You Can Dance

Template:About Template:Use mdy dates {{safesubst:#invoke:Unsubst-infobox||$params=italic_title,name,type,longtype,artist,cover,border,alt,caption,released,recorded,venue,studio,genre,length,language,label,director,producer,compiler,chronology,prev_title,prev_year,year,next_title,next_year,misc|$extra=italic_title,longtype,border,caption,language,director,compiler,chronology,year,misc|$aliases=italic title>italic_title,Italic title>italic_title,Name>name,Type>type,image>cover,Cover>cover,Border>border,Alt>alt,Caption>caption,Longtype>longtype,Artist>artist,Released>released,Recorded>recorded,Venue>venue,Studio>studio,Genre>genre,Length>length,Language>language,Label>label,Director>director,Producer>producer,Compiler>compiler,Chronology>chronology,Misc>misc|$flags=override|$B={{#ifeq:{{#invoke:Is infobox in lead|main|[Ii]nfobox [Aa]lbum}}|true|{{#if:Template:Has short description | |{{#if: November 16, 1987<ref>Template:Cite magazine</ref> | Template:Short description}}}}}}{{#invoke:Infobox|infobox}}Template:Template otherTemplate:Category handlerTemplate:Main other{{#invoke:Check for unknown parameters|check|unknown=Template:Main other|preview=Page using Template:Infobox album with unknown parameter "_VALUE_"|ignoreblank=y|italic_title |type |name |image |cover |border |alt |caption |longtype |artist |released |recorded |venue |studio |genre |length |language |label |director |producer |compiler |prev_title|prev_year|next_title|next_year|chronology|year|misc}}{{#if:{{#invoke:String|match|error_category=Music infoboxes with Module:String errors|A|1=Who's That Girl1987Like a Prayer1989RemixYou Can DanceYou Can Dance Madonna.pngMadonna with short, blond hair, wearing a black dress, with her hands folded against her breasts and standing in front of a red background. She has a Spanish hat attached to her neck.MadonnaNovember 16, 1987<ref>Template:Cite magazine</ref>1982–1987Dance48:51 (vinyl)
72:57 (cassette)
68:38 (CD)*Sire

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You Can Dance is the first remix album by American singer and songwriter Madonna. It was released on November 16, 1987 in the UK and November 17, 1987 in the US by Sire Records. The album contains remixes of tracks from her first three studio albums—Madonna (1983), Like a Virgin (1984) and True Blue (1986)—and a new track, "Spotlight". In the 1980s, remixing was still a new concept. The mixes on You Can Dance exhibited a number of typical mixing techniques. Instrumental passages were lengthened to increase the time for dancing and vocal phrases were repeated and subjected to multiple echoes. The album cover denoted Madonna's continuous fascination with Hispanic culture.

After its release, You Can Dance received generally positive reviews from critics, some of whom noted how the already known songs appeared to them in a complete new structure, calling it an essential album to be played at parties. You Can Dance was a commercial success, earning a platinum certification from the Recording Industry Association of America (RIAA) for shipment of a million copies, and reaching the top twenty of the Billboard 200. It reached the top ten of the album charts of France, Japan, Netherlands, New Zealand, Norway and the United Kingdom.

It went on to sell five million copies worldwide, making it the second best-selling remix album of all time, behind only Blood on the Dance Floor from Michael Jackson. "Spotlight" was the only commercial single released from the album, exclusively in Japan. However, the song was released promotionally in the United States, and due to radio play, the song peaked at number 32 on the US Billboard Hot 100 Airplay chart. You Can Dance has been credited for setting the standard with remix albums afterward, both in terms of concept and commercial success on record charts.

Background

In October 1986, Sire Records announced that a 6-track EP called You Can Dance would be released a month or so before Christmas of that year, and would feature the new track "Spotlight" alongside remixes of five other previously released songs.<ref name="BB1986">Template:Cite magazine</ref> However, the following month, the release was postponed, with Sire opting to continue promotion of Madonna's third studio album True Blue (1986).<ref name="BB19862">Template:Cite magazine</ref><ref name="Jon"/> Billboard reported that the release was "still in the production stages" and that it would likely see a release in the spring of 1987.<ref name=BBChin/> Billboard also confirmed which remixes would be featured on the release and added that a non-remixed song from Madonna (1983) would also be included, which was "likely" to be "Physical Attraction".<ref name=BBChin>Template:Cite news</ref> The album was finally released in November 1987 by Warner Bros. Records and Sire Records.<ref name="tara"/>

You Can Dance was Madonna's first retrospective release and was aimed at the dance segment of her audience.<ref name="tara">Template:Harvnb</ref> By the mid-eighties, post-disco dance music was extremely popular and the concept of remix was widely regarded as a new direction of music.<ref name="tara" /> Improvements in studio technologies meant the possibility of shaping a song in new ways after it had been recorded. A particular vocal phrase could be endlessly copied, repeated, chopped up, transposed up and down in pitch and given more echo, reverberation, treble or bass.<ref name="rikky1">Template:Harvnb</ref>

Development

Template:Quote box Six of Madonna's previously released tracks were chosen for the release: "Holiday", "Everybody" and "Physical Attraction" from Madonna (1983), "Into the Groove" and "Over and Over" from Like a Virgin (1984), and "Where's the Party" from True Blue (1986).<ref name="morton">Template:Harvnb</ref> Along with the previously released tracks, the never-before released song "Spotlight" was included as the album's opening track. Written by Madonna, Stephen Bray and Curtis Hudson, "Spotlight" was originally recorded during the True Blue recording sessions. You Can Dance was also the first North American-released Madonna album that contained "Into the Groove", which was only included on international reissues of Like a Virgin in 1985.<ref>Template:Cite book</ref>

Sequencing for the album was provided by Madonna's old friend and producer John "Jellybean" Benitez. Benitez also provided remix production for the songs "Spotlight" and "Holiday".<ref name="liner"/> Benitez said that he had always wanted to remix "Holiday".<ref name="liner"/> Shep Pettibone remixed "Where's The Party" and "Into the Groove" on You Can Dance and had previously remixed Madonna's 1986 single "True Blue" for its single release.<ref>Template:Cite AV media notes</ref> Pettibone said that he was "overjoyed" to have been asked to remix "Into the Groove", noting: "When I was mixing 'True Blue', I was wishing it could be 'Into the Groove'".<ref name="liner"/> Of the seven tracks on You Can Dance, "Physical Attraction" was the only song that was not remixed for the release.<ref name="liner"/>

The album cover denoted Madonna's continued fascination with Spanish culture and fashion.<ref name="voller">Template:Harvnb</ref> She wore a female toreador outfit with a lacy bustier, embroidered bolero jacket and a cummerbund with a flouncy bustle.<ref name="voller"/> Jeri Heiden, who had worked on the cover art for True Blue, was given the task of editing the photos and making them compatible for appearance in an album cover.<ref name="jeri">Template:Cite journal</ref> Shot by Herb Ritts, the cover showed Madonna again as a platinum blonde. Heiden explained in an interview with Aperture magazine in October 2006 that the cover was not meant to be a tie-in with the True Blue cover. "It was just Madonna's look at the time – Platinum Blonde. And of course the handwriting reappears on that album."<ref name="jeri"/> The album sleeve included a free poster and the gold wrap-around liner notes contained approximate running time to indicate the difference between the length of the remix and the original track. Brian Chin, a Rolling Stone journalist, wrote the liner notes for the album, explaining the process of remix and why the songs were chosen for the track list.<ref name="liner">Template:Cite AV media notes</ref>

Composition

Template:Listen According to Rikky Rooksby, author of The Complete Guide to the Music of Madonna, "Improvements in studio technology meant that possibilities for shaping the sound after it has been recorded are almost limitless."<ref name="rikky1"/> The mixes on You Can Dance exhibited a number of typical mixing techniques. Instrumental passages were lengthened to increase the time for dancing, which undermined the tighter structure of the original pop song.<ref name="rikky27">Template:Harvnb</ref> Vocal phrases were repeated and subjected to multiple echoes, panned across the stereophonic sound outlets. At certain points, almost no music is heard except the drums and at others, the drums are removed with only the hi-hat left to keep time.<ref name="rikky27" /> The first song on the album is "Spotlight" which begins with the sound of drums, bass synths and handclaps, followed by Madonna uttering the words "Spotlight, shine bright". After the first verse, the sound of keyboard is heard during the chorus.<ref name="rikky29">Template:Harvnb</ref> It continues like this through the second verse, which is followed by an interlude featuring vocal echoes, a piano segment and violin phrases. Madonna follows the music played by the piano and utters the words "Pa-da-pa-da-pappa pappa pa pa" in the same melody.<ref name="rikky29"/> The lyrics deal with Madonna making the listener remember that "everybody is a star" and that if one wants to be famous and be under the "spotlight", the person should sing about it and reality may catch up with him or her.<ref name="rikky29"/> According to the sheet music for the song, is set in the time signature of common time, with a tempo of 100 beats per minute. It is set in the key of F major with Madonna's voice spanning from the notes of C₅ to BTemplate:Music₅. "Spotlight" has a basic sequence of Am–C–Am–C–G–F as its chord progression.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

The second track is "Holiday", which Benitez said that he always wanted to remix, commenting "There are new sounds on the 1987 remix [of 'Holiday'], but it had a groove that needed no improvement." The sound of the guitar is brought to the front in the remix, with a piano break and a middle section consisting of drum beats.<ref name="rikky29"/> The mix for "Everybody" starts with four repetitions of the vocal hook and then moves into a rhythm centered arrangement. Like "Holiday", the middle section of "Everybody" features a drum break, with a synth tune backing it up. The word "dance" is echoed and slowed-down continuously through the break, gradually changing into the intermedia verse. At the very end, the drums are pulled out, leaving Madonna repeating the "get up and do your thing" phrase, which hovers over to the intro of the next song "Physical Attraction".<ref name="rikky29"/> In the "Into the Groove" remix, overdubs are present with the continuous repetition of the phrase "c'mon". The first verse does not start until about ninety seconds into the remix. After the first "Now I know you're mine" line is sung, there is a percussion break, and repetition of the phrases "step to the beat" and "c'mon". The last verse incorporates echoing on the vocals, causing overlap of the phrases. The remix ends with instrumentation from congas, whistles and timbales, giving it a Mexican-influenced ending.<ref>Template:Harvnb</ref>

Promotion

Compared to her previous releases, Madonna did not heavily promote You Can Dance.<ref name="Jon"/> Radio-friendly edits of each song were issued promotionally on a release titled You Can Dance (Single Edits of Album Remixes).<ref>Template:Cite AV media notes</ref> This release remained promotional-only until it received a commercial digital release in 2022.<ref name=SingleEditsApple>Template:Citation</ref> "Spotlight" was released as the album's only commercial single on April 25, 1988, exclusively in Japan.<ref name="oricon">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> "Spotlight" peaked at number 68 on the Oricon weekly singles chart, remaining on the chart for five weeks.<ref name="oricon"/> It also charted on the Oricon international singles chart, reaching a peak of three on May 19, 1988, staying on the chart for ten weeks.<ref name="jap">Template:Harvnb</ref>

"Spotlight" was not released as a commercial single in the United States, therefore it was not eligible at the time to appear on [[Billboard Hot 100|BillboardTemplate:'s Hot 100]]. However, it was released as a promotional single, paired with "Where's The Party". "Spotlight" managed to garner enough airplay to appear on the publication's Hot 100 Airplay chart in early 1988. It debuted on the chart at 37 on the issue dated January 16, 1988.<ref>Template:Cite magazine</ref> After three weeks, "Spotlight" reached a peak of 32 and fell to 40 the next week before exiting the chart.<ref>Template:Cite magazine</ref><ref>Template:Cite magazine</ref> It also appeared on the Hot Crossover 30 chart beginning on the issue dated December 12, 1987, peaking at 15 for two consecutive weeks beginning January 9, 1988 and spending eight weeks on the chart.<ref>Template:Cite magazine</ref><ref name=crossover_peak>Template:Cite magazine</ref><ref>Template:Cite magazine</ref><ref>Template:Cite magazine</ref>

Critical reception

You Can Dance received generally positive reviews from music critics. In The Village Voice, Robert Christgau considered that "the effects, repeats, breaks, and segues added by a star crew of remixers [...] amount to new music—this time the songs don't surface, they reach out and grab you". He also argued that You Can Dance reminded the audience that before MTV, they "loved the way she sounded".<ref name="Christgau"/> Many reviewers described the compilation as a being a good fit for playing at parties. Author J. Randy Taraborrelli noted that "You Can Dance made one point clear about Madonna. While she was evolving into a serious pop star, musically she still knew how to host the best party."<ref name="tara"/> Richard Harrington from The Washington Post called the album "an energetic collection of extended dance remixes, that will surely be the highlight of the party crowds flocking around the town."<ref name="washington">Template:Cite news</ref> John Milward from USA Today felt that "although the remixes sound a little exhaustive, its nevertheless party time with Madonna's album."<ref name="usa">Template:Cite news</ref> Jan DeKnock from the Chicago Tribune predicted that the album would be "one of the big stars of the upcoming holiday party season".<ref>Template:Cite news</ref>

Timothy Green from The Miami Herald said that "Madonna's new album isn't really new, but rather a collection of danceable hits, remixed by club deejays masterful at that peculiar art of taking the artists' work, track by track, and reconstructing it." He also said that "the remixes sound fresh" and that they gave "a new outlook on the already famous and popular songs."<ref name="miami">Template:Cite news</ref> Daniel Brogan from the same newspaper also praised the album, saying that "Madonna has brought a new joy to the people buying gifts for Christmas, as You Can Dance is a fun-filled, fast-paced retrospective that will burn the dance floor till New Year."<ref name="chicago">Template:Cite news</ref> In a retrospective review, Stephen Thomas Erlewine from AllMusic said that You Can Dance "keeps the spotlight on her first record." He also noted at "some of this now sounds dated—these are quite clearly extended mixes from the mid 80s—but that's part of its charm, and it all holds together quite well. Not essential, but fun."<ref name="allreview"/>

Commercial performance

In the United States, the album was released on November 18, 1987, and reached a peak of number 14 on the Billboard 200.<ref name="bb200">Template:Cite magazine</ref> The LP cuts debuted at number 41 on the Dance Music/Club Play chart, and moved up to number 17 the next week.<ref name="bbcharts">Template:Cite magazine</ref> The LP cuts ultimately topped the Dance chart, becoming Madonna's seventh number one entry.<ref name="dance">Template:Cite magazine</ref> The album was certified Platinum by the Recording Industry Association of America (RIAA) for shipment of one million copies across the United States.<ref name="riaa"/>

In Canada, the album debuted at number 55 on the RPM Albums Chart on December 5, 1987.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> After five weeks, it reached a peak of number 11 on the chart.<ref name="rpm"/> It was present for a total of 21 weeks on the chart.<ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> In Australia, You Can Dance debuted at number 15 on the Kent Music Report albums chart, and peaked at number 13.<ref name="kent">Template:Cite book</ref> It was certified platinum by the Australian Recording Industry Association (ARIA) for shipment of 70,000 copies of the album.<ref name="kent"/> You Can Dance reached a peak of number four in New Zealand.<ref name="aut"/>

In the United Kingdom, You Can Dance was released on November 28, 1987, and entered the UK Albums Chart and peaked at number five.<ref name="uk"/> It was Madonna's fifth top-ten album there present for a total of 16 weeks on the chart, and was certified platinum by the British Phonographic Industry (BPI) for shipment of 300,000 copies of the album.<ref name="uk"/><ref name="bpi"/> The album re-entered the chart at number 69, on March 4, 1995, after being released in mid-price in the United Kingdom.<ref name="uk"/> Across Europe, the album reached number three on the European Top 100 Albums chart,<ref name="SWcert"/> and the top five in Norway and Netherlands, while charting within the top twenty of Austria, Germany, Spain, Sweden and Switzerland.<ref name="aut"/><ref name="ger"/> You Can Dance also reached number two in France.<ref name="fra"/> Worldwide, it went on to sell five million copies, becoming the second best-selling remix album of all time.<ref name="wwsales">Template:Cite news</ref><ref name=brazilmanysales/>

Legacy

Shortly after its release, Madonna was called "the most important dance artist" by a number of media outlets,<ref name="tara"/> and described by pan-European magazine Music & Media as "the world's most successful artist in bridging the dance and pop audiences".<ref name="albumweek"/>

Jon O'Brien from Billboard noted Madonna became "the first major pop artist" to release a hits collection with its extended 12" versions.<ref name="BB2022">Template:Cite magazine</ref> You Can Dance is one of the first sets of remixes to be conceived as a full-length album.<ref name="Sigman">Template:Cite book</ref> Matthew Rettenmund, author of Encyclopedia Madonnica (1995), complimented rather releasing a greatest-hits album, her first compilation was a "groundbreaking remix album".<ref name="Rettenmund">Template:Cite book</ref> The entire concept of copying, repeating, pasting and playing was still in its "infancy" when Madonna released this project.<ref name="Cool"/><ref name="OCC20"/> Writing for Reader's Digest, Jon O'Brien stated "Madge was the first genuine superstar to realise the power of the DJ".<ref name="Jon">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Biographer David James commented that "Madonna broke fresh ground".<ref name="James1991"/> Daryl Easlea, in Madonna: Blonde Ambition (2012) wrote what was particularly successful about You Can Dance, is the way the tracks were mixed into a continuous segue, further asserting that "it was very much a forerunner of today's club mixes" and that this had been happening in clubs for years, "but Madonna once again popularized a breaking wave by capturing it on vinyl".<ref name="Easlea"/>

J. Randy Taraborrelli credits Madonna for being part of jump-started the trend of releasing remix albums.<ref name="tara"/> According to O'Brien, Madonna "inspired generations of pop artists to rework their bops for club dance floors".<ref name="Jon"/> Shortly after the release of You Can Dance, major acts of the day were following suit with their own, including Bobby Brown's Dance!...Ya Know It!, New Kids on the Block's No More Games/The Remix Album, Jody Watley's You Wanna Dance with Me? and Paula Abdul's Shut Up and Dance: Mixes contributing to the perception that dance remix albums weren't viewed as "rarities".<ref name="tara"/><ref name="James1991">Template:Cite book</ref> Steffanee Wang from Nylon slightly noted its influence on Club Future Nostalgia by Dua Lipa.<ref name="Nylon"/> Kelefa Sanneh in Major Labels: A History of Popular Music in Seven Genres (2021) describes how she "released a type of record that many of her fans had probably never previously encountered".<ref name="Sanneh">Template:Cite book</ref> Despite this, the album was well received by fans.<ref name="Morgan2015">Template:Cite book</ref>

Other retrospective assessments specifically praised its impact as a remix album on record charts. Rob Copsey from the Official Charts Company stated that it "set the bar for how it should be done".<ref name="OCC20">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Commercially, Easlea wrote that while the record missed out on the US top 10, it still managed to sell more than a million copies—"no mean feat" for a material that had "largely been previously released elsewhere".<ref name="Easlea">Template:Cite book</ref> Its worldwide results led to it becoming the best-selling remix album for nearly ten years until the release of Blood on the Dance Floor: HIStory in the Mix by Michael Jackson.<ref name="Jon"/>

Accolades

According to Wang, You Can Dance is one of the first major remix albums in pop music.<ref name="Nylon">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> The album was described as "groundbreaking" by Sal Cinquemani of Slant and O'Brien, the latter of whom compared its impact to the likes of Like a Prayer and Ray of Light.<ref name="Jon"/><ref>{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Music critic Robert Christgau called both You Can Dance and The Immaculate Collection "stunning" records,<ref name="Christgau98">Template:Cite book</ref> while the staff of Rolling Stone called both compilations "perfect Madonna" albums.<ref name="RS2021">Template:Cite book</ref>

You Can Dance made appearances on a number of year-end and best-of lists by publications such as Cash Box, Los Angeles Times and The Village Voice.<ref name="DayCashBox">Template:Cite magazine</ref><ref name="HuntLA">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref><ref name="PazzJop">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref> Upon release, the record was chosen as "album of the week" by Music & Media, issued on November 28, 1987.<ref name="albumweek">Template:Cite magazine</ref> The same publication named it "The Dance Record of the Year".<ref name="dancerecord">Template:Cite magazine</ref> Lucinda Prince of the Australian website Cool Accident listed the compilation as one of the "Best 5 Pop Remix Albums".<ref name="Cool">{{#invoke:citation/CS1|citation |CitationClass=web }}</ref>

Personnel

Credits adapted as per the You Can Dance LP liner notes.<ref name="liner"/>

• Madonna – vocals
• Michael Barbiero – remixing, additional production
• John "Jellybean" Benitez – sequencing, remixing, additional production
• Stephen Bray – producer (previously unreleased track)
• Bruce Forest – remixing, additional production
• Frank Heller – remixing, additional production
• Michael Ostin – executive producer
• Shep Pettibone – editing, remixing, additional production
• Steve Thompson – remixing, additional production
• David Cole – keyboard
• Glenn Rosenstein – sound engineer
• Michael Hutchinson – remixing, additional production
• Jeri Heiden – art direction, cover art design
• Herb Ritts – cover art photographer
• Brian Chin – liner notes

Charts

Weekly charts

Template:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chartTemplate:Single chart

Weekly chart peaks of You Can Dance during 1987–1989

Chart (1987–1989)	Peak position
Argentine Albums (CAPIF)<ref>Template:Cite magazine</ref><ref>Template:Cite news</ref>	7
Australia (Kent Music Report)<ref name="kent"/>	13
Brazilian Albums (Nopem/ABPD)<ref>Template:Cite news</ref>	4
Canadian Albums (The Record)<ref>Template:Cite magazine</ref>	9
European Top 100 Albums (Music & Media)<ref name="SWcert"/>	3
Finnish Albums (Suomen virallinen lista)<ref>Template:Cite book</ref>	6
French Albums (SNEP)<ref name="fra">{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	2
Icelandic Albums (Tónlist)<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	5
Italian Albums (Musica e Dischi)<ref>{{#invoke:citation/CS1|citation	CitationClass=web }} Set "Tipo" on "Album". Then, in the "Artista" field, search "Madonna".</ref>	1
Japanese Albums (Oricon)<ref>Template:Cite magazine</ref>	5
Japanese International Albums (Oricon)<ref>Template:Cite book</ref>	1
Singaporean Western Albums (IFPI)<ref name="Singapore">Template:Cite news</ref>	2
Spanish Albums (AFYVE)<ref name="spain">Template:Cite book</ref>	16
UK Dance Albums (Music Week)<ref name="UKdance">Template:Cite magazine</ref>	4
US Cash Box Top Albums<ref>Template:Cite magazine</ref>	16
Uruguayan Albums (CUD)<ref>Template:Cite news</ref>	7

Template:Album chartTemplate:Album chartTemplate:Album chartTemplate:Album chart

Weekly chart peaks of You Can Dance during 2006–2022

Charts (1992—2022)	Peak position
Croatian International Albums (HDU)<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	3
Danish Albums (Hitlisten)<ref>Template:Cite magazine</ref>	69
scope="row"Template:Album chart

Year-end charts

1987 year-end chart performance of You Can Dance

Chart (1987)	Position
Dutch Albums (Album Top 100)<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	75
French Albums (SNEP)<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	26
Norway Christmas Period (VG-lista)<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	14
UK Albums (Gallup)<ref name="gallup">Template:Cite magazine</ref>	43

1988 year-end chart performance of You Can Dance

Chart (1988)	Position
Canada Top Albums/CDs (RPM)<ref>Template:Cite magazine</ref>	81
European Top 100 Albums (Music & Media)<ref>Template:Cite magazine</ref>	39
Norway Winter Period (VG-lista)<ref>{{#invoke:citation/CS1|citation	CitationClass=web }}</ref>	20
US Billboard 200<ref name="bbye">Template:Cite magazine</ref>	82
US Dance Club Songs (Billboard)<ref name="bbyearend">Template:Cite magazine</ref> Template:Small	44

See also

• List of number-one dance singles of 1988 (U.S.)

Book sources

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External links

• Template:MusicBrainz release