Bajiquan

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Template:Short description Template:Italic title Template:More citations needed Template:Infobox martial art Template:Chinese martial arts

Bajiquan (Template:Zh) is a traditional Chinese martial art that features explosive, short-range power in close combat and is well-known for its rapid elbow and shoulder strikes.<ref>Template:Cite book</ref> Its full name is kaimen bajiquan (Template:Zh).

The eight extremities in Bajiquan refers to the eight distalmost parts of the body to strike the opponent. This includes the fist, forearm, elbow, shoulder, hip, thigh, knee, and foot to deliver a powerful blow in close range. Bajiquan is also known as the "bodyguard style", as this was the pugilism style taught and used by personal bodyguards for Mao Zedong, Chiang Kai-shek, and Puyi (the last Qing dynasty emperor).

Bajiquan is now popular in northern China and Taiwan. Later, it was introduced to Japan, South Korea, and other countries such as the United States, Canada, Britain, France and Italy, among others.

Etymology

Template:Infobox Chinese

According to most common etymology, bajiquan was originally called baziquan (Template:Zh) because the fists, held loosely and slightly open, are used to strike downwards in a rake-like fashion. The name was considered to be rather crude, so it was changed to bajiquan. The term baji comes from the I Ching and signifies an "extension of all directions". In this case, it means "including everything" or "the universe".<ref name="Lu2006_A"/><ref>Liu and Oyanagi (1992) p.15</ref>

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Most people believe that Bajiquan was originally known as Bazi Quan, in which bazi' means "rake." The style acquired this name because of the shape of most of the fists used. The term bazi was later changed to baji, which means "to reach far away in all directions." This was considered a more apt and noteworthy description of the style, because it suggests the ability to achieve great things.{{#if:|

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However, this etymology is not universally accepted.<ref>李会宁 (Li Huining), 八极拳文化论 (Discussions sur la Culture du Bajiquan), 中国文联出版社, 2004, 300 p. (Template:ISBN)</ref>

History

Little is known about the origin of the style. Information before the Republican era of China is extremely rare, with clearest documentation beginning circa 1920s-1930s.

The first practitioner clearly identified in written history was a man named Wu Zhong (Template:Lang-zh; 1712–1802), a member of the Hui minority and from the Wu family clan of the Mengcun region of Cangzhou, Hebei.<ref>Liu Yunqi (1992), p.18</ref><ref name="Lu2006_A"/>

According to the genealogical records of the Wu family, Wu Zhong's great-grandfather left the family stronghold to settle about 50 km away in the isolated hamlet of Houzhuangke (后庄科) in the neighboring province of Shandong. Wu Zhong is said to have been born in Houzhuangke before returning to settle with the main branch of his family in the village of Mengcun, Hebei province. Little is known of Wu Zhong, except that he quickly reached an unparalleled level in the practice of martial arts. His prowess earned him the nickname "god of the spear", as well as being recruited to serve as an instructor at the imperial court under Prince Xun. When he was about 60 years old, Wu Zhong returned to Mengcun where he devoted the last thirty years of his life to transmitting his fighting art, and the village became the source of the development of bajiquan.<ref name="ReferenceA">Collectif, 沧县直 (Annales du comté de Cang), 沧县志书局, 1933</ref>

The origin of the mastery acquired by Wu Zhong remains unknown to this day, it is currently the subject of many controversies between the different branches of bajiquan. Historical documents contain two versions of the origins of bajiquan:

  • The Cang County annals,<ref name="ReferenceA"/> the baji manual of the Wu family,<ref>吴会清 (Wu Huiqing), 吴氏八极拳术秘诀之谱 (Manuel des Secrets du Bajiquan de la Famille Wu), Manuel lithographié, 1936</ref> and the Pobei manuscript indicate that an itinerant Taoist monk by the name of Lai (Template:Lang-zh) and his disciple Pi (Template:Lang-zh) would have stayed in Mengcun to teach bajiquan as well as the handling of the great spear to Wu Zhong. By the admission of the Wu family of Mengcun, this reference is probably to be considered as a legend.;<ref>(zh) 吴丕请 (Wu Piqing), « 回族武术八极拳考述 (Investigations sur le Baji Quan de la minorité Hui) », 回族研究 (Journal de recherche sur la minorité Hui), 2004 (n°3), p. 83-86</ref><ref name="Matsuda and Nogami 1986 p.38">Matsuda and Nogami (1986) p.38</ref><ref>Bajiquan Jianjie 八极拳简介 in Template:Webarchive</ref>
  • The other is Zhang Yueshan, a monk from Yueshan Temple in Henan Province (either Zhengzhou or Jiaozuo), who was returning to secular life and traveling around. It is said that he taught the great spear method.<ref name="Matsuda and Nogami 1986 p.38"/><ref name="Lu2006_A">Lu Shengli (2006), p.110</ref><ref>Ma MingDa, "About "About the Baji Quan of YueShan"", Wulin (Cercle Martial), December 2000</ref>
  • Besides those two theories, there is also speculation that the martial art originates from Shaolin Temple in Henan, unrelated to Zhang Yueshan.<ref>Su Fa, Baji Quan de Shaolin, Beijing Institute of Physical Education Press, 1992</ref>

In any case, all sources agree on the fact that Wu Zhong traveled a lot, and that it was only at the end of his life that he devoted himself to teaching bajiquan. It is presumed that the legend of Lai and Pi simply symbolizes the martial knowledge that Wu Zhong was able to acquire throughout his life, probably from the study of the other styles of the region, and that he crystallized it in the form of bajiquan.

The first historical reference to bajiquan appears in military treaty called Jixiao Xinshu written by general Qi Jiguang (1528–1588). It is inferred that bajiquan may have been a well-established martial art during the 16th Century.<ref>Liu and Oyanagi (1992) p.14-15</ref><ref name="Lu2006_A"/><ref name= "Brief h"/><ref>Zhang Shizhong "Bajiquan: The Essence of Traditional Chinese Fist" Fuchangdo, 1998, page 19, Template:ISBN</ref>

Wu Zhong had only one child, his daughter Wu Rong (Template:Lang-zh), who at the age of 30 married an expert in Changquan and stopped practicing bajiquan after a few years. To avoid remaining childless and ensure the continuity of his art, Wu Zhong adopted Wu Ying (Template:Lang-zh), a distant nephew of the Wu family of Mengcun. Wu Zhong transmitted all his knowledge to Wu Ying, as well as to Wu Zhongyu (Template:Lang-zh), another distant nephew of the Wu family of Mengcun. In 1790, at the request of his master, Wu Ying officially introduced the name "bajiquan" and he wrote the first martial manual of the Wu family to ensure the transmission of the family art among generations to come. Thus, bajiquan was transmitted within the Wu family who also ensured the dissemination of the style to other families in Mengcun and the surrounding villages.<ref>Template:Cite book</ref><ref name="WimChris">Wim Seeuws & Christophe Tiffreau, Seeking old school KungFu in China's villages, Kung Fu Magazine, Nov/Dec 2011, page 66 Template:ISSN</ref>

At first, bajiquan was transmitted mainly to the Hui people of Meng Village, but it was also transmitted to Luohan, an area where many Han people live. Eventually, it came to be divided into the Hui lineage of Mencun and the Han lineage of Luo.

Contemporary history of bajiquan

Li Shuwen (1860–1934) was considered one of the most important movers of the martial art during Qing dynasty.<ref>Template:Cite web</ref> He was from Cangzhou (Template:Zh), Hebei, and acquired the nickname "God of Spear Li".<ref>Template:Cite book</ref> A Beijing opera Wu Shen (martial male character) by training, he was also an expert fighter. His most famous quote is, "I do not know what it's like to hit a man twice."<ref name= "Bajimen Bajiquan">Template:Cite web</ref> Li Shuwen's students included Huo Dian Ge (Template:Zh) (bodyguard to Puyi, the last Emperor of China), Li Chenwu (bodyguard to Mao Zedong), and Liu Yunqiao (Template:Zh) (secret agent for the nationalist Kuomintang and instructor of the Chiang Kai-shek's bodyguards).<ref>Template:Cite web</ref> Bajiquan has since acquired a reputation as the "bodyguard style".<ref>Template:Cite book</ref><ref>Crudelli 2008, p.68</ref> Ma Fengtu (Template:Zh) and Ma Yintu (Template:Zh) introduced bajiquan into the Central Guoshu Institute (Nanjing Guoshu Guan Template:Zh) where it is required for all students.<ref>Ba Zi Jie Xi: a talk on rake fist 耙子解析</ref>

The impetus that set the spread of bajiquan throughout China was that of the Central Guoshu Institute, as a regular course common to the two training courses "Shaolin Gate" and "Wudang Gate". It all started with the establishment of "bajiquan teaching materials for group training" (団体訓練用八極拳教材). As the branch of Central Guoshu Institute expanded, bajiquan became more popular and popularized.

Relation to piguaquan

In the tradition of Ma brothers, bajiquan is believed to share roots with another Hebei martial art, piguaquan. It is said that Wu Zhong, the oldest traceable master in the bajiquan lineage, taught both arts together as an integrated fighting system.<ref name="Piguazhang">Template:Cite web Template:Cite web</ref> The legend has it that they eventually split apart, only to be recombined by Li Shuwen in the late 18th to early 19th century. As a testament to the complementary nature of these two styles, a proverb states: "When pigua is added to baji, gods and demons will all be terrified. When baji is added to pigua, heroes will sigh knowing they are no match against it." (Template:Zh)<ref name="Piguazhang"/><ref>Su Yuchang, Pachi Tanglang Chuan: Eight Ultimate Praying Mantis, 2014, p. 175ff.</ref>

No historical proofs supporting this version, however, were found.

Branches and lineages

Prominent branches and lineages of the art survived to modern times, including Han-style, Huo-style, Ji-style, Li-style, Ma-style, Qiang-style, Wu-style (from Wu Xiefeng), Wutan-style, and yin yang-style bajiquan. Each has a unique element while sharing core practices. Some lineages are more common or only exist in China, while others have spread to Western countries.

Mengcun bajiquan

Meng Village (Mengcun) is said to be the original birthplace of bajiquan, or at least the modern versions of the art.<ref name= "Brief h" /> Baji is still widely practiced there.

Nanjing bajiquan

Bajiquan of Nanjing was introduced to the Guoshu Institute by students of Zhang Jingxing, Han Huiqing, and Ma Yingtu. Han had a great influence on the spread of baji in southern China, to the point that there was a saying bei li nan han meaning "Li [Shuwen] in the north and Han [Huachen] in the south".<ref>Template:Cite web</ref>

Wu Xiufeng

Wu Xiufeng<ref>Template:Cite web</ref> (1908–1976) is the "grandfather" of many modern baji lineages. The following lineages descend from him.

Tian-style

Tian-style is a branch which has mutual influences from Jingang Bashi—the second art practiced by Tian Jinzhong. Practitioners include Wu Xiufeng, Tian Jinzhong, and Shen Jiarui<ref>Template:Cite AV media</ref> >> Zhou Jingxuan<ref>Template:Cite web</ref><ref>Template:Cite web</ref> Tian-style is practiced in China and abroad.<ref>Template:Cite web</ref>

Yin Yang–style

Yin Yang-style was created by Zhao Fujiang, who combined his knowledge of baji, xingyiquan and yiquan to create a new art form.<ref>Template:Cite AV mediaTemplate:Dead link</ref> Yin-Yang is primarily practiced in China.

Wutan-style baji

Wutan-style baji<ref>Named after the Wutan Center for the Promotion of Chinese Wushu (武壇國術推廣中心), not to be confused with the Wudang (武當) of the Wudang Mountains.</ref> is the most common lineage in the West today. Originally from Taiwan, where its founder, Liu Yunqiao, lived. This lineage includes additional arts that are taught alongside baji, such as piguaquan and baguazhang.

Jian Diansheng<ref>Template:Cite web Template:Cite web</ref> >> Li Shuwen<ref name= bajimen.com>Template:Cite web</ref> >> Liu Yunqiao >> Adam Hsu,<ref>Template:Cite web Template:Cite web</ref> Su Yuchang, and Tony Yang<ref>Template:Cite web</ref> >> Many students in Taiwan and abroad (taught by one or more of them).<ref>Template:Cite book</ref>

Features

Tactics and strategy

Bajiquan opens the opponent's arms forcibly (qiang kai men; Template:Zh) and mount attacks at high, mid, and low levels of the body (san pan lian ji; Template:Zh). It is most useful in close combat, as it focuses on elbow, knee, shoulder and hip strikes. When blocking an attack or nearing an opponent, bajiquan techniques emphasize striking major points of vulnerability, namely the thorax (trunk of the body), legs and neck.

File:Master zhou baji quan posture.jpg
Zhou Jingxuan of Tianjin, holding a typical bajiquan posture. The sideways-protruding elbow is often used for striking in this art.

The "six big ways of opening" (liu da kai; Template:Zh) are:<ref>Template:Cite book</ref>

Stepping and body methods

Footwork in bajiquan has three special features:

  • Zhenjiao
  • Nianbu
  • Chuangbu<ref>Su Yuchang, Pachi Tanglang Chuan: Eight Ultimate Praying Mantis, 2014, pp. 131ff.</ref>

These striking techniques are related to traditional Chinese medicine, which states that all parts of the body are connected, either physically or spiritually.

Forms

The forms of baji are divided into armed and unarmed routines. There are twenty fist forms, which include twelve baji Small Structure Fists, baji Black Tiger Fist, baji danzhai, baji danda/duida, baji luohan gong, and baji si lang kuan. There are eight weapons forms, including liuheda qiang (spear), chun yang jian (sword), san yin dao (sabre), xing zhe bang (staff), pudao, and chun qiu dadao (a long two-handed heavy blade, used by Generals sitting on their horses).

Most schools focus on a much smaller curriculum. Standard across almost all groups are xiaobaji and dabaji; two weapons forms, the sabre and the spear; a two-man training routine called baji duijie or baji duida and a series of 8 short attacking methods called the "bashi" (Eight Postures), which are derived from the art of Shaolin jingang bashi.

Power generation and expression

The major features of baji include elbow strikes, arm/fist punches, hip checks and strikes with the shoulder. All techniques are executed with a short power, developed through training; among Chinese martial artists, baji is known for its fast movements. Baji focuses on infighting, entering from a longer range with a distinctive charging step (zhenjiao).

The essence of bajiquan lies in jin, or power-issuing methods, particularly fa jin (explosive power). The style contains six types of jin, eight different ways to hit and several principles of power usage. Most of bajiquan's moves utilize a one-hit push-strike method from very close range. The bulk of the damage is dealt through the momentary acceleration that travels up from the waist to the limb and further magnified by the charging step known as zhenjiao.

The mechanics of jin are developed through many years of practice and bajiquan is known for its strenuous lower-body training and its emphasis on the horse stance.<ref name="Bajimen Bajiquan" /> Its horse stance is higher than that of typical changquan styles. Like other styles, there is also "the arrow-bow stance", "the one-leg stance", "the empty stance" (Template:Zh), "the drop stance" (Template:Zh), etc. There are eight different hand poses, in addition to different types of breathing and zhenjiao.

Influences

Baji focuses on being more direct, culminating in powerful, fast strikes that will render an opponent unable to continue. Even so, there are some styles that are derived from baji's main principles or concepts on how to hit the opponent:

  • Eight postures (Bashi)
  • Eight movements method (Bashi gong)
  • Eight movements method (Bashi chui)
  • Double Eight Postures (Shuang bashi)
  • Eight postures of the dragon style (Longxing bashi)

Many of these forms are also based or mixed with luohanquan, a Shaolin style.Template:Citation needed The term bashi may also refer to baji. The term is also used in xingyiquan.

Notable people

Template:Unreferenced section Template:In popular culture

Bajiquan is a staple in martial arts media, appearing in various movies and video games.

Japan

Bajiquan has hugely impacted the Japanese pop culture. In Japanese, it is known as hakkyokuken, a Japanese reading of the Chinese characters used to write bajiquan. BajiquanTemplate:'s impact would begin with Kenji, a manga series written by Ryuchi Matsuda and illustrated by Yoshihide Fujiwara. It follows a teenage practitioner of Bajiquan and is supposedly based on Ryuichi Matsuda's own journey in Chinese martial arts.<ref>Template:Cite web</ref>

In 1993, Yu Suzuki—who got interested in martial arts because of the manga Kenji—would direct Virtua Fighter, a groundbreaking 3D fighting game. The game was hugely successful in Japan and amongst the roster was a bajiquan practitioner Akira Yuki, solidifying bajiquanTemplate:'s status in Japanese pop-culture. Bajiquan is also central to Yu Suzuki's Shenmue, a "sister" game to Virtua Fighter series.

Bajiquan is featured in many manga/anime series, including Air Master, Gantz, Kenichi: The Mightiest Disciple, Fist of the Blue Sky, Undead Unluck, Love HinaTemplate:Citation needed, Negima! Magister Negi MagiTemplate:Citation needed, BeelzebubTemplate:Citation needed and Garōden <ref>Template:Cite webTemplate:Dead link</ref>

In Japanese video games, it is featured in:

See also

References

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Bibliography

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