi and Kofun periods associating birds with the dead have also been found in several archeological sites. This relationship between birds and death would also explain why, in spite of their name, no visible trace of birds remains in today's torii: birds were symbols of death, which in Shinto brings defilement (kegare).<ref name="scheid"/> Poles believed to have supported wooden bird figures very similar to the sotdae have been found together with wooden birds, and are believed by some historians to have somehow evolved into today's torii.<ref name="bk1">Template:Cite web</ref> Intriguingly, in both Korea and Japan single poles represent deities (kami in the case of Japan) and Template:Nihongo is the counter for kami.<ref name="bocking" />

Finally, the possibility that torii are a Japanese invention cannot be discounted. The first torii could have evolved already with their present function through the following sequence of events:

File:Shinmei torii.png
The Shinmei torii
  • Four posts were placed at the corners of a sacred area and connected with a rope, thus dividing sacred and mundane.
  • Two taller posts were then placed at the center of the most auspicious direction, to let the priest in.
  • A rope was tied from one post to the other to mark the border between the outside and the inside, the sacred and the mundane. This hypothetical stage corresponds to a type of torii in actual use, the so-called Template:Nihongo, an example of which can be seen in front of Ōmiwa Shrine's haiden in Nara (see also the photo in the gallery).
  • The rope was replaced by a lintel.
  • Because the gate was structurally weak, it was reinforced with a tie-beam, and what is today called Template:Nihongo or Template:Nihongo (see illustration at right) was born.<ref name="jato"/> This theory however does nothing to explain how the gates got their name.

The shinmei torii, whose structure agrees with the historians' reconstruction, consists of just four unbarked and unpainted logs: two vertical pillars (Template:Nihongo) topped by a horizontal lintel (Template:Nihongo) and kept together by a tie-beam (Template:Nihongo).<ref name="jato"/> The pillars may have a slight inward inclination called Template:Nihongo or just Template:Nihongo. Its parts are always straight.

Parts and ornamentations

File:Torii nomenclature 2.svg
Torii parts and ornamentations
  • Torii may be unpainted or painted vermilion and black. The color black is limited to the kasagi and the Template:Nihongo. Very rarely torii can be found also in other colors. Kamakura's Kamakura-gū for example has a white and red one.
  • Template:AnchorThe kasagi may be reinforced underneath by a second horizontal lintel called Template:Nihongo.<ref>Iwanami Template:Nihongo Japanese dictionary, 6th Edition (2008), DVD version</ref>
  • Template:AnchorThe kasagi and the shimaki may have an upward curve called Template:Nihongo.<ref name="TM">Template:Cite web</ref>
  • The nuki is often held in place by wedges (Template:Nihongo). The kusabi in many cases are purely ornamental.
  • At the center of the nuki there may be a supporting strut called Template:Nihongo, sometimes covered by a tablet carrying the name of the shrine (see photo in the gallery).
  • The pillars often rest on a white stone ring called Template:Nihongo or Template:Nihongo. The stone is sometimes replaced by a decorative black sleeve called Template:Nihongo.
  • At the top of the pillars there may be a decorative ring called Template:Nihongo.<ref name="jato"/>
  • The gate has a purely symbolic function and therefore there usually are no doors or board fences, but exceptions exist, as for example in the case of Ōmiwa Shrine's triple-arched torii (miwa torii, see below).<ref name="jato2">Template:Cite web</ref>

Styles

Structurally, the simplest is the Template:Nihongo (see illustration below).<ref group="note">The two names are simply different readings of the same characters.</ref> Probably one of the oldest types of torii, it consists of two posts with a sacred rope called shimenawa tied between them.<ref name="pickens">Template:Cite book</ref>

All other torii can be divided in two families, the Template:Nihongo and the Template:Nihongo.<ref name="jato"/><ref group="note">Other ways of classifying torii exist, based for example on the presence or absence of the shimaki. See for example the site Jinja Chishiki.</ref> Torii of the first have only straight parts, the second have both straight and curved parts.<ref name="jato"/>

Shinmei family

The shinmei torii and its variants are characterized by straight upper lintels.

Shinmei torii

The Template:Nihongo, which gives the name to the family, is constituted solely by a lintel (kasagi) and two pillars (hashira) united by a tie beam (nuki).<ref name="jashi">Template:Cite web</ref> In its simplest form, all four elements are rounded and the pillars have no inclination. When the nuki is rectangular in section, it is called Yasukuni torii, from Tokyo's Yasukuni Jinja.<ref name="TMtnk">Template:Cite web</ref> It is believed to be the oldest torii style.<ref name="jato">Template:Cite web</ref>

Ise torii

Template:Nihongo (see illustration above) are gates found only at the Inner Shrine and Outer Shrine at Ise Shrine in Mie Prefecture. For this reason, they are also called Jingū torii, from Jingū, Ise Grand Shrine's official Japanese name.<ref name="pickens"/>

There are two variants. The most common is extremely similar to a shinmei torii, its pillars however have a slight inward inclination and its nuki is kept in place by wedges (kusabi). The kasagi is pentagonal in section (see illustration in the gallery below). The ends of the kasagi are slightly thicker, giving the impression of an upward slant. All these torii were built after the 14th century.

The second type is similar to the first, but has also a secondary, rectangular lintel (shimaki) under the pentagonal kasagi.<ref>Template:Cite web</ref>

This and the shinmei torii style started becoming more popular during the early 20th century at the time of State Shinto because they were considered the oldest and most prestigious.<ref name="scheid"/>

Kasuga torii

The Template:Nihongo is a myōjin torii (see illustration above) with straight top lintels. The style takes its name from Kasuga-taisha's Template:Nihongo, or main torii.

The pillars have an inclination and are slightly tapered. The nuki protrudes and is held in place by kusabi driven in on both sides.<ref>Template:Cite web</ref>

This torii was the first to be painted vermilion and to adopt a shimaki at Kasuga Taisha, the shrine from which it takes its name.<ref name="pickens"/>

Hachiman torii

Almost identical to a kasuga torii (see illustration above), but with the two upper lintels at a slant, the Template:Nihongo first appeared during the Heian period.<ref name="pickens"/> The name comes from the fact that this type of torii is often used at Hachiman shrines.

Kashima torii

The Template:Nihongo (see illustration above) is a shinmei torii without korobi, with kusabi and a protruding nuki. It takes its name from Kashima Shrine in Ibaraki Prefecture.

Kuroki torii

The Template:Nihongo is a shinmei torii built with unbarked wood. Because this type of torii requires replacement at three years intervals, it is becoming rare. The most notorious example is Nonomiya Shrine in Kyoto. The shrine now however uses a torii made of synthetic material which simulates the look of wood.

Shiromaruta torii

The Template:Nihongo or Template:Nihongo is a shinmei torii made with logs from which bark has been removed. This type of torii is present at the tombs of all Emperors of Japan.

Mihashira torii

The Template:Nihongo (see illustration above) is a type of torii which appears to be formed from three individual torii (see gallery). It is thought by some to have been built by early Japanese Christians to represent the Holy Trinity.<ref name=JAANUS>"mihashira torii　三柱鳥居." JAANUS. Retrieved on September 4, 2018.</ref>

Myōjin family

The Myōjin torii and its variants are characterized by curved lintels.

Myōjin torii

The Template:Nihongo, by far the most common torii style, are characterized by curved upper lintels (kasagi and shimaki). Both curve slightly upwards. Kusabi are present. A myōjin torii can be made of wood, stone, concrete or other materials and be vermilion or unpainted.

Nakayama torii

The Template:Nihongo style, which takes its name from Nakayama Jinja in Okayama Prefecture, is basically a myōjin torii, but the nuki does not protrude from the pillars and the curve made by the two top lintels is more accentuated than usual. The torii at Nakayama Shrine that gives the style its name is 9 m tall and was erected in 1791.<ref name="pickens"/>

Daiwa/Inari torii

The Template:Nihongo (see illustration above) is a myōjin torii with two rings called daiwa at the top of the two pillars. The name "Inari torii" comes from the fact that vermilion daiwa torii tend to be common at Inari shrines, but even at the famous Fushimi Inari Shrine not all torii are in this style. This style first appeared during the late Heian period.

Sannō torii

The Template:Nihongo (see photo below) is myōjin torii with a gable over the two top lintels. The best example of this style is found at Hiyoshi Shrine near Lake Biwa.<ref name="pickens"/>

Miwa torii

Also called Template:Nihongo, Template:Nihongo or Template:Nihongo (see illustration above), the Template:Nihongo is composed of three myōjin torii without inclination of the pillars. It can be found with or without doors. The most famous one is at Ōmiwa Shrine, in Nara, from which it takes its name.<ref name="pickens"/>

Ryōbu torii

Also called Template:Nihongo, Template:Nihongo or Template:Nihongo, the Template:Nihongo is a daiwa torii whose pillars are reinforced on both sides by square posts (see illustration above).<ref>Template:Jaanus2</ref> The name derives from its long association with Ryōbu Shintō, a current of thought within Shingon Buddhism. The famous torii rising from the water at Itsukushima is a ryōbu torii, and the shrine used to be also a Shingon Buddhist temple, so much so that it still has a pagoda.<ref name="hamashima group">Template:Cite book</ref>

Hizen torii

The Template:Nihongo is an unusual type of torii with a rounded kasagi and pillars that flare downwards. They are found only in Saga prefecture and the neighboring areas.<ref>Template:Cite web</ref>

See also

  • Dvarapala is a door or gate guardian often portrayed as a warrior or fearsome giant, usually armed with a weapon.
  • Hongsalmun, in Korean architecture with both religious and other usage
  • Iljumun, portal in Korean temple architecture
  • Mon, generic Japanese term for gate
  • Paifang, in Chinese temple architecture
  • Tam quan, in Vietnamese temple architecture
  • Torana, a Hindu-Buddhist ceremonial arched gateway

Explanatory notes

<references group="note"/>

References

Template:Reflist

Template:Japanese architectural elements Template:Shinto shrine Template:Authority control

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