Unplugged (Alice in Chains album)
Template:Short description Template:Use mdy dates Template:Infobox album Unplugged is a live album by the American rock band Alice in Chains, released on July 30, 1996, by Columbia Records. It was recorded on April 10, 1996, at the Brooklyn Academy of Music's Majestic Theatre for the television series MTV Unplugged, in which the musicians perform songs on acoustic instruments. The recording was of the band's first concert since early 1994. In the interim, lead singer Layne Staley battled heroin addiction to the point the group was unable to perform live, leading them to temporarily disband. Nevertheless, the band persevered and released their self-titled third studio album in late 1995, though they remained unable to promote the effort with live shows.
Despite Staley's poor health and guitarist Jerry Cantrell suffering from food poisoning, the performance was a success. The set list mainly consisted of acoustic versions of previously known songs, but one new song, "Killer Is Me", was performed for the first time. The show was directed by Joe Perota and first aired on MTV on May 28, 1996. The acoustic version of "Over Now" was released as a promotional single in July 1996. Home video releases of the MTV broadcast were released on VHS in October 1996, and on DVD on October 26, 1999. The album was re-released as a CD/DVD package with bonus footage on September 18, 2007. The Unplugged show was Staley's last headlining performance; he was hospitalized due to a drug overdose weeks before the release of Unplugged, after which he stopped performing and became reclusive. He died in 2002 following another overdose.
Upon release, the album debuted at number three on the Billboard 200 chart. It received a varied response, garnering praise for recreations of the band's heavier recreations but showing indifference toward already-acoustic recordings as found on Sap and Jar of Flies. Despite the lukewarm critical reception upon its release, it was retrospectively lauded, and went on to be certified double platinum by the Recording Industry Association of America (RIAA). The home video release was also certified gold by the RIAA.
Background
Alice in Chains had not toured since co-headlining Lollapalooza in mid-1993,<ref name="10ThingsDirt" /> and had not performed live at all since January 1994.<ref name="Variety1994" /> They had been scheduled to join Metallica's Shit Hits the Sheds Tour starting in July 1994,<ref name="10ThingsDirt">Template:Cite web</ref> including a stop at Woodstock '94,<ref>Template:Cite web</ref> but the band canceled all their scheduled dates one day before the start of the tour due to frontman Layne Staley's heroin addiction.<ref name="To Hell and Back">Template:Cite magazine</ref><ref name="RollingLayneDead">Template:Cite magazine</ref> The band parted ways for about six months,<ref name="10ThingsDirt" /> and members engaged in their own activities. Staley joined the supergroup Mad Season,Template:Sfn with whom he recorded the studio album Above.Template:Sfn Bassist Mike Inez appeared on Slash's solo album It's Five O'Clock Somewhere. Guitarist Jerry Cantrell began working on material intended for a solo album,<ref name="To Hell and Back"/> and both Cantrell and drummer Sean Kinney each contributed to the Willie Nelson tribute album Twisted Willie.<ref name="NewquistWhySmiling">Newquist, HP. Template:Cite journal</ref>
Alice in Chains regrouped in early 1995 to work on new material,<ref name="To Hell and Back" /> and by late 1995, they released their self-titled third studio album.<ref name="SonyTimeline">Template:Cite web</ref> They had originally planned to tour in 1996 for the new album,<ref name="GoAskAlice">Template:Cite journal</ref> but these plans were scrapped, adding to the rumors of Staley's drug abuse.<ref name="RollingLayneDead">Template:Cite magazine</ref><ref name="Malice in Chains">Template:Cite magazine</ref> In the meantime, MTV approached the band with an offer to perform acoustically as part of its MTV Unplugged series.Template:Sfn The network had been requesting the band partake in the series for years, and the band had repeatedly declined the network's advances. Cantrell reasoned that it was too difficult to make the band sound satisfactory and worried that a televised audience would not be receptive to the band's raw and abrasive style, despite the band's prior experience recording acoustically on the extended plays Sap (1992) and Jar of Flies (1994).<ref name="guitar school" />
MTV producer Alex Coletti, who oversaw the Unplugged series, was much more confident in the band's ability to prove their grunge sound was viable in an acoustic format.Template:Sfn Over its six years on the air,<ref name="guitar school" /> the series had already found success in the grunge market by recording Pearl Jam and Nirvana: "They have the songs, they have the depth, they have the emotion where, when you strip it down, you really find something there. [...] There were other grunge bands, but the three that did it—Pearl Jam, Nirvana, and Alice—they were the right three from that era. And there was just no denying that this band was going to shine, that Layne’s voice and those songs were going to shine through."Template:Sfn After much persuasion, Alice in Chains agreed to perform. According to Cantrell, the band made the right decision by holding off for a long time, in spite of their extensive repertoire: "The band is much tighter now than it used to be. Just because the opportunity is there doesn't always mean that it's the right time to do something."<ref name="guitar school" />
One factor that made the band's decision easier was the lack of an active concert tour. Had the musicians been recently performing in front of large audiences, Coletti noted how difficult it would have been for them to adapt to performing acoustically from a style that was usually much heavier. With no other performing commitments, the band was allowed to focus all of their rehearsal on an entirely different live format than usual. In addition, the recording date for the television performance did not have to be coordinated with a busy touring schedule.Template:Sfn Beyond the fact that Alice in Chains was returning after a long absence, what was particularly appealing to fans was that the acoustic nature of the performance aligned with the band's previous work;<ref name="Diffuser">Template:Cite web</ref> even the band's most recent studio album release was often likened to the acoustics of Jar of Flies.<ref name="RStripod">Template:Cite magazine</ref><ref name="ChiTribTripod">Template:Cite news</ref><ref name="BillboardRevTripod">Template:Cite magazine</ref>
Preparation
Alice in Chains had limited experience performing acoustically in a live setting. Prior to the Jar of Flies era, the band took part in an acoustic benefit concert in early January 1994 for John Norwood Fisher of Fishbone, who was having difficulty paying legal fees.<ref name="Variety1994">Template:Cite web</ref>Template:Efn Being the first time the band deviated from their electric, heavier sound in a live setting, fans at the performance were disappointed with the drastic change in sound.<ref name="guitar school" /> In order to "expand" the sound and simplify the performance of the songs, the band invited their friend, guitarist Scott Olson from fellow Seattle-based band Heart.<ref name="guitar school" /> Alice in Chains had collaborated with Heart on multiple occasions before. On Sap, vocalist Ann Wilson performed backing vocals on two songs; one of them, "Brother", was recorded for Unplugged.<ref name="UCRwilson">Template:Cite web</ref>
Rehearsals began in Seattle, but were continuously hampered with problems. According to Kinney, there was "barely any rehearsing at all, guys not showing up — the same shit".Template:Sfn Cantrell agreed, "everyone always show[ed] up at different times and we usually just end up talking and goofing around anyway. [...] We always kind of end up flying by the seat of our pants."<ref name="guitar school" /> Coletti was never aware of the continuing issues the band was facing in the lead up to the performance. When he first visited the band, he was impressed with Staley's condition. He was even more so when he heard Staley sing during rehearsals, stating that choosing the band to perform was "already a home run — this was a slam dunk."Template:Sfn In early April 1996, the band arrived in New York to prepare for the show. Alice in Chains producer Toby Wright was brought back to produce the taping of the Unplugged show; the band rehearsed at Sony Music Studios with Wright, and he was also pleased with what he heard.Template:Sfn
The Brooklyn Academy of Music, then known as the Majestic Theater, was chosen as the venue for filming the Unplugged performance. The semicircular shape of the amphitheater was ideal for acoustic performances. An art director for Unplugged wanted the stage's appearance to match the gloomy attitude of the music being performed, so the artistic director decided to intentionally renovate the space to look old and decrepit. Stagehands fired multiple gunshots into the walls to create cracks. Peeling paint was also applied by hand. Coletti remarked, "Out of all the bands we’ve done there, it was most perfect for Alice."Template:Sfn At the last minute, a request came to use lava lamps to decorate the stage, adding an unexpected visual element. Footage of the show shows the translucent paraffin wax in the lamps barely moving, emphasizing the mood of the performance itself. The concert organizers achieved this effect by accident, simply because they were unaware that the lamps needed to be properly warmed up in advance for their intended effect.Template:Sfn Staley had recently dyed his hair pink, so the lighting technician decided to match the stage backdrop to it. Unique lighting color schemes were chosen for each song. The band had predetermined their setlist and provided it to MTV, so lighting was selected well in advance.Template:Sfn
Recording
On April 10, 1996, Alice in Chains resurfaced to perform their first concert in two and a half years for MTV Unplugged, a program featuring all-acoustic set lists.<ref name="Unplugged show">Template:Cite video</ref><ref name="Alice In Chains Concert Chronology">Template:Cite web</ref> The band was offered to do the segment numerous times prior to the actual taping before finally accepting.<ref name="guitar school">Template:Cite magazine</ref> The show was recorded at the Brooklyn Academy of Music's Majestic Theatre and first aired on MTV on May 28, 1996. It was Layne Staley's idea to have big candles decorating the stage to keep it dark and moody, as the band never liked bright lights on stage, so Staley himself bought the candles at Seattle's Pike Place Market.<ref>Template:Cite webTemplate:Cbignore</ref>
The performance was one of Alice in Chains' final appearances with vocalist Layne Staley and featured some of the band's highest charting singles, including "Rooster", "Down in a Hole", "Heaven Beside You", and "Would?", and introduced a new song, "The Killer Is Me".<ref name="Singles">Template:Cite web</ref> The show marked Alice in Chains' first appearance as a five-piece band, adding second guitarist Scott Olson.<ref name="Unplugged show" />Template:Bsn
Jerry Cantrell has attested to being fairly ill during the performance as a result of food poisoning from a hot dog consumed before the gig.<ref name="guitar school"/><ref>Template:Cite interview</ref> Mike Inez's bass had the phrase "Friends Don't Let Friends Get Friends Haircuts..." written on it, directed at the members of Metallica who were in the audience and had recently cut their hair short.<ref>Template:Cite webTemplate:Cbignore</ref> Inez and drummer Sean Kinney did pay tribute to Metallica, however, playing the intro to their hit song "Enter Sandman" just before "Sludge Factory". Before "Angry Chair," Jerry Cantrell paid further tribute by playing the intro to "Battery" going into the Hee Haw song, "Gloom, Despair, and Agony on Me". This was omitted from the CD but can be found on the VHS and DVD. On the CD version of the MTV Unplugged concert, as Staley says "Okay, that's it," at the end of the song, booing can be heard (presumably due to the performance concluding). Staley responded to the heckler by shouting, "Hey, fuck you, man!" which was greeted by laughter from the audience.<ref name="memory">Template:Cite webTemplate:Cbignore</ref>
Cantrell has stated that the band was considering playing the songs "Love, Hate, Love" and "We Die Young" for the set, but ultimately chose not to, chiefly as a result of limited time. Moreover, a few songs such as "Got Me Wrong" and "Sludge Factory" had to be replayed numerous times due to error. Accordingly, the taping took approximately three hours to finish.<ref name="guitar school"/>
Cantrell said that one of his favorite things from the concert was when Staley said at the end of the show, "I wish I could hug you all, but I'm not gonna".<ref name="memory"/>
Release and reception
A live album of the performance was released in July 1996, which debuted at number three on the Billboard 200, and was accompanied by a home video release. The album has received platinum certification by the RIAA and the home video release has received gold certification by the RIAA.<ref name="Alice in Chains - Artist chart History">Template:Cite magazine</ref> A full length DVD of the concert was also later released on October 26, 1999.<ref>Template:Cite web</ref> The songs "Angry Chair", "Frogs", and "The Killer Is Me" were cut from the original MTV broadcast but are included on both the CD and home video releases. The album was re-released as a CD/DVD package on September 18, 2007.<ref>Template:Cite web</ref>
The album initially received mixed reviews from critics. AllMusic's Stephen Thomas Erlewine wrote in his review of the album: "It doesn't offer anything that the albums don't already. The acoustic arrangements of the harder songs sound like novelties, and the rest sound like rehashes of their previous work, only without much energy."<ref name="AllMusic" /> Sandy Masuo of Rolling Stone wrote in her review "Unplugged certainly reaffirms the emotional range and technical prowess of Alice in Chains. But it lacks electricity in more ways than one. The concentrated catharsis in Alice in Chains' music is still best heard with the amps cranked up to 11." Despite this, the album eventually gained more recognition and praise after the death of vocalist Layne Staley, mainly due to his powerful performance despite his condition, and is now considered an iconic live album.<ref name="RS" /> Alice Pattillo of Metal Hammer considers Alice in Chains' MTV Unplugged as the best live album ever made.<ref>Template:Cite web</ref>
Track listing
- "Angry Chair", "Frogs" and "The Killer Is Me" were removed from the original broadcast, but are included in rereleases.
DVD release
- The DVD release shows another take of "Sludge Factory," in which Layne Staley mixes up the lyrics at the beginning of the song which is ended shortly after. They then go into the "formal" take which was used on the CD. The DVD's introduction to "Sludge Factory" also contains portions of Metallica's "Enter Sandman", written by James Hetfield, Lars Ulrich, and Kirk Hammett.
- On the DVD, the final song's title is listed onscreen as "Killer Is Me", right after Jerry Cantrell introduced it as "The Killer Is Me."<ref>Template:Cite webTemplate:Cbignore</ref> Note that while the CD and the vinyl also list the final song as "Killer Is Me",<ref>Template:Cite web</ref><ref>Template:Cite web</ref> the DVD's track list lists the song as "The Killer Is Me."<ref>Template:Cite web</ref> The song was also released in the Music Bank box set, where the title is again listed as "The Killer Is Me."<ref>Liner notes, Music Bank box set. 1999.</ref>
Personnel
- Alice in Chains
- Layne Staley – vocals; acoustic rhythm guitar on "Angry Chair"
- Jerry Cantrell – acoustic lead guitar, vocals
- Mike Inez – acoustic bass; acoustic rhythm guitar on "Killer Is Me"
- Sean Kinney – drums
- Additional performer
- Scott Olson – acoustic rhythm and solo guitar; acoustic bass on "Killer Is Me"
- Production
- Produced by Toby Wright and Alice in Chains
- Produced for MTV by Alex Coletti
- Recorded by Toby Wright and John Harris, assisted by Brian Kingman, John Bates, and Rich Lamb
- Mixed by Toby Wright, assisted by John Bleich and John Seymour
- Digitally edited by Don C. Tyler
- Mastered by Stephen Marcussen
- DVD audio by John Alberts, Toby Wright, and Mike Fisher
- Directed by Joe Perota
- Line producer – Audrey Morrissey
- Art direction – Mary Maurer
- Design – Doug Erb
- Photography – Danny Clinch
- Management – Susan Silver
Charts
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Weekly charts
| Chart (1996) | Peak position |
|---|
Year-end charts
| Chart (1996) | Position |
|---|---|
| US Billboard 200<ref>Template:Cite magazine</ref> | 98 |
Singles
| Year | Song | Peak chart positions | |
|---|---|---|---|
| US Main <ref name="Singles" /> |
US Mod <ref name="Singles" /> | ||
| 1996 | "Over Now" | 4 | 24 |
| "Would?" | 19 | — | |
| "Down in a Hole" | 24 | — | |
| "—" denotes releases that did not chart. | |||
Video
| Chart (1996) | Peak position |
|---|---|
| US Top Music Videos<ref>Template:Cite web</ref> | 7 |
Certifications
Album
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Video
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References
Footnotes
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Citations
Sources
External links
Template:MTV Albums Template:Alice in Chains Template:Authority control