William Friedkin
Template:Short description Template:Use mdy dates Template:Use American English Template:Infobox person
William David Friedkin (Template:IPAc-en; August 29, 1935 – August 7, 2023) was an American film, television and opera director, producer, and screenwriter who was closely identified with the New Hollywood movement of the 1970s.<ref>Template:Cite web</ref><ref>Template:Cite news</ref> Beginning his career in documentaries in the early 1960s, he is best known for his crime thriller film The French Connection (1971), which won five Academy Awards, including Best Picture and Best Director, and the horror film The Exorcist (1973), which earned him another Academy Award nomination for Best Director.
Friedkin's other films in the 1970s and 1980s include the drama The Boys in the Band (1970), considered a milestone of queer cinema; the originally deprecated, now lauded thriller Sorcerer (1977); the crime comedy drama The Brink's Job (1978); the controversial thriller Cruising (1980);<ref>Template:Cite web</ref><ref>Template:Cite journal</ref> and the neo-noir thriller To Live and Die in L.A. (1985). Although Friedkin's works suffered an overall commercial and critical decline in the late 1980s, his last three feature films, all based on plays, were positively received by critics: the psychological horror film Bug (2006), the crime film Killer Joe (2011), and the legal drama film The Caine Mutiny Court-Martial (2023), released two months after his death. He also worked extensively as an opera director from 1998 until his death, and directed various television films and series episodes for television.
Early life and education
Friedkin was born in Chicago, Illinois, on August 29, 1935, the son of Rachael (née Green) and Louis Friedkin. His father was a semi-professional softball player, merchant seaman, and men's clothing salesman. His mother, whom Friedkin called "a saint," was a nurse.<ref name="Biskind200">Biskind, p. 200.</ref><ref name="AP-Obit"/> His parents were Jewish emigrants from Ukraine, in the Russian empire.<ref>Pfefferman, Naomi. "'Killer Joe's' William Friedkin: 'I Could Have Been a Very Violent Person'." Jewish Journal. August 2, 2012. Template:Webarchive Accessed April 29, 2013.</ref> His grandparents, parents, and other relatives fled Russia during a particularly violent anti-Jewish pogrom in 1903.<ref>Friedkin, The Friedkin Connection, p. 1.</ref> Friedkin's father was somewhat uninterested in making money, and the family was generally lower middle class while he was growing up. According to film historian Peter Biskind, "Friedkin viewed his father with a mixture of affection and contempt for not making more of himself."<ref name="Biskind200" />
After attending public schools in Chicago, Friedkin enrolled at Senn High School, where he played basketball well enough to consider turning professional.<ref name="Biskind201">Biskind, p. 201.</ref> He was not a serious student and barely received grades good enough to graduate,<ref>Segaloff, p. 25.</ref> which he did at the age of 16.<ref>Wakeman, p. 372.</ref> He said this was because of social promotion and not because he was bright.<ref>Friedkin, Conversations at the American Film Institute..., p. 186.</ref>
Friedkin began going to movies as a teenager,<ref name="Biskind201" /> and cited Citizen Kane as one of his key influences. Several sources claim that Friedkin saw this motion picture as a teenager,<ref>Emery, p. 237; Claggett, p. 3.</ref> but Friedkin himself said that he did not see the film until 1960, when he was 25 years old. Only then, Friedkin said, did he become a true cineaste.<ref>Friedkin, The Friedkin Connection, p. 9.</ref> Among the movies that he also saw as a teenager and young adult were Les Diaboliques, The Wages of Fear (which he remade as Sorcerer), and Psycho (which he viewed repeatedly, like Citizen Kane). Televised documentaries such as 1960's Harvest of Shame were also important to his developing sense of cinema.<ref name="Biskind201" />
Friedkin began working in the mail room at WBKB-TV immediately after high school.<ref>Stevens, p. 184.</ref> Within two years (at the age of 18),<ref name="LitFilmQ">Walker and Johnson, p. 15.</ref> he started his directorial career doing live television shows and documentaries.<ref>Derry, p. 361; Edmonds and Mimura, p. 211.</ref> His efforts included The People vs. Paul Crump (1962), which won an award Template:Which at the San Francisco International Film Festival and contributed to the commutation of Crump's death sentence.<ref name="LitFilmQ" /><ref>Hamm, p. 86-87.</ref> Its success helped Friedkin get a job with producer David L. Wolper.<ref name="LitFilmQ" /> He also made the football-themed documentary Mayhem on a Sunday Afternoon (1965).<ref>Charles Champlin, "Friedkin Damns the Torpedoes", The Los Angeles Times, March 24, 1967. Retrieved via Newspapers.com.</ref>
Career
1965–1979
As mentioned in his voice-over commentary on the DVD re-release of Alfred Hitchcock's Vertigo, Friedkin directed one of the last episodes of The Alfred Hitchcock Hour in 1965, called "Off Season". Hitchcock admonished Friedkin for not wearing a tie while directing.<ref>"Vertigo: The Legacy Series" Universal, 2008</ref>
In 1965, Friedkin moved to Hollywood and two years later released his first feature film, Good Times starring Sonny and Cher. He has referred to the film as "unwatchable".<ref>Template:Citation</ref> Several other films followed: The Birthday Party, based on an unpublished screenplay by Harold Pinter, which he adapted from his own play; the musical comedy The Night They Raided Minsky's, starring Jason Robards and Britt Ekland; and the adaptation of Mart Crowley's play The Boys in the Band.<ref>Template:Cite AV media</ref>

His next film, The French Connection, was released to wide critical acclaim in 1971. Shot in a gritty style more suited for documentaries than Hollywood features, the film won five Academy Awards, including Best Picture and Best Director.<ref name=":0">Template:Cite news</ref>
In 1973 Friedkin directed The Exorcist, based on William Peter Blatty's best-selling novel, which revolutionized the horror genre and is considered by some critics to be one of the greatest horror movies of all time. The Exorcist was nominated for 10 Academy Awards, including Best Picture and Best Director. It won for Best Screenplay and Best Sound. Following these two pictures, Friedkin, along with Francis Ford Coppola and Peter Bogdanovich, was deemed one of the premier directors of New Hollywood. In 1973, the trio announced the formation of an independent production company at Paramount Pictures, The Directors Company. Whereas Coppola directed The Conversation and Bogdanovich, the Henry James adaptation, Daisy Miller, Friedkin abruptly left the company, which was soon closed by Paramount.<ref>Template:Cite book</ref>
Friedkin's later movies did not achieve the same success. Sorcerer (1977), a $22 million American remake of the French classic The Wages of Fear, co-produced by both Universal and Paramount, starring Roy Scheider, was overshadowed by the blockbuster box-office success of Star Wars, which had been released exactly one week prior.<ref name=":0" /> Friedkin considered it his finest film, and was personally devastated by its financial and critical failure (as mentioned by Friedkin himself in the 1999 documentary series The Directors). Sorcerer was shortly followed by the crime-comedy The Brink's Job (1978), based on the real-life Great Brink's Robbery in Boston, Massachusetts, which was also unsuccessful at the box-office.<ref>Template:Cite news</ref>
1980–1999
In 1980, Friedkin directed an adaptation of the Gerald Walker crime thriller Cruising, starring Al Pacino, which was protested during production and remains the subject of heated debate. It was critically assailed but performed moderately at the box office.<ref>Template:Cite book</ref>
Friedkin had a heart attack on March 6, 1981, due to a genetic defect in his circumflex left coronary artery, and nearly died. He spent months in rehabilitation.<ref>Biskind, p. 413.</ref> His next picture was 1983's Deal of the Century, a satire about arms dealing starring Chevy Chase, Gregory Hines, and Sigourney Weaver. In 1984, he became one of the first Academy Award-winning directors to direct a music video, directing Laura Branigan's Self Control.
In 1985, Friedkin directed the music video for Barbra Streisand's rendition of the West Side Story song "Somewhere",<ref>Template:Cite web</ref> which she recorded for her twenty-fourth studio LP, The Broadway Album. He later appears as Streisand's interviewer (uncredited) on the television special, "Putting It Together: The Making of the Broadway Album".<ref>Template:Cite web</ref>
The action/crime movie To Live and Die in L.A. (1985), starring William Petersen and Willem Dafoe, was a critical favorite and drew comparisons to Friedkin's own The French Connection (particularly for its car chase sequence), while his courtroom drama/thriller Rampage (1987) received a fairly positive review from Roger Ebert.<ref>Template:Cite news</ref> He next directed the cult classic horror film The Guardian (1990) and the thriller Jade (1995), starring Linda Fiorentino. Though the latter received an unfavorable response from critics and audiences, he said it was one of the favorite films he directed.<ref>Template:Cite book</ref>
2000–2023

In 2000, The Exorcist was re-released in theaters with extra footage and grossed $40 million in the U.S. alone. Friedkin directed the 2006 film Bug due to a positive experience watching the stage version in 2004. He was surprised to find that he was, metaphorically, on the same page as the playwright and felt that he could relate well to the story.<ref>Template:Cite web</ref> The film won the FIPRESCI prize at the Cannes Film Festival. Later, Friedkin directed an episode of the TV series CSI: Crime Scene Investigation titled "Cockroaches", which re-teamed him with To Live and Die in L.A. star William Petersen.<ref>Template:Cite web</ref> He directed again for CSITemplate:'s 200th episode, "Mascara".<ref>Template:Cite web</ref>
In 2011, Friedkin directed Killer Joe, a black comedy written by Tracy Letts based on Letts' play, and starring Matthew McConaughey, Emile Hirsch, Juno Temple, Gina Gershon, and Thomas Haden Church. Killer Joe premiered at the 68th Venice International Film Festival, prior to its North American debut at the 2011 Toronto International Film Festival. It opened in U.S. theaters in July 2012, to some favorable reviews from critics but did poorly at the box office, possibly because of its restrictive NC-17 rating. In April 2013, Friedkin published a memoir, The Friedkin Connection.<ref>Friedkin, William. The Friedkin Connection: A Memoir. New York: HarperCollins, 2013.</ref> He was presented with a lifetime achievement award at the 70th Venice International Film Festival in September.<ref name="Friedkin">Template:Cite news</ref> In 2017, Friedkin directed the documentary The Devil and Father Amorth about the ninth exorcism of a woman in the Italian village of Alatri.<ref>Template:Cite web</ref> In August 2022, it was announced officially that Friedkin would be returning to film directing to helm an adaptation of the two-act play The Caine Mutiny Court-Martial with Kiefer Sutherland starring as Lt. Commander Queeg.<ref>Template:Cite web</ref> The film was completed before Friedkin's death, and debuted in September 2023 in the out-of-competition category at the Venice Film Festival.<ref>Template:Cite news</ref>
Influences
Friedkin cited Jean-Luc Godard, Federico Fellini, François Truffaut, and Akira Kurosawa as influences.<ref name="Fleming">Template:Cite web</ref> Friedkin named Woody Allen as "the greatest living filmmaker".<ref>Template:Cite web</ref>
In regard to influences of specific films on his films, Friedkin noted that The French Connection['s] documentary-like realism was the direct result of the influence of having seen Z, a French film by Costa-Gavras:
Personal life

Friedkin was married four times:
- Jeanne Moreau, married February 8, 1977, and divorced in 1979.<ref>Martin, Judith. "Personalities." Washington Post. February 9, 1977, p. B3.</ref><ref>"Filing for Divorce." Newsweek. June 25, 1979, p. 99.</ref>
- Lesley-Anne Down, married in 1982 and divorced in 1985.<ref>Sanders, Richard. "Director Billy Friedkin and Lesley-Anne Down Make a Home Movie-Divorce Hollywood Style." People. September 2, 1985. Accessed April 29, 2013.</ref><ref name="Names">"Names in the News." Associated Press. August 15, 1985.</ref>
- Kelly Lange, married on June 7, 1987, and divorced in 1990.<ref>Template:Cite web</ref><ref>Template:Cite web</ref>
- Sherry Lansing, married on July 6, 1991.<ref>Template:Cite news</ref><ref>Teetor, Paul. "'The Exorcist' Director William Friedkin Tells All in His No-Bullshit Memoir." Los Angeles Times. April 11, 2013. Template:Webarchive Accessed April 29, 2013.</ref>
While filming The Boys in the Band in 1970, Friedkin began a relationship with Kitty Hawks, daughter of director Howard Hawks. It lasted two years, during which the couple announced their engagement, but the relationship ended about 1972.<ref>Segaloff, p. 98.</ref> Friedkin began a four-year relationship with Australian dancer and choreographer Jennifer Nairn-Smith in 1972. Although they announced an engagement twice, they never married. They had a son, Cedric, on November 27, 1976.<ref>(* 1976) Template:Cite web</ref><ref>"Failing Better Every Time.", Sunday Independent. July 1, 2012.</ref> Friedkin and his second wife, Lesley-Anne Down, also had a son, Jack, born in 1982.<ref name="Names" /> Friedkin was raised Jewish, but called himself an agnostic later in life, although he said that he strongly believed in the teachings of Jesus Christ.<ref>Template:YouTube</ref><ref>Template:Cite web</ref>
Death
Friedkin died from heart failure and pneumonia at his home in the Bel Air neighborhood of Los Angeles on August 7, 2023, aged 87.<ref name="AP-Obit">Template:Cite news</ref><ref>Template:Cite news</ref>
Work
Film
Narrative films
Documentary films
| Year | Title | Director | Writer | Producer | Template:Tooltip |
|---|---|---|---|---|---|
| 1962 | The People vs. Paul Crump | Template:Yes | Template:No | Template:Yes | <ref name="BFI" /> |
| 1965 | The Bold Men | Template:Yes | Template:No | Template:No | <ref name="BFI"/> |
| Mayhem on a Sunday Afternoon | Template:Yes | Template:No | Template:Yes | <ref>Template:Cite web</ref> | |
| 1966 | The Thin Blue Line | Template:Yes | Template:Partial | Template:Yes | <ref name="BFI"/> |
| 1975 | Fritz Lang Interviewed by William Friedkin | Template:Yes | Template:No | Template:No | <ref name="BFI"/> |
| 1986 | Putting It Together: The Making of the Broadway Album | Template:Partial | Template:No | Template:No | <ref name="BFI"/> |
| 2007 | The Painter's Voice | Template:Yes | Template:No | Template:No | <ref>Template:Cite news</ref> |
| 2017 | The Devil and Father Amorth | Template:Yes | Template:Yes | Template:No | <ref name="RT"/> |
Music videos
| Year | Title | Artist | Template:Tooltip |
|---|---|---|---|
| 1984 | "Self Control" | Laura Branigan | <ref>Template:Cite web</ref> |
| 1985 | "Somewhere" | Barbra Streisand | <ref>Template:Cite web</ref> |
| 1985 | "To Live and Die in L.A." | Wang Chung | |
| 1998 | "Ce que je sais" | Johnny Hallyday | <ref>Template:Cite web</ref> |
Television
TV series
| Year | Title | Episode | Template:Tooltip |
|---|---|---|---|
| 1965 | The Alfred Hitchcock Hour | "Off Season" (S3 E29) | <ref name="RT"/> |
| 1967 | The Pickle Brothers | TV pilot (S1 E1) | <ref name="BFI"/> |
| 1985 | The Twilight Zone | "Nightcrawlers" (S1 E4c) | <ref>Template:Cite web</ref> |
| 1992 | Tales from the Crypt | "On a Deadman's Chest" (S4 E3) | <ref name="RT"/> |
| 2007 | CSI: Crime Scene Investigation | "Cockroaches" (S8 E9) | <ref name="RT"/> |
| 2009 | "Mascara" (S9 E18) | <ref name="RT"/> |
TV movies
| Year | Title | Director | Writer | Executive producer |
Template:Tooltip |
|---|---|---|---|---|---|
| 1986 | C.A.T. Squad | Template:Yes | Template:No | Template:Yes | <ref name="BFI"/> |
| 1988 | C.A.T. Squad: Python Wolf | Template:Yes | Template:Yes | Template:Yes | <ref name="BFI"/> |
| 1994 | Jailbreakers | Template:Yes | Template:No | Template:No | <ref name="BFI"/> |
| 1997 | 12 Angry Men | Template:Yes | Template:No | Template:No | <ref name="RT"/> |
| 2023 | The Caine Mutiny Court-Martial | Template:Yes | Template:Yes | Template:No | <ref name="RT"/> |
Stage
Operas
| Year | Title and Composer | Country / Opera House | Template:Tooltip |
|---|---|---|---|
| 1998 | Wozzeck, Alban Berg |
Maggio Musicale Fiorentino Theatre | <ref>Template:Cite news</ref> |
| 2002 | Duke Bluebeard's Castle, Béla Bartók |
Los Angeles Opera | <ref name="Bluebeard">Template:Cite magazine</ref><ref name="Samson">Template:Cite news</ref> |
| Gianni Schicchi, Giacomo Puccini |
<ref name="Bluebeard"/><ref name="Samson"/> | ||
| 2003 | La damnation de Faust, Hector Berlioz |
<ref>Template:Cite magazine</ref> | |
| 2004 | Ariadne auf Naxos, Richard Strauss |
<ref>Template:Cite magazine</ref><ref name="Samson"/> | |
| 2005 | Samson and Delilah, Camille Saint-Saëns |
June, New Israeli Opera October, Los Angeles Opera |
<ref name="Samson"/> |
| Aida, Giuseppe Verdi |
Teatro Regio Torino | <ref name="Aida">Template:Cite web</ref><ref>Template:Cite web</ref> | |
| 2006 | Salome, Richard Strauss |
Bavarian State Opera | <ref name="Hoffmann">Template:Cite web</ref> |
| Das Gehege, Wolfgang Rihm |
<ref>Template:Cite web</ref> | ||
| 2008 | Il tabarro, Giacomo Puccini |
Los Angeles Opera | <ref name="Trittico">Template:Cite news</ref> |
| Suor Angelica, Giacomo Puccini |
<ref name="Trittico"/> | ||
| 2011 | The Makropulos Case, Leoš Janáček |
Maggio Musicale Fiorentino Theatre | <ref>Template:Cite news</ref> |
| 2012 | The Tales of Hoffmann, Jacques Offenbach |
Theater an der Wien | <ref name="Hoffmann"/> |
| 2015 | Rigoletto, Giuseppe Verdi |
Maggio Musicale Fiorentino Theatre | <ref>Template:Cite web</ref> |
Plays
| Year | Title | Theatre | Principal Cast | Template:Tooltip |
|---|---|---|---|---|
| 1981 | Duet for One | Royale Theatre | Max von Sydow, Anne Bancroft |
<ref>Template:Cite news</ref><ref>Template:Cite web</ref> |
Unrealized projects
| Year | Title and description | Template:Tooltip |
|---|---|---|
| 1960s | Gunn | <ref>Template:Cite web</ref> |
| Chastity | <ref>Template:Cite web</ref> | |
| They Shoot Horses, Don't They? | <ref>Template:Cite book</ref> | |
| The Murders on the Moor, a film adaptation of Emlyn Williams' novel Beyond Belief: A Chronicle of Murder and Its Detection | <ref name="Aberration">Template:Cite book</ref> | |
| 1970s | A film adaptation of Ross Thomas' novel The Brass Go-Between | <ref>Template:Cite news</ref> |
| The Bunker Hill Boys, a film for The Directors Company | <ref>Template:Cite news</ref> | |
| Untitled sci-fi film with Peter Gabriel | <ref>Template:Cite magazine</ref><ref>Template:Cite web</ref> | |
| The Devil's Triangle, a UFO thriller starring Marlon Brando, Steve McQueen and Charlton Heston | <ref>Template:Cite web</ref> | |
| A Safe Darkness, a documentary about horror cinema featuring interviews with Fritz Lang and Roman Polanski | <ref>Template:Cite web</ref><ref name="Aberration"/> | |
| Born on the Fourth of July starring Al Pacino as Ron Kovic | <ref>Template:Cite web</ref><ref>Template:Cite web</ref> | |
| A made-for-television film adaptation of Will Eisner's comic The Spirit written by Harlan Ellison | <ref name="Spirit">Template:Cite web</ref> | |
| A film adaptation of Harlan Ellison's short story "The Whimper of Whipped Dogs" starring Jeanne Moreau | <ref>Template:Cite magazine</ref><ref name="Spirit"/> | |
| A 10-hour television adaptation of Thomas Thompson's novel Blood and Money | <ref>Template:Cite news</ref><ref>Template:Cite news</ref> | |
| A film adaptation of Ron Hansen's novel Desperadoes written by Walon Green | <ref>Template:Cite news</ref> | |
| 1980s | A film adaptation of Jerry Hopkins and Danny Sugerman's novel No One Here Gets Out Alive | <ref>Template:Cite book</ref> |
| A film adaptation of Gay Talese's novel Thy Neighbor's Wife | <ref>Template:Cite book</ref> | |
| A film adaptation of Robin Cook's novel Brain | <ref>Template:Cite news</ref> | |
| That Championship Season | <ref>Template:Cite news</ref> | |
| A film adaptation of William Peter Blatty's novel Legion | <ref>Template:Cite web</ref> | |
| A film adaptation of Frank De Felitta's novel Sea Trial starring Laura Branigan and Michael Nouri | <ref>Template:Cite book</ref><ref>Template:Cite news</ref> | |
| A film adaptation of Bob Fosse and Fred Ebb's stage musical Chicago written by Arthur Laurents | <ref>Template:Cite web</ref> | |
| Judgement Day, a film written by Pete Hamill starring Gregory Peck | <ref>Template:Cite web</ref><ref>Template:Cite news</ref> | |
| A film adaptation of Don Pendleton's The Executioner series written by Hilary Henkin starring Sylvester Stallone and Cynthia Rothrock | <ref>Template:Cite news</ref><ref name="Cult">Template:Cite web</ref> | |
| The Gambler, a film written by Edward Neumeier and Michael Miner starring Sylvester Stallone | <ref name="Cult"/> | |
| Desperate Hours | <ref>Template:Cite news</ref> | |
| Untitled biopic about 1950s songwriting duo Jerry Leiber and Mike Stoller | <ref>Template:Cite news</ref><ref>Template:Cite news</ref> | |
| 1990s | Elsewhere, a ghost story with William Peter Blatty | <ref>Template:Cite magazine</ref><ref>Template:Cite news</ref> |
| The Diary of Jack the Ripper, a biopic about James Maybrick written by Chris DeVore starring Anthony Hopkins | <ref>Template:Cite news</ref><ref>Template:Cite news</ref> | |
| A film adaptation of John Flood's novel Bag Men starring Michael Keaton | <ref>Template:Cite news</ref> | |
| A remake of the 1996 made-for-television film Truth or Dare written by William Davies | <ref>Template:Cite news</ref> | |
| Night Train, a biopic about boxer Sonny Liston written by Shane Salerno and Tyger Williams starring Ving Rhames | <ref>Template:Cite news</ref><ref name="Zoromski">Template:Cite web</ref><ref>Template:Cite news</ref> | |
| Battle Grease, a film about the account of the Florence Maybrick murder trial | <ref>Template:Cite news</ref> | |
| The Man Who Killed Versace, a biopic of Andrew Cunanan written by Frederic Raphael starring Freddie Prinze Jr. and Angelina Jolie | <ref>Template:Cite book</ref><ref>Template:Cite web</ref> | |
| 2000s | A film adaptation of Larry Collins' novel O Jerusalem! written by James Dearden | <ref>Template:Cite news</ref> |
| Shooter starring Tommy Lee Jones | <ref name="Zoromski"/> | |
| Untitled biopic about Howard Hughes adapted from Richard Hack's biography Hughes: The Private Diaries, Memos and Letters | <ref>Template:Cite magazine</ref> | |
| A film adaptation of Thomas Thompson's novel Serpentine | <ref>Template:Cite news</ref><ref>Template:Cite web</ref><ref name="Devil">Template:Cite news</ref> | |
| Untitled biopic about Giacomo Puccini starring Plácido Domingo | <ref>Template:Cite magazine</ref> | |
| A film adaptation of Robert Silverberg's novel The Book of Skulls written by Jeff Davis and Terry Hayes | <ref>Template:Cite news</ref><ref name="Devil"/><ref>Template:Cite web</ref> | |
| The Man Who Kept Secrets, a biopic about Hollywood lawyer Sidney Korshak | <ref>Template:Cite news</ref> | |
| A film adaptation of Chris Greenhalgh's novel Coco and Igor starring Mads Mikkelsen and Marina Hands | <ref>Template:Cite news</ref><ref>Template:Cite web</ref> | |
| 2010s | A film adaptation of William Peter Blatty's novel Dimiter | <ref>Template:Cite web</ref> |
| Trapped, an indie thriller set in Europe starring Demián Bichir | <ref>Template:Cite news</ref><ref>Template:Cite web</ref>Template:Efn | |
| I Am Wrath starring Nicolas Cage | <ref>Template:Cite news</ref><ref>Template:Cite web</ref><ref>Template:Cite web</ref> | |
| Mae, a biopic about actress Mae West starring Natasha Lyonne and Bette Midler | <ref>Template:Cite web</ref><ref>Template:Cite tweet</ref><ref>Template:Cite web</ref> | |
| A TV pilot based on his film To Live and Die in L.A. written by Robert Moresco | <ref name="TV">Template:Cite web</ref><ref>Template:Cite web</ref><ref>Template:Cite web</ref> | |
| Untitled Killer Joe spinoff TV series | <ref name="TV"/><ref>Template:Cite web</ref> | |
| Unspecified episodes of the second season of True Detective | <ref>Template:Cite web</ref> | |
| A film adaptation of Don Winslow's novel The Winter of Frankie Machine | <ref>Template:Cite web</ref><ref>Template:Cite podcast</ref> |
An LA Opera production of Wagner's Tannhäuser was announced by Friedkin, but a spokesperson revealed it had been delayed indefinitely.<ref name="Samson"/> Friedkin had also been set to direct the premiere of an opera titled An Inconvenient Truth to debut in 2011,<ref>Template:Cite magazine</ref> but he later departed from it when creative differences arose between him and the librettist.<ref>Template:Cite magazine</ref> In 2013, it was reported that he would helm a stage production of Harold Pinter's The Birthday Party (which he had already directed as a feature film in 1968), for Geffen Playhouse.<ref>Template:Cite web</ref> A cast including Katie Amess, Frances Barber, Steven Berkoff, Tim Roth and Nick Ullett was assembled, but the production was soon postponed for an unknown reason, and never revived.<ref>Template:Cite web</ref>
Awards and nominations
| Year | Title | Academy Awards | BAFTAs | Golden Globes | |||
|---|---|---|---|---|---|---|---|
| Nominations | Wins | Nominations | Wins | Nominations | Wins | ||
| 1970 | The Boys in the Band | 1 | |||||
| 1971 | The French Connection | 8 | 5 | 5 | 2 | 4 | 3 |
| 1973 | The Exorcist | 10 | 2 | 1 | 7 | 4 | |
| 1977 | Sorcerer | 1 | |||||
| 1978 | The Brink's Job | 1 | |||||
| 1997 | 12 Angry Men | 3 | 1 | ||||
| Total | 20 | 7 | 6 | 2 | 15 | 8 | |
Directed Academy Award Performances
| Year | Performer | Film | Result |
|---|---|---|---|
| Academy Award for Best Actor | |||
| 1972 | Gene Hackman | The French Connection | Template:Won |
| Academy Award for Best Actress | |||
| 1974 | Ellen Burstyn | The Exorcist | Template:Nom |
| Academy Award for Best Supporting Actor | |||
| 1972 | Roy Scheider | The French Connection | Template:Nom |
| 1974 | Jason Miller | The Exorcist | Template:Nom |
| Academy Award for Best Supporting Actress | |||
| 1974 | Linda Blair | The Exorcist | Template:Nom |
Bibliography
- Friedkin, William. The Friedkin Connection: A Memoir. New York: HarperCollins, 2013. Template:ISBN
- Friedkin, William. Conversations at the American Film Institute With the Great Moviemakers: The Next Generation. George Stevens, Jr., ed. New York: Alfred A. Knopf, 2012. Template:ISBN
References
Notes
Further reading
- Biskind, Peter. Easy Riders, Raging Bulls: How the Sex-Drugs-And Rock 'N Roll Generation Saved Hollywood. New York: Simon and Schuster, 1998. Template:ISBN
- Claggett, Thomas D. William Friedkin: Films of Aberration, Obsession, and Reality. Los Angeles: Silman-James Press, 2003. Template:ISBN
- Derry, Charles, ed. Dark Dreams 2.0: A Psychological History of the Modern Horror Film From the 1950s to the 21st Century. Jefferson, N.C.: McFarland & Co., 2009. Template:ISBN
- Edmonds, I. G. and Mimura, Reiko. The Oscar Directors. San Diego: A.S. Barnes, 1980. Template:ISBN
- Emery, Robert J., ed. The Directors: In Their Own Words. Vol. 2. New York: TV Books, 1999. Template:ISBN
- Hamm, Theodore. Rebel and a Cause: Caryl Chessman and the Politics of the Death Penalty in Postwar California, 1948–1974. Berkeley, Calif.: University of California Press, 2001. Template:ISBN
- Segaloff, Nat. Hurricane Billy: The Stormy Life and Films of William Friedkin. New York: Morrow, 1990. Template:ISBN
- Stevens, Jr., George, ed. Conversations at the American Film Institute With the Great Moviemakers: The Next Generation. New York: Alfred A. Knopf, 2012. Template:ISBN
- Wakeman, John. World Film Directors, 1945–1985. New York: Wilson, 1988. Template:ISBN
- Walker, Elsie M. and Johnson, David T., eds. Conversations With Directors: An Anthology of Interviews From 'Literature/Film Quarterly'. Lanham, Md.: Scarecrow Press, 2008. Template:ISBN
External links
- Template:IMDb name
- Template:TCMDb name
- Template:IBDB name
- Template:Discogs artist
- "From 'Popeye' Doyle to Puccini: William Friedkin" NPR's Robert Siegel interviews Friedkin, September 14, 2006
- EXCL: Bug Director William Friedkin Template:Webarchive
- The Reeler interview with Friedkin
- William Friedkin papers, Margaret Herrick Library, Academy of Motion Picture Arts and Sciences
- 1935 births
- 2023 deaths
- American television directors
- Best Directing Academy Award winners
- Best Director Golden Globe winners
- Directors Guild of America Award winners
- Officiers of the Ordre des Arts et des Lettres
- American action film directors
- American horror film directors
- Film directors from Illinois
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